Showing posts with label Montrose. Show all posts
Showing posts with label Montrose. Show all posts

18 July 2023

The Body on Mount Royal: The Audiobook



Summertime and the listenin' is easy. What better time to enjoy David Montrose's The Body on Mount Royal, the very first Ricochet audiobook. Newly released, it features the complete text, along with Kevin Burton Smith's forward. Reader Tim Machin gives voice to hero and narrator Russell Teed. 

The moment I heard Tim's voice I knew we had our man.

You can find it at Audible, Audiobooks Now, Kobo, and other audiobook sources.

The book itself is available at the very best bookstores. It can be ordered online through the usual vendors, but I suggest going through this link to the publisher's website.

19 June 2023

Véhicule Press: Ten for Fifty



Véhicule Press celebrated its fiftieth anniversary this past weekend. One of eight people invited to speak at the celebration, I kept kept my comments short, but only because Mark Abley, who co-hosted the evening with Nyla Matuk, threatened hook and hammer if I went over my allotted time. I left the stage unscathed by channelling Big Star... as opposed to, say, Emerson, Lake and Palmer.

Fifty years is a remarkable achievement, particularly in this country. The press has survived while others, large and small have ceased or been absorbed by foreign multinationals. I'm proud to have played a small role in its history.

For you bibliophiles, I've have put together a list of ten old favourite Véhicule Press books from my collection:

Yellow-Wolf and Other Tales of the Saint Lawrence [Divers]
Philippe-Joseph Aubert de Gaspé [trans Jane Brierly]
1998

Jane Briery translated the complete published oeuvres of Philippe-Joseph Aubert de Gaspé, beginning with Les Anciens Canadiens (Canadians of Old), one of this country's most translated works. The last, Yellow-Wolf and Other Tales of the Saint Lawrence, received a Governor General's Award for Translation. 

Veiled Countries/Lives
Marie-Claire Blais [trans Michael Harris]
1984

Marie-Claire Blais is my favourite Québécoise writer. To think that we've both been published by the same press!

Comprising Pays voilés (1963) and Existences (1967), this volume is the only translation of her poems. 

The Crow's Vow
Susan Briscoe
2010

The poet's only book. How I looked forward to her next.

It was not to be.

A wonderful friend and a beautiful soul.

Neons in the Night
Lucien Francoeur [trans Susanne de Lotbinière-Harwood]
1980

The oldest Véhicule Press book in my collection. Francoeur inscribed it to "Joe," describing a 1981 John Abbott College class as "wild and crazy." I was a John Abbott student at the time, but do not remember his visit. If memory serves, I purchased my copy at Aeroplane, a basement-level book and record store on Sherbrooke Street in NDG. 

The Heat Accepts It All: Selected Letters of John Glassco
John Glassco
2013

A Gentleman of Pleasure, my biography of Glassco, was the culmination of seven years' work. The Heart Accepts It All was edited in its wake. Credit goes to Carmine Starnino for proposing this book. For a time, I thought of it as my farewell to things Glassco, but I now realize I was just taking a breather.


Dr. Delicious: Memoirs of a Life in CanLit
Robert Lecker
2006

Best to leave the description of this book to the author:
The idea of being Dr. Delicious instead of plain old Professor Lecker made me think about the kind of writing I would have done if I was really the tasty version of myself. Professor Lecker would be reluctant to tell stories about his own life. He would resist the temptation to make his life in Canadian literature personal. He would not gossip. He would write scholarly articles and books that no one would read. But Dr. Delicious would lead a completely different life. He would delight in his classroom experiences. He would take liberties with his life story. He would talk about the ups and downs of being a Canadian publisher. He could bring in music, painting, hypochondria, malt whisky, deranged students, government grants, questionable authors, bank debt, termite infestations, a teaching stint in Brazil, lawsuits, the pleasures of hot-sauce. He would write about his passions, his failures, how the whole business of CanLit drove him crazy, lost him sleep, drove him on.
Stepping Out: The Golden Age of Montreal Night Clubs
Nancy Marrelli
2004

Hello Montreal! Stepping Out covers thirty years – 1925 to 1955 – during which Montreal's night clubs presented the finest jazz musicians, crooners, and burlesque acts in North America. Oh, the photos!

Remember the scene in The Great Gatsby when Nick suggests Gatsby lie low in Montreal? This is the city he had in mind.

David Montrose [Charles Ross Graham]
2010

A second sentimental favourite, The Crime on Cote des Neiges was the first title in the Ricochet series. Sixteen have followed. I'm most proud of the John Buell reissues – The Pyx and Four Days  but this stands as one of this country's three best private dick novels

Remarkably, after all these years, Montrose/Graham remains a mystery. For all my efforts, I've yet to find a single person who so much as remembers meeting the man.

Wardlife:
The Apprenticeship of a Young Writer as a Hospital Clerk
Andrew Steinmetz
1999

Another book by a friend. I first met Andrew in the summer of '85 at Station Ten, which I maintain was the smokiest of all Montreal night clubs. My eyes still sting. Andrew was then a member of Weather Permitting. We two were young pups, each imagining that we might one day produce a book. Andrew was the first to realize the dream. As much a fan of his writing as I was of Weather Permitting. 

Lasting Impressions:
A Short History of English Publishing in Quebec
Bruce Whiteman
1998

Short and bitter sweet, Bruce Whiteman's history of English publishing is an invaluable resource. Véhicule Press figures. How could it not?

It's only in writing this that I realize Lasting Impressions was published a quarter-century before last weekend's half-century celebration.

Here's to the next fifty!

Related posts:

12 December 2016

The Year's Best Books in Review – A.D. 2016; Featuring Three Titles Deserving Resurrection



Still more than two weeks left in the year, but not too early for this list. Given my schedule these days, I know the book I'm reading right now will be the last finished before the ball drops in Times Square. I also know that it won't make the grade.

What's the book? I'll let that remain a mystery, though the sharp-eyed will spot it amongst other 2016 reads pictured above.

This year, I reviewed twenty-seven books – here and in the pages of Canadian Notes & Queries. That's just three more than in 2015, and yet I had a much harder time deciding on the three most deserving of a return to print. These are they:

The Midnight Queen
May Agnes Fleming

Who'd have thought this 19th-century novel of the Plague Year, would be such good fun. It's a fast-paced, crazy ride featuring a masked medium, a killer dwarf, long-lost siblings, and highwaymen and whores playing at being aristocrats. It's also quite well written.

There Are Victories
Charles Yale Harrison

An ambitious, daring novel by the man who gave us Generals Die in Bed. Set in Montreal and New York, this isn't a war novel, though it does deal with its devastating effects. Flawed, but brilliant, the novel's scarcity adds to the need for reissue.

For My Country [Pour la patrie: roman du XXe siecle]
Jules-Paul Tardivel

In this 1895 novel, Satan looks to secure his hold on the Dominion of Canada, only to be thwarted by divine intervention and something resembling a fax machine. The original French remains in print, but not this 1975 translation by Sheila Fischman.


Regular readers know that nearly every Margaret Millar I read is recommended for republication. This year, I read only one of the Grand Master's novels: Do Evil in Return. It would've made the list had it not been announced for republication as part of Syndicate Books' Complete Margaret Millar. Look for it in March.


Three books reviewed here this year are currently in print:

The Man from Glengarry
Ralph Connor [pseud. Charles W. Gordon]
Toronto: McClelland & Stewart, 2009
Olive Pratt Raynor [pseud. Grant Allen]
Peterborough, ON: Broadview, 2003
The Cashier [Alexandre Chenevert]
Gabrielle Roy [trans. Harry Binsse]
Toronto: McClelland & Stewart, 2010
I helped usher two titles back into print this year, both as part of Véhicule's Ricochet Books series:

Gambling With Fire
David Montrose
[Charles Ross Graham]

The fourth and final David Montrose novel. Here private investigator Russell Teed, hero of the first three, is replaced by the displaced Franz Loebek, a once wealthy Austrian aristocrat caught up in Montreal's illegal gambling racket.
The Keys of My Prison
Frances Shelley Wees

In the 2015 edition of the Year's Best Books in Review I made reference to a book I was hoping to revive. "If successful, it'll be back in print by this time next year," I wrote. The Keys of My Prison is that book. A novel of domestic suspense set in Toronto, it should appeal to fans of Margaret Millar...


And on that note, as might be expected, praise this year goes to New York's Syndicate Books for The Complete Margaret Millar. The Master at Her Zenith  and Legendary Novels of Suspense, the first two volumes in the seven-volume set are now housed in the bookcase. The next, The Tom Aragon Novels, is scheduled for release on the tenth of January.


Great way to start the new year.

Related posts:

17 October 2016

A List of Montreal's Post-War Pulps: Second Shot



Late last month, I was interviewed by CULT MTL for their cover story on Montreal pulp and the Ricochet Books series. The issue arrived on the stands last week. Since then, I've been contacted by a number of people wanting a list of Montreal's post-war pulps. The only one of which I knew was this 2014 list made for my Canadian Notes & Queries column. I think it has stood the test of time – two years, anyway – but am now wondering whether it shouldn't be expanded.

All depends on one's definition of "post-war," really. For the purposes of the column, I chose the ten years that followed the August 1945 armistice – though, truth be told, I see the period as ending in 1960. Am I wrong? Americans tend to agree... much to do with Kennedy's victory and that torch being passed to a new generation, I expect. Across the pond, certain cousins maintain that it all ended in 1979 when Thatcher moved into 10 Downing Street.

And then a great darkness set in.

This revised list covers pulps set in Montreal and published between the armistice and the end of 1960, the last day of the farthing. Links are provided for my reviews of each. Titles that have been revived as part of the Ricochet Books series are indicated with asterisks.

The House on Craig Street
Ronald J. Cooke
Winnipeg: Harlequin, 1949 

The first novel by magazine writer and editor Cooke, The House on Craig Street is about a kid who thinks he'll make a killing in the advertising game. He does, though this real passion is literature.

Love is a Long Shot
Alice K. Doherty [pseud. Ted Allan]
Toronto: News Stand Library, 1949

Allan's second novel – after the recently rereleased This Time a Better Earth – Love is a Long Shot is notable for containing the most disturbing scene in Canadian literature. I've written this before. I'll write it again. It haunts.

Sugar-Puss on Dorchester Street*
Al Palmer
Toronto: News Stand Library, 1949

Newspaperman Palmer's only foray into fiction. A slim novel written with tongue firmly in cheek, its value comes in its depiction of pre-Drapeau Montreal, a time when Dorchester was a street... and was called Dorchester.

The Mayor of Côte St. Paul*
Ronald J. Cooke
Winnipeg: Harlequin, 1950

Easily the best of Cooke's three novels. Heavily autobiographical, like the first, it follows aspiring writer Dave Manley, who joins a crime syndicate in quest of material.


Wreath for a Redhead
Brian Moore
Winnipeg: Harlequin, 1951

The very first novel by Moore, a man who would win two Governor General's Awards and be shortlisted for several Bookers.

 "Montreal Means Murder!"


The Crime on Cote des Neiges*
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1951

Montrose's debut introduces Montreal private dick Russell Teed. Here he's trying to prove the innocence of a Westmount girl accused of murdering her bootlegger husband.

The Executioners
Brian Moore
Winnipeg: Harlequin, 1951

Dangerous men arrive in Montreal tasked with either kidnapping or killing an exiled foreign leader. Mike Farrell, a veteran of the Second World War and more than a few boxing rings, sets out to stop them.

Flee the Night in Anger
Dan Keller [pseud. Louis Kaufman]
Toronto: Studio Publications, 1952

Unique amongst the post-war pulps, Flee the Night in Anger divides its action between Montreal and Toronto. Beware the 1954 American reprint, which cuts out a good quarter of the text (including the dirtiest bits).

Murder Over Dorval*
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1952

The second Russell Teed book, Murder Over Dorval is set in motion when a Canadian senator is clubbed on the head during a particularly turbulent flight from La Guardia.

The Body on Mount Royal*
David Montrose
     [pseud. Charles Ross Graham]
Winnipeg: Harlequin, 1953

The third and final Russell Teed adventure is also his booziest. This one involves blackmail, illegal gambling and, of course, a dame... two, in fact.

Intent to Kill
Bernard Mara [pseud. Brian Moore]
New York: Dell, 1956

The last of Moore's Montreal pulps. A thriller set in a building modelled on the Montreal Neurological Institute. The basis for a more than competent 1958 feature film of the same name. Both are recommended.
The Deadly Dames
Malcolm Douglas
     [pseud. Douglas Sanderson]
New York: Fawcett, 1956

The first Sanderson to be published as a paperback original, The Deadly Dames sees the return or Montreal private dick Mike Garfin (see below), but under another name. By pub date, Sanderson had quit Montreal for Alicante, Spain.

Related titles:

Noirish novels not included because they were first published in hardcover or because they don't take place in Montreal.


Daughters of Desire
Fletcher Knight
Toronto: New Stand Library, 1950

A mystery of sorts that begins in a Montreal nightclub, but quickly shifts to a yacht bound for the Bahamas; the novel itself is directionless. Promises of sex come to nothing, despite the presence of a hooker and a promiscuous heiress.

Dark Passions Subdue
Douglas Sanderson
New York: Avon, 1953

The author's debut, this "story of the men who don't belong" deals with homosexuality and the angst of a privileged Westmount boy studying at McGill. Sanderson's "serious novel," it was first published in 1952 by Dodd, Mead.

Hot Freeze*
Martin Brett
     [pseud. Douglas Sanderson]
New York: Popular Library, 1954

The greatest work of Montreal noir... and it's written by a transplanted Englishman. Go figure. Hot Freeze marks the debut of private dick Mike Garfin. It was first published the same year by Dodd, Mead.

French for Murder
Bernard Mara [pseud. Brian Moore]
New York: Fawcett, 1954

Moore's third pulp, the first not set in Montreal. American Noah Cain stumbles upon a murder scene and spends the rest of the novel running around France trying to find the girl who can clear his name.
Blondes Are My Trouble*
Martin Brett
     [pseud. Douglas Sanderson]
New York: Popular Library, 1955

The second Mike Garfin novel – very nearly as good as the first – sees the private dick doing battle with a Montreal prostitution ring. Originally published in 1954 by Dodd, Mead under the title The Darker Traffic.

A Bullet for My Lady
Bernard Mara [pseud. Brian Moore]
New York: Fawcett, 1955

Josh Camp arrives Barcelona to search for his missing business partner. A treasure hunt ensues. By far Moore's weakest and silliest novel (writes this great admirer).

This Gun for Gloria
Bernard Mara [pseud. Brian Moore]
New York: Fawcett, 1956

Disgraced journalist Mitch Cannon, down and out in Paris, is approached by a wealthy American matron who wants his help in finding her daughter. He refuses, but does it anyway.
Hickory House
Kenneth Orvis
     [pseud. Kenneth Lemieux]
Toronto: Harlequin, 1956

By a Montrealer, but set in an anonymous city on the shores of Lake Michigan. I'm reading it right now and would appreciate hearing from anyone who knew the mysterious Mr Orvis.
Murder in Majorca
Michael Bryan [pseud. Brian Moore]
New York: Dell 1957

The last Brian Moore pulp, published between The Feast of Lupercal and his very best Montreal novel, The Luck of Ginger Coffey. Moore left the city for New York in 1959, much to our loss.


The Pyx
John Buell
New York: Crest, 1960

An unusual, highly impressive first novel in which Catholicism, the occult, prostitution, heroin, wealth and privilege all come into play. The basis for the less impressive 1973 film of the same name, it was first published in 1959 by Farrar, Straus & Cudahy.


C'est tout.

Have I missed anything?

Let me know.

16 September 2016

Montrose en français II: le retour de Russell Teed



It's nowhere near over, but already this looks to have been David Montrose's year. Damn shame that he's not around to see it. Last month, Gambling With Fire, his fourth and final novel returned print, hitting bookstore shelves for the first time since the 'sixties. This month sees publication of Meurtre dans le ciel de Dorval, a translation of Murder Over Dorval, courtesy of Editions Hurtubise and tireless translator Sophie Cardinal-Corriveau.


Meurtre dans le ciel de Dorval follows Meurtre à Westmount (The Crime on Cote des Neiges) as the second Montrose she's translated. It's also the second of three novels to feature Montreal private detective Russell Teed. A wild ride, this particular enquête begins in New York, then moves to Dorval, Montreal and Pointe Claire.

My agent insists I add that Meurtre dans le ciel de Dorval features a new Préface by yours truly... again translated by Sophie.

She really is tireless.

Félicitations, Sophie!


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