Showing posts with label Booksellers. Show all posts
Showing posts with label Booksellers. Show all posts

07 October 2016

Canadian Notes & Queries en couleur



The new Canadian Notes & Queries arrived in the post a couple of days ago. The first colour issue – after forty-eight years in glorious black, white and grey – 'tis truly a thing of beauty.


My contribution, this season's Dusty Bookcase on paper, was inspired by the centenary of Ted Allan's birth this past January. The Gazette did not recognize, but I did. Of all the Allan titles in my collection, the focus of the column was the one that had remained unread: Don't You Know Anybody Else? It's a slim volume of short stories, published in the wake of Allan's fraudulent Stephen Leacock Medal win. Disturbing, though perhaps not so much as his original Love is a Long ShotDon't You Know Anybody Else? it is one of those books sold as something it is not. 


In the same issue, I've contributed to a new feature: "What's Old: Notable CanLit reissues & offerings from the country's antiquarian booksellers". Still more retro goodness is to be found in Stephen Fowler's exhumation of Let's All Hate Toronto, a "narration, illustration and exhortation" by Jack McLaren.


Wish I could join in, but I can't... our daughter was born there. God Bless Women's College Hospital, I say!

Other contributors include:
Mark Callanan
Peter Dubé
Alison Gilmour
Amanda Jernigan
Shaena Lambert
Colette Maitland
David Mason
Shane Neilson
Diane Obomsawin
Laura Ritland
Patricia Robertson
Anakana Schofield
Seth
Patricia Smart
J.C. Sutciffe
Bruce Whiteman
Finally, it would be a great mistake to not mention Jason Dickson's interview with bookseller and poet Nelson Ball. I've drawn on Nelson's extensive knowledge of obscure CanLit so very many times in writing the Dusty Bookcase; what's more, he has provided me with many of the books covered here over the years. Just last week, Nelson sent me these two by Kenneth Orvis, the subject of a future CNQ Dusty Bookcase.


How's that for a tease?

Subscriptions to Canadian Notes & Queries can be purchased through this link.

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26 September 2016

Behind Every Successful Man from Glengarry



The Man from Glengarry: A Tale of the Ottawa
Ralph Connor [pseud. Rev. Charles W. Gordon]
Toronto: Westminster, 1901

I think it likely that my paternal grandfather had a complete collection of Ralph Connor's novels. Uniform in size, but not in design, they took up the bottom shelf of the largest bookcase in the family home. My father inherited the books, but a decade or so after his death my mother donated the lot to our church's annual rummage sale. She offered them to me beforehand, but I was a teenager; family history and Canadian literature were nowhere near so interesting as Low or the tall Icelandic girl who was in the grade below mine.

Four decades later, family history and Canadian literature obsess. Sixteen Connors sit on my shelves, including two editions of Glengarry School Days and signed copies of The Major and The Prospector.

I have rule when it comes to collecting Connor: I pay no more than two dollars. The Man from Glengarry didn't cost me a thing. I rescued it from a pile of books that were to be stripped of their covers and pulped. The thing is in rotten shape. At some point in its past, an anonymous bookseller identified it as a first edition and hoped to sell it for twenty dollars. I'm betting he didn't.


The Man from Glengarry may be Connor's longest book – at 473 pages it's certainly the longest of those I own – but then the author has a lot to say.  This is a novel with a message. It was to Presbyterian aspirations what Antoine Gérin-Lajoie's Jean Rivard novels were to the Catholic. The Preface is essential reading:


There are many men from Glengarry, but the one who takes centre stage is Ranald Macdonald, lone son of ill-tempered lumberman Black Hugh. A boy in the opening pages, young Ranald bears witness to his father's bloody, ultimately fatal, beating by Louis LeNoir of the Murphy gang. The mid-nineteenth-century timber trade is dangerous place, but its gloomy forests are brightened by the Word of the Lord, as brought by Mrs Murray, wife of the local Presbyterian preacher. There is no more accurate word than "saintly" to describe this woman. Mrs Murray
is flawless, which means she is also two-dimensional. What makes her interesting is that she is modelled on Connor's dear mother, a highly-educated, sophisticated woman who devoted herself to her husband and his ministry.

It is through Mrs Murray's guidance – and not, tellingly, that of the flawed Rev Murray – that Ranald grows to become the most intelligent and virtuous of young men. Ultimately, his principles cost him both a partnership in a lumber company and the hand of Maimie St Clair, the woman he has loved since boyhood. However, we know our Father, who seeing what is done in secret, will reward him (see: Matthew 6:4).


This tale of the Ottawa is a good one. I found myself caught up in the struggles between rival gangs and the final days of the romance between Ranald and Maimie. The only eye-rolling moments come at the last chapter, which sees Ranald meeting with Sir John A. Macdonald (no relation, one presumes) to press the importance of the national railway in keeping British Columbia in the federation. The scene brought to mind René LaFlamme, the young hero of Connor's War of 1812 novel The Runner, who kills the man who killed Brock, rescues Laura Secord, etc, etc. "I have heard a great deal about you," Lady Mary Rivers says to Ranald. "Let me see, you opposed separation; saved the Dominion, in short."

So many novels are weakened by their final chapters.

"It is part of the purpose of this book to so picture these men and their times that they may not drop quite out of mind," Connor writes in his Preface. In this, he succeeds. The Man from Glengarry gives a good sense of what Glengarry was like in the day. While it doesn't have anything like the readership it once had, but it remains in print, continues to be studied. More than this, through Mrs Murphy, it has kept the memory of his mother alive.

Family, you understand.

I would appreciate hearing from anyone who has Ralph Connor books bearing the signatures of Edward Busby or Maurice John Busby.

Bloomer:
"What a wonderful boy he must be, Hughie," said Maimie, teasing him. "But isn't he just a little queer?"
     "He's not a bit queer," said Hughie, stoutly. "He is the best, best, best boy in all the world."
Dedication:


Trivia: As an adolescent, the author attended Ontario's St Marys Collegiate Institute, which sat on the property that borders ours. Until this summer, when the 141-year-old structure was torn down, I could see it from my desk.

Object and Access: First edition? I'll take the unknown bookseller's word for it, though I've seen variants in colour of cloth. The American first edition was published by Revell. The first British edition came from Hodder & Stoughton.

I'm pleased to report that pretty much every academic library in the Dominion and more than a few public libraries have it in their collections.

The Man from Glengarry is currently in print as part of the moribund New Canadian Library, but you'd be better off buying a used copy. Connor claimed that the novel sold five million copies (and here I remind you that he was a clergyman). Hundreds are listed online, starting as low as one Yankee dollar.

Pay no more than two Canadian dollars.

Related post:

05 September 2016

A Poem for Labour Day by A.C. Stewart



"On the Drowning of a French-Canadian Laborer" by A.C. Stewart from his self-published tome Dust and Ashes (n.p., 1910).


Sadly, I have not been able to identify the victim... nor the year... nor the location. "Jacques Cartier Rapids" does not exist. There are rapids in Jacques Cartier National Park. Was it there that the tragedy took place? Doubt it. Still, knowing Stewart, it's a safe bet that the drowning of the French-Canadian labourer happened somewhere, and just as he described.

Dust and Ashes was a gift from Vanessa Brown and Jason Dickson of Brown & Dickson in London, Ontario. This past weekend, saw the couple celebrating their move to a new, larger location on Richmond Row.


Congratulations!

Now, get to work you two.

Related posts:

10 July 2016

If the rain comes...



In a long, hot summer of precious little precious rain, Seth's cover for the new Canadian Notes & Queries reminds booklovers to always be at the ready. Whether walking your dog, enjoying a pleasant read in the park, or both, the plastic bag is an essential item. Books are never to be used to protect one's do.

My copy arrived in the mail – a small miracle – on Friday, bringing art, articles and reviews by Kamal Al-Solaylee, Diana Fitzgerald Bryden, Nicole Dixon, Charles Foran, Alex Good, David Helwig, Jim Johnstone, Jason Kieffer, Rachel Lebowitz, David Mason and, um, Max Beerbohm. Jason Dickson interviews my friends Adrian and Brendan King-Edwards of The Word bookstore in Montreal. The issue is further blessed with three poems by Nyla Matuk and a new short story from Tamas Dobozy.


My contribution – The Dusty Bookcase on paper – is an interview with Gwendolyn Davies, Series Editor of Formac Fiction Treasures. Now celebrating its tenth year, the series has worked to revive forgotten works by mostly-forgotten Maritime writers. I'm right now reading its most recent title, A Changed Heart by May Agnes Fleming, Victorian Gothic set in St John, New Brunswick. Anyone who remembers my review of Fleming's The Midnight Queen will understand the attraction.

Enjoy!

And pick up after your damn dog!

Subscriptions to Canadian Notes & Queries can be purchased here.

07 December 2015

The Season's Best Books in Review — A.D. 1915; Featuring the Best Canadian Book Ever Published



The influence of the war upon the literary taste of the public is strikingly illustrated by the increasing demand for more serious books.
The Globe, 4 December 1915

Can the same be said for our time of war? I'm not so sure, though "The Globe 100: The Best Books of 2015", published last Saturday, assures me that this year's list is "smarter than ever."

Ah, the hubris of the living.

The Great War was heading towards its second Christmas when the Globe published its review of the 143 best books of 1915. Most are pretty much forgotten – The Heart of Philura, anyone? – though some, like W. Somerset Maugham's Of Human Bondage, live on. Canadians don't fair too poorly, taking thirty-two spots. Sadly, our survival rate isn't any better.

Consider The Life of Lord Strathcona and Mount Royal, Beckles Willson's authorized biography of the man who co-founded the Canadian Pacific Railway and once held controlling shares in the Hudson's Bay Company. The Globe informs: "Based upon a mass of material, this record introduces documents which throw new light upon noted transactions in the Northwest."

New light upon noted transactions in the Northwest!

Hold me back.

The advertisement from publisher Cassel,featured on the bottom right of the page announces the title as "THE BOOK OF THE YEAR". Lest you question that claim, consider this: The Globe included the book even though it had not yet been published.

Competition comes in the form of In Pastures Green by farmer, poet and – it needs be noted – Globe contributor Peter McArthur. "Mr. McArthur is among those who have promoted the Dominion to full literary responsibility", sayeth the Globe. "We wisely rejoice in the products of our farms, but there is no more sustaining or enduring product of the farm at Ekfrid than 'In Pastures Green.'"

J.M. Dent and Sons' advert for In Pastures Green more than trumps the one for The Life of Lord Strathcona and Mount Royal:


Sustaining and enduring In Pastures Green has been out of print for nearly seven decades. Of the thirty-two Canadian titles, only two are in print today: Anne of the Island by L.M. Montgomery, described here as the third volume in the "Anne Trilogy", and Winnifred Eaton's Me: A Book of Remembrance. "A much-talked of account of the life of a working girl who is 'up against it' nearly all the time. A sensational revelation of real life", says the Globe.

I've still not made time for Me. In fact, after all these years of the Dusty Bookcase –  here and at Canadian Notes & Queries –  I've yet to review a single book from 1915. Curious… I've covered several from each of the surrounding years. Perhaps it has something to do with this, as noted by the Globe in its introduction to the list:


The hell that is war.

24 June 2015

La Fête: Il y'a 100 ans



For the day, verse from Octave Crémazie, father of Quebec poetry and – it needs be said – bookseller"Canadien-française" is available elsewhere, sure, but this is how it appeared in Fête national des canadiens-français: 24 juin 1915 (Quebec: Bédard & Gagné, 1915):


As it was then, this poem is brought to you today by the booklet's sponsors: M Gignac, M Giguere, Mille Noel, Mille Brownrigg, Mille Maranda and the Quebec City Transfer Company.


Related posts:

15 July 2014

Richard Rohmer's Retaliation: The Chairmen Rave



Retaliation
Richard Rohmer
Toronto: PaperJacks, 1983
298 pages

This review now appears, revised and rewritten, in my new book:
The Dusty Bookcase:
A Journey Through Canada's
Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through

The Globe & Mail, 6 November 1982

18 November 2013

T is for Thievery


Pettes Memorial Library, Knowlton, Quebec
Hugely flattered to hear you stole my book. This is fame. I used to steal a lot of books myself, mostly from libraries: my method was to look at the little card in the back envelope and if it hadn’t been taken out more than twice in the past year I would figure I needed it more than the public. 
— John Glassco, letter to Al Purdy, 18 September 1964
John Glassco, that self-proclaimed "great practitioner of deceit," made a very fine book thief. His personal library, most of which was purchased by Queen's University, included volumes lifted from McGill University, Macdonald College, the Westmount Public Library and the Royal Edward Laurentian Hospital.

Queen's is not alone in having profited from Glassco's ill-gotten gains. Twenty-three years ago, I purchased what I thought to be his copy of Irving Layton's Balls for a One-Armed Juggler (Toronto: McClelland & Stewart, 1963).


A couple of decades passed before I happened to notice this on the top edge:


Glassco dated the copy April 1963, the month of publication. It is presented here as evidence that he was not above breaking the rule described in his letter to Purdy:


Two summer's ago, I purchased another of Glassco's books, Henry de Montherlant's Perish in Their Pride [Les Célibataires] (New York: Knopf, 1936), only to notice this after the sale:

(cliquez pour agrandir)
The Laurentian Sanitarium became the Royal Edward Laurentian Hospital, at which Glassco spent a nearly all of 1961 undergoing treatment for tuberculosis. On 3 November of that year he wrote his wife:
Now that I’m getting ready to leave I’m casting a selective eye on the books in the library. There’s just so much stuff here I’d like to opt (organizieren) that no one has ever read or will ever read. But I’d better not: that’s bad medicine. Only two: Robert Elie’s La fin des songes (there are three copies, all untouched) and Madame Ellis’ book on Garneau. They’ll none of them be missed, as Gilbert says. Anyway, I’d like to give them a good home.
How's that for gratitude?

Trivia: The book Purdy pilfered was The Deficit Made Flesh (Toronto: McClelland & Stewart, 1958). The victim was a Montreal bookseller.

Plug: Both Glassco letters quoted feature in The Heart Accepts It All: Selected Letters of John Glassco, edited by yours truly.

Cross-posted at A Gentleman of Pleasure.

25 August 2013

H is for Hoffer



List 75: Canadian Literature
Vancouver: William Hoffer, Bookseller, [1989?]
In spite of his obvious weirdness I found myself liking him. When he launched into a diatribe, which he  did often, he would become intoxicated by his own rhetoric, then leap up bellowing and, like an actor, pace the store as though it were the stage of a theatre. He was, perhaps, the first person I ever met whose voice merited the word stentorian. 
– David Mason, The Pope's Bookbinder
How did I come to have this? A response to an advert in Books in Canada, perhaps. When it landed at my Montreal flat, sometime around the death of Doug Harvey, this catalogue was like nothing I'd ever seen. The bookseller seemed to be daring customers to purchase.

From the introduction:
There isn't very much Canadian literature, and most of it is garbage. It is the junk literature of a junk age. It is beneath those who care about anything.
The attacks begin with item #6, Margaret Atwood's Second Words: Selected Critical Prose (Anansi, 1982):
Having spent considerable time wandering 2nd hand bookshops, it recently occurred to me that the only people ever overheard congratulating or recommending this author are teen-aged girls of the least promising variety. Our animosity is, in this case, genuine. The more quickly this author is forgotten the better it will be for Canada. In the meantime we are optimistic in regard to selling our stock of copies to unpromising customers, Any regular customer who orders it may expect to be dropped from the mailing list.
I was not a regular customer; in fact, I never bought a book from William Hoffer. Spoiled terribly by Montreal's low book prices and the indifference paid things Canadian in New York, I found his prices high. Here Hoffer asks $75 for the Canadian first of Brian Moore's The Emperor of Ice-Cream (McClelland & Stewart, 1965), a book I'd bought for $2 in a Sherbrooke Street bookstore not three years earlier. I was lucky; another store had it for six.

He titled one of his catalogues Cheap Sons of Bitches.

My plea was poverty, but I still feel bad for having given nothing in return for this catalogue. Twenty-four or so years later, it continues to inform and entertain.


Cold eye or not, Hoffer knew Canadian literature far better than most other booksellers. Today, when my queries concerning Bertrand W. Sinclair are met with a blank stare, I consider this entry:


By 1994, the year I moved to Vancouver, William Hoffer was gone. He'd closed up shop, sold his stock, and was living in Moscow with a wife, two teenaged stepsons, and a growing collection of handmade toys. When he returned to BC, it was to be treated for the cancer that killed him. It's probably just as well that we never met. In his very fine memoir, The Pope's Bookbinder (Biblioasis, 2013), David Mason portrays Hoffer as a man of contradictions, about whom people held conflicting opinions. It only follows.


To Mason, Hoffer delighted in sowing the seeds of strife; he decimated the conviviality that had once existed within the bookselling community, very nearly destroying the Antiquarian Booksellers Association of Canada in the process. Hoffer comes off as being as brilliant as he was demented. Yet, like me, Mason returns to Hoffer's catalogues.

 "You would be the only bookseller I ever met who purported to despise the only area you know anything about," he once wrote Hoffer.

I think "purported" is the key word.

Related post:

05 August 2013

E is for Early Work



I once met Barbara Gowdy at a Chapters Inc annual shareholders meeting; I owned stock, she was signing copies of The White Bone. Anyone who finds this at all peculiar is advised to revisit their memories of the 'nineties. The very same meeting saw the launch of a short-lived, ill-conceived venture, immortalized through laminated bookmarks slipped into copies of Ms Gowdy's novel:


The White Bone was free to anyone willing to stand in line. I took my place, but what I really wanted was Ms Gowdy's signature on the book pictured above. Published in 1988, Through the Green Valley was her first. I've not read it – 'tis a historical romance – though I am intrigued because it is so very different from the rest of her oeuvre. Where Falling Angels, the author's sophomore novel, is in print Through the Green Valley has been unavailable for a quarter century.

"I'm not sure I want to sign this," said Ms Gowdy.

I felt bad.

Brian Moore disowned his earliest novels. For three decades, friend Mordecai Richler kept his debut, The Acrobats, out of print. In university, this paperback copy made the rounds of my friends like a Bowie bootleg.


(Am I alone in being amazed by the speed with which it returned to print after Richer's death?)

I've been thinking of early work and all associated embarrassment ever since receiving a query brought by last week's post on doppelgängers:
You wrote that you used to write as Brian John Busby. Someone called Brian John Busby wrote for a Canadian TV show called "Time of Your Life". Are you that Brian John Busby?
Yes, I am. A low-budget, low-rent teen soap, Time of Your LIfe was my first paid writing gig.


The correspondent adds: "Great show!"

Wish I could agree, though I'll allow that the stray bits posted online point to something that is not nearly so horrible as I remember.

As for Ms Gowdy... I didn't press, and she proved to be a good sport.


Addendum (for my nieces):


08 July 2013

A is for Amtmann



I complain.

The narrow focus of this exercise – this casual exploration of our suppressed, ignored and forgotten – has prevented comment on the contemporary, the celebrated, and even the passing of friends. I made an exception once, when it didn't seem too personal. I'm doing so again in recommending The Pope's Bookbinder, a new memoir by antiquarian bookseller David Mason.


One might expect that such a book would find good company amongst Canada's ignored, but this has been far from the case. The National Post, The Toronto StarQuill & Quire... attention has been paid. Here's the Washington Post review:

David Mason’s ‘Pope’s Bookbinder’ features lively recollections of a life filled with books

Buy it.

For someone like myself, a buyer not a seller, the book has provided an entertaining and informative look into a culture with which I have much to do, but of which I am not a part. I've come away with an even greater appreciation of those in the business... the honest ones, at least. It's proven to be my favourite read this summer.

Buy it.

One of the honest souls mentioned in the book is Bernard Amtmann, whom Mason describes as "the father of the Canadian antiquarian book trade". Thirty-four years after Amtmann's death, collectors chase his catalogues, so you'll understand my delight last month in coming across the nondescript items pictured at the top of this post: twenty-four catalogues dating mostly from 1961 and 1962, with a few more from the late 'sixties. Bound in black card stock, the two volumes set me back two dollars.


Always fun looking through old catalogues, imagining a time when, say, George Vancouver's A Voyage of Discovery to the North Pacific Ocean and Round the World... (London: Robinson, 1798) was going for $650 (the equivalent of $5,080 today). A cursory look online reveals five copies on offer right now, beginning at US$58,500. The most expensive, yours for US$95,000, includes free shipping!

As they say – antiquarian booksellers, I mean – condition is everything, so it surprised me to discover that Amtmann's listings provide little in the way of description. This, from the earliest catalogue (#146), is typical:
CAMPBELL, Wilfred. Ian of the Orcades... New York [etc.] [n.d.] $3.00
The inside back cover of each catalogue features this blanket notice:
Books and other material listed may be assumed to be complete and in very good condition unless otherwise stated.
All this has me wondering about dust jackets. Not a one is mentioned in the twenty-four catalogues. Surely some were missing. Take Ian of the Orcades, which was published in 1906 – you don't see many dust jackets from that year. I turn to Mason, who in an anecdote from his earliest years in the trade writes that the dust jacket was once much less significant, "not yet having reached the ludicrous point it occupies today."


The Campbell is typical of the prices found in these catalogues. The vast majority of the items are priced between $2.00 and $5.00 (roughly $15.50 to $39.00 today). Here are a few of the items that caught my eye:
ALLEN, Grant. The British Barbarians, a Hill-top novel. London, 1895. 2d ed. Cf Watters, p.170.    $5.00
BARTON, Samuel. The battle of the swash, and The capture of Canada. New York, Dillingham [1888] 131 p. Not in Can.Arch. $7.50
BARTON, Samuel. same. with: [also a patriotic speech by Dr. W. George Beers, of Montreal, in reply to the toast of "professional annexation." Authorized Canadian edition.] Montreal, Robinson [1888] 137 p. Can.Arch.II, 1253.    $7.50
CHINIQUY. Why I left the Church of Rome. London: Protestant Truth Society [n.d.] 24 p. cover-title.    $2.50
GREGORY, Claudius. Valerie Hathaway. Toronto, 1933.    $5.00
RIEL. Poesies religieues et politiques, par Louis "David" Riel. Montreal, 1886. 51, [1] p.    $10.00
Bargains all, even when converted into 2013 dollars. That said, anyone thinking that books are a sure investment is advised consider this listing from catalogue #151 (1961):
DUMBRILLE, Dorothy. Stairway to the stars. Toronto: Allen [1946] vii, 72 p. (verse) Watters, p. 44.    $3.00
By coincidence, I purchased this very book as part of the very same haul that brought the catalogues. It cost a buck, less than 13¢ in 1961 dollars.


And it's signed.

I was a high school student when Bernard Amtmann died. The most valuable book I then owned was probably a first of Two Solitudes ($3.00 in catalogue #146). Though I'd inherited it from my father, back then I cared much more about Ian Hunter's Diary of a Rock 'n' Roll Star. My first encounter with Amtmann's name came years later when I first began researching John Glassco. The bookseller had several dealings with the poet/pornographer, selling various rare books and the odd letter. On three occasions, he handled collections of Glassco's papers. It was in this role, the Amtmann received the most revealing letter ever penned about Memoirs of Montparnasse:
Dear Mr Amtmann 
     Re: Documents in the Glassco Collection 
With regard to the first item (A. 1) of the list I supplied you last month, I would like to make it clear that these six scribblers of Memoirs of Montparnasse date, to the best of my recollection, from somewhere between 1960 and 1961, and not from 1931-2 as might be inferred from the Prefatory Note to the published book. They comprise of course the first, only and original manuscript of the book itself, and its only holograph record. 
                    Yours sincerely 
                                    John Glassco
Dated 28 September 1973, the letter is just one of 147 found within The Heart Accepts It Allthe forthcoming collection of correspondence edited by yours truly.

Buy it.


Enough about me. In his book, David Mason writes that much is owed Bernard Amtmann, "not just by the Canadian book trade but by the whole country." He then adds some words of caution:
Bernard did himself enormous damage by his unceasing attack on the institutions who ignored or denigrated Canada's cultural heritage. He died broke in the honourable tradition of the trade but his influence is still felt amongst those who care about Canada's heritage.
Oh dear.