A Very Canadian Succès de scandale

The Parliamentary Librarian chased after "Gilbert Knox". Conservative MP Alfred Fripp joined in the hunt, intent on having the author deported to who knows where. The clergy condemned, Ottawa echoed with talk of lawsuits, an election was fought. and a government fell. In the midst of it all, the woman behind the pseudonym suffered a nervous breakdown and was sent away to a Toronto nursing home…

So begins my latest Canadian Notes & Queries Dusty Bookcase column. The rest is found in the new issue, number 92, sharing pages with writing by Michel Basilières, Laura Bast, Darryl Joel Berger, Kerry Clare, Michael Darling, Marc di Saverio, Jennifer A. Franssen, Kaper Hartman, Melanie Janisse, Lydia Kwa, Nick Maandag, David Mason, John McFetridge, Shane Neilson, Patricia Robertson, Rebecca Rosenblum, Mark Sampson, Russell Smith, JC Sutcliffe, Nicholas Zacharewicz and, of course, Seth.

Fellow contributors will understand my singling out Alex Good's "Shackled to a Corpse: The Long, Long Shadow" and Stephen Henighan's "Jimmy the Crossdresser, Mother of Mavis Gallant" as being particularly worthy of attention.

My own contribution, much more modest, concerns The Land of Afternoon, a very good, yet forgotten roman à clef published in 1925 under the name "Gilbert Knox". Madge Macbeth (right) was its true author, which is something not even her publisher knew. The author took the secret to her grave, leaving behind a bright white paper trail for all to follow.

Few have.

Go back ninety years and we'd all be talking about The Land of Afternoon. The first book to come out of Ottawa's Graphic Publishers, it landed in the midst of the federal election fought between Arthur Meighen's Conservatives and the Liberals of William Lyon Mackenzie King. The latter doesn't figure, but Meighen served as a model for protagonist Raymond Dillings, Member of Parliament for Pinto Plains. Wife Isabel inspired Marjorie Dillings… and on it goes.

Again, you'll find more in the new CNQ.

For now, a couple of pieces of trivia that didn't make it into the piece:

1. In February 1936, a scene from the novel was dramatized by Toronto's Canadian Literature Club.
2. Macbeth's good friend Lawrence Burpee once appeared in disguise at a Canadian Authors Association event as "Gilbert Knox".

Burpee, not Knox, May 1926

Subscriptions to CNQ are available through this link.

Judging Covers

Any magazine that looks like that has got to be great. The new Canadian Notes & Queries – number 91 – is just that. Between Seth's wrap-around cover you'll find contributions by Kamal Al-Solaylee, Donald A. Bailey, Emily Donaldson, Stephen Fowler, Keath Fraser, Michael Harris, Finn Harvor, Jesse Jacobs, John Miller, Anakana Schofield, Derek Sharpton, Leanne Sharpton, Tom Smart, Meaghan Strimas, Bruce Whiteman and Nathan Whitlock.

This issue's collectable takes the form of an excerpt from David Constantine's forthcoming novel In Another Country. A limited edition, numbered chapbook, it's available to subscribers only. So, subscribe already.

My contribution looks at the career of Montreal's Ronald J. Cooke, a man remembered (not really) for the 1949 novel The House on Craig Street. Harlequin's seventh book, its sales prompted News Stand Library to produce an edition for the American market.

Both covers are by D. Rickard. Aren't they swell?

An industrious writer, Cooke was quick with a second novel, The Mayor of Côte St. Paul (1950), but it didn't do nearly as well. He spent the remainder of his career publishing industry magazines and booklets with titles like How to Clip Newspaper Articles for Big Profits. Each indistinct in their own way,  the literary historian finds relief in The House on Dorchester Street (1979), a late third novel that tries to capture something of past success.

It failed.

One can find fault with publisher Vesta's shoddy production values, but blame really belongs to Cooke himself. The House on Dorchester Street is both horrible and forgettable; in this way, it marks a significant departure for Cooke as a novelist. The House on Craig Street is a bad piece of writing, but lingers in one's memory. The Mayor of Côte St. Paul, though only slightly better, has elements so interesting and strange – rumrunning, stalking, drowning, death by darts and Lunenburg lingerie – that I've encouraged its reissue as part of the Ricochet Books series.

Look for it early in the New Year.

I think the cover is swell.

Related posts:

The Messy World of Ronald J. Cooke

Ronald J. Cooke, No Blockhead

St. Cuthbert's and the Rest

The new issue of Canadian Notes & Queries arrived Friday, just in time for the first day of summer, bringing another Dusty Bookcase sur papier. Under the microscope this time is St. Cuthbert's of the West, the debut novel by Reverend Robert E. Knowles, who by small coincidence was the subject of Friday's post.

St. Cuthbert's of the West – a/k/a St. Cuthbert's – is the most difficult, most time-consuming novel I've read since embarking on this exercise. Knowles had defeated me in the past, but this time I persevered, pushing mind and tortured soul through what may very well be the most trying 317 pages in our country's literature.

To anyone who questions the weight of this accomplishment, I present this sample dialogue:

“The session ’ll mebbe listen to me, for I’ve been yir precentor these mony years. We’ll hae nae mair o’ thae havers. Wha wants their hymes? Naebody excep’ a when o’ gigglin’ birkies. Give them the hymes, an we’ll hear Martyrdom nae mair, an’ Coleshill an’ Duke Street ’ll be by. For what did oor fathers dee it wasna for the psalms o’ Dauvit? An’ they dee’d to the tunes I’ve named to ye.”

The novel deals primarily with the politics and parishioners of a nineteenth-century Ontario Presbyterian church.

No more need be said.

Hey, remember these?

I do in this issue's "CNQ Timeline".

As always, the rest is rich. Editor Alex Good contributes a twenty-page essay on last year's Scotiabank Giller Prize, joining Stephen Henighan as one of the few critics to who really understand what the hell is going on. We also have a Ray Robertson essay, Carmine Starnino's interview with Michael Harris, Harold Heft's interview with Kenneth Sherman, new fiction from C.P. Boyko, three poems by Kerry-Lee Powell  and, ahem, Bruce Whiteman's review of The Heart Accepts It All: Selected Letters of John Glassco. John Degen, Diana Tamblyn, Kerry Clare, J.C. Sutcliffe , Michael Bryson, Emily Donaldson and Jeff Bursey round out the issue. As always, Seth provides the cover, this time adding an appreciation of Duncan Macpherson. He was, writes Seth, "Canada's greatest political cartoonist". True, so very true.

Yes, summer is here. Emboldened by having at long last tackled a Robert E. Knowles novel I look to my shelves and see that the damaged reverend offers five more.

But they can hardly be considered summer reading.

Related posts:

Galt's Damaged Pastor Novelist

Misfortune Follows Reverend Knowles

Of Montreal, Notes and Queries

Spring arrives, bringing a new issue of Canadian Notes & Queries. Number 89 – for those keeping count – this one is devoted to Montreal, the very finest city in all the Dominion.

There, I've said it. Again.

My column this time around is a modest introduction to the city's post-war pulp novels, ten in total, published between August 1949 and December 1953.* A remarkable, all too brief period, it saw the first two books by Brian Moore, the second by Ted Allan, and the debut, wet decline and soaked disappearance of Russell Teed, Montreal's greatest private dick. Regular readers will recognize the titles, all of which have been featured here these past five years:

The House on Craig Street
Ronald J. Cooke
Winnipeg: Harlequin, 1949 

Love is a Long Shot
Alice K. Doherty [pseud. Ted Allan]
Toronto: News Stand Library, 1949

Sugar-Puss on Dorchester Street
Al Palmer
Toronto: News Stand Library, 1949

The Mayor of Côte St. Paul
Ronald J. Cooke
Toronto: Harlequin, 1950

Wreath for a Redhead
Brian Moore
Winnipeg: Harlequin, 1951

The Crime on Cote des Neiges
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1951

The Executioners
Brian Moore
Winnipeg: Harlequin, 1951

Flee the Night in Anger
Dan Keller [pseud. Louis Kaufman]
Toronto: Studio Publications, 1952

Murder Over Dorval
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1952

The Body on Mount Royal
David Montrose
     [pseud. Charles Ross Graham]
Winnipeg: Harlequin, 1953







Other contributors to CNQ #89 include: Meaghan Acosta, Asa Boxer, Kate Beaton, Michel Carbert, Bill Coyle, Jesse Eckerlin, Trevor Ferguson, Elizabeth Gill, Mary Harman, Kasper Hartman, David Homel, Cory Lavender, David Mason, Donald McGrath, Leopold Plotek, Eliza Romano, Robin Sarah, Mark Sampson, Norn Sibum, Marko Sijan, JC Sutcliffe, Zachariah Wells, Kathleen Winter, and Caroline Zapata.

The country's very best magazine vendors are selling CNQ #89 for $7.95, but what you really want to do is take out a one-year subscription – available here – at twenty dollars. In so doing you will not only ensure that the magazine is brought directly to your door or post office box, but will also receive a subscriber-only collectable. This issue it's "Mountain Leaf" by Peter Van Toorn. Friends will be envious.

* I'm following the OED here: "popular or sensational writing that is regarded as being of poor quality". Letters of complaint should be sent to oed.uk [at] oup.com.

Bilious, Bitchy and Bedevilled by Spite? Not at All.

Just in time for Christmas, the new Canadian Notes & Queries is here. Seth provides the cover, along with a short tribute to the Maclean's illustrated cover. The magazine switched to photographs before I came along, but old issues lingered in our home. The 10 January 1952 cover by Oscar Cahén was a favourite. I think of it each dying year as winter moves in.

Here I am getting all nostalgic.

John Metcalf, not Maclean's, is the focus of this CNQ. Contributors include Caroline Adderson, Mike Barnes, Clarke Blaise, Michael Darling, Alex Good, Jeet Heer, Kim Jernigan, David Mason and Dan Wells. Cartoonist David Collier gives us a two-page adaptation of Going Down Slow. Roy MacSkimming, Christopher Moore and Nick Mount have interviews with the man, while I praise Metcalf's invigorating, irreverent Bumper Books.

But wait, there's more: a new short story from Kathy Page, four poems by Jim Johnston, along with reviews from Steven W. Beattie, Kerry Clare, Emily Donaldson and Bruce Whiteman.

I think all contributors will forgive and understand that my favourite thing about the issue is the collectable. A numbered, limited edition chapbook containing a new John Metcalf story, it's available only to subscribers.

And subscriptions are only $20.

And they make a great Christmas gift.

Here's how to order.

A bonus:

(cliquez pour agrandir)

The back cover of Carry On Bumping (Toronto: ECW, 1988).

Now, that's how you sell a book.

Tan Ming's Disappointing Post-Apocalyptic World

The new Canadian Notes & Queries has landed, bringing with it another Dusty Bookcase column. The eighth to date, it's a review of Tan Ming, a fantastic, post-apocalyptic, pseudonymously self-published novel by electric organ pioneer Morse Robb.

So dull.

Oh, but doesn't Tan Ming look good? How about that cover!

It sounded good, too. In Nuclear Holocausts: Atomic War in Fiction 1895-1984, Washington State University professor Paul Brians begins his description thusly: "An amusing fantasy in which a department store window dresser falls in love with a robot mannequin and manages to conjure into its body the soul of a princess named Tan Ming from a postholocaust future." The ever-reliable Wikipedia once claimed that the novel inspired Mannequin, the romantic comedy starring Kim Cattrell and Andrew McCarthy.

 

You'll remember Mannequin for "Nothing's Going to Stop Us Now", which topped the American charts back in 1987. The new CNQ comes with music – much better music – in the form of a flexidisc by Al Tuck.

When was the last time you bought a magazine with a flexidisc?

The last I picked up was the April 1981 issue of Smash Hits. It came with a live recording of "Pretending to See the Future" by Orchestral Maneoeuvres in the Dark and "Swing Shift" by our own Nash the Slash.

Not to slight Hazel O'Connor  – or Messrs Lydon, Levine, Wobble and Weller  – but don't you prefer this?

The cover, as always, is by Seth. Inside you'll find Mike Barnes, Michel Basilières, Devon Code, Michael Deforge, Emily Donaldson, Jennifer A. Franssen, Lorna Jackson, Mark Anthony Jarman, Evan Jones, Adrian Michael Kelly, Mark Kingwell, Lewis MacLeod, Marion MacLeod, David Mason, Ross McKie, Robert Melançon, Shame Nielson, Patricia Robertson, Ray Robertson, Sean Rogers, Mark Sampson, Michael Schmidt, Norm Sibum, Dan Wells, Paul Wells, Bruce Whiteman and Robert Wiersema.

At $20 per annum, subscriptions are a great deal. You can get one here.

Shhhh...

A week tomorrow it will be my honour to moderate a panel featuring Chris Woodrow (Acting CEO and Director of Strategic Planning, Windsor Public Library), Brian Owens (Librarian and Chief Archivist, Leddy Library, University of Windsor) and Jennifer Franklin-McInnis (Deputy Chief Librarian and Manager of Branches, Essex County Libraries).

The topic? I'll leave that to hosts Biblioasis:

The latest issue of Canadian Notes & Queries is library-themed, and to celebrate its launch we’re holding an informal panel discussion on the role of libraries in Windsor and beyond. Want to learn more about the social challenges libraries face as one of the few remaining (free) public institutions? How librarians and publishers are negotiating rights for e-book lending? What the best arguments are in favour of growing a library’s physical archives? Join us for these discussions and more at the store.

Everything else you need to know is on the poster above. Click for a larger view, 'tis a thing of beauty.

See ya there!

Glassco's $9500 Library and the Montreal Eatons

Canadian Notes & Queries number 86 has arrived, bringing with it all kinds of goodness from Caroline Adderson, Mike Barnes, Nigel Beale, Darryl Joel Berger, Steven W. Beattie, Aaron Costain, Evie Christie, Jason Dickson, Nicole Dixon, Emily Donaldson, Sharon English, Alex Good, Finn Harvor, Jeet Heer, Even Jones, David Mason, Ben McNally, Sarah Neville, James Pollock, John Richmond, Mark Sampson and Bruce Whiteman, wrapped in a cover by Seth.

I have two pieces in this issue, the first being a look at John Glassco: A Personal and Working Library, issued in 1982 by Montreal's Word Bookstore. Compiled by Glassco's bibliographer Fraser Sutherland, this cerlox-bound 47-page catalogue offers the poet and pornographer's library en masse:

The Library occupies approximately 29 feet of shelf-space, and comprises 526 books and 88 periodicals – most of them signed and annotated – as well as hundreds of other printed items, letters, and manuscripts. Editions are usually First. Except for books or periodicals published before 1940, condition is usually Fine. On the rare occasions were pages are missing, these are indicated. The price of JOHN GLASSCO: A PERSONAL AND WORKING LIBRARY is Can$9500.

That's right, $9500. And yet only one institution stepped forward. And it wasn't McGill, his alma mater.

The collection was purchased by Queen's University and can be viewed, even by unaccompanied minors, at Special Collections at the W.D. Jordan Library. Select pages from the catalogue can be seen here at my Gentleman of Pleasure blog.

The second contribution is a review of Marion: The Story of an Artist's Model by Winnifred Eaton (a/k/a Onoto Watanna). First published in 1916 as a biography, reissued last year by McGill-Queen's as a novel, it provides a fictionalized account of sister Sara Eaton's youth, along with glimpses of artist father Edward, mother Lotus Blossom, and more than a few of the thirteen other Eaton children.

The Metropolitan, 10 February 1894

The new edition benefits from a fascinating 49-page Introduction by Karen E.H. Skinazi and the inclusion of Henry Hutt's original illustrations.

Rereading the review, I see that I've described the Eatons as "perhaps the most unusual and unconventional family of Victorian Montreal."

I'm now reconsidering the word "perhaps".

Related post:

Beauty Neglected

Cross-posted, in part, at A Gentleman of Pleasure.

Recognizing Norman Levine

The new issue of Canadian Notes & Queries landed in my mail box on Friday – a few days late owing, I suspect, to an ill-tempered sorting machine.

My heart sank... until I discovered that everything had arrived intact. Now I boast: "officially repaired". How special is that!

I always look forward to Canadian Notes & Queries, but this issue was more eagerly anticipated than most. Its focus is Norman Levine, a writer who has never received anything close to the attention he deserves. Happily, this issue goes some way in redressing the deficit, with:

"Kaddish (A Sketch Towards a Portrait of Norman Levine)"
by John Metcalf
"All the Heart is in the Things: Mapping Levine-land" by Cynthia Flood
"Chasing Norman: A Book-collector's Memoir" by Philip Fernandez
"Remembering Norman Forgetting" by T.F. Rigelhof
"Fiction, Faction, Autobiography: Norman Levine at McGill University, 1946-1949" by Robert H. Michel

and

Ethan Rilly's adaptation of Canada Made Me, episode six in his "The North Wing: Selections from the Lost Library of CanLit Graphic Novels"

Much more modest, my contribution covers correspondence between Levine, Jack McClelland and Putnum's John Huntington relating to Canada Made Me.

Further riches are found in a new short story by Lynn Coady, poetry by Mathew Henderson and a piece of creative non-fiction by my old pal Andrew Steinmetz.

You'll also find my review of Fraser Sutherland's Lost Passport: The Life and Words of Edward Lacey.

And finally, there's this issue's limited edition collectable, Signal to Noise, an excerpt from C.P. Boyko's forthcoming collection Psychology and Other Stories.

My copy is number 159.

The collectables are only for those with subscriptions.

You know you want one.

Here's the link.

The Retired Reverend King on Abolishing Death

A new Canadian Notes and Queries arrives bringing another Dusty Bookcase sur papier. This one, a bit longer than usual, focuses on that old odd bird Basil King's spiritualism.  Eternally fascinating.

Seth's superhero cover compliments an appreciation of Alvin Schwartz by Devon Code, my old dining parter Shaena Lambert contributes a new short story and Michel Basilières reviews The Sister Brothers. Steven W. Beattie, Marc Bell, Alex Boyd, Michael Bryson, Mark Callanan, Kerry Clare, Emily Donaldson, Aaron Gilbreath, Alex Good, Philip Marchand, John Martz, David Mason, K.D. Miller, Tara Murphy, Shane Nelson, Tina Northrup, Patricia Robertson, Christian Schumann, Kenneth Sherman, Zachariah Wells and Nathan Whitlock add to the goodness. But let me draw attention to Mike Barnes' contributions: an essay and The Reasonable Ogre, a Biblioasis chapbook featuring a new short story with illustrations by Segbingway.

Produced in an edition of 450 copies as a collectible for subscribers of CNQ. My copy's #149.

Information on subscriptions to Canadian Notes & Queries can be found here.

Pulp Noir à Montréal

The new edition of Canadian Notes & Queries lands, and with it comes another Dusty Bookcase sur papier. This time the spotlight plays upon Ted Allan's Love is a Long Shot. Not the Love is a Long Shot for which he was awarded the 1984 Stephen Leacock Medal, but a cheap, pseudonymous pulp novel from a quarter-century earlier.

Published by News Stand Library in September 1949, two months before newspaperman Al Palmer’s Sugar-Puss on Dorchester Street, this Love is a Long Shot holds the distinction of being the first pulp noir novel set in Montreal. As I write in CNQ, it ain't that pretty at all. The cover depicts, but doesn't quite capture, one of the darkest, most horrific scenes in any Canadian novel.

There's more to the issue, of course, including new fiction by Nathan Whitlock, new poetry by Nyla Matuck and – ahem – praise for A Gentleman of Pleasure from George Fetherling.