Frank L. Packard's Wire Thriller (and others)

My review of Frank L. Packard's The Wire Devils, newly reissued by the University of Minnesota Press, is now up on the Montreal Review of Books website. You can read it here.

How good it is to see Packard return to print. Yes, some of the man's work has been available from POD publishers, but just how much confidence can one have in things like this "Frank L. 1877-1942 Packard" edition from Nabu Press.

Wait, isn't that Montreal's Spiš Castle? You know, the one built by 12-century Hungarians?

Amazon.ca sells Nabu's The Wire Devils for $31.54, and the new University of Minnesota Press edition at $12.96. I recommend the latter – and not because I'm cheap. The UMP's is not only free of the "missing or blurred pages, poor pictures, errant marks, etc." that plague Nabu, but includes a very fine Introduction by Robert MacDougall of the University of Western Ontario.

Prof MacDougall describes the novel as a wire thriller, late 19th and early 20th-century works that use the railroad, telegraph and telephone "as a backdrop for adventure." Dime novelist Frederick Van Rensselaer Dey penned Fighting Electric Fiends (1898) and his Street & Smith stablemate Franklin Pitt served up Brothers of the Thin Wire (1915), but I think it was Canadians, in Packard and Arthur Stringer, who dominated the genre.

The Wire Devils first appeared as a serial that ran over six issues in The Popular Magazine (20 March - 7 June 1917), was published in Canada by Copp Clark, the US by George H. Doran and A.L. Burt, and in the United Kingdom enjoyed two Hodder & Stoughton editions.

Messrs Dey and Pitt would've envied Frank L. Packard's success, but I'd argue that the true King of the Wire Thrillers was the handsome, savvy Arthur Stringer.

As far as I can tell his first foray into the genre was a short story, "The Wire Tappers", published in the August 1903 issue of Smart Set. I've not seen it, but am willing to bet that it was the basis of Stringer's 1906 novel of the same name.

The next year brought Phantom Wires. By far the most commercially successful wire thriller, it saw editions from Little, Brown, Musson, McClelland & Stewart and Bobbs-Merrill, It's likely that the last, a cheapo from A.L. Burt, appeared in 1924.

Even in 1906 and 1907, when first editions of The Wire Tappers and Phantom Wires sat on bookstore shelves, the wire thriller must have seemed a touch old-fashioned. "Look!" exclaims the heroine of the latter "they're talking with their wireless!" Stringer anticipated the future by following the two with The Gun Runner, a novel in which a wireless operator from Nova Scotia plays hero.

Whither the fax thriller?

The Wire Tappers
Toronto: McClelland & Stewart, 1922

Funny Money and Legal Tender

Colby Cosh is right, I should really be paying attention to last week's court ruling about the Conservative Party database being used in voter suppression. It's just that the mass of Mike Duffy has so much pull. The fall of "Old Duff" – a term of endearment I've heard from his mouth but no other – mixes Leacockian whimsy with black humour and conspiracy worthy of a Richard Condon novel. Each day a new chapter.

Given all the excitement, our overtaxed journalists can be forgiven for having paid so little attention to the Bank of Canada's attempt to suppress the image above. The work of cartoonist Dan Murphy, I thought it silly fun, until I read this email he received from a bank employee:

(cliquez pour agrandir)

Good morning to you, too!

I dare say that Ms Jenkins' claim would not stand up in court. But don't take my word for it, look instead to Ariel Katz of the University of Toronto's School of Law.

There's not much I can add to Prof Katz's observation, except to say that Senior Analyst Jenkins is not so senior that she can remember 2006, when Ralph Bucks began appearing on the streets of Calgary, Edmonton and Red Deer.

The Alberta currency was just another example of a Canadian tradition that stretches back at least half a century.

If Ms Jenkins is correct, even the old Progressive Conservative Party ran afoul of the law.

My favourite of all these faux bills is that 80¢ True Dough. I grabbed the image – "Copyright: Unknown" – from the Library and Archives Canada website. Ms Jenkins may wish to send them a letter. Better yet, why not visit? The LAC is just across the street from the Bank of Canada, located conveniently next to the Supreme Court.

Arthur Stringer Avoids the Word 'Moon'

The Canadian Bookman, January 1909

Related posts:

An Old Poem for the New Year by Arthur Stringer

Arthur Stringer's Recipe for Commercial Success

A Man, a Plan, a Dam – Labrador!

Fermez la porte, on gèle

René Carrier

Westmount, QC: Desclez, 1981

This review now appears, revised and rewritten, in my new book:

The Dusty Bookcase:

A Journey Through Canada's

Forgotten, Neglected, and Suppressed Writing

Available at the very best bookstores and through

Biblioasis, Amazon, Chapters/Indigo, and McNally-Robinson.

Related posts:

Global Warming as Nationalist Dream

An Atlantic Canada Steampunk Fantasy

Selling From a Sea She'll Only Drag You Down

From a Seaside Town
Norman Levine
London: Macmillan, 1970

Challenge: Draw attention to a neglected, critically acclaimed novel by a neglected, critically acclaimed writer.

Solution: Title change. Bare breasts. 

Don Mills, ON: Paperjacks, 1975

Did it work? The copy pictured above is the only one I've ever come across. 

Subsequent editions – much more common – follow Macmillan's example.

Ottawa: Deneau & Greenberg, 1980

Erin, ON: Porcupine's Quill, 1993

The alternate title explained:

Related posts:

Selling The Strange One

Selling The Nymph and the Lamp
Selling The Unfulfilled
The American Version: The N Word
The American Version: No Colours, Fewer Colors

The Year of Grade School Readers, Cute Kittens and Dead Anglos Hanging in the Streets of Montreal

That would be 1968, the very same year in which Canadian Notes & Queries made its debut. It was my honour to become the first contributor to 'CNQ Timeline', a new feature in which writers reflect on a specific year in Canadian literature.

Nineteen-sixty-eight just happens to be the year in which I learned to read. This was my first book:

Surprises and Mr. Whiskers, its sequel, seem of a different world. This illustration captures Jack, the protagonist, travelling in the family car without seatbelt!

But then 1968 was a different world, wasn't it. Those too young to remember should consider this headline from the Vancouver Sun:

That 'B.C. Mother of Three' would be Alice Munro, who took home the 1968 Governor General's Award for Dance of the Happy Shades, her first book. In the 'CNQ Timeline' piece I refer to that years's GGs as the most disastrous in the awards' history. I'll happily take on anyone who thinks otherwise.

Takers?

The first book I ever read from 1968 was Bruce Powe's Killing Gound. The cover to that edition, published in 1977 by PaperJacks...

...was much more tame than the original, pseudonymous Peter Martin Associates edition.

Not my 1968. Not the Canada I knew then. Not the Canada I know now.

I'm being polite here. My less than polite writing on Killing Ground can be found in magazine itself.

Subscriptions – a mere $20 – can be had here.

Related post:

Tan Ming's Disappointing Post-Apocalyptic World

Tan Ming's Disappointing Post-Apocalyptic World

The new Canadian Notes & Queries has landed, bringing with it another Dusty Bookcase column. The eighth to date, it's a review of Tan Ming, a fantastic, post-apocalyptic, pseudonymously self-published novel by electric organ pioneer Morse Robb.

So dull.

Oh, but doesn't Tan Ming look good? How about that cover!

It sounded good, too. In Nuclear Holocausts: Atomic War in Fiction 1895-1984, Washington State University professor Paul Brians begins his description thusly: "An amusing fantasy in which a department store window dresser falls in love with a robot mannequin and manages to conjure into its body the soul of a princess named Tan Ming from a postholocaust future." The ever-reliable Wikipedia once claimed that the novel inspired Mannequin, the romantic comedy starring Kim Cattrell and Andrew McCarthy.

 

You'll remember Mannequin for "Nothing's Going to Stop Us Now", which topped the American charts back in 1987. The new CNQ comes with music – much better music – in the form of a flexidisc by Al Tuck.

When was the last time you bought a magazine with a flexidisc?

The last I picked up was the April 1981 issue of Smash Hits. It came with a live recording of "Pretending to See the Future" by Orchestral Maneoeuvres in the Dark and "Swing Shift" by our own Nash the Slash.

Not to slight Hazel O'Connor  – or Messrs Lydon, Levine, Wobble and Weller  – but don't you prefer this?

The cover, as always, is by Seth. Inside you'll find Mike Barnes, Michel Basilières, Devon Code, Michael Deforge, Emily Donaldson, Jennifer A. Franssen, Lorna Jackson, Mark Anthony Jarman, Evan Jones, Adrian Michael Kelly, Mark Kingwell, Lewis MacLeod, Marion MacLeod, David Mason, Ross McKie, Robert Melançon, Shame Nielson, Patricia Robertson, Ray Robertson, Sean Rogers, Mark Sampson, Michael Schmidt, Norm Sibum, Dan Wells, Paul Wells, Bruce Whiteman and Robert Wiersema.

At $20 per annum, subscriptions are a great deal. You can get one here.