17 January 2022

The Dustiest Bookcase: U is for Underwood


Short pieces on books I've always meant to review (but haven't).

The English Governess
Miles Underwood [John Glassco]
Paris: Ophelia Press, 1960 [sic]
290 pages (in two volumes)

Is The English Governess Canada's biggest selling work of erotica? If not, then the honour goes to Harriet Marwood, Governess, its non-identical twin. I don't suppose we'll ever know; they've both appeared under different titles and disguises, most often clothed and sold by pirates. The above was printed by Taiwanese freebooters. Glassco spent much of the 'sixties and 'seventies going after Collector's Publications of Covina, California for this unauthorised edition:


Publisher Marvin Miller may not have paid the author, but he at least gave credit; most pirated editions of The English Governess are attributed to Anonymous.

Miles Underwood was just one of Glassco's many noms de plume. The novel's original publisher, Maurice Girodias of Olympia Press, claimed the pseudonym to be of his own making, when in fact it was Glassco’s creation alone. In a 1967 letter to his friend Milton Kastello (aka Milton Douglas) wrote that it was “dreamed up on an hour’s notice to meet a printer’s deadline in Paris in 1959 [sic]. It signifies a man who would be under by miles and miles."

It's entirely possible that the Underwood name inspired Under the Birch, the title Girodias slapped on the novel after French authorities seized and destroyed copies of The English Governess


The English Governess was the subject of the seventh Dusty Bookcase postnearly thirteen years ago! I covered the novel exhaustively in A Gentleman of Pleasure, my biography of Glassco, but have never written what might be termed a "review."

One day.

For now, I'll encourage you to hunt down the novel. There's a reason for the sales.

A bonus: An edition of The English Governess I'd not seen before today.



03 January 2022

Spoiled by a Publisher



Philistia
Grant Allen
London: Chatto & Windus, 1901
317 pages

Roughly one-third of the way though Philistia, Herbert Le Breton prepares to ascend the Piz Margatsch

I was hoping he'd be killed in the attempt.

The death would be hard on his mother, of course, but then Lady Le Breton is accustomed to loss. Some years before, her husband, Sir Owen, perished in the Indian Mutiny, leaving her with three young boys and an unexceptional military pension. The widow soldiered on, raising her sons in a modest townhouse in an exclusive neighbourhood. Its address had everything to do with keeping up appearances.

Herbert, the eldest son, holds a fellowship at Oxford; younger brother Ernest has set his sights on same. The third Le Breton boy, sickly sensitive Rupert, still lives at home. He has dedicated his life to Christ's teachings, helping the less fortunate in a manner that offends his mother's High Church Anglicanism. And yet it is Ernest, a dedicated socialist, who is the true black sheep of the family. Herbert is the most pragmatic of the three. Content to be blown about by prevailing winds, he's looking to land in whichever area of the political spectrum might bring the greatest advantage.

Oxford men, together Herbert and Ernest form one half of a clique that includes mathematician Henry Oswald, a Fellow and Lecturer at Oriel College. The last in their group, the Reverend Arthur Berkley, curate of St Fredegond's, has first-floor rooms in the front quad of Magdalen. 

All four men are close, but not nearly so that they know much about one another. No one is aware that Arthur is the son a poor shoemaker. Lady Le Breton's sons have some idea that Henry Oswald's parents are grocers in "the decayed and disfranchised borough of Calcombe Pomeroy."

It goes without saying that class distinction and geography mean nothing to Ernest, whose heart is won by Edith Oswald, Henry's lone sibling.

Can you blame him? Edie is as intelligent and personable as she is pretty. And, though low on the social scale she's dedicated to the betterment of the less fortunate.

The socialist proposes. The grocers' daughter accepts.

Ernest and Edith are a great match, but Herbert looks down on the couple. That he does has everything to do with my wish for his death on Piz Margatsch. You see, Henry too shares a relationship with a grocers' daughter: Selah Briggs. She knows him as "Herbert Walters." He's promised marriage, but has no intention of watching her walk down the aisle. In short, he's stringing her along.

Grant Allen's first novel, Philistia followed seven volumes of non-fiction, the earliest being Physiological Æsthetics (London: Henry S. King, 1877). In My First Book (London: Chatto & Windus, 1897),  Allen writes:
I wasn't born a novelist, I was only made one. Philosophy and science were the first loves of my youth. I dropped into romance as many men drop into drink, or opium-eating, or other bad practices, not of native perversity, but by pure force of circumstances. And this is how fate (or an enterprising publisher) turned me from an innocent and impecunious naturalist into a devotee of the muse of shilling shockers.
The author is being far too hard on himself. Philistia is no shilling shocker; it contains neither crime nor violence. One life is lost, but this is the result of an unfortunate accident. It's clear that Allen had no interest in writing an entertainment, rather he saw Philistia as an opportunity to employ fiction as a means of sharing his thoughts on science, evolution, religion, politics, and the distribution of wealth. If this sounds in any way dry, I assure you that it is not. Allen comes up with a clever story about hypocrisy, injustice, and privilege in Victorian society. Its characters are very much alive. 

I really did want Herbert Le Breton to die.

As a first time novelist, Allen's greatest fault lies in his reliance on introspection... needless introspection... pages of needless introspection.

Pages.

The novel's greatest fault belongs to publisher Andrew Chatto, the same man who encouraged Allen to try his hand at writing fiction. This 1883 letter gives some indication of the pressure Allen experienced (I've blacked out a few bits so as not to spoil):
Dear Mr. Chatto,
Many thanks for your letter of hints about my unfinished novel. "Philistia" is certainly a very taking title, and I shall be very glad to adopt it. If you want to announce the novel in your programme for the "Gentleman's" (as I suppose you will), I think it had better be under that name.
As to not killing Ernest le Breton, I hardly see how one is to get out of it. To me, it seems almost the only possible end. If you feel very strongly that readers won't allow him to be killed, I will try to find some other alternative, but it will be difficult to manage. If one made him recover or get on well in the world, then there would be no dénouement, and, as a matter of character, I doubt whether such a person ever "would" get on well. However, I shall be guided by you in the matter; and if you think it indispensable that Ernest should live, I will try to work out another conclusion. I intended from the first that Ronald should marry Selah; and if Ernest doesn't die, there is no reason why Lady Hilda shouldn't marry Berkely.
Yours very faithfully,
Grant Allen.
Not since reading Ronald Cocking's Die With Me, Lady have I seen a novel of such promise fall apart so completely. A great shift begins in 'A Gleam of Sunshine,' the thirty-third of the novel's thirty-eight chapters. Here the realistic turns fantastic. The dying character referred to in Allen's letter to Chatto is made healthy, and achieves great fame and wealth; his wife is saved from widowhood. The final chapter brings news of two impending marriages.

As a result, I came away from Philistia feeling so very, very sad. 

Trivia I: Righty or wrongly, Allen has been credited or blamed for having come up with "he looked deeply into her eyes." Unsurprisingly, the line occurs in the novel's final chapters:
Bending over towards where Hilda sat, he took her hand in his dreamily: and Hilda let him take it without a movement. Then he looked deeply into her eyes, and felt a curious speechlessness coming over him, deep down in the ball of his throat. 
Trivia II: The novel's working title was 'Born out of Due Time.' It was Andrew Chatto who suggested Philistia.

I think we can all agree that it is the better title.

Object: "A NEW EDITION" published two years after the author's death, my copy was once part of Boots Booklovers Library. I'm not sure how to read this label, pasted to the rear endpaper.

Someone may be able to enlighten.

I purchased the book in 2018 from a British Columbia bookseller. Price: US$35.00.

Access: Philistia first appeared in 1884 numbers of The Gentleman's Magazine under the pseudonym "Cecil Power." Later that same year, it was published by Chatto & Windus in a three-volume edition.

The 1888 Chatto & Windus "cheap edition" can be read online here thanks to the Internet Archive and Emory University. The cover illustration is interesting in that it depicts a scene featuring Rupert and Selah, two minor characters:


As I write this, no copies of Philistia, in any edition, are being offered online.

Remarkably, Allen's 1883 letter to Andrew Chatto may be purchased as part of a small collection that also includes a copy of The Woman Who Did inscribed by the author to Andrew Lang.

My birthday is in August.

Related post:

01 January 2022

Unpleasant Verse for New Year's Day

THE SCATTERED FAMILY ON NEW YEAR'S DAY

Though mountains and forests and waters divide us,
Where fate and ill-fortune have led us to stray;
Though infidel strangers are living beside us,
Our hearts will together be dwelling to-day.

Aglow with affection, with vivid love burning,
In fancy, dear parents, to you we will flee;
From North, from the West, from above, where no mourning
Embitters the joys of the blest and free.

We hasten, dear parents, our homage to render,
Our hearts as our treasure lay at your feet,
And proofs to convince of our reverence tender,
To beg for your blessings at home's sweet retreat;

To think of the scenes of our innocent childhood,
Where, happy, contented, not dreamed to care,
We roamed through the valleys, the meadows and wildwood,
To view the fair blossoms then flourished there.

'Tis true that our hearts often linger around you,
From morn until evening when bound by sleep' schain,
Then dream of the cords of love to us that bound you,
And sigh to return when it frees them again.

To-day shall they linger more constant than ever,
Around our loved parents, around our loved home;
No thoughts of the world for a moment shall sever
Our hearts from that spot, or from there make them roam.

What prospect to children, to parents more pleasing,
Than that we this union might share!
In filial love be united unceasing,
No matter what fate or our foes may prepare.

'Tis true not on earth, for we'll soon be dismembered:
Shall death in the good love of others destroy
Can bliss then be reining and home unremembered?
Away with such motions of heavenly joy.
from Poems and Essays
John J. MacDonald
Ottawa: Ru-Mi-Lou, 1928