20 December 2011

The Harper Hockey Book Watch (Updated!)



Regular readers and suffering dinner companions will know that for years my eyes have been scanning the horizon for signs of Stephen Harper's long promised hockey book. The prime minister does love to tease, promising a work that seems forever on the verge of completion.

Today, some hope. In her regrettably named "Morning Buzz", Globe and Mail reporter Jane Taber brings news that "there is a publishing date for the long-talked about and much-anticipated prime ministerial tome one [sic] hockey history." While the pub date – "next year" – seems awfully vague, we may take cheer in the fact the source is Stephen Harper himself. "He did not say who the publisher is," adds Ms Taber, leaving the reader to speculate as to whether he refused to say or simply wasn't asked.

Now, morning buzz turning to evening hangover, I see that the prime minister's critics are having fun with his writerly habits: "15 minutes every day for eight years". Oh, by all means, go ahead and snicker. Me? I admire the man's determination as much as I do his realistic expectations. Again, Ms. Taber:
He will not make a cent on it, he said.
I dare say, our prime minister understands something of what it is to be a writer in this country.

There's a sentence I never thought I'd write.

Later that day: Postmedia's Mark Kennedy reports that the prime minister has not yet completed the book.

Take heart, after today he'll be fifteen minutes closer.

16 December 2011

Keeping an Eye Out for Pamela Fry



The Watching Cat
Pamela Fry
London: Davies, 1960

Who was Pamela Fry? None of my Montreal friends, bookish types all, have been able to answer this question. Yet the married "Miss Fry" once lived in the city and twice used it as a setting in mystery novels. Both were published by respected houses, both were lauded in the pages of the New York Times and both have been out of print for half a century.

The Watching Cat, Pamela Fry's second mystery, stumbles out of the gate with an entirely unimaginative premise: Catherine Ellis, a young, single schoolteacher from a remote Manitoba town inherits a large Montreal house from a previously unknown, eccentric uncle. Much as I'd hoped the work would quickly ready itself, Miss Fry fairly clings to cliché as the story falters forward. Poor Catherine, an orphan, enters what she expects to be an empty domicile only to encounter an evil stepmother, an unstable half-sister and a tall, dark and handsome lodger. A shady lawyer works in the background as those in the know sneak about the house looking for riches hidden away by the recently deceased funny uncle.

It all seems so forgettable, but I'll remember The Watching Cat as one of the most disappointing novels I've ever read. The author has a peculiar penchant for planting, then ignoring, seeds of a dark psychological drama. When the evil stepmother relates stories of family mental illness, Catherine begins to question her own sanity – but only for a paragraph or two. Gaslight invariably dims to a Nancy Drew mystery, as when our heroine is awoken by a scratching sound:
The noise came from somewhere very close – surely it was the other side of this very wall, the wall alongside her bed. There was someone in Uncle Jeremiah's room... She looked at the luminous dial of her watch. It was three minutes to four... But who could be in there at this time of night – and for what reason?
So boring, so bland... and yet on occasion The Watching Cat stretches to rise above it all. Catherine's half-sister, for example, proves not to be mentally ill, rather she's a heroin addict. Her pusher is boyfriend Eddie, a young medical school drop-out who is not only in on the scheme, but is probably sleeping with the evil stepmother. And there's a good deal of fun, like when small town girl Catherine, dressed in a hideous handmade green taffeta gown, attends a party populated by beats.

Nearly everything I know about the attractive Miss Fry is found in the book's author biography. Her debut novel, Harsh Evidence, published in London by Wingate (1953) and in New York by Roy Publishers (1956), is held by all of nine libraries worldwide. Harsh Evidence isn't listed for sale online, and seems exceedingly scarce – only the British Library has the Wingate edition – so you'll understand my surprise in discovering that it was translated into both Swedish (De döda tala ej, 1956) and Finnish (Kuolleet eivät puhu!, 1957) .

Did more mysteries follow? The only other books I've been able to uncover by Miss Fry are The Good Cook's Encyclopedia and The Good Housewife's Encyclopedia, both published in the early 'sixties by London's Spring Books. I'll step out on a limb and speculate that a third Spring title, Cooking the American Way, is naught but a repackaging of the first.

Who was Pamela Fry? Disappointed as I was by The Watching Cat, it contained just enough quirk to keep me in the hunt for the answer.


Object: A very attractive hardcover in dark blue boards. I can't quite make out the cover artist's signature. My copy, signed with publisher card, was purchased this past autumn from a Montreal bookseller who tells me that he has never seen another. It would appear that that this, the novel's only edition, received no second printing. No Swedish or Finnish translations this time.

Access: A rare book, Canadian library patrons will find The Watching Cat at the University of Toronto, the University of British Columbia and the University of Victoria. A mere three copies are listed for sale online. At US$15.77, Serendipity Books of West Leederville, Australia offers the one in best condition ("top edge foxed else v.g. in worn and sl. torn d/w"). Second place, goes to a New Zealand bookseller who is selling a slightly less attractive copy for an even twenty American dollars. A Canadian bookseller in Oakville, Ontario brings up the rear by asking C$60 for a crummy thing that lacks the dust jacket and front flyleaf. On the other hand, The Watching Cat is so uncommon that it might just be worth the price.

Further reading: I follow Juri Nummelin in my attempt to track down more about Pamela Fry. His initial investigation is found at Pulpetti.
Related post: The Mystery Writer Mystery Unravels

15 December 2011

The Pan Jalna (and the Careening Jalnawagon)



The Whiteoak books represent the idealized portrait of Canada, which all English people have. Life is hardly ever painful at Jalna. It's comfortable, it's exciting, there are domestic dramas going on. I think that Englishmen like to believe that anywhere abroad life goes on as it used to go on in England. We always like to think that life for our parents must have been wonderful and life for us is horrid. Englishmen reading about the Whiteoaks think that life is lived that way now, and we know that life is not lived that way in England – or in Canada.
– Lovat Dickson
In the final pages of his 1966 biography, Mazo de la Roche of Jalna, Ronald Hambleton remarks on the very different reception the author has been accorded by her "three most important audiences". American acclaim, brought when Jalna took the 1927 Atlantic Monthly Award for "novel of the year", faded as the series progressed. Canadians cooled as that it became apparent that de la Roche's focus was on a country that had long passed. Hambleton concludes, "in Britain her reception continued and continues to be warm."

By the mid-sixties, Pan, de la Roche's British paperback publisher since 1948, had sold more than two million copies of the series' titles. Things were still balmy on 20 May 1971, when The Whiteoaks of Jalna began filming. In The Secret of Jalna, the enthusiastic Ronald Hambleton writes of "the careening Jalnawagon, whose pace as a literary phenomenon has showed no signs of slackening since Mazo de la Roche pencilled the first lines in late 1925."

In 1972, Pan issued tie-in editions that featured stills from the series and did one more revamp. Now, the Jalnawagon runs no more... at least not for Pan. Toronto's Dundurn Press publishes the sixteen books of the Whiteoak Chronicles with a cover image of "Benares", the Mississauga home upon with Jalna was modelled. They're attractive enough, but I much prefer the Pan editions of the 'fifties and 'sixties. A visual feast:


Jalna panned:


13 December 2011

Jalna's Dirty Little Secret Exposed! (Part II)



This second part of my review of Ronald Hamilton's The Secret of Jalna now appears, revised and rewritten, in:
The Dusty Bookcase:
A Journey Through Canada's
Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through

The Globe & Mail, 3 March 1972

Related posts:

12 December 2011

Jalna's Dirty Little Secret Exposed! (Part I)



The Secret of Jalna
Ronald Hambleton
Toronto: PaperJacks, 1972
175 pages

This review now appears, revised and rewritten, in my new book:
The Dusty Bookcase:
A Journey Through Canada's
Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through

Related posts:

07 December 2011

Max Braithwaite's Bawdy Book




Humorist Max Braithwaite was born one hundred years ago today in Nokomis, Saskatchewan. His Why Shoot the Teacher was one of the very first Canadian novels I ever read... and the 1977 film adaptation, starring Bud Cort, is a favourite.


So why is it that I haven't so much as picked up another Braithwaite novel?

The titles have something to do with it. The Night We Stole the Mountie's Car and The Commodore's Barge is Alongside gave off a folksy ring that had me covering my ears.


McClelland and Stewart's cover treatments neutered titillating titles...


...or rendered them dull and humourless.


So I passed on his books, offered in plenty at garage sales, thrift shops, and church bazaars, until last week I happened upon this, the one Braithwaite novel McClelland and Stewart did not publish:


Not bought at a church bazaar.

05 December 2011

Sexy Stuff from Bizarro Superman's Creator



Touchable
Les Scott and Robert W. Tracy [pseud. Alvin Schwartz]
New York: Arco, 1951
184 pages

This review now appears, revised and rewritten, in my new book:
The Dusty Bookcase:
A Journey Through Canada's
Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through


02 December 2011

The Highest Compliments of the Season



Now in the final month of the year, tradition dictates that I offer holiday gift suggestions – this time accompanied by bits and pieces published one hundred years ago today in the Globe.

Of the twenty-eight neglected books reviewed here this year, the three most deserving of a return to print are:
Hot Freeze by Martin Brett (né Douglas Sanderson)
The Pyx by John Buell
Four Days by John Buell
By coincidence, not design, each deals with the Montreal criminal underworld of decades past. Used copies of are available through online booksellers for as little as a dollar ($5 in the case of Hot Freeze).

Praise this year goes to the British Columbia publishers that returned worthy titles to print through the Vancouver 125 Legacy Books Project. Ten books in total, I recommend Class Warfare by D.M. Fraser, Crossings by Betty Lambert, The Inverted Pyramid by Bertrand W. Sinclair and, above all others, Edward Starkins' Who Killed Janet Smith?

Macmillan of Canada, 1984/Anvil Press, 2011

I'll be so bold so to make this final gift suggestion: my own A Gentleman of Pleasure: One Life of John Glassco, Poet, Memoirist, Translator and Pornographer, published this past April by McGill-Queen's University Press. Seven years in the making, at long last a biography of this country's most unusual writer.

Right now, the least expensive copies – C$25.17 – come through Amazon.ca. Would that I could compete. The best I can do is offer signed copies, gift wrapped in Anaglypta (heavy embossed paper) and postage paid to any destination, at the retail price of C$39.95. Kind souls can make contact through email at my blogger profile.

Once a bookseller, always a bookseller.

01 December 2011

A Post-Victorian Christmas (w/ Frank L. Packard)



Purchased just last week, a century or so after it arrived at the news agent, the December 1911 edition of The Canadian Magazine was hard to resist. Just look at what's on offer: "A Study of Iago" by Arthur Stringer, some thoughts on winter by L.M. Montgomery, a new Homer Watson and no less than ninety lines of verse from the delightfully quirky Isabel Ecclestone Mackay.

But what really sold me was "The Mad Player", an uncollected work by Frank L. Packard. Something just less than 4000 words in length, this simple story is reflected in the accompanying illustrations by J.W. Beatty, R.C.A., O.S.A.

The unnamed narrator is a landscape artist travelling somewhere in France. One evening he comes upon a wild looking violinist busking on a village street.

The painter returns to lodgings, where he is confronted by the violinist – as a fellow artiste, he is offended that our narrator put a coin in his cap. Things are becoming quite unpleasant until the eyes of the unkempt musician fall upon the painter's most recent landscape:
"Monsieur will tell me where it was done – where?"
When told, he rushes out. The innkeeper, who is highly amused, fills in our narrator. It seems that the wild violinist is an aristocrat who as a young man lost his mind at the drowning death of his fiancée.



The following morning, the violinist's body is discovered near the spot captured in the landscape. Wracked with guilt, the painter watches the cortege. He returns to the landscape, trying to make sense of the insane aristocrat's reaction. Though it takes some time, he realizes that the violinist viewed the work upside down.
I reversed it quickly – and then I, as he had done, with startled cry, carried it closer to my eyes. At last I understood. The foliage, by some grim freak as my brush had traced it, bore a crude, but unmistakable resemblance to a woman's face, with her hair streaming down touching the river's brink – and to the poor, crazed brain it had been the end of a long search!
FIN
"The Mad Player" is the work of a man honing his craft as a storyteller; it's well-written, intriguing and, ultimately, most unsatisfying.

When the story appeared in The Canadian Magazine, Packard was labouring as a civil engineer; fortune and fame were still in the future. That said, 1911 did see the publication of On the Iron at Big Cloud, his very first book.



Though Thomas Y. Crowell, Packard's publisher, didn't advertise in this magazine, a whole lot of houses did. Macmillan, Cassell & Co., William Briggs, Oxford University Press, the Upper Canada Tract Society and Copp, Clark all took out full page adverts, only to be overwhelmed by a pink, four-page spread for the brand new Eleventh Edition of the Encyclopædia Britannica.

I ask, who wouldn't want to be met like this on Christmas morn?