Showing posts with label Millar (Kenneth). Show all posts
Showing posts with label Millar (Kenneth). Show all posts

15 February 2017

A Small Town's Biggest Novelist



The newest issue of Canadian Notes & Queries arrived last week, containing all sorts of goodness wrapped in a cover by Seth. My contribution concerns Helen Duncan, the best selling novelist of St Marys, Ontario, our adopted hometown. I'm confident in claiming that Mrs Duncan enjoyed more sales than all others, if only because she also holds the distinction of being the only St Marys novelist to have landed a publishing contract. Her books were issued by Simon & Pierre, were reviewed in Books in Canada and, decades later, can be found in academic libraries as far from this town as Australia's Flinders University.


Mrs Duncan managed to get three novels into print, but the only one I discuss in any length is her 1982 debut, The Treehouse. It's a bildungsroman, a roman à clef, and heavily autobiographical. The family at the novel's centre is modelled on Duncan's family. The house in which they live – that of the title – is modelled on the second of her three childhood homes. It still stands today at the corner of Jones and Peel.


I spoil nothing in revealing that the fictional family later moves into this Queen Anne on Church Street South:


As the title suggests, houses play significant roles in this novel; one might argue that they are better drawn than the characters they shelter. The most interesting is that belonging to the needy widow down the street. The model for this house also stands, at the corner of Jones and King, and is for sale as I write.


A perfect gift for the obsessive Helen Duncan fan.


This issue's "What's Old" features two selections from Regina's Spafford Books, and three of my own: Three Novels of the Early 1960s by Ross Macdonald (New York: Library of America, 2016), Collected Millar: The Master at Her Zenith (New York: Syndicate, 2016) and The Complete Poems of George Whalley (Montreal: McGill-Queen's UP, 2016).

Also featured are contributions by:
Marianne Apostolides
Max Beerbohm
Leone Brander
Jim Christy
Jason Dickson
Deborah Dundas
Andre Forget
Stephen Fowler
Pascal Girard
Emily Keeler
Richard Kemick
David Mason
Dilia Narduzzi
Sarah Neville
Suzannah Showler
Bardia Sinaee
Bruce Whiteman
Did I mention that there's a new story by K.D. Miller? Well, there is!

Suscriptions to CNQ – always a bargain – can be purchased here through the magazine's website.

Related post:

26 December 2015

Ten of the Best: Spanking Good Book Buys of 2015



Early morning on Boxing Day and I'm lying comfortably in bed. My late mother is to thank. She taught that there is something unseemly in leaving family Christmas dinner to wait overnight for the chance at a $9.99 blu-ray player at Best Buy.

Because I'm done with buying books for this year, the time has come to present my ten favourite acquisitions, beginning with the 1907 Routledge edition of The Clockmaker pictured above. Bought for a buck a couple go months back, the series title, "Half-forgotten Books", did attract.

Half-forgotten books are what this blog is all about… the three-quarters-forgotten and entirely forgotten, too. What follow are the nine others:


The British Barbarians
Grant Allen
London: Lane, 1895

A second printing of Allen's second biggest book, this one has slowly risen to the top of the pile on my night table. The oldest addition to my collection this year – our literature is still so very young – I won this for one pound in an ebay auction. Shipping charges tempered the victory.



Kalee's Shrine
Grant Allen
New York: New         Amsterdam, [1897]

Another Allen. One hundred and sixteen years after his death, books by this son of Kingston are becoming scarce, so I was pleased to get this one for just US$4.99. I understand it takes place primarily on the East Anglian coast and features an oculist.



The New Front Line
Hubert Evans
Toronto: Macmillan, 1927

A gift from James Calhoun, with whom I collaborated in writing the Introduction to Peregrine Acland's Great War novel All Else is Folly. I'm embarrassed to reveal – and reveal I must – that I was unaware Evans too had served in the conflict.


Hath Not a Jew…
A.M. Klein
New York: Behrman's         Jewish Book House,         1940

The first edition of the first book by the first great poet of Jewish Montreal, I found this for a dollar.




King of Egypt, King of              Dreams
Gwendolyn MacEwen
Toronto: Macmillan, 1971

The poet's novel of ancient Egypt and Akhenaton, I came across this copy – inscribed by MacEwen – whilst volunteering at our local library's book sale. In the words of the immortal Lou Reed, "you're going to reap just what you sow."



The Three Roads
Kenneth Millar
New York: Dell, [n.d.]

I purchased this first paperback edition at London's Attic Books, a very pleasant walk from the University of Western Ontario, at which Millar studied English literature.



The Damned and the          Destroyed
Kenneth Orvis
London: Dobson, 1962

A second novel from a Montreal writer who seems entirely forgotten. I'd never heard of him, and yet Orvis was published internationally and managed to limp on into the 'eighties. See: Over and Under the Table: The Anatomy of an Alcoholic (Montreal: Optimum, 1985).


A Japanese Nightingale
Onoto Watanna [pseud              Winnifred Eaton]
New York: Harper, 1901

Another second novel, this one written by the most accomplished member of Montreal's remarkable Eaton family. A true joy to hold and behold, I purchased my copy just two months ago at Attic Books.



The Keys of My Prison
Frances Shelley Wees
London: Jenkins, 1956

This Millaresque mystery set amongst the privileged of Toronto is a great read. My pristine first English edition, purchased from a bookseller in Lewes, adds to the delight. Seeing something older than myself in such fine form brings hope for the New Year.




And on that note… A Happy New Year to one and all!



Related post:

13 December 2015

Kenneth Millar at 100; Ross Macdonald at 59



Kenneth Millar/Ross Macdonald: A Checklist
Compiled by Matthew J. Brucolli
Introduction by Kenneth Millar
Detroit: Gale, 1971

Kenneth Millar was born one hundred years ago today. The first recognition of the anniversary I saw came this past May when Linwood Barclay reviewed the new Ross Macdonald Library of America collection for the Globe & Mail.

Library of America. And why not? After all, Millar was born in Los Gatos, California. His Canadian parents returned to their home and native land a few months later, marking the beginning of a confusing childhood that included a variety of addresses and living arrangements in Vancouver, Kitchener, Wiarton, Winnipeg and Medicine Hat. Kitchener is key. He returned repeatedly to the Southern Ontario city, and as a child lived there longer than another other. It was in Kitchener that he first met and fell for fellow Kitchener-Waterloo Collegiate Institute student Margaret Sturm. In 1931, their respective short story debuts were published in The Grumbler, the school's literary magazine. His, "The South Sea Soup Co.", suffered a printer's error: "Ken Miller".

After graduation, Millar attended Waterloo College (now the University of Waterloo), the University of Western Ontario and the University of Toronto. He married Margaret, who had dropped out to become a writer. And she did… they both did. Ken sold stories, poems and reviews to Saturday Night, but Margaret Millar was the first to publish a novel: The Invisible Worm (1941). The year after publication, the couple moved to Ann Arbor, where Ken had accepted a fellowship at the University of Michigan. Visits aside, the Millars never returned to Canada, settling instead in Santa Barbara, some 450 kilometres south of Ken's birthplace.

Measuring such things is a fool's game, but I think it safe to say that Millar is much more American than, say, Vladimir Nabokov, whose work is also included in the Library of America. Millar saw himself as both Canadian and American, and considered his greatest character to be the same.

I make a deal about of Millar's early years – again – because we Canadians don't. Three years ago, I had to convince the folks at The Canadian Encyclopedia that he was worthy of an entry.

Margaret, too.

The greatest value in Kenneth Millar/Ross Macdonald: A Checklist lies not in the checklist itself, now very much out of date, but in Millar's seven-page Introduction. Here he provides a rather distorted account of that very messy childhood, and the long, agonizing attempts to capture same in "Winter Solstice", an abandoned autobiographical novel. The struggle went on for years, unresolved until "transformed and simplified into a kind of legend, in The Galton Case."

His favourite novel and I still haven't read it.

I've gone over every page in this slim volume, from Matthew J. Brucolli's Compiler's Note ("This checklist is not a bibliography…"), through Kenneth Millar's Introduction ("Having a bibliography put together is in some ways like being psychoanalyzed…"), to the checklist bibliography checklist itself. Introduction aside, the best of it is found in the images.

The end papers are pretty great, though I do wish they were in colour.

(cliquez pour agrandir)
The title pages, also reproduced, provide a nice reflection of the author's decade-long transition from Kenneth Millar to Ross Macdonald:


Millar was just fifty-five when this checklist was published. No one could have known that his career was in its final years. He managed just two more novels before Alzheimer's began taking its toll. Some of the best things about the book are reproduced manuscript pages – five in all – providing glimpses of a keen mind at work… the keen mind that was lost.

(cliquez pour agrandir)
(cliquez pour agrandir)

I'd happily read entire Millar novels this way, beginning with "Winter Solstice". Next Library of America volume, perhaps.

Object and Access: Eighty-six pages in black boards, issued sans dust jacket. I bought my copy two years ago at a London bookstore, a pleasant stroll from the University of Western Ontario. Price: $6.99.


Copies are held by Western and fourteen other Canadian universities. The Toronto Public Library also comes through; Library and Archives Canada does not.

Fifteen copies are listed for sale online, all but one ranging in price from US$12.50 to US$90. Condition is not a factor. The fifteenth, the exception, is inscribed by Millar to his lawyer Harris Seed, and features laid-in "a bookmark issued by the publisher that prints a poem by the author that also bears his holograph signature in ink." Clearly, the copy to present during this season of gift giving. Price: US$1250.

Related post:

09 December 2015

The Year's Best Books in Review — A.D. 2015; Featuring Three Books Deserving Resurrection



Yes, the year's best books in review… the best reviewed here, anyway. These past twelve months haven't been the most active at the Dusty Bookcase. Truth be told, I'd planned on closing up shop last January – and even wrote a post to that effect – but then I heard from readers asking me to go on. I felt the love and returned on Valentine's Day.

And so, this casual exploration continues, if more casually. Between this blog and my column in Canadian Notes & Queries I managed to review twenty-four books this year. That's not nothing, right?

Of the twenty-four, I see four worthy of a return to print, but tradition dictates that I choose three:


The Plouffe Family [Les Plouffe]
Roger Lemelin [trans. Mary Finch]

Roger Lemelin's 1948 best seller spawned an excellent film and our two most popular early television series. A monumental work of cultural and historical importance, I still find it hard to believe the translation is no longer in print.





The Fiend
Margaret Millar

A remarkable novel that dares centre on a sympathetic portrayal of a registered sex offender. That I read no other Millars this year is likely the reason only one of her novels features on this list. In 2012, the Kitchener native took all three spots.


The Adventures of Jimmie Dale
Frank L. Packard

Intricate and cleverly-woven adventures starring the Jimmie Dale – bored playboy by day, crime-fighting Gray Seal by night. Enormously influential and surprisingly entertaining.



I'm right now at work at reviving the unnamed fourth. If successful, it'll be back in print by this time next year. If not, my heart will be broken and I will never speak of it again.

In what must be a record, three of the novels covered here this past year are currently in print:

Roger Lemelin [trans. Samuel Putnam]
Toronto: Dundurn, 2013

Ross Macdonald [pseud Kenneth Millar]
New York: Black Lizard, 2011

Douglas Sanderson
Eureka, CA: Stark House, 2015

I may as well add that The Damned and the Destroyed, Kenneth Orvis's "Relentless Story of the Hell of Drug Addiction", is right now available as an ebook from Prologue Books.

I was involved with three reissues this year, all titles in the Véhicule Press Ricochet Books series:


The Mayor of Côte St. Paul
Ronald J. Cooke

A novel about a young writer working for a crime boss in Depression-era Montreal. Is his motivation the need for material? Money? A dame? All three, it seems. I wrote the Introduction.




Hot Freeze
Douglas Sanderson

The first Mike Garfin thriller sees the disgraced former RCMP officer immersed in Montreal's drug trade. My favourite Canadian post-war noir novel, ow could I not write this Introduction, too?




Blondes Are My Trouble
Douglas Sanderson

The second Mike Garfin thriller. This time the private dick does battle with violent men pushing women into prostitution. The Introduction is by J.F. Norris of Pretty Sinister Books.



Praise this year goes to Wilfrid Laurier University Press and the Early Canadian Literature series edited by Benjamin Lefebvre. Dedicated to returning rare texts to print, there have been six titles to date, the most recent being Frederick Niven's The Flying Years with Afterword by Alison Calder.


Wilfrid Laurier University Press offers a 25% discount on online orders. Amazon and Indigo don't come close to matching those prices.

It's on my Christmas wish list.

Related posts:

13 July 2015

John Buell Meets Ross Macdonald


The Pyx
John Buell
New York: Crest, 1960
De zaak Ferguson [The Ferguson Affair]
John Ross Macdonald [pseud. Kenneth Millar]
Rotterdam: Combinatie, 1963
Artist: Barye Phillips.

A Bonus:

Una lunga striscia d'asfalto [The Shrewsdale Exit]
John Buell
Milan: Mondadori, 1975
John Buell meets Easyriders magazine.

Artist: unknown.

Related posts:

27 April 2015

Ross Macdonald's Monster Thriller Horror Theatre



A follow-up to last week's post on The Three Roads by Kenneth Millar (a/k/a Ross Macdonald), here I offer speculation and scattered thoughts on an adaptation I've never seen:

Straight to video, but without enough momentum to make it to DVD. I'm guessing I've missed my opportunity to see Deadly Companion. True, there are used VHS copies for sale out there, but who can be bothered? Besides, I can't figure out how to connect our old VCR to the Samsung.

Deadly Companion was a tax shelter film. "Based on the novel 'The 3 Roads' [sic] by Ross MacDonald [sic]", it was offered up by the same Toronto production company that gave us Nothing Personal, a romcom starring Donald Sutherland/Suzanne Somers.



Screenwriter Thomas Hedley (Flashdance) appears to have taken a good number of liberties with his source material. Here's John Candy as John, a character not found in the novel.


And here's John doing lines of coke.


Fellow SCTV cast members Joe Flaherty, Eugene Levy, Catherine O'Hara and Dave Thomas also feature, but it's Candy who shares top billing in the 1994 VHS release.

He gets less than two minutes screen time.

I feel particularly bad for the late Michael Sarrazin – cast as Michael Taylor (Bret Taylor in the novel), he's owed top billing. This earlier video package, issued under the original title, seems a tad more fair:


The adaptation brings things into the 'eighties by having Taylor shed his Second World War naval uniform for a journalist's trench coat. Here he's traumatized not by a Japanese kamikazes, but by Middle Eastern terrorists in aviator sunglasses.


Like the Taylor of The Three Roads, Michael must also deal with the murder of his young wife Lorraine. She's given life here – fleetingly – by Pita Oliver, an actress best remembered for having survived Prom Night.


Of course, she's not so lucky here.


Pita Oliver is billed twenty-fifth in the film's IMDb listing. This too seems unfair; after all, the solution to her character's murder is key to Macdonald's plot. The Three Roads positions Larry Hopkins (Anthony Perkins) as prime suspect, but I'm not sure about Deadly Companion. Here we see an encounter between Taylor and Hopkins.


In what I take to be a later scene, the two are involved in a dust-up.


Taylor also takes on Dellassandro (Al Waxman). Same camera angle.


Waxman's character doesn't feature in the book, nor do any of the five played by the SCTV cast. Fourth-billed Howard Duff portrays some guy named Lester Harlen. He's not in the book either.

The film has Hopkins shooting Harlen though a doorway…


…allowing Perkins to do his thing.

Leonard Maltin's review runs two sentences: "Confusing, annoying thriller with mentally tortured photojournalist Sarrazin attempting to track down his wife's murderer. Sarrizan is his usual bland self; Clark is wasted." The few souls bothering to weigh in at IMDb appear to agree:
This murder/mystery makes little sense.
– sgt619-1
The film simply does not make sense even after seeing it twice
– cfc_can
In "Double Negative Developing" (The Globe & Mail, 10 February 1979), critic Jay Scott suggests chaos on the set. He quotes actress Susan Clark on the script:
"This is one of the things that's in progress, so it's a big question mark. The three writers [Hedley, Janis Allen, Charles Dennis] seem to be coming from three different places. We have improvised; the locations have stayed the same and so has the intent of the individual scenes but…"
The ellipses are Clark's… Or are they Scott's?

The Globe & Mail, 10 February 1979
I was hundreds of kilometres away in high school when all this was going on, and yet I realize, all these decades later, that I'm just one degree of separation from several of the key players in this drama.

Who can be bothered.

Forget it, Jake, it's Hogtown.

The Globe & Mail, 2 May 1979
A bonus:


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