I've taken more than a few swipes at print on demand publishers. And why not? The industry has yet to complete its second decade and already these firms are responsible for a great percentage of the ugliest books in existence. Blurred scans, scored texts and missing pages only add to the unpleasantness. However, much was forgiven today – if only temporarily – after I happened on the latest post by J.R.S. Morrison at his always interesting Caustic Cover Critic blog. Mr Morrison brings to our attention English POD publisher Tutis Digital, whose covers feature the most bizarre pairings of title and image I have ever seen.
A quick visit to the company's website brings photographs of Jacques Cartier's nuclear submarine, the Samurai War between Canada and the United States and the tropical paradise that is Quebec. I present the following without further comment, adding only that Tutis offers an alternate edition of The Backwoods of Canada, one that features a handsome cover image of the majestic mountains of Peterborough, Ontario.
A writer, ghostwriter, écrivain public, literary historian and bibliophile, I'm the author of Character Parts: Who's Really Who in CanLit (Knopf, 2003), and A Gentleman of Pleasure: One Life of John Glassco, Poet, Translator, Memoirist and Pornographer (McGill-Queen's UP, 2011; shortlisted for the Gabrielle Roy Prize). I've edited over a dozen books, including The Heart Accepts It All: Selected Letters of John Glassco (Véhicule, 2013) and George Fetherling's The Writing Life: Journals 1975-2005 (McGill-Queen's UP, 2013). I currently serve as series editor for Ricochet Books and am a contributing editor for Canadian Notes & Queries. My most recent book is The Dusty Bookcase (Biblioasis, 2017), a collection of revised and expanded reviews first published here and elsewhere.