Celebrating John Metcalf at 85

This past Saturday, I joined a pubfull of people – yes, a pubfull – in downtown Ottawa to celebrate John Metcalf's 85th birthday. It was a glorious event with David O'Meara serving as host and Biblioasis publisher Dan Wells as MC. The fête began with Lisa Alward reading from 'Cocktail,' the title story of her newly published debut collection. Mark Anthony Jarman followed with 'Burn Man on a Texas Porch' from Burn Man: Selected Stories, also newly published. We were then treated to two passages from 'A Pearl of Great Price,' a new story by the man himself.

'Happy Birthday' was sung. There was cake!

What with Covid and geography, it had been some time since I'd last seen John Metcalf. I brought The Museum at the End of the World (2016) and The Worst Truth (2022) for him to sign. The latter is a 61-page review of David Staines' A History of Canadian Fiction, a book I myself had read for the Dorchester Review. 'What Is A Canadian Fiction?', the title of my much shorter review is a nod to John's What Is A Canadian Literature (1988).

We exchanged observations and opinions as members of a very small number who had actually read Prof Staines' latest.

At $126.95, I don't expect I'll meet another. 

The Worst Truth: Regarding A History of Canadian Fiction by David Staines can be purchased for eight dollars through this link. 'A Pearl of Great Price' is now available as the ninth number in the Biblioasis Short Fiction Series. Limited to one hundred numbered and signed copies, it is a thing of uncommon beauty.

Related post:
What Is A Canadian Fiction?

What Is a Canadian Fiction?

Several months ago, The Dorchester Review asked me to review David Staines' A History of Canadian Fiction.

Who am I to turn down an invitation.

Professor Staines' book was read at great sacrifice. Going through its 304 pages I ignored Stephen Henighan, a favourite critic, who shared his opinion of A History of Canadian Fiction in the pages of the Times Literary Supplement. A blind eye was turned to Stephen W. Beattie, another favourite, who reviewed the book for the Quill & Quire.

After submitting my review I read the two Stephens, sat back, and watched for more. I was more than rewarded with John Metcalf's newly published The Worst Truth: Regarding A History of Canadian Fiction by David Staines (Windsor: Biblioasis, 2022).

The Worst Truth quotes Henighan's TLS review, in which he makes this criticism of Staines:

He provides a useful introduction to Inuit literary culture, paying the 39,000 native speakers of Inuktituk an attention he denies to Canada's 7.3 million native speakers of French.

Well, the Spring/Summer Dorchester Review has now landed, bringing with it my review of Professor Staines' history, some of which adds to Henighan's observation:

How is it that a book titled A History of Canadian Fiction would exclude work written in French? Remarkably, Staines does not address this issue. In fact, he doesn’t so much as recognize the existence of Canadian fiction written in French. Of the hundreds of writers of fiction named in this book, we find two French names: Roger Lemelin and Gabrielle Roy. They first feature in a short list of “important people” who were once interviewed by Mavis Gallant and reappear as in another list of writers whose fiction Mordecai Richler had read. Roy’s name is in a third list, this of writers with whom Sandra Birdsell corresponded. 
     And that’s it. 
     The only mention of a work written in French appears in a nine-page "Chronology of historical, cultural, and literary events" that precedes the text itself. Next to the year 1632, we find: “Jesuit Relations, an annual, begins and continues until 1673.” But of course, they weren’t the “Jesuit Relations,” they were the Relations des jésuites.

More in The Dorchester Review.

And I have even more to say.

Invitations accepted.

A Forgotten Novelist's Hidden Debut

Joan Suter was thirty-seven when her first novel, East of Temple Bar, was published. She'd begun her working life as a fashion illustrator, then headed for Fleet Street, east of Temple Bar, where she found employment as an editor for Amalgamated Press and the George Newes Firm. Suter also wrote short stories under the name "Leonie Mason," which led to some confusion when the London Daily Herald (18 August 1938) reported on the marriage of "Miss Leonie Mason who writes fiction under the name of Joan Suter" to journalist Ogilvie "Punch" MacKenzie Kerr.

London Daily Herald, 18 August 1938

According to the Daily Herald, the wedding followed "a romance of 14 days, which began when they met in a darts match."

Sadly, by the time East of Temple Bar was published, Joan and Punch were no more. She had yet to divorce, but had already met second husband James Walker, a major in the 12th Canadian Tank Regiment. They married in Toronto on 20 September 1946. From that point onwards she wrote as "Joan Walker," and erased East of Temple Bar and her Leonie Mason fiction from her bibliography.

I was on a bit of a Walker tear earlier this year, reading and reviewing her novels Murder by Accident (1947) and Repent at Leisure (1957). In April, I spoke about the author with Dick Bourgeois-Doyle on his Canus Humorus podcast.

I review East of Temple Bar in the new issue of Canadian Notes & Queries. The exercise brought to mind my work on A Gentleman of Pleasure, a biography of self-described "great practitioner of deceit" John Glassco.  

Speaking of Glassco, Carmine Starnino's The Essential John Glassco (Porcupine's Quill) is one of the three reissues I chose for the What's Old feature; No Crystal Stair by Mairuth Sarsfield (Linda Leith Publishing) and The Tangled Miracle by Bertram Brooker (Invisible Publishing) are the two others.

All three belong on your bookshelves.

Invisible, let me know what you're up to!

As always, Seth provides the cover. The Landscape, his regular feature, concerns the long-dead Montreal Standard's magazine supplement.

Margaret Atwood looks at the the short stories of Clark Blaise.

Other contributors include:

Marc Allen

Barry Baldwin

Elaine Coburn

Robert Colman

Jeffery Donaldson

sophie anne edwards

Sadie Graham

Brett Josef Grunisic

Tom Halford

Rhiannon Ng Cheng Hin

Kate Kennedy

Marius Kociejowski

Kim Johntone

Robin Mackay

David Mason

Dominik Parisien

and 

Alice Petersen

Jean Marc Ah-sen interviews Dimitri Nasrallah.

Megan Durnford interviews Céline Huyghbaert.

Sindu Sivayogan adapts Shyam Saladurai's Cinnamon Gardens.

As always, the last page belongs to Stephen Fowler, who serves up Melva E Adams' Marshmallow Magic. Self-published in 1978, it belongs in every Canadian kitchen.

Subscribers receive John Metcalf's The Worst Truth: Regarding A History of Canadian Fiction by David Staines.

Sixty-one pages in length, I read it in one sitting.

Subscriptions to Canadian Notes & Queries can be purchased through this link.

My review of Prof Staines' history was written for another magazine.

It's coming.

Related posts:

Accidents Never Happen in a Perfect World

On the High Heels of Pleasure
Talking Joan Walker with Dick Bourgeois-Doyle
Joan Suter, Angus Hall, and the Collector in Me