Checking Out an Attractive 56-Year-Old Montrealer

The Montrealer. vol. 32, no. 5 (May 1958)

I don't remember much of The Montrealer. I was in elementary school when it folded and accept no responsibility for its demise. For a year or two our family subscribed to its successor, Montreal Calendar Magazine. That periodical lived into my university years, but I don't remember much of it either. Never bought copy. You can blame me for that one.

Did I miss out in not reading Montreal Calendar Magazine? I have no idea. A quick go around of old friends finds that not one ever so much as picked up a copy. No one can tell me the first thing about it.

I know I missed out on something with The Montrealer – just look at the names on that masthead: James Minifie, Sam Tata, Hugh MacLennan, Constance Beresford-Howe, Robert Ayre and 27-year-old Mordecai Richler.

Ethel Wilson contributed, as did Joyce Marshall. The Montrealer was the first to publish "Dance of the Happy Shades" and four other stories that would years later feature in Alice Munro's debut collection of the same name.In this issue Richler is the supplier of fiction with "The Balloon", a short story that has never been republished.

The kid returns 23 pages later to weigh in on the brand spanking new New Canadian Library. We've also got  forgotten humorist Norman Ward, Leslie Roberts' unheeded warnings about American imperialism, James Minifie's observations on bumbling Prime Minister Diefenbaker and an uncollected essay by Hugh MacLennan.

Then there are advertisements – lots of advertisements – each a reflection of a Montreal that is no more.

It's all too easy to wax nostalgic about a time in which one never lived. It takes no keen eye to observe that the the city's linguistic minority is all but absent in the magazine's 66 pages. The uncredited "Guide to Better Shopping in Montreal" features just one business with a French name:

May is the month par excellence not only for experiencing Paris, but for re-imagining it, and for the latter pursuit Café Chez-Pierre suggests itself as an ideal locale.

We're in a better place now.

Trivia: I found this copy of The Montrealer, the first I've ever bought, in late March at Brockville's From Here to Infinity. If the mailing label is to be believed – and why not? – it first belonged to Alice Lighthall, eldest daughter of novelist, poet, historian, philosopher and anthologist W.D. Lighthall (Mayor of Westmount, 1900-1903).

Faith, Philanthropies and Verse for Air Raid Victims

Montreal in Verse:
     An Anthology of English Poetry by Montreal Poets
[Leo Cox, ed]
[Montreal]: Writers of the Poetry Group of the Canadian Authors Association, Montreal Branch, [1942]

A fundraiser in aid of the Queen's Canadian Fund for Air-raid Victims in Britain, this little chapbook of was published sixty years ago this month. Just in time for Christmas.

The Second World War looms large in these pages, but is dwarfed by Mount Royal.

(cliquez pour agrandir)

Thirty-two poets contribute thirty-two poems, and the hill that gives Montreal its name features in nearly half. I think the explanation may be found in the contributors' addresses. You won't find A.J.M. Smith, A.M. Klein or Leo Kennedy in these 48 pages, with few exceptions this is the verse of the city's privileged. And of this group, no one enjoyed greater status and comfort than Amy Redpath Roddick, whose family names kick off poetess Mildred Low's contribution, "Children of the McGill Campus":

Roddick and Redpath and old McGill,
Who, being dead, are living still,
How does it meet your kind intent
The way your benefice is spent?

Lady Roddick herself can't avoid same:

Six decades on, it's impossible to read this verse without thinking of F.R. Scott's "The Canadian Authors Meet" and the poets "measured for their faith and philanthropics". The good folks at Poetry Quebec have made a similar observation. That said, I'm not about to throw Montreal in Verse on the scrap heap. If anything, it reminds me of how much there is to explore of our literary past. Contributors Stella M. Bainbridge, Lily E.F. Barry, Warwick Chipman, Leo Cox, Lorraine Noel Finley, John Murray Gibbon, Christine L. Henderson, A. Beatrice Hickson, W.J King, Alice M.S. Lighthall, William D. Lighthall, Mildred Low, Margaret Furness MacLeod, Martha Martin, Dorothy Sproule, Jean Percival Waddell, Robert Stanley Weir and Margaret Ross Woods all had titles to their names, but I've yet to pick up even one of them.

Researching these names I discover that John Murray Gibbon once wrote a universally praised, yet entirely forgotten novel entitled Pagan Love (1922). Then there's R. Henry Mainer, whose Nancy McVeigh of the Monk Road (1908) centres on a hard-as-nails widowed Upper Canadian tavern owner.

The most intriguing is A. Beatrice Hickson, whom Canada's Early Women Writers tells us not only founded and ran a school for "misdirected and wayward" girls, but "painted figurines which were unique in design and costume and whose popularity outran her ability to produce them."

In language and theme, Miss Hickson – she never married – stands apart from her polite and proper fellow poets:

Before reading this slim volume of verse I'd never heard of Leo Cox, who wrote these charitable lines in his Editor's Note:

As in all anthologies, quality and style vary considerably, but all the pieces possess in common a strong love of Montreal, of her history and infinite charm. These verses are a loving tribute from sensitive citizens.

Apparently Macmillan published a collection of Cox's verse in 1941. Must track it down. I'll pass on his  Story of the Mount Stephen Club.

Object: A nicely produced, staple-bound chapbook in red paper wraps, this copy comes to me from my father. The pencilled correction to Amy Redpath Roddick's poem is in an unknown hand. Dare I hope that it is the work of Lady Roddick herself?

The 1 May 1943 edition of the Gazette reports that nearly one thousand copies of Montreal in Verse had been sold, contributing $200 to the Queen's Canadian Fund. The selling price was 25¢.

Access: Not found in even one of our public libraries – those wishing to borrow a copy should look to our universities. Two copies are currently listed for sale online, the most expensive of which ($45) is dedicated and signed by contributor Jean Percival Waddell.