Showing posts with label Plaques. Show all posts
Showing posts with label Plaques. Show all posts

24 November 2009

John Glassco Memorial Plaque



The plaque is cast.
Alloy Foundry, Merrickville, Ontario
20 November 2009

I do complain. Back in April I was going on and on about the dearth of historical plaques in this country, pointing – predictably – to a pub that now occupies what had once been John Glassco's pied-à-terre. Seven months later, with the Glassco centenary just weeks away, I'm pleased to report that a memorial plaque to the author will be installed at the city's St James the Apostle Anglican Church.

It's the most appropriate of locations, I think. St James the Apostle was the Glassco family church. On 19 September 1905, his parents were married there in an elaborate ceremony that was covered in the Montreal Daily Star. Glassco married both his wives, Elma Koolmer (1917-1971) and Marion McCormick (1924-2004), at St James, and it was at the church, on 2 February 1981, that his funeral was held.

The installation, which is open to all, will take place at 4:00 pm, Thursday, 26 November 2009.

St James the Apostle Anglican Church
1439 St Catherine Street West
Montreal, Quebec

24 April 2009

Drapeau, Destruction and a Blue Plaque Candidate

I do not like you Jean Drapeau,
And well I know the reason why;
Your concentration on the cash
(That peasant passion)
Shows always in the lipless grin
Under the little merciless moustache,
Revealing what ideas swim within
The circle of your skull
To make our city — in the modern fashion —
Not beautiful
But only big, and rich, and dull.
— John Glassco, Montreal, 1973
A sequel, of sorts, to yesterday's post. On my recent trip to Montreal I took several photos of things Glassco. The poet had a complicated relationship with the city of his birth. At eighteen, he saw it as a place of provincialism. Glassco famously fled for Paris, where he enjoyed and endured Montparnassian adventures and was very nearly felled by tuberculosis. Yet, this same Montreal – the Royal Victoria Hospital, to be precise – held the knowledge and ability that saved his life. After his recovery, Glassco again escaped the city, settled in the Eastern Townships, and lived for decades as a semi-recluse. It was only in his last two decades that he truly returned. Many of his final years were spent on an unpublished novel, Guilt and Mourning, set in a fantastic Montreal that has been spared the destruction of the 20th century.

Above is the westernmost entrance to the Guy-Concordia Metro, located at the northwest corner of St-Mathieu and de Maisonneuve. In 1909, it was the site of a grand house in which the poet was born. This stretch of de Maisonneuve was then known as St-Luc – hence, 'Jean de Saint-Luc', the pseudonym he claimed to have used for Contes en crinoline, his non-existent first book. St-Luc was made part of de Maisonneuve in the 1950s (following modifications to the intersection at Guy).


Simpson Street's Chelsea Place, looking towards Sherbrooke. A large gathering of Neo-Georgian homes with pleasant courtyard, it rests on the foundation and grounds of Edward Rawlings' mansion. Rawlings, the founder of the Guarantee Company of North America, was Glassco's grandfather. The poet often claimed the mansion as his birthplace – not true, though he did live there for several years as a boy. In 1925, it was sold and razed; the gardens were plowed over and its peach orchard was destroyed. All that remains is a lone chestnut tree (to the left of the passing PT Cruiser).


3663 Jeanne-Mance (right door, two uppermost floors), Glassco's final Montreal address. He shared this flat with his second wife, Marion McCormick, for nearly ten years. On 29 January 1981, the poet died in a small room on the top storey.

23 April 2009

Blue Plaque Special



The launch of Project Bookmark Canada today, an initiative that brings to mind a recurring question: Where are our blue plaques? Even the most dozy and inattentive visitor to Greater London is familiar with these simple, yet elegant fixtures. They number over eight hundred, marking historic sites and former residences of great figures like Jimi Hendrix and George Frideric Handel — next-door neighbours separated by 208 years. A personal favourite is located at 24 Onslow Gardens, once home to Andrew Bonar Law of Rexton, New Brunswick, the only British Prime Minister to have been born outside the British Isles. The success of the 142-year-old scheme is such that there are tourist guides devoted not to Greater London, but to its plaques. Next week will see a new coffee table book, Lived in London: Blue Plaques and the Stories Behind Them, published by Yale University Press.

Despite all good intentions, and a great deal of effort, we have nothing that compares in this country. I imagine developers don't much like the idea. They've had a hard enough time ripping down venues like Montreal's Seville Theatre without a fixed reminder that Duke Ellington, Louis Armstrong, Count Basie, Frank Sinatra, Nat King Cole and Peggy Lee performed on its stage.


And so, I choose to blame developers and indifferent city councillors for this embarrassing admission. Early in my work on John Glassco, I enjoyed a pint at a Bishop Street pub, entirely unaware that the very space in which I was sitting had once served as his pied-à-terre.

Update: Expat writer Mark Reynolds, who posted the interesting comment below, shares further thoughts on the matters of historical markers and the naming of our streets and schools on his blog View of the marching fishes.