If I could read your mind, loveWhat a tale your thoughts could tellJust like a paperback novelThe kind the drugstore sellsWhen you reach the part where the heartaches comeThe hero would be meBut heroes often failAnd you won't read that book againBecause the ending's just too hard to take
01 December 2020
Just like a paperback novel...
12 November 2020
What to Do? What to Do?
The New Front Line
Hubert Evans
Toronto: Macmillan, 1927
291 pages
Hugh Henderson has returned from the Great War, but not to his Ontario home. During the conflict, his parents relocated to Vancouver, a city that seems nearly as foreign as those he encountered overseas. Now twenty-five, with four years of military service behind him, Hugh is expected to start in on a career. His parents have renewed their offer to "see him through" college, but Hugh doesn't think it's for him.
So, business it is! Or so thinks his father.
So, business it is! Or so thinks his father.
A higher up in a thriving plate glass company, Hugh's dad is in a good place to find his son a position. Over a lunch at a department store restaurant, he introduces Hugh to a builder named Canby, who happens to belong to a committee dedicated to finding employment for returning soldiers:
"I'm only too glad to do it, Mr. Henderson. I know what you boys went through—," the statement seemed to lose by over-emphasis— "but just the same it's a handful for a man that's got to hustle."He raised his glass of milk and drank deeply, his little finger sticking out like a frozen sausage."Course most of the boys appreciate it," he went on. "But a few don't and that kinda makes me sore. You were over there, Mr. Henderson, and you know s'well's I do that some pretty useless tools got into the army. And some of them got shot up for us too. Mind I don't forget that, but it's these sort of men that's hard to place."
As Canby rambles, Hugh gobbles up his meal, excuses himself, and makes for the crowded streets of Vancouver's downtown. Here he passes men, who like himself sport "FOR SERVICE AT THE FRONT" pins on their lapels, yet introspection lies closer to home:
He thought of Canby trying to "place" the returned men. Canby was like a man with one of those puzzle boxes, getting impatient with the pellets that wouldn't let themselves be rolled into place. The rolling pellets annoyed him.
Fortunately – perhaps not – Hugh's father considers his son's prospects a personal project. Ignoring sausage-fingered Canby, he's set his sites on an imminent opening at hardware wholesalers Mogg & Binwell. What Henderson père doesn't know is that fate has already played its part in the form of a chance encounter between his son and happy-go-lucky Sandy Briggs, with whom Hugh served in France. A BC boy, Biggs' was taken out of the war by shrapnel that surgeons could not remove. He rejoined his wife at Cedar City, somewhere north of Vancouver, where the two run a small general store. Briggs' invitation to come up and see him sometime – the fishing is great – is soon followed by a letter sharing that Vancouver surgeons are looking to remove some of the resurfacing shrapnel. He wonders whether Hugh would do him a favour by filling in on a part-time delivery job he has with the local shingle mill.
Against his father's wishes – "You'll lose out with Mogg and Binwell if you go traipsing up there." –Hugh sets out to help his old brother in arms. He finds that Cedar City is no city, rather a small, haphazard collection of houses and cabins separated by a creek from a similarly-sized Indian reserve. Hugh takes to his new surroundings in a way he did not in Vancouver. Evans devotes pages describing the natural beauty of British Columbia:
The sweep of the side-hill was broken in places by outcrops of granite. The lichens on these rocks were grey and brown, and where the rocks overhung and protected their faces from the weather, there were patches of brilliant green. Around these the moss and the strewn needles of the conifers fitted snugly. The sun, low now over the upper valley, sent its rays through the plumbed evergreens at right angles to the hill. It laid yellow light in strokes and curves across the ground, changing some colours, intensifying others. Hugh thought of the side-hill as some colossal canvas propped against the great lump of the upper mountain, and of himself as a toiling insect too minute to see the picture as a whole.
Hugh's father admires the industriousness of previous Hendersons in making something of themselves, each generation building upon the accomplishments of the last, and so finds it hard to accept that his only child would be attracted to a hard, physical life like that of his great-grandfather.
The New Front Line is a first novel, and first novels are so often romans à clef. Certainly, it features something of the author's own story – Evans grew up in small town Ontario, served in the Canadian Expeditionary Force and settled in rural British Columbia – but it has much more to do with his outlook on life, appreciation of nature, and affection for the people of the First Nations. My attraction to this novel had everything to do with the Great War and the treatment of returning veterans. Though these things feature in The New Front Line, they rank amongst the lesser elements; both all but disappear when Hugh leaves Vancouver for Cedar City. Looking over what I've written thus far, I see that I've placed too much emphasis on my own interests. To be frank, I'm still digesting this novel. The New Front Line is an unusual book. It is a remarkable book. There is no good reason it has been out of print these last nine decades.
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Hubert Reginald Evans 9 May 1892, Vankleek Hill, ON - 16 June 1986, Roberts Creek, BC RIP |
Object: Bulky in blue boards, my copy was a gift from my friend military historian James Calhoun. It would appear to have once been presented to a man named Charles Cameron.
Might that Charles Cameron have been one of the forty Charles Camerons who served in the CEF? I don't suppose we'll ever know.
Access: As of this writing, no copies are listed for sale online. The novel can be found at Library and Archives Canada and four of our universities.
Related post:
Labels:
Calhoun,
Evans (Hubert),
Macmillan of Canada,
Novels,
Romans à clef
11 November 2020
Remembrance Day
HE SLEEPS IN FLANDERS
He sleeps in Flanders. Well he sleeps,For Flanders' sleep is deep indeed;About his bed the trench-rat creeps;In some far home a woman weeps;And the lone moon its vigil keepsAbove his sleep in Flanders.
No note shall break the silent sleepThat found him when his day was done;No note is blown so loud and deepThat it can pierce the gates of sleep—The earthen gates full damp and deep —That guard his sleep in Flanders.
He saw not where his path should lead,Nor sought a path to suit his will;He saw a nation in her need;He heard the cause of Honor plead;He heard the call, he gave it heed,And now he sleeps in Flanders.
Yet let this ray of light remain,Though darkness cut him from our view;We know the sacrifice, the painWe cannot feel our faith is vainWe know the loss, but not the gainOf those who sleep in Flanders.
Labels:
Musson,
Stead,
War poetry
31 October 2020
An Unholy Harlequin Halloween
This is the twelfth Dusty Bookcase Harlequin Halloween post. You know the drill by now: I share an old, odd, unsettling cover from the romance publisher's early years, and we all move on.
Here, for example, is the very first Harlequin Halloween post:
That was it.
Elizabeth Sanxay Holding's Speak of the Devil was my choice for this year. Still is. I mean, really, is there not something unnatural about that woman's index finger?
Published in June 1950, Speak of the Devil was the first Harlequin to feature "Devil" in its title. As far as I've been able to determine, the next was American Charles Stoddard's RCMP adventure Devil's Portage, which followed eight years later.
It isn't until 1975 that we find the third Harlequin to reference the Devil in its title:
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The Devil's Darling Violet Winspear 1975 |
I don't pretend to know what's going on with Harlequin, but can't help but note that with The Devil's Darling the Evil One came to take a regular place in its titles.
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Devil in a Silver Room Violet Winspear 1976 |
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The Devil's Daughter Marguerite Bell 1978 |
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The Devil's Bride Margaret Pargeter 1979 |
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The Devil Drives Jane Arbor 1980 |
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Devil's Gateway Yvonne Whittal 1980 |
The four decades since Devil's Gateway have seen:
Devil in Command - Helen Bianchin (1981)Devil in Disguise - Jessica Steele (1981)Devil's Mount - Anne Mather (1981)The Devil Lover - Carole Mortimer (1981)The Devil's Mistress - Sarah Holland (1982)A Touch of the Devil - Anne Weale (1982)Devil's Causeway - Mary Winnerley (1982)Sup with the Devil - Sara Craven (1982)Devil's Gold - Nicola West (1983)The Devil Within - Catherine George (1984)The Devil's Price - Carole Mortimer (1985)Devil's Advocate - Vanessa James (1985)Devil's Gambit - Lisa Jackson (1986)The Old Devil Moon - Anne Logan (1986)The Devil's Own - Sandra Brown (1987)Devil Moon - Margaret Way (1988)Devil and the Deep Sea - Sara Craven (1989)Devil's Shadow - Sally Wentworth (1989)The Devil's Dare - Jean Reece (1989)Devil in Paradise - Joanna Mansell (1991)Devil to Pay - Renee Roszel (1992)The Devil Has His Due - Diana Hamilton (1992)Dance with the Devil - Pamela Litton (1992)Valley of the Devil - Yvonne Whittel (1992)Dance to the Devil's Tune - Lucy Keane (1994)The Devil's Lady - Deborah Simmons (1994)Devil's Dare - Laurie Grant (1995)Candle for the Devil - Susanne McCarthy (1995)Saving the Devil - Sophie Weston (1995)The Devil Earl - Deborah Simmons (1996)The Devil's Kiss - Scott DeLoras (1996)Lucky Devil - Patricia Rosemoor (1996)Handsome Devil - Joan Hohl (1999)Defense for the Devil - Kate Wilhem (1999)The Devil's Due- Rachel Cain (2000)The Devil's Mark - Joanna Makepiece (2000)The Devil to Pay - Stephanie James (2000)The Devil You Know - Laurie Page (2001)The Devil to Pay - Michele Hauf (2002)The Devil's Bargain - Robyn Donald (2002)Date with a Devil (2003)The Angel of Devil's Camp - Lynne Banning (2003)Devil's Cub - Georgette Heyer (2003)The Devil You Know - Laurie Page (2004)The Devil's Hearth - Philip De Poy (2004)The Devil's Bargain - Rachel Cain (2005)The Devil's Waltz - Anne Stuart (2006)The Devil's Footprints - Amanda Stevens (2006)In Bed with the Devil - Susan Mallery (2007)The Devil to Pay - Michele Hauf (2008)The Devil and Drusilla - Paula Marshall (2008)Devil in a Dark Blue Suit - Robyn Grady (2009)The Sexy Devil - Kate Hoffman (2010)Devil in Dress Blues - Karen Foley (2011)The Devil Wears Kolovsky - Carol Marinelli (2011)The Devil's Chord - Alex Archer (2011)The Devil's Heart - Lynn Rae Harris (2011)Lady with the Devil's Scar - Sophia James (2012)The Devil and the Deep - Amy Andrews (2012)The Devil and Miss Jones - Kate Walker (2012)The Devil She Knows - Kira Sinclair (2013)Daughters Unto Devils - Amy Lukavics (2015)The Devil Takes a Bride - Julia London (2017)The Devil's Bargain - Kira Sinclair (2020)Dirty Devil - L.J. Shen (2020)
That I hesitate in sharing this discovery may have something to do with having been traumatized by Race with the Devil as a child.
It didn't end well.
Not to suggest that that a similar fate awaits, but to be safe I've written and scheduled my annual Christmas post.
Happy Halloween, I guess.
Merry Christmas, too.
Related posts:
Labels:
Harlequin Enterprises,
Harlequin halloween
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