08 April 2013

Did Arthur Stringer Incite the Bolshevists to Blow Up Wall Street? Maclean's Dares Ask the Question!



Myth: On 11 September 2001, President George W. Bush told Americans to go shopping.

Fact: He told them to go to Disney World.

Terrorism sells. Ten years ago, it was duct tape and plastic sheeting, eight decades before that it was issues of Maclean's:

The Regina Morning Leader, 15 November 1920
(ciquez pour agrandir)
"Did Arthur Stringer incite the Bolshevists to blow up Wall Street?' The question is absurd, is it not? How would the Reds have known of an unpublished novel that had been submitted to a Toronto general interest magazine? Besides, are we really to believe that no one had ever thought of blowing up New York's financial district?

My questions can't keep up with the fast and furious of the advert: "Who did it? Was it an accident? The bomb of a Bolshevik? Or merely ordinary insanity?"

Let's consider the Maclean's questions one at a time:

Who did it?

We don't know. What we do know is that at noon on Thursday, 16 September 1920, a horse-drawn wagon carrying roughly 100 pounds of dynamite was brought to a halt across the street from the offices of J.P. Morgan. A minute later, the horses and wagon were no more. Thirty-eight people were killed – most instantly – and who knows how many people were injured. The driver is thought to have fled the scene just before the explosion.


Was it an accident?

No, though a whole lot of people considered the possibility. Initial police investigations focussed on the sloppiness of businesses that sold and transported explosives. However, by the next day investigators had come to the conclusion that the carnage had been intentional. The give-away: an estimated 500 pounds of iron weights that had been mixed in with the explosives.


The bomb of a Bolshevik?

Doubtful. Early in the investigation police came upon a cache of flyers from the American Anarchist Fighters. "Remember, we will not tolerate any longer", read the text. "Free the political prisoners, or it will be sure death for all of you."


Or merely ordinary insanity?

Oh, there was insanity. Take New York Law School graduate and one-time tennis star Edwin P. Fischer. Mr Fischer had sent postcards to friends and relatives warning them of the devastation that would be brought upon Wall Street on 15 September, the day before the actual blast. He was picked up the next day in Hamilton, Ontario.

The New York Times,18 September 1920
Under questioning, Fischer at first appeared uncertain as to how he'd known about the coming carnage, telling Magistrate George F. Jelfs that a message had come "through the air". However, he soon became more certain:
I have lived a life of helpfulness and unselfishness. I have never held a grudge against anyone, and have always tried to do good to everybody. For this reason I think that God, perhaps, has given me a power that has not been given to those who lead selfish lives.
When the magistrate asked how he knew exactly where the explosion would take place, Fischer replied, "I knew because Wall Street is the centre of evil in the world."

Not so insane after all.


Fischer had not only entered Canada illegally but had threatened some of our finest millionaires in Toronto's Queen's Hotel, and so was deported. He returned to New York's Grand Central Station clothed in two suits over tennis whites,  at the ready for a chance match. The poor man would end up being institutionalized in the Amityville Insane Asylum.

Despite all the publicity, Stringer's The City of Peril did not appear in book form until 1923, when it was published by McClelland & Stewart and Alfred A. Knopf. I've yet to come across a copy myself, but Kathleen K. Bowker's Canadian Bookman review has me sold:

March 1923
Trivia: Edwin P. Fischer was 1895 Ontario Tennis Champion.

More trivia: The Wall Street bombing very nearly ruined Anti-Straw Hat Day:

The Globe & Mail, 16 September 1920
Related post:

07 April 2013

'IN MEMORIAM! The Hon. T.D. McGee'



IN MEMORIAM!
The Hon. T.D. McGee

Dedicated to his sorrowing Widow

"Cum lugeate, lugebo."

                    Dead! – and by a death terrific! –
                         Erin, hear it! – Can it be,
                    The young spirit so prolific
                         Beats no more in great McGee?
                    Dies irae! – break it gently
                         Oh! let pleasure hold her breath!
                    For 'tis true that tongue so mighty
                         Now lies cold in silent death!

                    Breathe his name in muffled numbers!
                         Gather, nations, round his brier!
                    Gaze upon him as he slumbers,
                         Starting pity's choicest tear!
                    Nature seems to've caught the spirit
                         Of his sad, yet noble fall,
                    And, through sympathy for merit,
                         Drops to-day her virgin pall.

                    Envy may spit all her rancour –
                         Strike at honesty her best –
                    She but does her body honour,
                         While she sends his soul to rest.
                    Patriot, orator,and statesman
                         Of unsullied purity;
                    With such pow'rs were interwoven
                         Fairest flow'rs of poetry.

                    But no longer chained in wonder
                         Shall admiring throngs rejoice,
                    Or give back applause in thunder
                         To the magic of his voice!
                    Hope, though like a paraphelion,
                         Cheers us in our awful gloom:
                    For 'tis sweet to know Religion
                         Smoothed his pathway to the tomb.

                    Noblest forms must soon or layer,
                         Mingle with their kindred dust,
                    While their spirits rise to brighter
                         Regions of the happy just.
                    Spirits! bear his soul to heaven!
                         And, what's left, – a glorious name!
                    Be it reverently given
                         To be canonized by fame!

                    Ah! but who can consolation.
                         To his orphans now impart!
                    Or can sooth in dereliction
                         His poor widow's breaking heart!
                    Let us breathe a De profundis,
                         That a bright eternity
                   May receive the spirit of his
                         Own originality!

                                                              – P.J. Buckley
                                                           Grand Seminary
                                          Montreal, 8th April 1868


Assassinated 145 years ago today.
RIP

Related posts:

02 April 2013

Trotsky: The Accidental Terrorist



The Sixth of December
Jim Lotz
Markham, ON: Paperjacks, 1981

I'm both pleased and honoured that expat Canadian writer Mark Reynolds has contributed this, the very first Dusty Bookcase guest post. More of Mark's writing can be found online at View of the Marching Fishes. 

When Brian offered me the opportunity to write a guest-post on The Sixth of December by Jim Lotz, I jumped at the chance. It struck me as inspired that someone had thought to link Trotsky’s brief imprisonment in Nova Scotia to the Halifax Explosion. I imagined a Communist of Unrequited Dreams, or perhaps a Forrest Gumpsky – here Trotsky founds the Red Army, there he blows up Halifax, and during his New York exile he advises a young F. Scott Fitzgerald on writing fiction.

The Sixth of December starts 11 months before the titular date, 100 meters under the Atlantic, where a German U-Boat and its crew lay slowly dying. Warships of the Royal Navy prowl the surface, drawing their net of depth charges ever closer on the helpless sailors below.

Finally, Kapitanleutnant Wolfgang Von Lothringen – aristocrat, conveniently English-educated, fanatic in the cause of the Fatherland – makes a desperate decision to make a break for it, surfacing his vessel and firing his last torpedo at his tormentors. However, the torpedo misfires and U-42 is destroyed. Von Lothringen survives, along with one crew member – Lothar Brutcher – and a Scottish merchant captain unwillingly aboard as a prisoner. The other 30 sailors under his command die, never to trouble the narrative or the conscience of their captain again.

As an opening scene, it’s a doozy, and it contains within it all the best and worst that the book had to offer. I believe the opening dialogue is best excused by the fact that both the characters were desperately starved of oxygen when speaking it:
”Do you see this?” [Von Lothringen] asked, pulling a cigarette case out of his pocket and thrusting under the nose of the Scot. “Made of steel, from the battlefield of Verdun. My brother and his regiment went in with the first wave on February 21 last year. Only ten men came out alive. One of them made this for me – in memory of my brother. Then he went back and was killed.”
   The Scot shook his head. “You’re a stubborn lot, you Germans.”
On the other hand, while the means by which Von Lothringen was trapped by the Royal Navy was similarly hard to believe, it turned out to have been based on fact.

Indeed, as I read on, it turned out that there was very little outside of the doings of the main characters in The Sixth of December that was not based on fact. The book might be that rarest creature of all – a historical fiction that does not fictionalize any of the history. That speaks well of Lotz’s professional standards – he is still, as far as I am aware, an active author of Maritimes history. The man clearly loves Nova Scotia and its past; I learned a great deal from The Sixth of December, but learning was not what I was hoping to gain from a book that promised “The Terrorist Plot of the Century!”

Lotz’s fidelity to the Muse of History puts some unfortunate constraints on the story. Leon Trotsky would have made a fairly compelling arch-villain for such a book, had Lotz been willing to depart from the record on occasion. Lotz was not, so the founder of the Red Army disappears from the narrative about one third of the way through. As Trotsky took his leave of the Amherst prisoner of war camp seven months before the Imo and Mont Blanc collided, I didn’t exactly expect him to be cackling from atop the town clock as Halifax burned, but readers might have appreciated a coded telegram or two, or a least a spit-take from the Kremlin.

Leon Trotsky, St Petersburg, May 1917, weeks after being released from the Amherst camp.
Trotsky entered Halifax by chance, a transit point en route to the Russian Revolution in which he was anxious to play his part (“an unknown exile now, within a year this man’s name would be on the lips of all. And he would leave a lasting mark on history.”) Realizing Halifax’s strategic importance, he orders his companions to gather as much information as they could on the harbour’s defenses.

The reasoning for this was somewhat convoluted: Trotsky planned to pull Russia out of the war, which he believed would both cause the Allies to lose, and also to intervene in the Revolution. If the latter occurred, he believed the Allies would use Halifax as a staging port (those who know of the Siberian Expeditionary Force will realize he was not entirely wrong in this, but that adventure launched from the West Coast). American involvement in the War both obviated and added urgency to the plot, in ways I cannot wrap my head around even after three readings of the explanation.

After Trotsky is detained, that justification was jettisoned in favour of revenge against the Canadians for the indignity of his imprisonment. In his brief time in Amherst (less than a month) he managed to convert a number of the other prisoners to socialism, and hatched an escape plot with the most promising of them – Von Lothringen among them. Trotsky’s powers of persuasion in such a brief period against enemy sailors were also hard to believe, but again, the rendering was scrupulously true.

Trotsky’s arrival date in Amherst (April 6, 1917) was tantalizingly near that of the Battle of Vimy Ridge, and so that event makes an appearance as well. Our hero, Sergeant Jack Dobney, a North-End Halifax boy strong of jaw and stalwart of heart, fights his way though the battle, only to “catch a Blighty.” In the dressing station he meets pure-hearted but strong-willed Beth, a privileged South-End beauty serving near the front as a nurse. Sparks fly. I suspect the headiness of the moment could only have been amplified by an unnamed future author of high-school textbooks in the background of their burgeoning romance observing that “They’ll say that this is the day that Canada became a nation.”

Dobney’s wound is his ticket back to Halifax and, compelled by the conventions of the genre, Beth follows shortly after. Dobney is eventually enmeshed in a military police investigation involving supplies intended for the front going missing from the docks. Meanwhile, back in Amherst, Von Lothringen, Brutcher, and Kurt Hafner (another German submariner) escape. Von Lothringen makes it to Halifax, where he spends the next few months establishing himself as a bon vivant Swedish count, aided by money and materiel supplied by the apparently pervasive Communist underground active in Halifax at the time. The various deus ex Bolsheva means by which our fugitive’s adventures were furthered were always attributed by them in marveling tones to Trotsky, though again, the author refuses to trifle with the historical record enough to detail his involvement.

The Canada Car and Foundry Co., Amherst, Nova Scotia, in 1931. Fourteen years earlier it served as the prisoner of war camp at which Trotsky was held.   
Brutcher and Hafner have a harder time of it, escaping in a dory, but getting caught in a squall on the Bay of Fundy. The boat capsizes and they are separated, with Brutcher swimming for shore, though the exigencies of his situation did not block his capacity to recall geography trivia (“Dimly, Lothar remembered that this Bay had the highest tides in the world”). Lucky Lothar is rescued by a simple Acadian girl, learning her name (Monique) at the top of page 138 and falling into her bed at the bottom of page 139. The fanatic Hafner recalls him to his duty two pages later (he spent that time murdering a priest), but in the interim we learn much about Acadian history, in which Lotz was unable to resist forcing Monique to deliver some awkward exposition on the story of Legless Jerome.

Once the three Germans are reunited in Halifax, and Jack Dobney is undercover attempting to tease out the nature of the conspiracy, Lotz dispenses with most of the Nova Scotia sightseeing and historical trivia in favour of what I can happily report is a fairly engrossing cat-and-mouse game, the stakes of which are all the more foreboding for being known. The meticulous research (mostly) aids the plot and heightens the tension, rather than distracting from it as in the earlier pages. Unsuspected nuances of character appear, much to the book’s benefit.


But… but but but. The Terrorist Plot of the Century? The smiling face of Trotsky rising from the smoke of the Mont Blanc on the cover? Well, poor Mr Lotz set himself an impossible challenge. How does one turn the Halifax Explosion into the Terrorist Plot of the Century without altering a word of the historic record? That, alas, was a circle even 2,300 tons of pitric acid, 200 tons of TNT and 35 tons of benzene could not square. The German saboteurs failed in their own attempt to blow up the Mont Blanc (on December 5th), but did contrive to make it on to the bridge of the Imo just as the two ships were heading towards each other in the Halifax Harbour Narrows. It proved to be an excellent vantage point to watch Halifax be destroyed, with almost no effort required on their part.

01 April 2013

The Heart Accepts It All – John Glassco



The first day of National Poetry Month seems a good time to mention my forthcoming book The Heart Accepts It All: Selected Letters of John Glassco. I've never been much good when it comes to  salesmanship, so will leave the task to publisher Véhicule Press.

From their catalogue:
A brilliant and enigmatic literary figure.
Decades after his death, John Glassco (1909-1981) remains Canada’s most enigmatic literary figure. The Heart Accepts It All: Selected Letters of John Glassco draws back the curtain on this self-described ‘great practitioner of deceit.’ We see the delight he took in revealing his many literary hoaxes to friends, and the scorn he had for literary fashion. The letters reflect his convictions about literature, other writers and his own talent, while documenting struggles with publishers, pirates and censors. 
    Born into one of Montreal’s wealthiest families, Glassco turned his back on privilege for a life in letters. At age eighteen, having been published in Paris, his voice suddenly went silent. His unexpected return to the literary scene in 1957 coincided with the great flowering of Canadian literature. In the years that followed, he produced a unique body of work that encompasses poetry, memoir, translation, and several bestselling books of pornography. 
    Collected here are the few surviving letters from his youthful adventures in France and three previously unpublished poems. Amongst his correspondents were Maurice Girodias, F.R. Scott, A.J.M. Smith, Ralph Gustafson, Leon Edel and Margaret Atwood.
It's an honour to again find myself associated with this great talent.

Cross-posted at A Gentleman of Pleasure.

26 March 2013

Condensed CanLit



Why Shoot the Teacher
Max Braithwaite
Reader's Digest Condensed Books
Montreal: Reader's Digest, 1981

Our local public library book sale approaches, bringing a trickle of donated Readers's Digest Condensed Books. Like the leak in the 110-year-old building's limestone foundation, it seems we can't do a thing to stop it.

Don't get me wrong, I have nothing against condensed books. The problem I have, as someone doing his darndest to raise money for the library, is that no one will buy the things. I do mean no one. A veteran with seven book sales under his belt, I realized last year that we'd never sold so much as a single volume. And so, we decided to give them away.

I was the only taker.


This is it, a lone volume saved from the recycling bin for the simple reason that it features an abridged version of Max Braithwaite's Why Shoot the Teacher, with illustrations by Bruce Johnson. An artist deserving of more attention, I first learned of Johnson last year through Leif Peng's Today's Inspiration.


Numbering four in total, it appears that the illustrations have never been reprinted.


The last two are a touch too wacky for me, but they are in keeping with the novel. This Johnson illustration from a 'fifties Maclean's is more to my taste:


Not many Canadian authors have had bank accounts blessed by Reader's Digest Condensed Books – and the most blessed, semi-citizen Arthur Hailey, hardly needed the money. The decision to include Why Shoot the Teacher seems both obvious and surprising. On the one hand, Braithwaite's good-natured humour is well-suited to the series, on the other it comes so very late. Why Shoot the Teacher was first published in 1965, and was adapted to the screen in 1977, so what's it doing here?

At roughly 72,000 words, I imagine the novel was much easier to abridge than, say, Airport or Hotel. Less than half remains. Never having owned a condensed book before, I was curious to see how it was done. These pages I marked up from the first edition give some idea:

(cliquez pour agrandir)
Not to worry, it's a photocopy.

One trick is to combine chapters – "Tic Tac Toe, Hockey, and Sex" and "The Hot Dust of Spring" become "Tic Tac Toe, Hockey, and the Hot Dust of Spring". No sex, please, this is Reader's Digest. No frozen horse turds, either. "There were always plenty of the around," says narrator Max Brown. Like Canadians of old, he uses them in lieu of a puck. Hockey takes a good hit here with talk of the Olympic hockey team, international hockey tournaments, Gordie Howe, Max Bentley and Ted Lindsay cut.

But what's this?

Where in the original, Max Brown tells us Canada produces "the best hockey players in the world", the condensed version has him saying that we produce "many of the best hockey players in the world".

Isn't that longer?

One last thing, the condensed version replaces "colour" with "color". Shorter.

Trivia: Reader's Digest receives fleeting mention in both the original and condensed versions of the novel:
"Trouble is," Harris said, "we're stultityped in our thinking. All we can think of is growing wheat. Now I've been reading an article in the Reader's Digest that really has the idea."
More trivia: The keen-eyed will have noticed that the second paragraph of the page spread above features an errant line ("wind hit southwestern Saskatchewan and melted most of"), which usurps the rightful words ("hour and a half to two hours' free time each day").

Object: Boards covered in a brown plastic-like material, the book contains three additional condensed works: Banners of Silk by Rosalind Laker, A Ship Must Die by Douglas Reeman and Kalahari by Henry Kolarz.

Access: Not listed amongst the thousands of Reader's Digest Condensed Books currently listed online. You will not find it at your local library.

22 March 2013

Dining with Mister Dressup



Air Fare: The Entertainers Entertain
Allan Gould
Toronto: CBC Enterprises, 1984

Okay, so I never dined with Mr Dressup, but I did once break bread with Knowlton Nash. Both idols of sorts, they're just two of the forty-one CBC names found in this artifact of better times. Imagine, our public broadcaster once published books. Air Fare is not its greatest achievement – Northrop Frye's The Educated Imagination was a CBC publication – but it is good fun.

The concept here is simple: Allan Gould profiles some of the Mother Corp's better-known employees, who in turn share their favourite recipes.

I purchased my copy last December in preparation for a resolution that would've had me cooking up a storm in the New Year. What dinner guest wouldn't be impressed by Lister Sinclair's Lamb Chops Champvallon or Gerard Parkes' Funghi Alla Panna?

Ten weeks into 2013, I've tackled just five. Thus far, the only disappointment has come in the form of Martha Gibson's hand-moulded Tuna Cutlets: pasty post-war comfort food.

The best comes from Mr Dressup, Ernie Coombs, himself:


Pasta with Clam Sauce
Ingredients
¼ cup olive oil
1 medium cheese clove, chopped
1 small onion, chopped
½ green pepper, chopped
2 5 oz. cans baby clams, minced
Parsley, chopped
Optional wine, grated Romano cheese
Pasta
Instructions
Sauté garlic in olive oil until dark brown, then discard. Add green pepper and onion to oil, and sauté until soft. Toss in a splash or two of white wine, then add the clams and their broth. When the sauce is thoroughly heated, scatter the chopped parsley onto it, and serve over your favourite pasta. Grated cheese may be added at this point.
Serves 4
Wine
Make sure the children are in bed, then open a bottle of Soave or dry Orvieto.
Tony Aspler provided the wine tip, but I'm left wondering about the parenting advice. After all, Mr D didn't appear to have any qualms about having son Chris around during the cooking.

Pasta with Clam Sauce is delicious, but what I like most about Air Fare are the 110 photographs of these CBC employees at work and home. Take Marketplace co-hosts Bill Paul and Christine Johnson. Bill was the first to get a computer, but Christine still had the better phone.



Though I'd seen corners of Clyde Gilmour's record collection before, this further glimpse was appreciated.


Who wouldn't want to scan Knowlton Nash's bookcase? Look, he has a copy of John Ralston Saul's Baraka! Just like me!


Meanwhile, Pierre Berton gives yet another lesson in self-promotion.


The profiles – "served up with the delicious humour of Allan Gould", says one ad – are for the most part  forgettable: "Let's get something straight, right off the top: Dennis Trudeau is not related to Him." CBC types already knew – and who but CBC types were going to be buying this thing?

Donning my publishing hat, I'd say my greatest problem with this book lies in the title: Air Fare is all too easily misread as Air Farce – a problem made worse by putting Luba Goy on the cover. As a reader and longtime CBC type myself, I take issue with the subtitle: The Entertainers Entertain. I've never thought of Knowlton Nash, Bill Paul, Christine Johnson or Dennis Trudeau as entertainers – and certainly not Mr Dressup. Today's CBC on the other hand...

Object: An 8½"x10" paperback, 16o pages in length. Though it enjoyed only one printing, that run numbered 20,000 copies. As I say, an artifact from better times.

John Murtagh's cover design owes more than a nod to that 'eighties staple The Silver Palate Cookbook.

Access: WorldCat records just seven copies in Canadian libraries, the beleaguered Library and Archives Canada included. Decent used copies are out there and can be purchased online for as little as $5.45.