An Alvin Schwartz Cover Cavalcade

A follow-up to last week's post on Hot Star.

Alvin Schwartz's debut novel, The Blowtop, was published in 1946 by Dial Press. It followed dozens of shorter works, including: "His Lordship's Double" (Batman #21), "Superman's Search for Clark Kent" (Superman #32), "The Toughest School in the World" (Superboy #10), and at least eight comic romance stories titled "A Date With Judy" (A Date With Judy #1-3).

I've not read The Blowtop, but it sounds right up my alley:

Le Cinglé, its French translation, was a bestseller overseas.

Le Cinglé
Paris: L'élan, 1950

Schwartz wrote or co-wrote six other novels, all of which were issued as "Sophisticates" by Arco, a publisher previously known for The Handy Manual of House Care and Repair (1949) and How to Win Prize Contests (1950). I've read and written about a couple of Schwartz's Sophisticates, Touchable and Hot Star, but I'm not sure I'll bother with the others. They're becoming increasingly rare, increasingly expensive, and... well, truth be told, those I have tackled haven't been terribly interesting. To be frank, I'd much rather read "The Superwoman of Metropolis!", which Schwartz wrote for Superman's Girl Friend Lois Lane #8.  

Do not be fooled by the publisher's descriptions, Arco Sophisticates promise much more than they deliver: 

Sinful Daughter
New York: Arco, 1951

SINFUL DAUGHTER is different, unlike any book Jack Woodford has ever written. Sabra is the daughter who tries to tear herself away from her mother's wickedness because she fears her own weakness and voluptuous nature. Reared amid scenes of splendor and debauchery, she has never succumbed to temptation. To avoid trouble she submerges herself in mediocrity and through error finally discovers the right way of life for her. A very exciting book.

Touchable
New York: Arco, 1951

From young Arch Rader, Ruth learned of passion. From Blackie Dawson she learned of love. From Mike, the bartender, she learned of bestial lust, and its unexplainable allure. From Tony, the lesbian, she learned of the strange, exotic, frightening fasination of abnormal relations. From Bruno she learned the utter depths of degradation. And from Clare, she learned the terror, the hopeless despair of dope. And at the last, out of this inferno, which had her helpess in its grip, she learned the possibility of redemption... from herself.

City Girl
New York: Arco, 1951

You may know a number of girls in the city, but you've never met anyone like Clio Haven. Never, that is, unless you travelled with the bootlegging set of Prohibition Chicago. Clio was a bootlegger's girl; bootlegging was Clio's security. Then in walked Bob, Logan, and half the Chicago police force to help her change her mind. it would make any girl wonder if it's safe to be desirable.

Sword of Desire
New York: Arco, 1952

Big City corruption and gambling successfully withstand a Senate Committee investigation, until psychiatrist Dr. Varesi's mysterious power works to reveal the secrets of the women involved. The ironic result is as unusual as it is intriguing.

Hot Star
New York: Arco, 1952

Maybe the thing that happened to Betty Frenck could happen to any young actress. She became a star of illegitimate pictures; became, too, a creature of desire and passion, caught in the magical spell of Director Perepoint's talent, and a victim of Producer Kern's contempt for all women. Whatever your opinion of her, you're sure to agree that there's never been a HOT STAR like Betty, either in or out of pictures. 

Man Made
New York: Arco, 1952

Man Maid is a bit of a mystery; all I've ever seen is its cover. 

I like to think that Alvin Schwartz made good money with Arco, but have my doubts. Late in life, he wrote two memoirs, of a kind, which may or may not support my skepticism. The first, An Unlikely Prophet, went through two editions. Originally self-published, the second edition replaces the subtitle and cover to emphasise his work with DC.

An Unlikely Prophet: Revelations on the Path Without Form
[np]: Divina, 1997
An Unlikely Prophet:
A Metaphysical Memoir by the Legendary Writer of Superman and Batman
Rochester, VT: Inner Traditions, 2006

A Gathering of Selves: The Spiritual Journey of the Legendary Writer of Superman and Batman (Rochester, VT: Inner Traditions, 2006) was his last published work.

Alvin Schwartz died five years later. By all accounts, he left this world from his Chesterville home, roughly fifty kilometres southeast of downtown Ottawa. 

Alvin Schwartz
17 November 1919, New York, New York
28 October 2011, Chesterville, Ontario
RIP

Who am I kidding.

Researching this piece, I happened upon a Minnesota bookseller who was selling a lot of twelve "erotic" books at a price that amounts to fifteen dollars apiece. Sword of Desire and Man Maid were two of the twelve.

I bought the twelve for those two.

You knew I would.

Related posts:

Sexy Stuff from Bizarro Superman's Creator
Dick Tricks Chicks Into Hot Pix!

Whispering City: Horace Brown's Second Encore

Arriving in bookstores as I write, the eighteenth Ricochet Books title. Whispering City is based on the Quebec City film noir of the same name. First published in 1947, it is one of the most sought after post-war Canadian paperbacks. A lone copy of that only other edition is listed online at $305.90.

The new Ricochet edition will set you back $15.95.

I provide a new intro.

Copies can be purchased through the usual online booksellers and at the Véhicule Press website.

Related posts:

Quebec City Noir

Horace Brown: Saturday Matinee

The Legs of Mary Roberts

Bach to the Future, Part III: The Squeaking Wheel

Final words on A Voice is Calling and its author.

About eight years ago, I posted a piece on The Squeaking Wheel, an ugly, bigoted screed that was self-published in 1966 under the pseudonym "John Mercer." All I knew of its authorship came from the book itself, which claimed "John Mercer" to be two men, both English-speaking Montrealers, who worked in the fields of advertising and medicine.

That's not much to go on.

"Even today their identities are a mystery," I wrote in my review. I doubt anyone was on the case – and wasn't myself – so, it was unhappy coincidence that in researching A Voice is Calling I came upon the obituary of its author (Montreal Gazette, 5 December 2001). It includes this sentence:

As an author he wrote A Voice is Calling, published in 1945; Trespass Against None, published in 1950; Le Dernier Voyage with Martine Hebert-Duguay, published in 1951; The Squeaking Wheel as John Mercer, published in 1965; Against the Tide, published in 1989; and Focus and Middle Distance, two autobiographical novels published recently.

And so, the identity of one of the two men behind The Squeaking Wheel is revealed. I wouldn't have guessed it from reading A Voice is Calling. The Squeaking Wheel is an anti-francophone rant, yet the hero of A Voice is Calling, Andre Brousseau, is a sympathetic and talented French Canadian. The novel's few anglophones are pleasant and encouraging. Given that every other character is a francophone, I don't think anything can be read into the fact that their number includes the three villains.

Eric Cecil Morris was the ad man behind The Squeaking Wheel – he was working for Cockfield-Brown at the time – but who was the medical man?

As before, I can't be bothered.

My original post on The Squeaking Wheel was deleted and rewritten for publication in The Dusty  Bookcase. Because I feel so strongly about the "John Mercer" book, I'm reposting my review as it first appeared on this blog on 27 December 2011:

The Squeaking Wheel;

     Or, How I Learned to Stop Worrying About the French
and Love the Bomb

John Mercer [Eric Cecil Morris]

n.p.: Rubicon, 1966

Let's get rid of this so as to not track it into the New Year.

I came upon The Squeaking Wheel in an Ontario thrift shop; its bold, if inept declaration—"4TH. [sic] PRINTING OF THE BEST-SELLING BOOK ALL CANADA'S TALKING ABOUT!"—did attract.

I don't remember talk of this book; but then I was only just learning to speak when The Squeaking Wheel was first published. Sure looks like it was popular. The copyright page records four printings in three months! Two in February 1966 alone! In the foreword, author John Mercer tells us that the first two printings amounted to "many thousands" of copies. So why is this the only one I've ever seen? And why was there no fifth printing?

I'd ask John Mercer, but he's a fabrication, a pseudonym for two men to hide behind. "English-speaking Montrealers who have a curious desire not to be blown sky-high to a Protestant Heaven by a few well-placed sticks of dynamite," they reveal nothing more about themselves than that they work in the fields of advertising and medicine. Even today their identities are a mystery.

More furious than funny, those familiar with Rebel Media comment pages will recognize the John Mercer style. Irrational anger and uncontrolled ranting accompany fantastical statistics presented without citation. Quotations, even those pitching the book, lack attribution. It's all here, including that old saw about Quebecers being horrible drivers: “It has often been said by opponents of French-Canada that one way to solve the problem of Quebec is to give every inhabitant a car and turn all the traffic lights green for one day.”

Take care now. Those words come not from the authors, but the "opponents of French-Canada." Or so the John Mercer men would have you believe. The reader will soon recognize that they too are opponents.

The Quiet Revolution is five years old, the Bi and Bi Commission is just beginning, and already the authors, who "have lived all their adult lives in Quebec," are fed up. Their message is clear: "Quebec is a conquered country and its people are a conquered people"... and somewhat inferior:

We are a little tired of hearing about biculturalism and French-Canadian culture. We don’t quite agree with a noted politician who recently said the only thing French-Canadian culture has produced is strip-teaser Lily St. Cyr and hockey-player “Rocket” Richard.

Again, don't you be pinning this on John Mercer. That stuff about the stripper and the hockey player comes from some politician. Who? Who knows. The men behind the pseudonym are only repeating what they've heard, and they don't quite agree.

Not quite.

The Squeaking Wheel was never talked about by "everyone in Canada"; not even Montreal's English- and French-language presses gave it much attention. Serious discussion of the book is limited to a few sentences in journalist Solange Chaput-Rolland's Reflections (1968):

The pens of these English-speaking compatriots are certainly not very brave. Of course it is true that, when one describes unpleasant reality, one receives in return unpleasant insult. But liberty of speech demands the dignity and courage of that speech. And those who hurl invective at their compatriots, while keeping themselves well hidden, are not really respectable citizens.

Though I can’t top that, I’ll add that I don't think the cowards hiding behind the pseudonym were Montrealers. Real Montrealers know it's Lili, not "Lily"; and they know she was not French-Canadian, but American.

I'll add that we Canadians know not to hyphenate "hockey player."

There, sweet Virginia, I've scraped the shit right off my shoe.

Lili St. Cyr [née Willis Marie Van Schaack]
1918  - 1999
RIP

Maurice "Rocket"  Richard
1921 - 2000
RIP

Related posts:

Bach to the Future: A Voice is Calling

Bach to the Future, Part II: Le dernier voyage

The Return of Jimmie Dale, Alias Gray Seal

Jimmie Dale, Alias the Gray Seal
Michael Howard
n.p.: The Author, 2017
375 pages

My final year as a trick-or-treater was spent walking though cold, dark streets of suburban Montreal as the Shadow. I wore my grandfather's raincoat, his fedora, and a red winter scarf that belonged to my mother. I carried a squirt gun that bore some resemblance to a Colt .45. The fake nose I'd torn off a pair of plastic Groucho Marx glasses was left behind; I couldn't figure out a way to make it stick to my face.

Even then, at age eleven, I knew it was unlikely that the adults handing out candy would recognize my costume. I tried make things easier by affixing the Shadow logo, traced from the cover of DC Comics' The Shadow #3, to the paper Steinberg's grocery bag used to collect my loot.

I was a 'seventies kid steeped in the culture of the Great Depression. My favourite television show was The Waltons. Decades-old episodes of The Shadow played each summer on As It Happens. The pharmacy in nearby Pointe Claire Village sold oversized reproductions of Detective Comics #27 and Batman #1.

What I didn't realize then, or in the the thirty or so years that followed, was that my favourite crime fighters – the Shadow and Batman – had been influenced by the Gray Seal, a character created by Frank L. Packard, a fellow Montrealer, who had lived not fifteen kilometres from my Beaconsfield home.

The Gray Seal was born in the pulps. First appearing in the April 1914 edition of People’s Ideal Fiction Magazine, his  earliest stories were collected in The Adventures of Jimmie Dale (1917). Four more Gray Seal books followed, the last of which, Jimmie Dale and the Missing Hour (1935), was published seven years before his creator's death.

Packard's bibliography offers some explanation as to why the Gray Seal is a forgotten hero. The author produced hundreds of stories for magazines, yet those featuring the Gray Seal are very much in the minority; just five of Packard's thirty-seven books feature the character. Unlike the Shadow and Batman, the creator retained ownership. No one else, save early screen scenarist Mildred Considine, who in 1917 helped bring the Gray Seal to the screen, wrote anything to do with the character that reached the public.

Until now.

As its cover states, Michael Howard's Jimmie Dale, Alias the Gray Seal is "The first Gray Seal novel in more than eighty years!" I take care to include the exclamation mark in that quote because its publication is cause for celebration. Howard has done Packard proud.

Jimmie Dale, Alias the Gray Seal precedes Packard's adventures in that it imagines the character before his first appearance in People’s Ideal Fiction Magazine. While it is not an origin story, Howard provides more background than is found in Packard's Gray Seal books. Jimmie's father is still alive, the safe company that brought fortune is still in Dale family hands, and yet, Jimmie is already fighting crime as the Gray Seal. The first to experience his form of justice is Elias Hobart, a crook who preys on good people eager to donate money to the survivors of disaster. He's been doing it since the 1889 Johnstown Flood.

Mayor William Jay Gaynor
1849 - 1913
RIP

The reference to Johnstown marks one difference between the Howard and Packard Gray Seal adventures. Jimmie Dale, Alias the Gray Seal begins and ends with chapters set in mid-September 1920, but the twenty-nine in-between take place during a summer eight years earlier. Howard grounds both time and place with characters making occasional, casual references to events current and past. Figures of the day, my favourite being ill-fated Mayor William Jay Gaynor, make brief appearances.

Elias Hobart is dealt with in short order; the greater challenge in this novel comes from a group of men known as the Spider Gang. They use metal claws to scale the cavernous streets of Manhattan, abducting the New York's most beautiful women.

But for what purpose?

The women who fall victim to the Spider Gang come from all social classes, with the villains scrambling up the exterior walls of both tenements and mansions. No ransom is ever sought. I risk spoiling things a bit in revealing that their motivation has something to do with the occult. The supernatural is another element introduced by Howard. Though common in pulp writing of the Parkard's day, it doesn't feature in his Jimmie Dale adventures.

Or am I wrong?

I can't say for certain because I've read only three of Packard's five Gray Seal books. Jimmie Dale, Alias the Gray Seal has me wanting to read the others. I can think of no greater compliment.

Would that I could go out as the Gray Seal this Halloween.

Trivia: The Grey Seal of my boyhood:

Object and Access: An attractive print on demand trade-size paperback. The cover image is by Doug Kleuba. WorldCat suggests that the novel isn't held by a single Canadian library. It can be purchased through this link to Amazon. Heads up, Library and Archives Canada.

Related posts:

Whatever Happened to Jimmie Dale?

The Further Frustrations of Jimmie Dale

Testing Jimmie Dale's Patience (and mine)

Resuming Richard Rohmer: A Plea for Help

Four years ago this month, I set out to read every book ever written by Richard Rohmer.

It wasn't my idea.

My old pal Chris Kelly came up with the challenge, mutual old pal Stanley Whyte joined in, and we were off. Not only were we going to read Rohmer's entire bibliography, we were going to do it within the year!

We're still at it.

Our mistake was that we remembered Rohmer's years as a bestselling author, but ignored the decades in which he was not. We'd assumed his books would be plentiful, accessible, and cheap. Why, mere days before we began, I picked up his 1989 thriller Red Arctic for a buck in a Perth, Ontario bookstore.

What I failed to recognize is that it was the first copy I'd ever seen. I haven't come across another since. I didn't know that Red Arctic had come and gone in only one printing, and had never made it to paperback. As a kid, Rohmer mass markets were everywhere. I bought mine at the second closest drug store to my home, but I could've just as easily bought them at the closest. It has been over three decades since Rohmer was last published in mass market.

Rohmer's Ultimatum was the bestselling Canadian novel of 1973, but my local library doesn't have a copy; in fact, the St Marys Public Library doesn't have anything by Richard Rohmer. Its helpful staff did all they could in providing inter-library loans.

Stanley had access to slim holdings offered by McGill and Concordia, but these only went so far. He resorted to ordering one book directly from the publisher. It took several months to arrive.

Chris, who lives in California, had the hardest time of it.

Despite the challenges, we tackled sixteen titles in our first year, and wrote about each in a blog: Reading Richard Rohmer. Visitors will see that we slowed to eight in the second year. In year three, we tackled two: Raleigh on the Rocks and Ultimatum 2. Last year, our reading was Rohmerless.

I began 2018 determined to finish reading Richard Rohmer. We're four books shy:

• Practice and Procedure Before the Highway Transport Board (1965)
• The Royal Commission on Book Publishing (1972)
• The Building of the CN Tower (2011)
• The Building of the Sky Dome/Rogers Centre [sic] (2012)

The first two are held at the University of Western Ontario's D.B. Weldon Library. As reference material, they're not to be checked out, but I'm willing to suffer as many hours as it takes in that butt-ugly, brutalist building.

Such is my willpower and dedication that I plan to read all four, despite reservations concerning Rohmer's authorship of Practice and Procedure Before the Highway Transport Board and The Royal Commission on Book Publishing. Sure, they appear in his bibliographies, but like Rohmer's claims about taking Rommel out of the Second World War, I have doubts that he played so great a role.

I look forward to being proven wrong.

Remarkably, the most recent titles are more difficult to find than half-century-old government reports. After many, many months, I've finally managed to get my hands on The Building of the CN Tower, but The Building of the Sky Dome/Rogers Centre is proving even more elusive. And so, I ask anyone with a copy to contact me.

Please.

Four years is an awfully long time.

Related posts:

Resolved to Reading Richard Rohmer

Still Reading Richard Rohmer. Is Alice Munro?
Recycling Richard Rohmer

Richard Rohmer Recycles (Again)

Of Thucydides, Themistocles and Richard Rohmer

Chasing Down a Thriller Writer's Hidden Verse
Pornography Dressed Up as a Cautionary Tale
Learn to Write the Richard Rohmer Way
The Brexit Fix-It

'Halifax in Ruins' by Stanley Burton Fullerton

Verse for the one hundredth anniversary of the Halifax Explosion by Stanley Burton Fullerton of Amherst, Nova Scotia. A carpenter by trade, the poet enlisted the month before his forty-seventh birthday. He was serving overseas at the time of the disaster.

Halifax in Ruins

It was on the sixth of December,
     The Day I never forget,
When steaming up our harbour,
     Came that Fatal Ship.

Then came the sound of fire
     What ever can it be?
It is on board that fatal ship,
     Loaded with that dangerous T.N.T.

Then came the roars like thunder,
     What ever can it be
Some thought it was the Germans
     From far across the sea.

Then came a flash like lightning,
     That swept over our town,
And crumbled up our buildings,
     And played them to the ground.

Then came the sound of weeping,
     And goals from everywhere.
My God! It is so dreadful to see
     Our loved ones perish there.

Then thousands came from everywhere,
     To help those loved ones in despair,
My God, To see that dreadful sight,
     With bodies strewn along the streets that night.

Such sights that were seen, can never be told
     From the ones that were rescuing those poor wounded souls.
Weeping and crying came from everywhere,
     And mothers offered up to God their favourite prayer.

The lights went out, the streets were dark,
     And groans were heard from every part.
Helping hands came from every where,
     To rescue those who were suffering there.

They toiled all night till break of morn,
     And then came down that dreadful storm.
And willing hands that worked so fast,
     Rescued those poor souls at last.

Doctors and nurses came from everywhere,
     Dressed the wound of the sufferers there.
In homes of comfort they were placed,
     With smiling courtesies on their faces.

The undertakers came from everywhere,
     And washed and dressed those who perished there.
Into their coffins they were laid,
     And taken to the resting place.

The tale of the rescuers can hardly be told,
     Of the brave ones, who worked in the storm and the cold.
They worked night and day and never gave up,
     Till the bodies were taken from under the stuff.

Here's to Capt. Harrison, who was thoughtful in mind,
     He saw there was danger in the ship that was moored.
So he cut her adrift and steamed out of the bay,
     And sailed her to safety, where no danger lay.

Now we come to the Steamer, that was ruined that day.
     Her anchor stock was blown two and a half miles away
Even box cars were blown across the wide waves,
     And her big guns were carried 'way out in the bay.

Now she is gone and will sail never more,
     Her big iron plates are all over out shores.
The game will be remembered for long years to come,
     The great wreck and ruin and sadness she done.

Now our people are cared for in huts everywhere,
     And their homes that were ruined, will soon be repaired.
And they will  be placed in their homes once more,
     And dwell by the harbour in peace ever-more.

Thanks to our Government, who thoughtfully responded
     Sending the needed with every-thing wanted.
In money and food stuffs that hastily came,
     To those who were homeless and deserving of same.

Even Australia responded to the call,
     And sent us their gold from that far off land.
To those who were suffering from that dreadful day
     And helped to build up their homes that were blown away.

And even dear England with her troubles at hand,
     She sent us assistance to built up the land
We'll never forget what she has done,
    And always be true to her. As true as the Sun.

Here's to the Star Spangles Banner that waves in the breeze,
     That stands for Liberty, over land and seas.
For the help they gave  in our time of need,
     And binds fighter the friendship for so noble a deed.

When the word was flashed across the line.
     That a helping and was needed.
How nobly the call was answered,
     From those true friends across the seas.

They sent us relief in abundance,
     It came from every-where.
To comfort our homeless loved ones.
     That were so sadly in despair.

Half of our town is lying in ruins,
     And our buildings are badly smashed.
But President Wilson says to build them up again
     And they will send over the cash.

Here's to that good old Union Jack,
     And to the Allies that are it'd defenders.
We thank the Star Spangled Banner
     For the help that they rendered.

The Union Jack and Stars and Stripes,
     I pray will always wave together,
God bless them for evermore,
     And our Maple Leaf Forever.

"Halifax in Ruin" appeared in the Fullerton's sixteen-page chapbook Poems (1918). It can be read in its entirety here, through the Internet Archive.

Note: "SGT. S.B. FULLERTON" is incorrect; in fact, the poet never rose above the rank of private. Let's just say it was a printer's error.

Related posts:

'Over the Top: Ypres, July 31, 1917', a Great War Poem

by 'Sgt. S.B. Fullerton, Returned Soldier'

Trotsky: The Accidental Terrorist

'Over the Top: Ypres, July 31, 1917', a Great War Poem by 'Sgt. S. B. Fullerton, Returned Soldier'

Century-old verse by Stanley Burton Fullerton (1869-1952), resident of Amherst, Nova Scotia, from his self-published chapbook Poems (1918). The poet's spelling and punctuation are respected, as is his false claim to having achieved the rank of sergeant.

OVER THE TOP

Ypres, July 31, 1917 

Calm was the morning, not a Hun to be seen,

     As I peeped o'er the land which at one time was green

There in the distance, with a tangle and twine

     Lay the broken barbed wire of the German first line 

Peacefull it looks now, but, ah, they don't know

     That our Boys will be over, we have not long to go.

As I stood in the trench with my phone on my back,

     I looked at our boys who were soon to attack. 

You could tell by their faces, they were deeply in thought

     As you'll always see them before the battle is fought

I then heard a whisper, what's that I hear?

     It was passed by their Captain, is the signaller here. 

Yes, I replied, sir, he answered, thank you

     Two minutes, sir, for zero, it was time to stand to

In that two minutes, they filled the first line,

     Then a roll of great thunder and up went our mine. 

Oh, what an explosion it made one feel shocked

     As we stooped 'til it settled, Lord, how the ground rocked

Then, with a spring, a jump and a hop,

     Like pulled with a string we were over the top. 

Crash, bang, went our guns an unceasing clatter

     As the German first line we started to batter. 

It was like one long fire, with a bursting of shell 

     Nothing could be worse for him, no, not even hell, 

We reached their first line and were slashing them hard,

     Some called for mercy Oh, mercy comrad

With terror stricken faces they were trembling with fright,

     When we get to close quarters they've no heart to fight. 

Onward we went with a rush through the mud

     For our next obective which was, this time, a wood.

At this we were cautious, they had so many runs,

     We knew it was fortified with many machine guns. 

I spoke on my phone and warned my O. C.

     Fire on second target, sir, the big scraggy tree.

I'm going to fire now, he said, so take a good sight

     That is just about it, sir, try two degrees, right 

Got them, that's perfect let them have fifty rounds;

     I knew that would get them, they are running like hounds. 

Now for a smoke as calmly I stood

     Watching my shells burst into the wood. 

Then came a runner with a message that read

     Order all guns to lift, we will now go ahead.

Onward they went, some at the double

     Taking the same wood without so much trouble. 

Then came the report; our objectives are gained 

     The advance was completed so there they remained

It was now gettiug late and night drawing near

     So I found an old dug out, says I, I'l stop here. 

What a miserable feeling as I sat there alone 

     And smoked up my woodbine with my ear to the phone

Then laid my head on a dirty old sack

     Waiting, in case of a counter attack.  

It poured, Heavens hard, rained all through the night, 

     Wet through and slashed up, I did look a sight;

Moreover than that I was feeling half dead 

     Being forced to partake of some German black bread. 

Then came the next morning I was pleased to see light,

     Thanking God to myself for his guard through the night

On my phone came a call so I answered hello;

     A Battery, signaller, you may pick up and go. 

I then disconnected, put the phone on my back

     Then took a glimpse around to make sure of my track.

I braced myself up after picking my trace,

     Then set off in excitement, you bet, a good pace 

Firmiy I walked beneath the Hun's bursting shell

     I am in for a hot time, I know it quite well

Then eventually I reached my old battery once more

     I was pleased to sit down by my old dug out door 

I sat there thinking of what would come next

     I thought of the trenches so badly wrecked.

I have been in some battles but proved this the worst

     I will never forget YPRES on July thirty first

Related post:

'After Ypres' by Robert Stanley Weir

A Poem for Labour Day by A.C. Stewart

"On the Drowning of a French-Canadian Laborer" by A.C. Stewart from his self-published tome Dust and Ashes (n.p., 1910).

Sadly, I have not been able to identify the victim... nor the year... nor the location. "Jacques Cartier Rapids" does not exist. There are rapids in Jacques Cartier National Park. Was it there that the tragedy took place? Doubt it. Still, knowing Stewart, it's a safe bet that the drowning of the French-Canadian labourer happened somewhere, and just as he described.

Dust and Ashes was a gift from Vanessa Brown and Jason Dickson of Brown & Dickson in London, Ontario. This past weekend, saw the couple celebrating their move to a new, larger location on Richmond Row.

Congratulations!

Now, get to work you two.

Related posts:

Happy Labour Day, Young Fella!

Drowning by the Dock of the Bay

'O Canada! beloved native land...'

On this Canada Day, still more English-language lyrics for 'O Canada'. These come courtesy of Violet Alice Clarke, from her 1919 collection The Vision of Democracy and Other Poems. "Published for the author" by Ryerson Press, it is her only book.

A Happy Canada Day to all!

Related posts:

'O Canada! our native land thou art!'
Patriotic Verse from the Garden of a Girl's Dreams
A 123-Year-Old Poem for Canada Day

Two Hurrahs for the New Dominion

Charles G.D. Roberts' Dominion Day Collect

Victoria Day Verse from Victoria

An ode to the city, a tribute to Her Late Majesty, but more than anything a pitch to tourists, Victoria the Beautiful (self-published, 1917) is one of only two poems I've been able to find by city resident Levi Houghton (d. 1918). The other, My Trip Through the Rockies (self-published, 1917), is interesting for its use of the words "mount" and "mountain" – forty-four appearances in 83 lines.

Here he rhymes "Nature's splendour" with "say I'll mend her".

Enjoy!

VICTORIA THE BEAUTIFUL 

                    Canada's vast and myriad acres, —
                         Central prairies wheat's domain, —
                    Ancient cities of th' Atlantic, —
                         All have share in praise's strain.
                    But of thou,—Dominion's fairest.
                         Brightest, sceniest, beauteous spot.
                    Those who chant of other places.
                         These are they who know thee not.
                                                                                VICTORIA! 

                    Honoured name on British tongue, —
                         She who dignified the Throne,
                    Left a name, 'twill last as long,
                         Long as thou dost bear her own!
                    City thou, — Dominion's Queen.
                         Regal true in Nature's splendour;
                    None like thee can e'er be seen, —
                         None can say I'll mend her.
                                                                                VICTORIA! 

                    O, this City, all that's fair:
                         Thy boulevards beyond compare,
                    Trees of every shade and hue, —
                         Chestnut, maple, lilac, yew.
                    Rustic scenes and shady bowers.
                         City of roses, city of flowers!
                    Hollies green, some variegated, —
                         Glorious England here translated!
                                                                                VICTORIA! 

                    England's beauty known so wide;
                          (Surely thou art England's sister-twin,)
                    Truly thou art dignified,
                         Fair without and fair within!
                    Old Ocean laps thy numerous Bays,
                         Bright Sol bedecks thy Parks,
                    With emerald green thy winding ways.
                         Call forth extolled remarks!
                                                                                VICTORIA! 

                    Rocky headlands, sandy beaches;
                         Mounts aspire to meet the sun;
                    Nature loving thou dost teach us,
                         Whilst we round with motors run.
                    Gnarled old oaks and Douglas pine,
                         Gardens grand delights our fill,
                    But who can yet compare design
                         With the broom on Beacon Hill!
                                                                                VICTORIA! 

                    O'er the Straits of Juan de Fuca,
                         Olympic stately mountains see, —
                    Delighting visiting onlooker,
                         And he hails the sight with glee!
                    Cousin Sam's in thousands coming
                         Year by year to see thy glory,
                    And he ne'er forgets his roaming, —
                         Tells abroad thy wondrous story!
                                                                                VICTORIA! 

                    For 'round thee he's been a-hunting
                         Cougar, bear, and deer and moose,
                    Likewise also gone a-fishing.
                         All his business cares cut loose.
                    Oak Bay Links, and those of Colwood,
                         Reached he these by street-car ride;
                    Boating, bathing, tennis, billiard,
                         All these pleasures, — more beside!
                                                                                VICTORIA!

                    Mild's the clime, and summer not too hot;
                         'Tis minus Zero of the prairie;
                    Come and visit this blest spot,
                         Come yourself and bring dear Mary.
                    Come in Winter, come in Spring,
                         Come in Summer, Autumn too,
                    And when you come this song you'll sing:
                         "Victoria the whole year through!"
                                                                                VICTORIA!

Related posts:

A Civil Servant's Awful Victoria Day Poem

Queen Victoria and He

Victoria Day Poetry Disaster

Verse for Victoria Day by the Master of All Poets

Cheery Victoria Day Verse from the Cheese Poet

'Away to Canada' – A Song for Victoria Day

Bilingual Today, French Tomorrow Redux

Enough!

J.V. Andrew

Kitchener, ON: Andrew Books, 1988

153 pages

This review now appears, revised and rewritten, in my new book:

The Dusty Bookcase:

A Journey Through Canada's

Forgotten, Neglected, and Suppressed Writing

Available at the very best bookstores and through

Biblioasis, Amazon, Chapters/Indigo, and McNally-Robinson.

Related posts:

Bilingualism Today, French Tomorrow and the Bigots of Yesteryear
A Quiet Revolution and Still Cowards Complain

Beware the Savage Jaw of 1981

Judging Covers

Any magazine that looks like that has got to be great. The new Canadian Notes & Queries – number 91 – is just that. Between Seth's wrap-around cover you'll find contributions by Kamal Al-Solaylee, Donald A. Bailey, Emily Donaldson, Stephen Fowler, Keath Fraser, Michael Harris, Finn Harvor, Jesse Jacobs, John Miller, Anakana Schofield, Derek Sharpton, Leanne Sharpton, Tom Smart, Meaghan Strimas, Bruce Whiteman and Nathan Whitlock.

This issue's collectable takes the form of an excerpt from David Constantine's forthcoming novel In Another Country. A limited edition, numbered chapbook, it's available to subscribers only. So, subscribe already.

My contribution looks at the career of Montreal's Ronald J. Cooke, a man remembered (not really) for the 1949 novel The House on Craig Street. Harlequin's seventh book, its sales prompted News Stand Library to produce an edition for the American market.

Both covers are by D. Rickard. Aren't they swell?

An industrious writer, Cooke was quick with a second novel, The Mayor of Côte St. Paul (1950), but it didn't do nearly as well. He spent the remainder of his career publishing industry magazines and booklets with titles like How to Clip Newspaper Articles for Big Profits. Each indistinct in their own way,  the literary historian finds relief in The House on Dorchester Street (1979), a late third novel that tries to capture something of past success.

It failed.

One can find fault with publisher Vesta's shoddy production values, but blame really belongs to Cooke himself. The House on Dorchester Street is both horrible and forgettable; in this way, it marks a significant departure for Cooke as a novelist. The House on Craig Street is a bad piece of writing, but lingers in one's memory. The Mayor of Côte St. Paul, though only slightly better, has elements so interesting and strange – rumrunning, stalking, drowning, death by darts and Lunenburg lingerie – that I've encouraged its reissue as part of the Ricochet Books series.

Look for it early in the New Year.

I think the cover is swell.

Related posts:

The Messy World of Ronald J. Cooke

Ronald J. Cooke, No Blockhead