James Moffatt Wins the Race

The Marathon Murder
James Moffatt
London: New English Library, 1972
124 pages

On January 12, 1972, Canadian writer James Moffatt appeared on BBC 2's Late Night Line-Up.  The public broadcaster had a habit of wiping tape back then – most famously David Bowie's January 3, 1973 Top of the Pops performance of 'The Jean Genie' – but footage survives. At the time, Moffatt was the biggest paperback writer living in Britain. Skinhead was his greatest success.

The Encyclopedia of Pulp Fiction Writers describes Skinhead as a "million-copy seller." I don't doubt it. Every Brit I know around my age has read Skinhead.

Skinhead was published in 1970. By the time of his Late Night Line-Up appearance, Moffatt had followed it with Suedehead (1971) and Boot Boys (1972); Skinhead Escapades (1972), Skinhead Girls (1972), Top Gear Skin (1973), Trouble for Skinhead (1973), and many more followed, all published under "Richard Allen."

Moffatt once claimed that as a child he'd earned third prize in a Toronto Star short story competition. In one interview he spoke of studying law at Queen's, but in another he said it was chemistry. Moffatt talked about writing for pulps in New York, living in Hollywood, and being the publisher and editor of a bowling magazine.

Was any of this repeated on Late Night Line-Up? Segments of the 12 January1972 broadcast were used in the 1996 BBC2 documentary 'Skinhead Farewell,' but not enough to get a real handle on all that went down that night.

Because the episode itself hasn't been posted online, I rely on the publisher's note:

Added to this is Moffat's four-page author's note, in which he claims that The Marathon Murder began as a sort of spur of the moment thing with host Will Wyatt throwing out an an idea. "I had precisely five seconds in which to think of a title and write the first few sentences ON CAMERA!" writes Moffatt. 

Here are those first few sentences:

Munich was but two weeks away. This left Harry Nolan with two weeks solid training to get himself in shape. He had not been too keen of late to keep himself in shape because he had problems.

It's not much of a start. This gruff Canadian, a self-described veteran of hard-boiled American pulps, writes: "Munich was but two weeks away" and "He had not been too keen of late to keep himself in shape." Reading these words, I'm almost surprised that Moffatt used "two weeks" and not "a fortnight."

Anyway, here's my fix:

Munich was two weeks away. This left Harry Nolan fourteen days to get in shape, but he had problems.

It may be that Moffatt was going after word count; his thirty-seven to my nineteen. New English Library describes The Marathon Murder as a novel, but at 38,000 words it is more accurately a novella. The low number surprises in that, when divided by seven, it amounts to fewer than 5400 words per day. Two months earlier, in a Daily Telegraph Magazine profile, Moffatt claimed ten thousand words as his daily output. He repeated that very same figure on the Late Night Line-Up appearance.

The writer at his desk.
Late Night Line-Up, 12 January 1972

The Marathon Murder was written when the Olympic ideal of amateurism still held. Hero Harry Nolan, who ranks amongst the very best long distance runners on the planet, is an English office worker. His wife, Emily, has left him for another man. He worries that this will... um, affect his performance. 

Terry Grayson is the other hero. A BBC journalist with no background in sport, for whatever reason he's been assigned to cover the marathon. Where Harry pines for Emily, Terry is stuck on some bird named Gloria. He just can't get over her, yet happily accepts leggy Sandra into his bed: "He had no illusions regarding their relationship. It was fleeting like fame. A fast, furious, fornicating union that had no basis in fact." Terry is surprised when Sandra follows him to Munich.

The Marathon Murder was written seven months before the start of the 1972 Olympic Games. It imagines violence, but in no way anticipates the actual horrors. At time of publication, Moffatt's likening the Olympic Village to a hastily constructed kibbutz would not have been chilling.

At some point in his Late Night Round-Up appearance Moffatt stands next to a New English Library spinner-rack."These are some of the 250 books I've written these past twenty years," he says. "During the last year I've written eight, nine books, due to the fact I haven't been too well." The words hint at his future. A drinker, Moffatt's addiction got the better of him. His final book, Mod Rule, appeared in 1980, after which he went silent. He died thirteen years later at the age of seventy-one.

James Moffatt (right) in the Daily Telegraph Magazine, 19 November 197

The Marathon Murder is no speedy read. A tough slog, it took me two weeks to reach the end.

I was outpaced by the author.

Trivia: Harry Nolan is a fan of James Bond and Silas Manners, the latter being a British spy who features in Moffatt's The Sleeping Bomb (1970) and Justice for a Dead Spy (1971).

Object and Access: A cheap mass market paperback, typical of its time, the last four pages are given over to other New English Library titles, including Skinhead, Suedehead, and Boot Boys. 

I purchased my copy last October for £5.00 from a Lincolnshire bookseller. As of this writing, all of two copies are listed for sale online. 

WorldCat suggests that no library, Canadian or otherwise, holds a copy.

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The Sleeping Bomb
James Moffatt
London: New English Library, 1970

125 pages

Jim used to say, "It's a business, it's the way I make my money, and I can live this way. I mean, people who write hardbacks can take a very, very long time to write them, which is very nice if you've got a good income behind you. Jim didn't have. I mean, he simply wrote to live, and he enjoyed doing it.

— Derry Moffatt, 1996 

The Sleeping Bomb appeared at news agents a few months after the author's pseudonymously published Skinhead. I wonder whether Moffatt knew by that time that he'd scored a smash hit. Skinhead was easily his biggest seller, spawning Suedehead (1971), Boot Boys (1972) Skinhead Escapes (1972) Skinhead Girls (1972), Top Gear Skin (1973) Trouble for Skinhead (1973) Skinhead Farewell (1974), and Dragon Skins (1975).

Even today, a half-century later, skinheads hold Skinhead and its sequels in high regard.

The Sleeping Bomb is a lesser work. Bereft of braces and Doc Martins, it begins on the other side of the pond – beneath the Hudson River, to be exact – with the discovery of a thirty-year-old one-man Nazi submarine during the construction of a new tunnel linking New York and New Jersey.

CIA agent Paul Henderson is assigned the case.

Why the CIA?

I have a theory – which is mine – that Moffatt knew he was out of his element when it came to responsibilities, jurisdictions, command structures, and the like. For this reason, he sets the novel in not-so-distant 1975, a year in which the armed forces of Canada, the United States, Mexican, and the United Kingdom fall under the centralized authority of the North Atlantic Defence Alliance. Intelligence agencies are being unified in a similar manner, which explains how Henderson ends up working under a Brit named Silas Manners

Not Silas Marner.

Not Miss Manners.

Because the sub is armed and booby-trapped, its hull cannot be breached. Dials, some broken, indicate that it contains a time bomb that is set to explode at some point in 1975. Whether government, intelligence or military, no one knows just  just what will happen, but everyone is sure it'll be really, really bad. 

The situation is so dire that I wondered why Henderson and Manner were left on their own to figure it all out. Restructuring, perhaps. As in any Richard Rohmer novel, the pair spend a good amount of time flying from place to place in an effort to get to the bottom of things. In their travels, they learn that the sub carries a "parasitic bomb" which will kill everyone within an area amounting to 250,000 square kilometres. 

The Americans published The Sleeping Bomb as The Cambri Plot. I mention this because because Cambri  – "Project Cambri" – is referenced a couple of times early in the novel.

Sure seems important. The ABC Movie of the Week President of the United States has a conniption when Paul Henderson let's slip that he's heard about it:

"WHAT!! Where did you hear that name, Henderson?"

   Paul wished to hell he'd kept his big mouth shut. "In General Herschfeld's office, sir. I overheard it when I paid a visit to him..."

   "Have you mentioned this to your colleagues?"

   "No, sir!"

   "Thank God!" The president's heavy breathing could be heard clearly.

Project Cambri involves rockets that can land on a pinprick. Their purpose is to carry documents and diplomats that might otherwise be intercepted by the Soviets.

That Project Cambri – note: not "The Cambri Plot" – is barely mentioned must have seemed strange to American readers. It vanishes in the early pages, only to reappear as the climax approaches. With three pages to go, I was interrupted by Kiefer, our nine-month-old Schnauzer. We played, and then went for a long walk.

As we made our way along our lonely rural road, I thought of everything that was wrong with the novel. I wondered whether visitors to East Germany were never searched. I tried to imagine Henderson piloting a locomotive across several hundred meters of railway ties, and then managing to get it back in the tracks.

Yeah, that happens.

More incredible was the Nazi plan, which involves planting a time bomb during the dying days of the Second World War and then waiting, waiting, waiting... The detonation, thirty years later, is intended to both bring about the reunification of a country that hadn't yet been divided and bring the world to its knees. Why not just set the bomb off in 1945? Why not kill millions and threaten millions more? Wouldn't that have brought the war to a sudden end? Wouldn't that have given Hitler the upper hand?

I'll never understand Nazis; James Moffatt's Nazis included.

Favourite passage: "CRAAAAASH! Wood splintered, flew in every direction. CRUUUUMP!"

Trivia I: New English Library's cover copy (below) was clearly written by someone who had not read the novel. The bomb would cover 250,000 square miles, not one thousand.

No neo-Nazis figure.             

Trivia II: Silas Manners reappears in Moffatt's Justice for a Dead Spy (London: New English Library, 1971).

Object: A slim, cheap mass market paperback. The novel itself is followed by three pages of adverts for other New English Library books.

Isn't this tempting!

Access: The Sleeping Bomb enjoyed one lone printing. Five copies are listed for sale online at prices ranging from £3.95 to £6.19. Condition isn't much of a factor.

The Cambri Plot was published in 1973 by Belmont Tower. Copies of that edition range from US$4.10 to US$55.42.

The novel last appeared as a Spanish translation, La Vengganza de Hitler, "una novela escalofriante," published in Mexico City in 1974 by Novaro.

Whether academic or public, not one copy of any is held by a Canadian library.

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