Showing posts with label Metcalf. Show all posts
Showing posts with label Metcalf. Show all posts

08 January 2024

Canadian Notes & Queries at 114, Véhicule Press at 50, and a Few Favourite Forthcoming Things



A few days into the year and already a new issue of Canadian Notes & Queries. This one – number 114! – features writing by:
Noelle Allen
Tamara Faith Berger
Brian Bethune
Mark Bourrie
Randy Boyagoda
Kate Cayley
Steacy Easton
Alex Good
Brett Josef Grubisic
Canista Lubrin
Ian McGillis
Emily Mernin
John Metcalf
Vanessa Stauffer

As always, the cover is by Seth.

I contribute 'Véhicule Press at Fifty,' an interview with publishers Simon Dardick and Nancy Marrelli. Together we discuss the history and future of the press through ten key titles, beginning with the very first: Bob McGee's Three Sonnets & Fast Drawings

Subscribers also receive the latest issue – number 5! –of The Bibliophile. Just look at the goodness it offers:


So, why not subscribe!

Here's the link.

30 November 2023

Celebrating John Metcalf at 85


This past Saturday, I joined a pubfull of people – yes, a pubfull – in downtown Ottawa to celebrate John Metcalf's 85th birthday. It was a glorious event with David O'Meara serving as host and Biblioasis publisher Dan Wells as MC. The fête began with Lisa Alward reading from 'Cocktail,' the title story of her newly published debut collection. Mark Anthony Jarman followed with 'Burn Man on a Texas Porch' from Burn Man: Selected Stories, also newly published. We were then treated to two passages from 'A Pearl of Great Price,' a new story by the man himself.

'Happy Birthday' was sung. There was cake!


What with Covid and geography, it had been some time since I'd last seen John Metcalf. I brought The Museum at the End of the World (2016) and The Worst Truth (2022) for him to sign. The latter is a 61-page review of David Staines' A History of Canadian Fiction, a book I myself had read for the Dorchester Review. 'What Is A Canadian Fiction?', the title of my much shorter review is a nod to John's What Is A Canadian Literature (1988).


We exchanged observations and opinions as members of a very small number who had actually read Prof Staines' latest.

At $126.95, I don't expect I'll meet another. 


The Worst Truth: Regarding A History of Canadian Fiction by David Staines can be purchased for eight dollars through this link. 'A Pearl of Great Price' is now available as the ninth number in the Biblioasis Short Fiction Series. Limited to one hundred numbered and signed copies, it is a thing of uncommon beauty.


18 July 2022

What Is a Canadian Fiction?


Several months ago, The Dorchester Review asked me to review David Staines' A History of Canadian Fiction.

Who am I to turn down an invitation.

Professor Staines' book was read at great sacrifice. Going through its 304 pages I ignored Stephen Henighan, a favourite critic, who shared his opinion of A History of Canadian Fiction in the pages of the Times Literary Supplement. A blind eye was turned to Stephen W. Beattie, another favourite, who reviewed the book for the Quill & Quire.

After submitting my review I read the two Stephens, sat back, and watched for more. I was more than rewarded with John Metcalf's newly published The Worst Truth: Regarding A History of Canadian Fiction by David Staines (Windsor: Biblioasis, 2022).

The Worst Truth quotes Henighan's TLS review, in which he makes this criticism of Staines:
He provides a useful introduction to Inuit literary culture, paying the 39,000 native speakers of Inuktituk an attention he denies to Canada's 7.3 million native speakers of French.
Well, the Spring/Summer Dorchester Review has now landed, bringing with it my review of Professor Staines' history, some of which adds to Henighan's observation:

How is it that a book titled A History of Canadian Fiction would exclude work written in French? Remarkably, Staines does not address this issue. In fact, he doesn’t so much as recognize the existence of Canadian fiction written in French. Of the hundreds of writers of fiction named in this book, we find two French names: Roger Lemelin and Gabrielle Roy. They first feature in a short list of “important people” who were once interviewed by Mavis Gallant and reappear as in another list of writers whose fiction Mordecai Richler had read. Roy’s name is in a third list, this of writers with whom Sandra Birdsell corresponded. 
     And that’s it. 
     The only mention of a work written in French appears in a nine-page "Chronology of historical, cultural, and literary events" that precedes the text itself. Next to the year 1632, we find: “Jesuit Relations, an annual, begins and continues until 1673.” But of course, they weren’t the “Jesuit Relations,” they were the Relations des jésuites.

More in The Dorchester Review.

And I have even more to say.

Invitations accepted.

04 July 2022

A Forgotten Novelist's Hidden Debut



Joan Suter was thirty-seven when her first novel, East of Temple Bar, was published. She'd begun her working life as a fashion illustrator, then headed for Fleet Street, east of Temple Bar, where she found employment as an editor for Amalgamated Press and the George Newes Firm. Suter also wrote short stories under the name "Leonie Mason," which led to some confusion when the London Daily Herald (18 August 1938) reported on the marriage of "Miss Leonie Mason who writes fiction under the name of Joan Suter" to journalist Ogilvie "Punch" MacKenzie Kerr.

London Daily Herald, 18 August 1938
According to the Daily Herald, the wedding followed "a romance of 14 days, which began when they met in a darts match."

Sadly, by the time East of Temple Bar was published, Joan and Punch were no more. She had yet to divorce, but had already met second husband James Walker, a major in the 12th Canadian Tank Regiment. They married in Toronto on 20 September 1946. From that point onwards she wrote as "Joan Walker," and erased East of Temple Bar and her Leonie Mason fiction from her bibliography.

I was on a bit of a Walker tear earlier this year, reading and reviewing her novels Murder by Accident (1947) and Repent at Leisure (1957). In April, I spoke about the author with Dick Bourgeois-Doyle on his Canus Humorus podcast.


I review East of Temple Bar in the new issue of Canadian Notes & Queries. The exercise brought to mind my work on A Gentleman of Pleasure, a biography of self-described "great practitioner of deceit" John Glassco.  

Speaking of Glassco, Carmine Starnino's The Essential John Glassco (Porcupine's Quill) is one of the three reissues I chose for the What's Old feature; No Crystal Stair by Mairuth Sarsfield (Linda Leith Publishing) and The Tangled Miracle by Bertram Brooker (Invisible Publishing) are the two others.

All three belong on your bookshelves.


Invisible, let me know what you're up to!

As always, Seth provides the cover. The Landscape, his regular feature, concerns the long-dead Montreal Standard's magazine supplement.

Margaret Atwood looks at the the short stories of Clark Blaise.

Other contributors include:
Marc Allen
Barry Baldwin
Elaine Coburn
Robert Colman
Jeffery Donaldson
sophie anne edwards
Sadie Graham
Brett Josef Grunisic
Tom Halford
Rhiannon Ng Cheng Hin
Kate Kennedy
Marius Kociejowski
Kim Johntone
Robin Mackay
David Mason
Dominik Parisien
and 
Alice Petersen
Jean Marc Ah-sen interviews Dimitri Nasrallah.

Megan Durnford interviews Céline Huyghbaert.

Sindu Sivayogan adapts Shyam Saladurai's Cinnamon Gardens.

As always, the last page belongs to Stephen Fowler, who serves up Melva E Adams' Marshmallow Magic. Self-published in 1978, it belongs in every Canadian kitchen.


Subscribers receive John Metcalf's The Worst Truth: Regarding A History of Canadian Fiction by David Staines.

Sixty-one pages in length, I read it in one sitting.


Subscriptions to Canadian Notes & Queries can be purchased through this link.

My review of Prof Staines' history was written for another magazine.

It's coming.


30 January 2021

Erring on The Terror of the Tar Sands



A 1968 children's book, one of the most obscure novels I've read since beginning the Dusty Bookcase, The Terror of the Tar Sands came under fire at the 2012 International Symposium on the History of the Oil and Gas Industry.

I was not invited.

The criticism originated with oil historian Joyce Hunt, who took issue with the use of "tar sands" in its title:
Contemporary rhetoric creates fear in the minds of those unfamiliar with today’s vital energy industry as it puts on hold construction jobs and the economic hopes of thousands. The media and those opposing oil sands development constantly refer to Alberta’s oil sands as tar sands, a technically incorrect term.
Does that not seem a bit unfair? After all, "oil sands" is also technically incorrect. And let's not forget that "tar sands" was used for decades by the industry itself. Still is:


Hell, I grew up with ads for the tar sands, like his one, which featured in the 31 October 1977 issue of Maclean's:

cliquez pour agrandir

(Am I alone in thinking that a sitting MLA shouldn't be on Syncrude's payroll, never mind serve on its Management Committee?)

I'm not a fan of The Terror of the Tar Sands either, but my criticism has nothing to do with the title. You can read all about it in the new issue of Canadian Notes & Queries. My copy arrived today. You're a subscriber, right? If not, here's some of what you're missing, beginning with this cover by Seth:


Dan Wells' Publisher's Note introduces a new series, Shelf Talkers, bringing together recommendations from independent booksellers (among them, my old friend Ben McNally).


Rod Moody-Corbett writes on Percy Janes, whose House of Hate is both one of this country's most controversial and most neglected novels. Only in Canada is such a thing possible.


We have a fable from Pauline Holdstock and a short story by Shaena Lambert.


Bruce Whiteman contributes a memoir.


Other contributors include:
Ho Che Anderson
Michel Basilières
Steven W Beattie
Juliane Okot Bitek
Andreae Callanan
Laura Cameron
Sally Cooper
Steacy Easton
André Forget
Alex Good
Brett Josef Grubisic
Tom Halford
Jeremy Luke Hill
Mikka Jacobsen
River Kozhar
Allison LaSorda
David Mason
John Metcalf
James Grainger Morgan
Nick Mount
Shane Neilson
Rudrapriya Rathore
Patricia Robertson
Mark Sampson
Richard Sanger
Souvankham Thammavongsa
Phoebe Wang 
It all ends on page 88 with Stephen Fowler's remarks on this book:


But wait, what's this?

The same envelope containing the latest CNQ brought the very first issue of Bibliophile, which features the latest news from CNQ mothership Biblioasis. 


Subscriptions to Canadian Notes & Queries can be got through this link.

One last thing: It was through reading The Terror of the Tar Sands that I first learned of Project Cauldron, a 1958 proposal which would have seen nuclear bombs used to separate bitumen from the sands. Why were we not taught this in school? After reading up on it all, this illustration from The Terror of the Tar Sands doesn't seem so insane.


17 January 2019

A Novel Every Bit as Good as Its Title



The Fiftieth Anniversary Issue of Canadian Notes & Queries arrived in my mailbox this week. I should've received it last month. I blame Deepak Chopra – not the Ageless Body Timeless Mind Deepak Chopra, this one.

Being the Fiftieth Anniversary Issue, much of the focus is on books from 1968:
Les Manuscrits de Pauline Archange - Marie-Claire Blais
Sarah Bastard's Notebook - Marian Engel
I Am Mary Dunne - Brian Moore
The Shattered Plinths - Irving Layton
John Metcalf writes on the short story "Images" from Dance of the Happy Shades, Alice Munro's debut. Not to be outdone, I chose to review A Lover More Condoling, the first novel by then-Take 30 co-host Adrienne Clarkson. Despite her fame, it enjoyed one lone printing, and never appeared in paperback. As I note in my review, the novel isn't so much as mentioned in Heart Matters, Clarkson's 2006 memoir.


Might A Lover More Condoling be a forgotten treasure? Not wanting to spoil things, I'll say only that it has the most memorable sex scene I've read since Donna Steinberg's I Lost it All in Montreal.

Other contributors include:
Randy Boyagoda
Andreae Callanan
Scott Chantler
Paige Cooper
Trevor Corkum
Kayla Czaga
Rachel Décoste
Daniel Donaldson
Antony Easton
Jesse Eckerlin
André Forget
Stephen Fowler
Alex Good
James Grainger
Benjamin Hertwig
Doyali Islam
Tasneem Jamal
Anita Lehey
Sibyl Lamb
Tracey Lindberg
Rabindranath Maharaj
Rohan Maitzen
David Mason
Patricia Robertson
Mary H. Aurbach Rykov
Seth
JC Sutcliffe
Vit Wagner
Bruce Whiteman
Martha Wilson
The fifty-first year sees CNQ striking out in a new direction. "We decided a radical expansion of our reviewer estate was necessary given ever-shrinking critical space the nation's newspapers, online journals, and periodicals," writes editor Emily Donaldson.


And so, we have the very first CNQ book review supplement, with contributions by:
Michael Barrett
Michel Basilières
Stephen Beattie
Jeremiah Bertram
Jeff Bursey
Kerry Clare
Allison Gillmor
Monique Giroux
Alex Good
Brett Joseph Grubisic
Stephen Henighan
Amanda Jernigan
Tess Liem
Domenica Martinello
Dilia Narduzzi
Ruprapriya Rathmore
Mark Sampson
Sarah Tolmie
Jonathan Valelly
Derek Webster
Jared Young
If you haven't already, now seems just the time to become a subscriber... easily done through this link.

The Canada Post carrier who delivered this magazine to our rural mailbox chose not to fold it.

She is not paid enough.

Related posts:

22 February 2018

Not to Be Confused with Bust Planet



The new issue of Canadian Notes & Queries has arrived, bringing with it my long promised review of W.E.D. Ross's Lust Planet (1962), Canada's very first work of science fiction erotica. I found the novel every bit as good as expected.

Collectors of Canadian literature are advised to pick up this France' Book – oddly-named imprint of Hollywood's International Publications – while they still can. As I write, I see just one copy listed for sale online. To those requiring further enticement, I offer this: something I neglected to mention in the review is that Lust Planet features three intriguing illustrations. Intriguing because they have no connection at all with the text.


The other two are even better.

As I say, get it while you can. Better yet, subscribe to CNQ... easily done through this link at the magazine's website.

This issue's contributors include:
Madhur Anand
Jason Dickson
Jesse Eckerlin
André Forget
Cecil Foster
Stephen Fowler
Alex Good
Dominic Hardy
Ann Ireland
Penn Javdan
Samuel Johnson
Colette Maitland
Dominic Martinello
David Mason
Dakota McFadzean
Rebecca Rosenblum
Kate Sherren
JC Sutcliffe
Derek Webster
Bruce Whiteman

In addition to the cover and design, Seth reflects on CANADA official handbooks of days gone by (including this one): "I find these books fascinating, in a doctor's office kind of way. They have a sort of sublime dullness about them. A quality hard to put into words. Pleasing. Comforting. Sleep-inducing."

Editor Emily Donaldson not only put the whole thing together, she contributed a review of  David Chariandy's Brother.

This issue marks the second time I've shared pages with John Metcalf. Friends will recognize how much this means to me. Coincidentally, it was through John that I first learned of W.E.D. Ross.


Related post:

02 February 2016

Of War, Peace and Montreal's Writers' Chapel



It seems 2016 has barely begun and yet the year's first issue of Canadian Notes & Queries has already landed. The ninety-fourth, it's the first under the editorship of Emily Donaldson.

My fellow contributors will understand, I hope, when I write that my favourite piece is "My Heart is Broken", a talk delivered by John Metcalf at the unveiling of a memorial plaque to Mavis Gallant at Montreal's Writer's Chapel this past autumn. Ian McGillis provides a companion piece on the venue, its history and the group behind the whole thing.*

Others featured in the issue include:
André Alexis
Heather Birrell
Michael Cho
Jason Dickson
Beth Follett
Douglas Glover
David Godkin
Anita Lahey
David Mason
Michael Prior
Seth
Bruce Whiteman
In my own contribution – another Dusty Bookcase on paper – I make the case for There Are Victories (New York: Covici Friede, 1933), an ambitious, unconventional and next to unobtainable novel by Charles Yale Harrison. Sharp students of Canadian literature will make a link with his Generals Die in Bed (New York: Morrow, 1930), Harrison's first work of fiction, inspired by his experiences in the Great War.


There Are Victories is not a war novel, though I've seen it described as such. The conflict figures only in that a third of the way in the protagonist, Montrealer Ruth Courtney, marries a man who disappears for a time to fight in Europe. He returns damaged, violent, prone to rape, and drawn more than ever to prostitutes. Ruth escapes to Manhattan, where she finds comfort in the arms of another man. He's better only in comparison.

As I write in the piece, There Are Victories is the sort glorious failure that is worthy of attention.

May you be so blessed as to come across a copy.
* Full disclosure: I'm a member of that self-same group.
Related posts:


02 October 2015

Mavis Gallant Memorial Plaque



Cast earlier today at Alloy Foundry in Merrickville, Ontario, a plaque honouring the great short story writer Mavis Gallant. Next Friday,  October 9th, will see its installation at Montreal's Writers' ChapelSt James the Apostle Anglican Church.

John Metcalf and Claudine Gélinas-Faucher will be speaking.

The Venerable Linda Borden Taylor will officiate.

All are welcome.

Friday, 9 October 2015, 6 p.m.

Church of St James the Apostle
1439 St Catherine Street West (Bishop Street entrance)
Montreal

A wine and cheese reception will follow.

 Join us in celebrating the life and work of this great writer!


Related posts:

10 December 2013

Bilious, Bitchy and Bedevilled by Spite? Not at All.



Just in time for Christmas, the new Canadian Notes & Queries is here. Seth provides the cover, along with a short tribute to the Maclean's illustrated cover. The magazine switched to photographs before I came along, but old issues lingered in our home. The 10 January 1952 cover by Oscar Cahén was a favourite. I think of it each dying year as winter moves in.


Here I am getting all nostalgic.

John Metcalf, not Maclean's, is the focus of this CNQ. Contributors include Caroline Adderson, Mike Barnes, Clarke Blaise, Michael Darling, Alex Good, Jeet Heer, Kim Jernigan, David Mason and Dan Wells. Cartoonist David Collier gives us a two-page adaptation of Going Down Slow. Roy MacSkimming, Christopher Moore and Nick Mount have interviews with the man, while I praise Metcalf's invigorating, irreverent Bumper Books.


But wait, there's more: a new short story from Kathy Page, four poems by Jim Johnston, along with reviews from Steven W. Beattie, Kerry Clare, Emily Donaldson and Bruce Whiteman.


I think all contributors will forgive and understand that my favourite thing about the issue is the collectable. A numbered, limited edition chapbook containing a new John Metcalf story, it's available only to subscribers.

And subscriptions are only $20.

And they make a great Christmas gift.

Here's how to order.

A bonus:

(cliquez pour agrandir)
The back cover of Carry On Bumping (Toronto: ECW, 1988).

Now, that's how you sell a book.

26 August 2012

Recognizing Norman Levine



The new issue of Canadian Notes & Queries landed in my mail box on Friday – a few days late owing, I suspect, to an ill-tempered sorting machine.


My heart sank... until I discovered that everything had arrived intact. Now I boast: "officially repaired". How special is that!

I always look forward to Canadian Notes & Queries, but this issue was more eagerly anticipated than most. Its focus is Norman Levine, a writer who has never received anything close to the attention he deserves. Happily, this issue goes some way in redressing the deficit, with:

"Kaddish (A Sketch Towards a Portrait of Norman Levine)"
by John Metcalf
"All the Heart is in the Things: Mapping Levine-land" by Cynthia Flood
"Chasing Norman: A Book-collector's Memoir" by Philip Fernandez
"Remembering Norman Forgetting" by T.F. Rigelhof
"Fiction, Faction, Autobiography: Norman Levine at McGill University, 1946-1949" by Robert H. Michel
and
Ethan Rilly's adaptation of Canada Made Me, episode six in his "The North Wing: Selections from the Lost Library of CanLit Graphic Novels"

Much more modest, my contribution covers correspondence between Levine, Jack McClelland and Putnum's John Huntington relating to Canada Made Me.

Further riches are found in a new short story by Lynn Coady, poetry by Mathew Henderson and a piece of creative non-fiction by my old pal Andrew Steinmetz.

You'll also find my review of Fraser Sutherland's Lost Passport: The Life and Words of Edward Lacey.


And finally, there's this issue's limited edition collectable, Signal to Noise, an excerpt from C.P. Boyko's forthcoming collection Psychology and Other Stories.


My copy is number 159.

The collectables are only for those with subscriptions.

You know you want one.

Here's the link.

29 October 2010

Limited Time, Limited Editions (6/6)

General Ludd
John Metcalf
Downsview, Ontario: ECW, 1980

Bought nearly a quarter century ago, it turns out that this, not No Man's Meat, was the first signed and numbered edition in my collection. That General Ludd was overlooked is understandable, I think; there's no real indication that this book is in any way unusual. What we have here is John Metcalf's signature, with a number in the upper right hand corner. This latter feature caused considerable confusion when it was purchased. No, not the price, but the number: 45 of 100 copies. Or was it 50 copies?

As I say, nearly a quarter century ago.

At the time I was a student at Concordia, the model for the novel's St. Xavier University. I'd been on a tear through Metcalf's writing after having being introduced to it by Harry Hill. Goodness, I miss Harry. A wonderful teacher, he features briefly – too briefly – in Metcalf's Shut Up He Explained (Biblioasis, 2007); all to do with "cottaging":
I'd heard the word used by the late Harry Hill, actor and raconteur, in one of his scabrous anecdotes involving a power failure in the lavatory of the Montreal Voyageur Bus terminal at Berri-de Montigny and the loss of his partial plate.
The binding of this General Ludd is by The Porcupine's Quill. I'm a great fan of the press – it has produced some of the finest and finest looking small press books this country has seen – but this design seems deathly dull; quite the opposite of the novel itself.


A quarter century ago.

That confusion at the cash took place in the Double Hook. Also gone.


The ladies of the Double Hook were wonderful booksellers, unlike these folks:


Not the limited edition, mind you, but the paperback. It's a new, unread book that is typical of used books and just might have some notes or highlighting. Oh, it might also be an ex-library book. Still, you'll be surprised. Just remember, it's a new, unread, used book.

This can be yours for only US$102.76 (shipping included!).