Showing posts with label Censorship. Show all posts
Showing posts with label Censorship. Show all posts

26 February 2020

Reading Gérard Bessette on His Hundredth



Not for Every Eye [Le libraire]
Gérard Bessette [trans. Glen Shortliffe] 
Toronto: Macmillan, 1962
98 pages

Yesterday marked the centenary of Gérard Bessette's birth. I spent an hour or so reading this translation of his most celebrated work. A novella – not a novel, as Macmillan claims – it isn't very long.

Bessette's title, Le libraire (The Bookseller), refers to narrator and protagonist Hervé Jodoin. It takes the form of a journal written on Sundays, when the bars are closed. The first entry involves Jodoin's arrival in the fictional Quebec town of Saint Joachim, where he has accepted a job in a bookstore. In truth, it's as much a bookstore as, say, Indigo; the better part of the establishment has been given over to toys, stationary, and religious articles. The book department is in the rear, allowing Jodoin to pass a good portion of the day in a quiet snooze.

Killing time is Jodoin's main occupation. He quickly settles into a routine – "book shop, beer parlour, room; room, book shop, beer parlour." At the end of each workday, he heads for Chez Treffelé, a working class bar where he drinks alone at a table located conveniently near the lavatory. After that – meaning, after the bar closes – Jodoin makes for his rooming house bed.

A crack appears in what Jodoin describes as "the monotony of my life" when the store's proprietor, Léon Chicoine, determines that his new bookseller is a believer in liberty and is a proponent of free thought. Chicoine unlocks a door to what Jodoin had thought was a closet, revealing the "sanctum sanctorum," a small, windowless room lined with books found in the Index Librorum Prohibitorum, and listed by Abbé Bethléem and Père Georges Sagehomme.*


Chicoine demands Jodoin's discretion, and asks him to sell the volumes (at inflated prices) to "serious purchasers." Our hero agrees, and starts off for Chez Treffelé "caressing the innocent notion that perhaps after all I was not yet completely useless, that perhaps my life might have a meaning."

Sadly, Jodoin's new customers fail to give meaning to his life:
They sidle up to me with a conspiratorial air and murmur into my ear the name of some author or book, all this in the same tone of someone asking for a condom or a suppository in a drug store. Others are more evasive still; they shower me with meaningful glances and ask me to recommend "something a little out of the ordinary" or "something with a kick to it."
Jodoin quickly comes to resent the extra work involved in retrieving volumes from the sanctum sanctorum, recognizing most aren't at all interested in liberty and freedom of thought: "If these jokers are looking for an aphrodisiac, they can find more effective ones."

The crack widens and drama begins with a pimply-faced boy he recognizes as a student of the Saint Roch School, "located a couple of miles from the town in open country, in the middle of a vast domain belonging to  a community of clerics who combine the dairy industry with the rearing of young men." The student asks for a volume by Voltaire, and whether "through curiosity or a kind of fellow-feeling produced by nostalgia for my own school days," Jodoin retrieves a copy from the sanctum sanctorum.

Le libraire was first published in Paris because Bessette was unable to find a Quebec publisher. This was in 1960, mere months before the Quiet Revolution began. Within two years, the novel had found a Quebec publisher, and had been translated and published in English.


I received this copy of Not for Every Eye as a gift on my twenty-third birthday. I read it the very same summer. A university student at the time, I used its story, and the story of its publication, in writing papers on the Quiet Revolution.

Much of the revolution took place when I was asleep in a crib.

I have people like Gérard Bessette to thank that it did.
* Researching this piece, I was amused to discover that Georges Sagehomme's Répertoire alphabétique de plus de 7000 auteurs avec leurs ouvrages au nombre de 32000 (romans et pièces de théâtre) qualifiés quant à leur valeur morale (1931), was revised nine times; the last – published twenty-nine years after his death – is Répertoire alphabétique de 16700 auteurs 70000 romans et pièces de théâtre cotés au point de vue moral.
Trivia: There is an actual St-Joachim, Quebec, located roughly thirty kilometres downriver from Quebec City, but it bears no resemblance to the town depicted in Bessette's novel.

More trivia: Adapted by M. Charles Cohen for CBC Television (1963) and CBC Radio (1967). The former starred Jack Creley, Larry Mann, and Barbara Hamilton.

Object: A slim volume consisting of white boards with purple type, as an objet Not for Every Eye is my favourite Macmillan of Canada book. Credit goes to Leslie SmartArnaud Maggs designed the jacket.


Bibliophiles will appreciate the adverts for other Macmillan titles on the back cover. I own three, but have read only one.

Access: The translation may be neglected, but it is not rare. Very Good copies are offered online for as little as ten dollars. I've seen some evidence of a softcover edition that may have been a rebind. It would seem that in 1977 the novella was absorbed into Macmillan's moribund Laurentian Library, though I've yet to encounter a copy. I have, however, seen the 1984 edition, issued by Exile (right). It is still available for purchase.

A second English translation, which I've not read, was published in 1999 by Guernica Editions. Its translator, Steven Urquhart has written a very interesting essay about the need and process:
Retranslating a Quebec Classic
The Urquhart translation is also still in print.

Remarkably, there is a Czech translation, Skandal V Knihkpectvi (Scandal in the Bookstore; Prague: Odeon, 1974). Collectors may be interested in a copy inscribed to Bessette by translator Ea Masnerova on offer from an Oregon bookseller.


Copies of Le libraire are plentiful. The cheapest copy I've seen offered online is going for one Yankee dollar. Few copies of the first edition, published in Paris by Jilliard, are in evidence.

02 July 2019

Getting to Know the Woman Who Did



The Woman Who Did
Grant Allen
Boston: Roberts Bros, 1895
223 pages

The Woman Who Did was the first Grant Allen novel I ever bought. For nearly two decades, it sat on the shelf as I read later Allen purchases – more than a dozen – most of which I've come to consider the better Canadian novels of the nineteenth century. Some, like The British Barbarians and What's Bred in the Bone (winner of the £1000 Tit-Bits Prize!), garnered a fair amount of attention in their day, but none so much as The Woman Who Did. The novel's publication was countered by damning editorials, preaching from the pulpit, and calls for censorship (it was banned in Ireland), all of which helped make it the author's best selling work.

There's no risk in writing that The Woman Who Did continues to receive more attention than Allen's other books – and he published more than fifty. Anyone at all interested in the "New Woman" novel or nineteenth-century feminism will have encountered discussion of the work. References are hard to dodge. The accumulation of tit-bits encountered here and there over the years had me thinking that I knew a  thing or two about The Woman Who Did... and so, I put off reading it. I mean, why bother with this Grant Allen novel when there were dozens more of which I knew nothing at all?  When I finally pulled the book off the shelf last week, I expected no surprises.

The Woman Who Did begins much as I'd imagined. Its heroine, schoolteacher Herminia Barton, is holidaying in Surrey when she's introduced to London lawyer Alan Merrick by a mutual acquaintance:
"You'll like him, Herminia," Mrs. Dewsbury said, nodding. "He's one of your own kind, as dreadful as you are; very free and advanced; a perfect firebrand. In fact, my dear child, I don't know which of you makes my hair stand on end most."
Mrs Dewsbury is spot on in her prediction; not only does Herminia like Alan, the feeling is mutual. The two prove to be kindred spirits, sharing identical opinions on all topics, the foremost of which are the education and emancipation of women.
"They're trying hard enough to develop us intellectually; but morally and socially they want to mew us up just as close as ever. And they won't succeed. The zenana must go. Sooner or later, I'm sure, if you begin by educating women, you must end by emancipating them."
     "So I think too," Alan answered, growing every moment more interested. "And for my part, it's the emancipation, not the mere education, that most appeals to me."
     "Yes, I've always felt that," Herminia went on, letting herself out more freely, for she felt she was face to face with a sympathetic listener. "And for that reason, it's the question of social and moral emancipation that interests me far more than the mere political one, – woman's rights as they call it. Of course I'm a member of all the woman's franchise leagues and everything of that sort, – they can't afford to do without a single friend's name on their lists at present; but the vote is a matter that troubles me little in itself, what I want is to see women made fit to use it. After all, political life fills but a small and unimportant part in our total existence. It's the perpetual pressure of social and ethical restrictions that most weighs down women."
These exchanges test the reader's patience, but not that of the couple caught up in the bloom of new love. The challenge to their relationship comes when, three weeks after Mrs Dewsbury's introduction, Alan proposes marriage. Here, at last, is something on which they don't see eye to eye. Replies Herminia:
"My conscience won't let me. I know what marriage is, from what vile slavery it has sprung; on what unseen horrors for my sister women it is reared and buttressed; by what unholy sacrifices it is sustained, and made possible. I know it has a history. I know its past, I know its present, and I can't embrace it; I can't be untrue to my most sacred beliefs."
Alan tries to convince Herminia that their marriage wouldn't be like others. The ceremony would be a mere formality, and would save them both – her particularly – from scorn, hardship, and martyrdom.


The Woman Who Did is a suggestive title, particularly in the context of the time. But what did Herminia do exactly? From the tit-bits, I knew hers to be the story of a woman who has a child out of wedlock and then dares raise it on her own. And so, I anticipated Alan abandoning our heroine. Early on, the narrator appears to confirm expectations, sharing: "...it adds, to my mind, to the tragedy of Herminia Barton's life that the man for whom she risked and lost everything was never quite worthy of her; and that Herminia to the end not once suspected it." But the man Herminia loves proves loyal to the end.

Short months after what is described as her "bridal evening," Herminia becomes pregnant. Alan convinces her that it would be best to have the child abroad. They travel to Perugia, Italy, where he dies of typhoid. After giving birth to a girl she names Delores, Herminia returns to London intent on raising the child as the first "born into this world as the deliberate result of a free union, contracted on philosophical and ethical principles."


Oh-so-earnest in intent, The Woman Who Did barely skirts silliness, and has some of the worst dialogue I've read in an Allen novel. Still, I found myself caught up in the drama of it all, and grew to admire Alan and Herminia. The tit-bits led me to expect a tragic ending, but it wasn't anything like I anticipated.  The concluding pages were as moving as they were depressing, putting me in a funk that lasted well into this past holiday weekend.

Never have I been affected by so flawed a novel.

Dedication:


Bloomer:
Alan observed almost without observing it that she was gone but for a second. She asked none of that long interval that most women require for the simplest matter of toilet.
Trivia I: Remarkably, The Woman Who Did novel inspired no less than three responses that took the form of novels: Victoria Crosse's The Woman Who Didn't, Mrs Lovett Cameron's The Man Who Didn't, and Lucas Cleeve's The Woman Who Wouldn't, all published in 1895.

As might be expected, Punch weighed in with a parody, "The Woman Who Wouldn't Do," which can be read here courtesy of Allen biographer Peter Morton.

This Punch cartoon is a favourite:


Trivia II: Twice adapted to the silver screen – The Woman Who Did (1915) and Die Frau mit dem schlechten Ruf (1925) – both, sadly, lost. The latter featured Lionel Barrymore as Alan.

Object: A small hardcover. The decorations on the cover and title page are by Aubrey Beardsley. Ten pages of adverts for other "Messrs. Roberts Brothers' Publications" feature at the end. A first American edition, I purchased by copy in 2000 for US$9.99 from a Pennsylvania bookseller. The receipt records that I paid a further three dollars in shipping. Have rates really increased so dramatically?

Access: Common in university libraries, but not in those serving the public. The most recent editions are the 1995 Oxford University Press (above; now out-of-print) and a fine Broadview Press book with critical introduction and a generous gathering of appendices. Edited by Nicholas Ruddick, the latter is recommended.

The novel has been translated into French (Le Roman d'une féministe), German (Die es tat), Yiddish (Di froy velkhe hot es gethon), and twice into Swedish (Hon vågade det and Hennes livs historia).

The first edition is available for download here through the Internet Archive.

Related posts:

05 March 2018

The Pyx Censored!



I spent a couple of hours this past weekend researching John Buell's second novel, Four Days, first published fifty-five years ago by Farrar, Straus & Cudahy. And why not? Buell is one of our finest novelists – Edmund Wilson thought so – but he is also one of our most unjustly neglected. I was honoured to help usher his debut, The Pyx, back into print last year as part of the Ricochet Books series.

The Pyx was roundly praised, enjoyed numerous translations, and was adapted to the screen in a not so bad film starring Christopher Plummer and Karen Black. Four Days too was praised. It has always been in the shadow of Buell's debut, and yet it is the better novel. In fact, Four Days is the author's best novel and is one of the greatest novels set, as least partly, in Montreal.

Why was I researching?

I'll leave you to guess.

An unexpected discovery came from an unlikely source, Anne Montagnes' review of Four Days in the 24 February 1962 edition of the Globe & Mail:
This, Mr. Buell's second novel, is of a texture with his first, The Pyx. Both reveal his careful study of Graham Greene – the concern with outlaw characters, the struggle between good and evil, the ever-narrowing pursuit both spiritual and physical, the compassionate Catholicism that appears before even those who spurn it, the violence, the pity. Unlike Mr. Greene, Mr. Buell writes with an economy of viewpoint and action, a simple unfolding of his story. Furthermore, Mr. Buell is never off-colour, as Mr. Greene sometimes is, making it even stranger that at least one branch of the Toronto Public Library has, because of vociferous complaints, removed The Pyx from its open shelves.
This is the first I'd learned of The Pyx being attacked by the censors... and in Protestant Toronto, no less. Further research uncovered this Letter to the Editor (6 March 1962):


The Toronto Public Library website informs that six copies of the Ricochet Books edition are in circulation. Only one copy of the Farrar, Straus & Cudahy edition survives.

It's reference only.

A coincidence, I'm sure.

Related posts:

01 March 2014

Freedom to Read Week: Selected Salacious Filth Found in a Toronto Controller's Dresser Drawer


David A. Balfour
1889 - 1956
RIP
The joke that is Rob Ford isn't funny anymore, right? We all know where he's heading, the only real question is whether he'll be taking anyone with him. Torontonians, take extra care as you cross at the intersection, a black Cadillac Escalade may be just around the corner. 

No, not that funny at all. That's where Ford breaks with the buffoons of the city's past, my favourite being Controller David Balfour. If the name seems familiar, it may be that you've once strolled through Toronto's David A. Balfour Park.*

Balfour was no friend of parks, once calling for the removal of all flower beds, but his real foe was reds. He saw them everywhere, pressuring both Queen's Park and Ottawa to round up anyone he considered a communist leader. This included aldermen and Hewlett Johnson, Dean of Canterbury, who once dared speak in his city. Reds taught children to spit on the cross, claimed Balfour, adding that Bathurst United Church was a centre of communism. A Catholic, the controller fought Ontario Attorney-General Leslie Blackwell's move to  regulate bingo operators.

When not protecting children from those who would teach them to spit, he was working to shield their eyes and those of their parents from "salacious books" being circulated by lending libraries. Balfour's obsessive focus on "immoral literature" provided many column inches for Globe & Mail City Hall reporter Frank Tumpane. The six on the right come from the 22 March 1947 edition.

Balfour was a great collector of the material he sought to ban, encouraging others in the battle to send filth his way. "I stick them in the top drawer of my dresser," he told council. "I'm ashamed of them."

The controller was short on titles, amassing a lengthy list that he was never  willing to share. However, over the years he did mention five titles, one of which was Jan Peel's The Bed and the Blonde (Toronto: News Stand Library, 1949). I don't have a copy in the top drawer of my dresser, so can't provide a cover image. Here are the rest:

Forever Amber
Kathleen Winsor
New York: Macmillan, 1944
Kitty
Rosamond Marshall
Toronto: Collins White Circle,  1944
Duchess Hotspur
Rosamond Marshall
Toronto: Collins White Circle, 1947
The Flesh is Willing
James Clayford
Toronto: News Stand Library, 1949
A fin de la semaine bonus:

The Globe & Mail, 30 September 1949
* David Balfour is, of course, also the name of the central character in Robert Lewis Stevenson's Kidnapped, which was published just three years before the controller's birth. I'm not certain that this wasn't just a coincidence.

28 February 2014

Freedom to Read Week: Condemned by Coren



How Do You Spell Abducted?
Cherylyn Stacey
Red Deer, AB: Red Deer College Press, 1996

Newspaper columnists don't always write their headlines, but I think Michael Coren had something to do with this one:
TAXES FUND OFFENSIVE CHILDREN'S BOOK ABOUT ABUSIVE FATHER:
Suddenly your dad is no longer a man to be loved or trusted
Published in the 31 July 1996 edition of the Financial Post, the column that followed lit amassing gas beneath the seat of Alberta backbencher Julius Yankowsky, who called for the book to be banned and its publisher's funding to be pulled. The MLA aped the columnist, repeating Coren's assertion that it was "hate literature", all the while acknowledging that he hadn't actually read the thing. After all, How Do You Spell Abducted? is 135 pages long, and some of the words have eight letters. Just look at that title!

A few months later in Books in Canada, Coren reported that the controversy he'd started over Do You Spell Abducted? had been "so much fun" – his words, not mine… as are these:
It begins with bad old Dad, divorced from good old Mum, forcing his way into his ex-wife's bedroom and screaming at her until she weeps. He then kidnaps the kids and they are so terrified they think he might kill them all and then commit suicide.
Well, no.

Dad never forces his way into any room, least of all his ex-wife's bedroom. Mum does indeed weep, which has been known to happen in divorces. Dad leaves with the kids on what is meant to be a vacation, but it soon becomes clear that he has no intention of returning. That stuff about the kids being "so terrified they think he might kill them all and then commit suicide" was fabricated by Coren; it isn't in the book.

Michael Coren is currently employed by the Sun News Network.


Not to be outdone or ignored, in the 19 August 1996 Western Report an anonymous reporter bravely worked to fan dying embers with the claim that "the fictional father threatened to kill or prostitute his progeny". It's a lie, plain and simple, but then the late magazine was never tied to the truth. More crap follows:
Her book features three other men: a crabby oldster, a fat and stupid state trooper and a good Samaritan who has been unjustly denied legal access to his own children.
There is no "crabby oldster" in the novel. The state trooper, girth never mentioned, is pretty sharp. The good Samaritan, named Dusty Andover, is a very fine and generous gentleman. He has never been denied access, legal or otherwise, to his children, though there is estrangement. Dusty's adult offspring – no sexes mentioned – begrudge his having spent their inheritances in fighting their mother's cancer.

How Do You Spell Abducted? is a rotten title, but the book isn't half bad. The characters, particularly the father, are well drawn. The plot is believable, disturbingly so, though the resolution is forced and fantastical.

I can say these things because, you see, I've read the book. I have Michael Coren to thank for bringing it to my attention.


Object: An unattractive trade-size paperback. The cover illustration by Jeff Hitch depicts a scene that does not feature in the novel.

Access:
It will be forgotten before we can say 'bleeding-heart neurotic'.
— Michael Coren, Books in Canada, Oct 1996
Found in most of our larger public libraries. Used copies are cheap, but I encourage anyone considering purchase to buy it new. Yep, How Do You Spell Abducted? is still available. Setting It Right, Michael Coren's book from the same year is long out of print.

26 February 2014

Freedom to Read Week: Eight Men Speak



Freedom to Read Week Hump Day. Have you bought your banned book yet? If not, may I suggest Eight Men Speak? Written in 1933, reissued just last year by University of Ottawa Press, it's not so much a banned book as a banned play once – only once – staged as part of an effort to free Communist Party of Canada leader Tim Buck from Kingston Penitentiary. The Toronto Police didn't approve, nor did their Winnipeg brothers.

The Globe & Mail, May Day, 1934
The Ottawa Citizen, 2 May 1934
Where mail carriers once worked to prevent its spread, today's will happily deliver Eight Men Speak to your door… er, post box.

25 February 2014

Freedom to Read Week: Robertson Davies' Dad Against Censorship (and Misleading Cover Art)


Senator William Rupert Davies
12 September 1879 - 11 March 1967
RIP
For my part, I do not believe this senate has any business at all legislating what I or anyone else should read. This is a free country, and we are not the keepers of our brothers' consciences to that extent. It would be going to far to try to tell adult Canadians what they should read… I think we should have confidence in the rising generation and try not to protect them too much. After all, character is formed by overcoming obstacles and resisting temptation.
— William Rupert Davies, 5 May 1953  

The Globe & Mail, 6 May 1953

Related posts:

24 February 2014

Freedom to Read Week: Catherine Seppala, the Book Burning Mayor of Fort William, Ontario


Catherine Seppala
1907 - 1975
RIP
Day Two of Freedom to Read Week, but I consider this the real beginning.

Welcome to the working week.

Looking over past Freedom to Read Week posts, I see I've written about personal heroes – Jean-Charles Harvey, Irving Layton, Norman Levine, F.R. Scott, and Dana Porter – while casting much more light on villains like Howard Burrell, Len Wynn, Raoul Mercier, Premier Maurice Duplessis, Fr. Harrigan, Col. Colin Harding, Sgt. John Watson, Det.-Lt. Lucien Quintal, and the forbidden books card catalogue of Lt.-Col. (Ret'd) John Merner.*

It probably doesn't reflect well on me that I focus so much on those who seek to suppress… and here I am doing it again with Catherine Seppala, once Mayor of Fort William, Ontario.

There's a good deal to admire about Mrs Seppala: she was a conservationist, a dedicated volunteer, a city councillor and Chair of Fort William's carnival queen contest.

The News-Courier (Charleston, SC) 10 January 1956
In 1959, she was elected Fort William's first and only female mayor. Sadly, the accomplishment is marred by abuse of power. It all began when the newly elected mayor visited the offices of the Central News Company and "suggested" to manager Henry Batho that he remove all copies of Lady Chatterley's Lover from city news stands. So persuasive was Mrs Seppala that Mr Bathos not only removed the book from sale, but received permission to use the city's incinerator in burning all seven hundred or so copies.

The Globe & Mail, 13 October 1959
Mr Bathos later told The Globe & Mail that he had feared a lawsuit. The same report has Mayor Seppela admitting that she hadn't actually read the Lady Chatterley's Lover, but she fully intended to one day. Ignorance in no way prevented her from deeming the novel as "a dirty rotten piece of filth", "the dirtiest thing ever put into print." "I will not hesitate to enforce a ban", she warned.

Condemnation followed, the most noteworthy coming in not one but two Globe & Mail editorials. Here's the second, published 14 October 1959:

(cliquez pour agrandir)
And then there were the letters; so many that I offer but a sampling:

The Globe & Mail, 7 October 1959
The Globe & Mail, 19 October 1959
The Globe & Mail, 27 October 1959
Mrs Seppala seems to have been undaunted, mailing a copy of Lady Chatterley's Lover to Minister of Justice Davie Fulton and asking whether he considered it obscene. Minister Fulton's response was to remind the mayor that her local police had the ability to launch test cases against publications they believed to be prohibited under the Criminal Code.

How far Mayor Seppala was willing to go is anyone's guess. A few months into the crusade she was struck by ill health, which in turn led to her resigning the mayoralty.

The Globe & Mail, 7 October 1959
Anyone wishing an opinion as to whether a book might be obscene is invited to mail same to my St Marys address. And, no, you can't have it back.

* No light will be cast on Barrick Gold Corp. I rush to add that Peter Munk, Anthony Munk, Howard L. Beck, William Birchall, Jamie C. Sokalsky and Brian Mulroney are mighty fine people. Really.

Related post:

03 June 2013

Funny Money and Legal Tender



Colby Cosh is right, I should really be paying attention to last week's court ruling about the Conservative Party database being used in voter suppression. It's just that the mass of Mike Duffy has so much pull. The fall of "Old Duff" – a term of endearment I've heard from his mouth but no other – mixes Leacockian whimsy with black humour and conspiracy worthy of a Richard Condon novel. Each day a new chapter.


Given all the excitement, our overtaxed journalists can be forgiven for having paid so little attention to the Bank of Canada's attempt to suppress the image above. The work of cartoonist Dan Murphy, I thought it silly fun, until I read this email he received from a bank employee:

(cliquez pour agrandir)
Good morning to you, too!

I dare say that Ms Jenkins' claim would not stand up in court. But don't take my word for it, look instead to Ariel Katz of the University of Toronto's School of Law.

There's not much I can add to Prof Katz's observation, except to say that Senior Analyst Jenkins is not so senior that she can remember 2006, when Ralph Bucks began appearing on the streets of Calgary, Edmonton and Red Deer.


The Alberta currency was just another example of a Canadian tradition that stretches back at least half a century.



If Ms Jenkins is correct, even the old Progressive Conservative Party ran afoul of the law.



My favourite of all these faux bills is that 80¢ True Dough. I grabbed the image "Copyright: Unknown" from the Library and Archives Canada website. Ms Jenkins may wish to send them a letter. Better yet, why not visit? The LAC is just across the street from the Bank of Canada, located conveniently next to the Supreme Court.