Showing posts with label Schwartz. Show all posts
Showing posts with label Schwartz. Show all posts

20 November 2023

An Alvin Schwartz Cover Cavalcade



Alvin Schwartz's debut novel, The Blowtop, was published in 1946 by Dial Press. It followed dozens of shorter works, including: "His Lordship's Double" (Batman #21), "Superman's Search for Clark Kent" (Superman #32), "The Toughest School in the World" (Superboy #10), and at least eight comic romance stories titled "A Date With Judy" (A Date With Judy #1-3).

I've not read The Blowtop, but it sounds right up my alley:


Le Cinglé, its French translation, was a bestseller overseas.

Le Cinglé
Paris: L'élan, 1950

Schwartz wrote or co-wrote six other novels, all of which were issued as "Sophisticates" by Arco, a publisher previously known for The Handy Manual of House Care and Repair (1949) and How to Win Prize Contests (1950). I've read and written about a couple of Schwartz's Sophisticates, Touchable and Hot Star, but I'm not sure I'll bother with the others. They're becoming increasingly rare, increasingly expensive, and... well, truth be told, those I have tackled haven't been terribly interesting. To be frank, I'd much rather read "The Superwoman of Metropolis!", which Schwartz wrote for Superman's Girl Friend Lois Lane #8.  

Do not be fooled by the publisher's descriptions, Arco Sophisticates promise much more than they deliver: 

Sinful Daughter
New York: Arco, 1951
SINFUL DAUGHTER is different, unlike any book Jack Woodford has ever written. Sabra is the daughter who tries to tear herself away from her mother's wickedness because she fears her own weakness and voluptuous nature. Reared amid scenes of splendor and debauchery, she has never succumbed to temptation. To avoid trouble she submerges herself in mediocrity and through error finally discovers the right way of life for her. A very exciting book.
Touchable
New York: Arco, 1951
From young Arch Rader, Ruth learned of passion. From Blackie Dawson she learned of love. From Mike, the bartender, she learned of bestial lust, and its unexplainable allure. From Tony, the lesbian, she learned of the strange, exotic, frightening fasination of abnormal relations. From Bruno she learned the utter depths of degradation. And from Clare, she learned the terror, the hopeless despair of dope. And at the last, out of this inferno, which had her helpess in its grip, she learned the possibility of redemption... from herself.
City Girl
New York: Arco, 1951
You may know a number of girls in the city, but you've never met anyone like Clio Haven. Never, that is, unless you travelled with the bootlegging set of Prohibition Chicago. Clio was a bootlegger's girl; bootlegging was Clio's security. Then in walked Bob, Logan, and half the Chicago police force to help her change her mind. it would make any girl wonder if it's safe to be desirable.

Sword of Desire
New York: Arco, 1952
Big City corruption and gambling successfully withstand a Senate Committee investigation, until psychiatrist Dr. Varesi's mysterious power works to reveal the secrets of the women involved. The ironic result is as unusual as it is intriguing.
Hot Star
New York: Arco, 1952
Maybe the thing that happened to Betty Frenck could happen to any young actress. She became a star of illegitimate pictures; became, too, a creature of desire and passion, caught in the magical spell of Director Perepoint's talent, and a victim of Producer Kern's contempt for all women. Whatever your opinion of her, you're sure to agree that there's never been a HOT STAR like Betty, either in or out of pictures. 
Man Made
New York: Arco, 1952
Man Maid is a bit of a mystery; all I've ever seen is its cover. 

I like to think that Alvin Schwartz made good money with Arco, but have my doubts. Late in life, he wrote two memoirs, of a kind, which may or may not support my skepticism. The first, An Unlikely Prophet, went through two editions. Originally self-published, the second edition replaces the subtitle and cover to emphasise his work with DC.

An Unlikely Prophet: Revelations on the Path Without Form
[np]: Divina, 1997
An Unlikely Prophet:
A Metaphysical Memoir by the Legendary Writer of Superman and Batman

Rochester, VT: Inner Traditions, 2006

A Gathering of Selves: The Spiritual Journey of the Legendary Writer of Superman and Batman (Rochester, VT: Inner Traditions, 2006) was his last published work.


Alvin Schwartz died five years later. By all accounts, he left this world from his Chesterville home, roughly fifty kilometres southeast of downtown Ottawa. 

Alvin Schwartz
17 November 1919, New York, New York
28 October 2011, Chesterville, Ontario
RIP
Who am I kidding.

Researching this piece, I happened upon a Minnesota bookseller who was selling a lot of twelve "erotic" books at a price that amounts to fifteen dollars apiece. Sword of Desire and Man Maid were two of the twelve.

I bought the twelve for those two.

You knew I would.

Related posts:

13 November 2023

Dick Tricks Chicks Into Hot Pix!


Hot Star
Robert W. Tracy [Alvin Schwartz]
New York: Arco, 1952
179 pages


Betty and Bob's honeymoon was a disaster, but don't blame the bride. Bob had been burned – their nuptial room didn't even feature a bath – yet he couldn't bring himself to complain to the front desk. The clerk had spotted him as a virgin, and Bob wasn't about to subject himself to further humiliation. Betty too had been a virgin. She'd imagined their wedding night as one of romance, sensuality, and tender passion, only to have her groom become a pouty, demanding man-child:

"I thought when we talked it over you understood – that a man's got to... Oh why can't you be sensible about it, Betty? You – you act as though I'm not your husband. Haven't I got a right after all this waiting? What are you trying to do – torture me more?
There would be no dinner, no dancing, and no time to change into something more comfortable.

Flash forward two weeks. The couple are still married, if not entirely happily. Bob works the assembly line at the Ross Machinery Company, while Betty spends her days keeping their tiny rented home. Her nights are spent warding off Bob's advances – often unsuccessfully – "wondering if that was all sex was; something for a man to enjoy."

Betty's dreams of becoming a professional actress make life somewhat bearable – what's more, it gets her out of the house. Cast as the lead in a community theatre production of Anna, a drama about a boozy floozy, she researches the role by pulling up a stool at a local bar. Lest anything go wrong, Bob sits in the adjoining dining room.

A handsome man in brown gaberdine topcoat buys Betty a highball. Betty is certain he's trying to pick her up, until he introduces himself as Carl Perepoint, a director at Experimental Motion Picture Studios: "You don't mean you are interested in me as-as – Oh, no! I can't believe it."

In fact, Perepoint was trying to pick her up, but Betty's mention of nearby Bob put an end to that.

And what of Bob? What is his dream? Well, he hopes to one day leave the assembly line for a career as a comic strip artist. If anything, this is an even more uncommon occupation than professional actress, but it would've been familiar to Alvin Schwartz, who between 1942 and 1959 wrote for DC Comics. Bizarro Superman was one of his creations.

I make a point in mentioning this because the introduction of Perepoint propels Hot Star along a path in which we find tropes belonging to comics' Golden Age. Consider Experimental Motion Picture Studios, which is located in a failed amusement park and is owned by a mysterious crime syndicate.

Perepoint would have Betty believe that Experimental is just that – experimental – and is the latest venture of an unnamed Hollywood studio. He takes advantage of the newlywed's naïveté to score footage of her in the flesh, assuring the actress that that this "professional screen test" is an industry standard: "It's very simple Betty... Before we invest money in a girl, we must know her figure as an artist would know it."

Hot Star isn't exactly hot stuff, but then no Arco Sophisticate is. Ellipses serve to suggest.

Perepoint provides Betty with coffee and cigarettes spiked with a drug that promotes sexual arousal. As the it takes effect, he puts on a record, Festival of Aphrodite, and Betty strips.

The girl can't help it.

From this point on, Betty acts as a Pavlovian bitch, becoming aroused whenever the music plays. 

Remove the sex and drugs from these dance scenes and you have an ideal tale for Superman's Girl Friend, Lois Lane. A better story, buried within the early chapters, involves Frank Legault, who works the assembly line beside Bob: "He was a powerfully built, blond young man of thirty-one and, despite he handicap of his artificial legs, could stand up at a bench or drilling press for hours."

Frank lost his lower limbs in the war. He peddles pornographic photos  on the side and has started screening spicy films at the local union hall with the goal of earning enough money to open a small novelty store. His wife wants to help, but her vision is failing. She's learning Braille.

Frank's is not as sophisticated a story as Betty and Bob's, but isn't it the one you'd rather read? Is it not more real?

I've always preferred Earth-One to Bizarro World.


Favourite passage: Questions regarding punctuation, capitalization, and more are best left addressed to the Arco editor. 

He told her that he was going to star her in an adaptation of the Madame Bovary classic, with emphasis on nude love scenes. "especially that scene in the garden where Madame Bovary keeps a tryst with her new lover, while her husband is asleep inside. How does that appeal to you Betty?"
     "I've always wanted to play Madame Bovary," she said.

Trivia: Though Hot Star was published sixteen years before Alvin Schwartz left the United States for Canada, there is Canadian content. The second night of Betty and Bob's honeymoon takes place in Montreal: 

Their so awfully disappointing second night, when they drank wine, and Bob, instead of becoming an exciting lover under its influence, only became silly and had burst out laughing even while he... until what might have been glorious fulfillment to their romance had become a joke... on her. This stranger, or that Frenchman, she felt sure, would have made her feel... feel.... 

Object: Cheap paper bound in sturdy yellow boards. The novel proper is followed by nine pages of adverts for other Arco titles, beginning with Touchable (1951), co-written by Schwartz and 

Access: One copy is listed for sale online; at US$15.00, it's a steal. Evidence suggests that not even Library and Archives Canada has a copy.

Go get it!

Related post:

19 December 2022

The Ten Best Book Buys of 2022 (plus gifts!)



This year will be forever remembered as the one in which Sexpo '69 was added to my collection. An elusive book, published in 1969 by Brandon House of North Hollywood, I spent at least two decades on its trail. My pursuit ended this past summer. The book set me back over one hundred dollars.


I'm betting it was worth every penny and that Lisa and considerate, gentle, sophisticated Bobbie will not disappoint.

"What?" I hear you say. "You mean you haven't read it!"

No, I have not. Too busy.... so busy that I didn't visit the Strand during last month's trip to New York. I did find time for Trump Tower, but only because it was so close to my hotel. I expected to be underwhelmed, and was more than underwhelmed. This was during the weekend of the New York City Marathon, and yet the place was nearly deserted. 


The length of my tie is not a political statement.

Each of this year's ten best book buys was found online, which is a sad state of affairs given recent travels. These are the remaining nine:

Behold the Hour
Jeann Beattie
Toronto: Ryerson, 1959


Jeann Beattie won the Ryerson Fiction Award for Blaze of Noon (1950), her debut novel. Behold the Hour, her second and last, is set in the early days of CBC television. I didn't think much of the novel, but illustrator Ken Elliott's dust jacket is a favourite.


Mrs Everard Cotes (Sara
   Jeannette Duncan)
New York: Appleton, 1894

Not at all what I expected.

What did I expect? At twenty-one, I read Duncan's classic, The Imperialist, but remember nothing.

Not only a beautiful volume, but one of the year's two best reads.
One-Way Street

Dan Keller [Louis Kaufman]
London: Hale, 1960

Flee the Night in Anger, Keller's first novel, is unique as the only post-war pulp to be set in both Montreal and Toronto. There's a fair amount of travel back and forth. This second and last novel, a very attractive hardcover, begins with a man arriving in Toronto from Montreal. Will he return? The title may provide a clue.

Leonie Mason [Joan Suter]
London: C & J Temple, 1947

Following East of Temple Bar (below), Murder By Accident was the second novel by Joan Suter. Both were published the year she divorced her first husband, left England for Canada, married again, and began writing as Joan Walker. The author hid her first two novels. Why she did is a mystery. This novel is another.

Martha Ostenso
Toronto: News Stand Library, 1949

Ted Allan and Hugh Garner were published by News Stand Library under pseudonyms – not so Martha Ostenso! And the Town Talked first appeared in a 1938 edition of McCall's. Where it doesn't appear is in any Canadian reference book.
The Blowtop
Alvin Schwartz
New York: Dial, 1948

The author's first novel. Published twenty years before he gave up the United States for Canada, it is set in Greenwich Village and concerns fallout stemming from the murder of a local pusher. Did I read somewhere that one of the characters is based on Schwartz's friend Jackson Pollack?

Joan Suter
London: C & J Temple, 1946

Another favourite cover, it graces the hidden debut novel of a woman who would one day win the 1954 Stephen Leacock Medal for Pardon My Parka and the 1957 Ryerson Fiction Award for Repent at Leisure. I liked the novel for its depiction of a time and place in which one could make a decent living as a writer.

Frances Shelley Wees
Winnipeg: Harlequin, 1949

As Ricochet Books series editor, I've returned two Wees novels to print. Lost House, a gothic thriller involving drug runners in remote British Columbia looked to be a possible third. Sadly, it is not one of the author's best.

The second book ever published by Harlequin!
A Question of Judgement

Phyllis Brett Young
London: Allen, 1970

Phyllis Brett Young published six books between 1959 and 1969 — and then nothing in the remaining twenty-seven years of her life. One wonders what happened. A Question of Judgement, her last, was first published in 1969 by Macmillan of Canada. This British edition, which appeared the following year, has the better cover.

This year the Dusty Bookcase received several gifts and review copies.


I'd long been an admirer of Dick Bourgois-Doyle's exploration of Leacock Medal winners. After reaching out, the author not only sent a signed copy of What's So Funny? (Burnstown, ON: Burnstown Publishing, 2016), but invited me to speak on Joan Walker and Ted Allan


Quebec history and literature enthusiast Helen Meredith gave me this copy of Kurt W. Stock's All Quiet on the Russian Front (Richmond Hill, ON: Pocket, 1973), which she spotted at a Montreal Salvation Army Thrift Store. Another in the Simon & Schuster's short-lived "series of original Canadian books." I'd never seen a copy.


Novelist Lee Goldberg, publisher of California's Cutting Edge Books, sent three newly-reissued novels – initially published between 1948 and 1961 – with Canadian settings: Muriel Elwood's Heritage of the River, Robert McCaig's The Burntwood Men, and The Tall Captains by Bart Spicer.


Karyn Huenemann of Canada's Early Women Writers gave me a copy of The Ninth Vibration and Other Stories (Toronto: McClelland & Stewart, 1922) by Theosophist and mystic L. Adams Beck. Like Sexpo '69The Ninth Vibration and Other Stories sits near the top of my TBR pile.

Here's looking forward to next year's book purchases.

Here's hoping some will be found in physical book stores.

Related posts:

02 January 2018

10 Best Book Buys of 2017 (one of which was a gift)



Last year was meant to be one of great austerity. By rights, the 2017 edition of this annual list should be the weakest yet. There were few trips to used bookstores, and mere minutes – not hours – were spent panning for gold at outdoor dollar carts. And yet, comparing the year's haul to those of  2014, 2015, and 2016, I think 2017 was the best ever. The riches were such that the copy of Frank L. Packard's The Big Shot above failed to make the cut. Hell, I couldn't even settle on the list until after the the year was over. Here be the shiniest nuggets:

The Shapes that Creep
Margerie Bonner
New York: Scribners,
   1946

The debut novel by Hollywood actress and BC beach squatter Mrs Malcolm Lowry. The jacket describes it as a "combination of murder, astrology, hidden-treasure, and cryptography – with the wild and romantic coast of Vancouver as its colourful background."

The House of Temptation
Veros Carleton [pseud.
   Amy Cox]
Ottawa: Graphic, 1931

A roman à clef set amongst Ottawa's wealthy and powerful. If it is anything like Madge Macbeth's The Land of Afternoon, also published by Graphic, I'm in for a real treat.

A Social Departure
Sara Jeanette Duncan
New York: Appleton,
   1903

It says nothing good about this country that I was able to buy a Very Fine first edition of this novel for $12.50.





The Cannon's Mouth
Wilfred Heighington
Toronto: Forward, 1943

One of the few Canadian Great War novels by a veteran of the conflict.  This was a birthday gift from my friend James Calhoun, the foremost historian of Canadian military literature, I didn't know The Cannon's Mouth existed until it arrived in the post.
Maria Chapdelaine
Louis Hémon [trans.
   W.H. Blake]
New York: Macmillan,
   1929

My fifth copy of Hémon's big book, I uncovered this on one of Attic Books' dollar carts. Inscribed by American college prof Carl Y. Connor, who provided an intro and notes, it serves as a reminder of the popularity this novel once enjoyed south of the border.
.
Wives and Lovers
Margaret Millar
New York: Random
   House, 1954

I'd long been interested in Millar non-mysteries, but could never afford them. Syndicate Books' Complete Millar finally granted me access. Wives and Lovers ended up being the best novel I read in 2017. Researching my review, I stumbled upon this first edition offered online at US$3.98.

A Voice is Calling
Eric Cecil Morris
Montreal: B.D. Simpson,
   1945

A clerk living a mundane life in mid-20th-century Gaspé finds himself transported through time and space when playing the organ of his local church. J.S. Bach serves as tour guide to 18th-century Leipzig!

Lust Planet
Olin Ross [pseud. W.E.D.
     Ross]
Hollywood: International
     Publications, 1962

Canada's most prolific novelist, Ross made most of his money writing romances and Dark Shadows TV tie-ins. Lust Planet is his second and last "adults only" novel. Ribald, it's the subject of my column in the next issue of Canadian Notes & Queries.


Hot Star
Robert W. Tracy [pseud.
   Alvin Schwartz]
New York: Arco, 1952

Following Touchable, further titillation from a writer who seems destined to be remembered as the creator of Bizarro Superman. I'm guessing Hot Star wouldn't have passed the Comics Code Authority.


Undine
Phyllis Brett Young
London: W.H. Allen, 1964

I've been meaning to read Phyllis Brett Young for some time, and everything I know about this novel tells me that it is the place to start. "The jacket reminds me of Hitchcock," says my wife. I agree.

Note: Author of Psyche, not Psycho.



A year of austerity? Who am I kidding? That edition of Packard's The Big Shot was the second of two bought in 2017.


Related posts:

27 March 2012

The Retired Reverend King on Abolishing Death



A new Canadian Notes and Queries arrives bringing another Dusty Bookcase sur papier. This one, a bit longer than usual, focuses on that old odd bird Basil King's spiritualism.  Eternally fascinating.


Seth's superhero cover compliments an appreciation of Alvin Schwartz by Devon Code, my old dining parter Shaena Lambert contributes a new short story and Michel Basilières reviews The Sister Brothers. Steven W. Beattie, Marc Bell, Alex Boyd, Michael Bryson, Mark Callanan, Kerry Clare, Emily Donaldson, Aaron Gilbreath, Alex Good, Philip Marchand, John Martz, David Mason, K.D. Miller, Tara Murphy, Shane Nelson, Tina Northrup, Patricia Robertson, Christian Schumann, Kenneth Sherman, Zachariah Wells and Nathan Whitlock add to the goodness. But let me draw attention to Mike Barnes' contributions: an essay and The Reasonable Ogre, a Biblioasis chapbook featuring a new short story with illustrations by Segbingway.


Produced in an edition of 450 copies as a collectible for subscribers of CNQ. My copy's #149.

Information on subscriptions to Canadian Notes & Queries can be found here.

05 December 2011

Sexy Stuff from Bizarro Superman's Creator



Touchable
Les Scott and Robert W. Tracy [pseud. Alvin Schwartz]
New York: Arco, 1951
184 pages

This review now appears, revised and rewritten, in my new book:
The Dusty Bookcase:
A Journey Through Canada's
Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through