20 March 2017

'Spring Waking' by Isabel Ecclestone Mackay



SPRING WAKING 
               A snowdrop lay in the sweet, dark ground.
                     "Come out," said the Sun, "come out!"
               But she lay quite still and she heard no sound;
                     "Asleep!" said the Sun, "no doubt!" 
               The Snowdrop heard, for she raised her head,
                     "Look spry," said the Sun, "look spry!"
               "It's warm," said the Snowdrop, "here in bed."
                    "O fie!" said the Sun, "O fie!" 
               "You call too soon, Mr. Sun, you do!"
                    "No, no," said the Sun, "Oh, no!"
               "There's something above and I can't see through."
                    "It's snow," said the Sun, "just snow." 
               "But I say, Mr. Sun, are the Robins here?"
                    "Maybe," said the Sun, "maybe";
               "There wasn't a bird when you called last year."
                    "Come out," said the Sun, "and see!" 
               The Snowdrop sighed, for she liked her nap,
                    And there wasn't a bird in sight,
               But she popped out of bed in her white night-cap;
                    "That's right," said the Sun, "that's right!" 
               And, soon as that small night-cap was seen,
                    A Robin began to sing,
               The air grew warm, and the grass turned green,
                    "'Tis Spring!" laughed the Sun, "'tis Spring!"

from The Shining Ship and Other Verse for Children

Isabel Ecclestone Mackay
Toronto: McClelland & Stewart, 1918
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06 March 2017

An 'Other Novel' from Margaret Millar



Wives and Lovers
Collected Millar: The Master at Her Zenith
Margaret Millar
New York: Syndicate, 2016

The thirteenth of Margaret Millar's twenty-five novels, Wives and Lovers is often relegated to a spot near the end of the author's bibliographies. The one included in this third volume of the Collected Millar does just that, placing it after the "Paul Pyre Novels", the "Inspector Sands Novels", the "Tom Aragon Novels", and the "Novels of Suspense" as one of her "Other Novels". The category is a small one, shared with only Experiment in Springtime, which I've not read. Until last week, I hadn't read Wives and Lovers either, though I'd long been curious about it. Why the distinction? What makes it so different?


The novel is set in California's Channel City (read: Santa Barbara), fairly familiar territory for Millar. As with so many of her novels, focus shifts between characters, first landing on Hazel Philip, assistant to dentist Gordon Foster. It is a brutally hot day, made somewhat bearable by the absence of patients. Only two people enter the practice, the first being Ruby MacCormick, "a friend of one of his nieces from up north." Just last week, Hazel had helped Ruby get a job at her ex-husband's restaurant out on the pier. Now, the girl needs help again.
Gordon dried his hands on a linen towel. "Who was at the door?"
"The girl, the one who was here last week."
"Girl?"
"Ruby MacCormick."
"Well," he said carefully. "What did she want?"
"She's still here."
"Oh."
"She wants a room. She's moving. I was just trying to find a place for her to go."
Did you catch that... "he said carefully"?

Gordon's wife, Elaine, is the second person to walk through the door. She reminds him of her plans to take the children to the beach.
Elaine believed that Gordon could have been a real doctor if he had more initiative, or if he'd met her earlier in life, so that she could have supplied the initiative. As it was, when they met, Gordon was already a dentist, and even Elaine's considerable powers couldn't make him into anything else. Their marriage had been coloured by Elaine's bile-green feeling that she had been cheated, that Gordon should have been a real doctor because she herself had all the attributes of a perfect doctor's wife.
At the end of the day, Hazel returns to the house she shares with her unemployed cousin, her simple-minded brother, and his petite pregnant wife. Ruth, the cousin, goes on about household finances and the suit she'll wear when presenting herself before the School Board. Ruth wants to teach again.

But why isn't Ruth teaching now? Santa Barbara has a shortage of teachers. And did you notice that Ruby showed up at Gordon's office with all her belongings? Why is she suddenly out on the street?

There are many little mysteries in Wives and Lovers; what sets it apart from nearly every other Millar novel is that the most serious crime is the stealing of a pair of hedge clippers. There are no bodies. I spoil nothing in writing this. Consider cover copy. Here is Syndicate's description of Vanish in an Instant, the novel that preceded Wives and Lovers:
In this classic noir tale of blurred guilt and flawed innocence, a cynical lawyer uncovers the desperate lives of a group connected only by a gruesome murder.
And here's the description of Beast in View, the novel that followed Wives and Lovers:
Hailed as one of the greatest psychological mysteries ever written, Beast in View remains as freshly sinister today as the day it was first published.
Now, compare with that for Wives and Lovers:
A sincere compassionate novel about the complications of married life, and the love, loathing, pain, loyalty, disappointments and friendship that grow out of marriage.
What makes Wives and Lovers like other Millar novels is that characters are key. What makes it so interesting is that criminal acts are always a possibility. Lives become unstable, desperation takes hold, jealousy and pettiness rear their ugly heads, and the reader braces for violence that never comes.

In other words, Wives and Lovers is a novel about the lives most of us live.

Bloomer:
He said he'd like to take a little trip.
     "To San Francisco again?" Elaine said with sweet irony.
     "What do you mean, again?"
     "I only mean that you seem to have had such a gay time there a couple of months ago."
Object: A 553 page trade-size paperback, comprised of Vanish in an Instant, Wives and Lovers, Beast in ViewAn Air That Kills and The Listening Walls, along with a brief Introduction by Tom Nolan. The Master at Her Zenith is the first third volume – though first to be released – in Syndicate's Collected Millar. I purchased my copy last September. Price: C$19.99.

Access: Published just six months ago, The Master at Her Zenith is easily found in good bookstores. Wives and Lovers itself was first published in 1954 by Random House (above). It appears there was no second printing. Twenty years later, Avon published a mass-market paperback edition. There has been only one translation: Erwecket die Liebe nicht (Düsseldorf: Dörner, 1964).

Nearly all our libraries let us down. Whether separate or as part of the Master at Her Zenith, Wives and Lovers is held only by Library and Archives Canada, the Kitchener Public Library, the Toronto Public Library, and six of our universities.

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27 February 2017

A Novel That Killed a Novelist?



In Quest of Splendour [Pierre le magnifique]
Roger Lemelin [trans. Harry Lorin Binsse]
Toronto: McClelland & Stewart, 1955

Roger Lemelin's first three novels were published within five years of each other. Au pied de la pente douce (The Town Below), his 1947 debut, was a bestseller. The following year, Les Plouffes (The Plouffe Family) achieved even greater sales, and then went on to became the country's first hit television series. Lemelin's third, Pierre le magnifique didn't fare so well.


The dust jacket of this lonely printing of the English translation depicts the author in repose. I expect Lemelin was deep in thought, though it is hard not to see him as defeated. Long dead critics thought little of Pierre le magnifique, and weren't all that excited by its translation. The Americans, who had published English-language editions of Lemelin's first two novels, took a pass. It would be three decades before he wrote another novel... and that work, Le crime d'Ovide Plouffe (The Crime of Ovide Plouffe), wasn't very good.

In Quest of Splendour is a very good novel. My greatest quibble has to do with its title, but this is the translator's fault; Pierre le magnifique is much better.

Pierre is Pierre Boisjoly, the nineteen-year-old son of a widowed charwoman. Highly gifted and somewhat handsome, he has benefitted from a good education thanks to the patronage of Father Loupret who sees the makings of a cardinal in Pierre. The young man is certainly on the right path, but on the very day of his graduation from Quebec's Petit Séminaire he's thrown off-course by a brief encounter with another young man.

It's not what you think.

Through that young man – name: Denis Boucher – Pierre meets Fernande, whose features are "exactly those of the girl who for years had slept in the depths of his senses." Such is her beauty that the student has no choice but to abandon all plans for the priesthood. That evening, having informed Father Loupret of his decision, he visits Denis and Fernande in their small bohemian flat. Pierre has his first sip of beer and, lips loosened, lets slip that his mother spotted an envelope stuffed with cash while cleaning the home of Yvon Letellier, his wealthy Petit Séminaire rival. Intent on stealing the money so as to pay for his new friend's education, Denis dashes off to the Letellier's. Pierre sets off to stop him. The pair meet up at the house, struggle, and accidentally knock over Yvon's grandmother. She dies on the spot.

The Globe & Mail, 19 November 1955
No one sees the death as at all suspicious – she was old and frail – but Pierre flees the city just the same. He isn't so much running away from the law, but his future past as a Catholic priest. The young man ends up in a lumber camp, where he is exposed to Marxism. Pierre sides with the camp's owner, only to find that he has cast his lot with a violent, unstable drunk who hires prostitutes for the pleasure of beating them. Upon his return to Quebec City, he finds that liberal Father Lippé, the teacher he held above all others, has been placed in a mental institution. The priest's mistake was to enrol in independent sociology classes taught by European schooled Father Martel (read: Georges-Henri Lévesque).

Forget the old lady's death, it's here in the second of the novel's three parts that things become really interesting. Lemelin's The Town Below surprised this reader, born in the early years of the Quiet Revolution, with its mockery of the Catholic Church. In Quest of Splendour goes much farther. Here the Church is depicted as corrupt, punitive and insincere, working with the provincial government to suppress dissent and education. Quebec's Attorney General, who happens to be Yvon's uncle, plays the Communists, enlisting them to smear while targeting moderate liberals for acts of violence. Of course, in real life – our world – the position of Attorney General was not held by Yvon's uncle but by Premier Maurice Duplessis.

Students of history will recognize the risk.

In Quest of Splendour
is as ambitious as it is bold; a brave work by a man who had everything to lose in its writing. Is it really so surprising that reviews in Duplessis' Quebec were lacklustre?

Lemelin's least known novel, it is his best.

About the author:

(cliquez pour agrandir)
Object: Two hundred and eighty-eight dense pages bound in dull grey boards with burgundy print. Sadly, the jacket illustration is uncredited. I purchased my copy twenty-eight years ago in Montreal. Price: two dollars.

Access: Pierre le magnifique is in print from Stanké. Price: $13.95. The scarcity of the original, published in 1952 by the Institut littéraire du Québec, is a reflection of its failure in the marketplace.

Harry Lorin Binsse's translation also fared poorly. The McClelland & Stewart was followed the next year by a British edition published by Arthur Baker. As far as I can determine, neither enjoyed more than one a single printing.

Very Good copies of the Canadian edition are being sold online for as little as US$6.50; the British, which shares the same jacket, will set you back just a touch more. At 875 rupees and change, India's Gyan Books offers a print on demand version. Pay no heed, I am certain they're breaking copyright.

An Ontario bookseller offers signed copies of both the Institut littéraire du Québec and McClelland & Stewart editions at US$35 each. Trust me, they're worth it.

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15 February 2017

A Small Town's Biggest Novelist



The newest issue of Canadian Notes & Queries arrived last week, containing all sorts of goodness wrapped in a cover by Seth. My contribution concerns Helen Duncan, the best selling novelist of St Marys, Ontario, our adopted hometown. I'm confident in claiming that Mrs Duncan enjoyed more sales than all others, if only because she also holds the distinction of being the only St Marys novelist to have landed a publishing contract. Her books were issued by Simon & Pierre, were reviewed in Books in Canada and, decades later, can be found in academic libraries as far from this town as Australia's Flinders University.


Mrs Duncan managed to get three novels into print, but the only one I discuss in any length is her 1982 debut, The Treehouse. It's a bildungsroman, a roman à clef, and heavily autobiographical. The family at the novel's centre is modelled on Duncan's family. The house in which they live – that of the title – is modelled on the second of her three childhood homes. It still stands today at the corner of Jones and Peel.


I spoil nothing in revealing that the fictional family later moves into this Queen Anne on Church Street South:


As the title suggests, houses play significant roles in this novel; one might argue that they are better drawn than the characters they shelter. The most interesting is that belonging to the needy widow down the street. The model for this house also stands, at the corner of Jones and King, and is for sale as I write.


A perfect gift for the obsessive Helen Duncan fan.


This issue's "What's Old" features two selections from Regina's Spafford Books, and three of my own: Three Novels of the Early 1960s by Ross Macdonald (New York: Library of America, 2016), Collected Millar: The Master at Her Zenith (New York: Syndicate, 2016) and The Complete Poems of George Whalley (Montreal: McGill-Queen's UP, 2016).

Also featured are contributions by:
Marianne Apostolides
Max Beerbohm
Leone Brander
Jim Christy
Jason Dickson
Deborah Dundas
Andre Forget
Stephen Fowler
Pascal Girard
Emily Keeler
Richard Kemick
David Mason
Dilia Narduzzi
Sarah Neville
Suzannah Showler
Bardia Sinaee
Bruce Whiteman
Did I mention that there's a new story by K.D. Miller? Well, there is!

Suscriptions to CNQ – always a bargain – can be purchased here through the magazine's website.

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13 February 2017

So... not a bodice ripper


Unlacing Lady Thea
Louise Allen
Toronto: Harlequin, 2014

10 February 2017

The Beautiful, Very Desirable Stephen Leacock (and the bloody severed head of Orpheus)



Behind the Beyond was dropped by New Canadian Library during the post-Ross purge. Anyone familiar with the series today knows better than to expect its return. Fortunately, used copies are both inexpensive and plentiful.


The ugliest NCL edition can be bought online for as little as two Yankee bucks, but at nine dollars and up what you really want is the 1913 Bell & Cockburn.


I won't pretend to have seen every edition of every Leacock, but feel confident in holding high this particular one as the most beautiful Leacock of all time. Credit goes to English illustrator A.H. Fish (1890-1964), whose century-old Vogue and Vanity Fair cover illustrations have become a bit of a cash cow for Condé Nast. Premium gilsee prints begin at US$125.


Miss Fish provided decorations, dust jacket and no less than seventeen plates for Behind the Beyond. Here are three favourites:


Those afflicted with an aversion to old books – I once knew such a person – will take heart that Behind the Beyond is available from a volt of print on demand vultures. The discriminating buyer might what to consider that "published" by Dodo Press, if only because it soars above the rest as the most competent. The cover of its "Illustrated Edition" – they have no other – features an illustration I've not been able to identify. It is not by Miss Fish, though her other illustrations feature.


Print on demand publisher PAP offers this strange looking thing...


... but I recommend the one offered by Library of Alexandria (of California).


Gustave Moreau's Orpheus seems a curious choice, does it not?

I'd like to say it's a nod to "Homer and Humbug", but that would be giving Library of Alexandria too much credit. Besides, Orpheus is never mentioned in Homer.

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08 February 2017

Ezra Levant's Great White Hope



Available as of this morning, my Walrus review of Ezra Levant's spanking new ebook
Trumping Trudeau: How Donald Trump Will Change Canada Even If Justin Trudeau Doesn't Know It Yet.

You can read it – gratis – through this link.

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06 February 2017

Professor Leacock Sets the Stage



Behind the Beyond
     and Other Contributions to Human Knowledge
Stephen Leacock
Toronto: Bell & Cockburn, 1913

Early Leacock is the best Leacock, and this one is very early indeed. His fourth book of humour in as many years, it falls between his finest, Sunshine Sketches of a Little Town and Arcadian Adventures of the Idle Rich, and establishes a format repeated in many of the collections that followed: a relatively long opening piece, followed by gatherings of shorter writings.

The long piece here, "Behind the Beyond", takes the form of a running commentary on an evening at the theatre. The drama performed – untitled – is of Leacock's own imagination: Sir John Trevor, MP, is a man with much responsibility, troubled by serious matters in the House of Commons. A quarter-century his junior, his wife is never so concerned and, as soon becomes apparent, has found escape in the arms of Sir John's ineffectual secretary, young Jack Harding:
"Do you remember, Jack, when first you came, in Italy, that night, at Amalfi, when we sat on the piazza of the palazzo?"
     She is looking rapturously into his face.
     Mr. Harding says that he does.
     "And that day at Fiesole among the orange trees, and at Pisa and the Capello de Terisa and the Mona Lisa. Oh, Jack, take me away from all this; take me to the Riviera among the contadini, where we can stand together with my head on your shoulder just as we did in the Duomo at Milano, or on the piaggia at Verona. Take me to Corfu, to the Cappo Santo, to Civita Vecchia, to Para Noia, anywhere —"
     Mr. Harding, smothered with her kisses, says, "My dearest, I will, I will."
     Any man in the audience would do as much. They'd take her to Honolulu.
Leacock's is a "problem play". The term is no longer used, but the situation at the heart of it all will be familiar to today's reader. These eyes have seen something of it in Edith Wharton, Henry James and select episodes of The Edge of Night from my childhood.


The Edge of Night is no more, and humour ages poorly. Not everything in Behind the Beyond works today. "With the Photographer", is not so much funny as it is an interesting glimpse at a time gone by:
The photographer rolled a machine into the middle of the room and crawled into it from behind.
     He was only in a second – just time enough for one look at me – and then he was out again, tearing at the cotton sheet and the window panes with a hooked stick, apparently frantic for light and air.
     Then he crawled back into the machine again and drew a little black cloth over himself. This time he was very quiet in there. I knew that he was praying and I kept still.
     When the photographer came out at last, he looked very grave and shook his head.
     "The face is quite wrong," he said.
     "I know," I answered quietly, "I have always known it."
That said, the five pieces collected under the title "Parisian Pastimes" seem barely to have aged at all. Here's Leacock on the French child:
The child, I was saying, wears about two hundred dollars worth of visible clothing upon it; and I believe that if you were to take it up by its ten-dollar slipper and hold it upside down, you would see about fifty dollars more. The French child has been converted into an elaborately dressed doll. It is altogether a thing of show, an appendage of its fashionably dressed mother, with frock and parasol to match. It is no longer a child, but a living toy or plaything.
     Even on these terms the child is not a success. It has a rival who is rapidly beating it off the ground. This is the Parisian dog. As an implement of fashion, as a set-off to the fair sex, as the recipient of ecstatic kisses and ravishing hugs, the Parisian dog can give the child forty points in a hundred and win out. It can dress better, look more intelligent, behave better, bark better – in fact, the child is simply not in it.
The final piece, "Homer and Humbug – An Academic Suggestion", should be considered one of Leacock's greatest hits. I don't often laugh when reading – Fran Leibowitz, who I think is funnier than just about anyone, leaves me silent – but I did at this:
An ancient friend of mine, a clergyman, tells me that in Hesiod he finds a peculiar grace that he doesn't find elsewhere. He's a liar. That's all. Another man, in politics and in the legislature, tells me that every night before going to bed he reads over a page or two of Thucydides to keep his mind fresh. Either he never goes to bed or he's a liar. Doubly so: no one could read Greek at that frantic rate: and anyway his mind isn't fresh. How could it be? he's in the legislature. I don't object to this man talking freely of the classics, but he ought to keep it for the voters. My own opinion is that before he goes to bed he takes whisky: why call it Thucydides?
Why indeed?

I first read Behind the Beyond on the plane that carried me from my Montreal home to a new one in Vancouver. This was in the mid-nineties. I didn't read Leacock again until late last spring, when I picked up The Hohenzollerns in America. I resolved then and there to never let another year go by without Leacock. I'm sure I'll read him again before the year is up. These dark, dark days I appreciate him more than ever.

Fran Leibowitz, too.

Preferred over Hesiod and Thucydides.

Note: After writing this piece, I read Silver Donald Cameron's Introduction to my old New Canadian Library edition only to find that he'd made a couple of the very same observations.

What can I say?

Great minds think alike.

Fools seldom differ.

Trivia: In 1932, Gowans and Gray published a stage adaptation of "Behind the Beyond" by V.C. Clinton-Braddeley. I include an image of same, along this link to the booksellers, in the hope that some librarian somewhere will consider purchase. As it stands, just three Canadian libraries hold copies; Library and Archives Canada does not.


Leacock biographer Ralph L. Currie informs that the BBC broadcast a televised performance in 1937!

Object: A very attractive hardcover with crimson boards and gold embossing. The print is large. Though the text doesn't amount to 200 pages, thick paper provides bulk, as do the decorations and sixteen plates featuring illustrations by A.H. Fish. My jacketless copy, a first Canadian edition, was purchased in 1989 at the annual McGill Book Fair, a hop, skip and a jump away from the university's Leacock Building. Price: $2.00.


It looks to have once been a gift purchased from Quebec City bookseller H.F. Kimball.

Access: Our public libraries fail entirely. How can that be? As might be expected, the academic libraries come through... but not that of McGill University. How can that be?

Behind the Beyond did well in its day with editions in England and the United States enjoying several printings. In Canada, S.B. Gundy took over after Bell & Cockburn went bankrupt. The book joined the New Canadian Library in 1969, only to fall in the post-Ross purge of the 'eighties. It has been out of print ever since. Happily, it can be read here - gratis - courtesy of the Internet archive.

People preferring paper – I'm one – will be happy to learn that the used copies listed online are cheap.  Prices range from US$2.00 (a fourth printing of the NCL edition) to US$350 (a 1917 American reprint inscribed by the author). The latter is preferred, of course, but who has that kind of money?


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22 January 2017

The Dusty Bookcase in August



Today marks the ninth anniversary of The Dusty Bookcase, a good day to recognize what the sharp-eyed have already spotted. This coming August will see publication of The Dusty Bookcase: A Journey Through Canada's Forgotten, Neglected and Suppressed Writing, a collection of new essays and newly revised writing from this blog and my regular column in Canadian Notes & Queries. I'm proud to say that the publisher is none other than Biblioasis, which provides this fine description:
Largely drawn from his columns for Canadian Notes & Queries and entries in his popular blog by the same name, Brian Busby’s The Dusty Bookcase explores the fascinating world of Canada’s lesser-known literary efforts: works that suffered censorship, critical neglect, or brilliant yet fleeting notoriety. These rare and quirky totems of Canadiana, collected over the last three decades, form a travel diary of sorts – yet one without maps. Covering more than 250 books, peppered with observations on the writing and publishing scenes, Busby’s work explores our cultural past, questioning why certain works are celebrated and others ignored. Brilliantly illustrated with covers and ephemera related to the titles discussed, The Dusty Bookcase draws much needed attention to unknown writing worthy of our attention, and some of our acclaim.
I'd like to thank publisher Dan Wells and editor Emily Donaldson for their faith in this collection. I'd also like to thank the many readers, writers and booksellers who have shared my enthusiasm during this eight-year journey without maps. Rest assured, it will continue.

How could it not?

16 January 2017

A Quiet, Mildly Depressing Depression-Era Debut



John
Irene Baird
Philadelphia/Toronto: Lippincott, 1937

A first novel, the discovery that this copy is a fourth impression surprised me no end. I knew Irene Baird for Waste Heritage – once part of the Laurentian Library – but John meant nothing to me. And yet, in the excellent Introduction to the current University of Ottawa Press edition of the former Colin Hill informs that John was an international bestseller. The Lippincott was followed by other editions in the UK and Australia, leading me to think that – eight decades later – John continues to hold title as Baird's best selling book.

The Globe & Mail
5 November 1937
No pun intended.

I don't quite understand its popularity because this sort of novel has never appealed to me. John takes place in rural British Columbia, but this city boy has never been much interested in stories with country settings. I also don't care much for novels in which nothing really happens. Huysmans' À Rebours is not for me. Even Baird's title – my middle name – is a bit of a bore.

John is John Dorey, a perfectly nice Englishman who passes up partnership in the family woollen mills for a simple life on the BC coast. He purchases ten acres, clears same, and farms; for a time, he delivers the rural mail. John has a horse that is killed by a nasty neighbour, though nothing of significance results from the crime. A developer makes an offer  for his land, but this is rejected. The most significant event in John's life is a fleeting encounter with a younger married woman. John falls for her, though not so much as a kiss is exchanged.

John is a character study. The man under examination is, as I say, perfectly nice; I'd want him is a neighbour, but would never think to invite him over. John is given to philosophizing. At the urging of his closest friend, the local doctor, he tries his hand at putting his thoughts down on paper:
Book-writing didn't come like the knack of judging a good horse, or training a fine dog till she all but spoke her thoughts. Ideas were not tangible like soil, to pick up and weigh between the fingers. It was a will-o'-the-wispbusiness, writing – though it was strange, too, from the look of their pictures, what unlikely people excelled at it!
It's a fine book – Baird's, not John's – but it isn't for me. That said, I do recommend it to anyone who might enjoy this passage:
An eagle, far up, planed serenely by, bent on its eyrie. From the cedar close to the house, an owl awakened – tuk–tuk–tuk-tuk-tuk-tuk— Who knew how many were its notes? Another owl fro the bush on the opposite side of the road answered: the first of ghostly night messages. The frogs would join in before long.
     He yawned deeply. There was nothing like the sublime afterglow of bodily fatigue. Even the mind refused to disturb a body so perfectly spent.
Again, this is not for me, though I can almost sense the attraction.

Singing frogs might have helped.


Bloomer:
"It's a wonder to me you never married. You're a queer chap."
     John flushed.
Dedication:


Lord Tweedsmuir, of course, being Buchan. John Buchan.

Object: A well-constructed 235-page hardcover bound in brown cloth. My copy, which once belonged to a woman named Anne Marshall, was rescued four years ago from books left unsold at the end of our local public library book sale. It lacks the rather busy, uninteresting dust jacket.

Access: The Lippincott was followed by British (Collins, 1937) and Australian (Angus & Robertson, 1938) editions. A Swedish translation, also titled John, was published in 1938 by Medén.

Held by most Canadian university libraries. Bibliothèque et Archives nationales du Québec stands alone amongst those serving the public.

A dozen copies are listed for sale online. At eight dollars, the cheapest, a "Good" Lippincott copy, is described thusly: "May not look good on your bookcase after reading and probably not suitable as a present unless hard to find elsewhere." Hmm...

The best of the lot is an inscribed Lippincott first. Price: C$55. Suitable as a present, I suggest.

02 January 2017

The Trudeau Papers: Bang!



The Trudeau Papers
Ian Adams
Toronto: McClelland & Stewart, 1971
Thucydides wrote that Themistocles' greatness lay in the fact that he realized Athens was not immortal. I think we have to realize that Canada is not immortal; but, if it is going to go, let it go with a bang rather than a whimper. 
— Pierre Elliott Trudeau, 30 March 1988
Beginning our sesquicentennial year with a novel imaging Canada's demise might be an odd choice were it not for the deafening roar heard from south of our border. How long before the first major fuck-up of the Trump presidency? I'm betting on this month.

The fuck-up described in this debut novel is monumental. The CIA manages to recruit a brilliant Red Army computer analyst, tasks him with testing the security of the Soviet's "fail-safe computer firing program", and then forgets he ever existed.

Bureaucracy is to blame, which isn't to say that there aren't benefits to be had.


Two SS-9s head for American bases in Montana and North Dakota, and the Soviets can do nothing to stop them. Their Premier alerts the President of the United States of the situation, but is unable to convince him that it is all a mistake. Fortunately, Trump the President knows nothing of the Bible and so cannot recall the quotation used in the nuclear code ("Unto God would I commit my cause." – Job 5:8). Unfortunately – for Canada – the U.S. Strategic Missile Command manages to intercept both missiles, resulting in nuclear explosions above Edmonton and southern Saskatchewan.

One million people die.

Within two weeks, the number triples. It grows exponentially as children succumb to leukaemia, their elders shed skin and hair, and Canadians of all ages are sprayed repeatedly with Agent Orange.

After the Prime Minister's plane goes down on a return flight from Washington, the United States takes advantage of misplaced Soviet guilt. Its military moves north on the pretence of securing American-owned industry, while right-wing vigilantes with ties to the CIA take to the streets. Bookstore owners are beaten, and left-leaning student leaders are strung up on the rafters of Varsity Stadium.

Were it not so dense, I'd consider this 108-page "Novel by Ian Adams" a novella; were it not so complex, I might be dismissive. The Trudeau Papers is a remarkable and unusual novel. Its title is explained by narrator Alan Jarvis, a former journalist who has been entrusted by fellow members of the resistance to record what has happened since the two SS-9s exploded:
The name seemed to evoke a collective sense of grim irony. Personally, I think there title is unimportant, considering the enormity of what has taken place, and how much of it has been documented. The rather vague explanation for the choice was that as one of the last democratically elected prime ministers, his name symbolized the end of a nation. So be it.
The "vague explanation" works well. Jarvis himself was once a former CIA operative – and it could be that he is still. Nothing in The Trudeau Papers is cut and dry; nothing is black and white. I came to trust him, but not so much that I won't understand your distrust.

The Trudeau Papers takes place sometime after 1975... but when?

And so, on this second day of our sesquicentennial year, a new question arises: Which Trudeau?

Addendum: This post is the second – after my review of Richard Rohmer's Triad – to include the Trudeau quote above. Again, is it not incredible that we once had a prime minister who could speak about Thucydides on Themistocles?


Object and access: A slim novel in orange boards with uncredited dust-jacket, I bought my copy twenty-seven years ago at S.W. Welch in Montreal. Price: $1.00. Eighteen years earlier, this very same copy was a Christmas gift from journalist Peter C. Newman to John Payne. I'm guessing that this is the same John Payne who once served as an adviser to future PM John Turner (and not the man who starred opposite Maureen O'Hara in Miracle on 34th Street).

It appears there was no a second printing. Remarkably, there has never been a paperback edition.

Ranging at prices between US$3.48 and $17.54, eight copies are listed for sale online. Condition is not a factor.

01 January 2017

'The New Year comes white-winged, unstained, a star...'



Century-old jingoism to begin a New Year by Minnie Henrietta Bethune Hallowell Bowen (1861-1942) of Sherbrooke, Quebec, from John W. Garvin's anthology Canadian Poems of the Great War (Toronto: McClelland & Stewart, 1918). During the conflict, Mrs Bowen served as President of the Sherbrooke Patriotic Association.

THE NEW YEAR, 1917 A.D.

Canada's National Service

          The New Year comes white-winged, unstained, a star
               Loosed from God's hand across a world of night!
          What thoughts await its coming from afar?
               What deeds shall quicken in its unknown light?

          All Time is God's — to give and to withhold!
               To men the power is given to use or waste —
          To turn the passing splendour into gold,
               Lasting and beautiful — or bid it haste.

          Dearer than jewels — bought with holiest blood —
               Are these few months God-given to our hand
          By Him whose might held back the threatening flood
               There at the Marne, that we might arm and stand.

          The grey tide swells apace — the nations fall
               Before its pitiless, embracing lust!
          Here at the threshold of another year —
               Still with God's gift of time — we face our trust!

          The bells are ringing in the quivering towers —
               The chimes are calling over glistening snow.
          The year is dawning in its awful powers —
               The hours are coming and the hours must go!

          These few, small days may be the last that wait
               On our decision! Riven ears may know
          The iron thunders of approaching Fate
               That closes Mercy's door and arms the Foe.

          Dear blood, outpoured for love of God and Man,
               Has drenched the far-off altar with its red,
          And heavenly fire that through the trenches ran
               Has wrapped the lives that suffered in our stead.

          How can we give enough — since they have died?
               Since they have lived — shall we not greatly live
          And know in life or death with holy pride
               No wealth of service is too much to give?

          The Call to Service! ringing loud and clear
               Beats in the angel pinions overhead —
          Still time is given that deadened ears may hear
               Before the final word of doom is said.

          Work! for humanity's sublimest goal!
               Fight! in a cause too great to be denied!
          Hear! for the Dead are speaking to your soul!
               Wake! for God calls the Nation to His side!

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