25 December 2025
Wishing a Merrie Christmasse Untoe Ye
20 September 2021
'The Modern Politician' by Archibald Lampman
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| Canadian Illustrated News 28 September 1878 |
On the day of the 44th Canadian general election, verse from The Poems of Archibald Lampman (Toronto: Morang, 1900).
THE MODERN POLITICIAN
What manner of soul is his to whom high truthIs but the plaything of a feverish hour,A dangling ladder to the ghost of power!Gone are the grandeurs of the world's iron youth,When kings were mighty, being made by swords.Now comes the transit age, the age of brass,When clowns into the vacant empires pass,Blinding the multitude with specious words.To them faith, kinship, truth and verity,Man's sacred rights and very holiest thing,Are but the counters at a desperate play,Flippant and reckless what the end may be,So that they glitter, each his little day,The little mimic of a vanished king.
01 July 2021
"We first saw light in Canada..."
We are the pulse of Canada, its marrow and its blood:
25 June 2021
Dustiest Bookcase: P is for Price-Brown
Price-Brown [John Price Brown]
Toronto: McLeod & Allen, 1910
332 pages
The December 1931 issue of Outlook for the Blind, published by the American Foundation for the Blind, features the most thorough biography yet of John Price Brown. It's found within a review of Laura the Undaunted (Toronto: Ryerson, 1930), the last of the author's five historical novels. Through book critic S.C. Swift we learn that Brown was born in Manchester on 30 March 1844 and emigrated to Upper Canada as a child. As a young man, Brown earned distinctions as a medical student at the University of Toronto. He came to specialize in otorhinolaryngology, an interest which would lead to the publication of his first book, Diseases of the Nose and Throat (Philadelphia: F.A. Davis, 1900).
You can read it here, courtesy of the Internet Archive. The illustrations – it is heavily illustrated – are not for the squeamish. Amongst the easier to take, this is my favourite:
Might Laura the Undaunted be even easier to swallow?* The novel's titular character being Laura Secord, it can't avoid touching on the bloody War of 1812, but S.C. Swift informs that the novel's focus is on Laura's life before that conflict. In that same review, the critic devotes several paragraphs to The Mac's of '37, beginning with a bit of background for his American readers:
You must know that in the year 1837, Upper and Lower Canada (the present provinces of Ontario and Quebec) staged a little flurry termed a rebellion, the result of discontent at the slow progress of complete self- government. The affair in itself was not of much moment, but its results were far-reaching, since they were responsible in the long run for the birth of the present Dominion of Canada thirty years later. The Macs of '37 [sic] is a novel dealing with the rebellion. It achieved considerable popularity and is rated in present-day histories of Canadian literature as one of the best books of Canadian vintage dealing with a purely Canadian topic.
The Mac's of '37 was published twenty years before Laura the Undaunted. At the time, Brown was Associate Professor of Laryngology and Rhinology at the University of Toronto. Was he without sight then? I somehow doubt it, but wonder if he didn't know he was losing his sight. Skimming over the novel, I was struck by this paragraph:
Swift concludes his review by claiming that Price-Brown is "doubtless the oldest living blind man creating and publishing in the literary world." I imagine he was right. King sold many more books, but was a younger man, and was three years in his grave when Laura the Undaunted appeared.
My copy of Laura the Undaunted was rescued in the melancholy final hour of a library book sale. As reflected by its state, the book was well read.
*Apologies.
27 April 2018
Further Along The Lane That Had No Turning
The Lane That Had No Turning
and Other Tales Concerning the People of Pontiac;
Together with Certain 'Parables of Provinces'
Gilbert Parker
New York: A.L. Burt, [n.d]
359 pages
In his six-page – six-page – dedication to Sir Wilfrid Laurier, Gilbert Parker writes that he'd first intended to title this collection Born With a Golden Spoon. He gives no reason for the change of heart, but I think it may have something to do with knowing where its strength lies. The title story, with its mix of madness, murder, deformity, and suicide, is so fantastic, so entertaining, that that I felt it warranted its own review. I wrote that review in 2012, posted it here, then pulled it down and rewrote it for inclusion in The Dusty Bookcase book, published last fall by Biblioasis.
What I didn't do is continue on. The twenty-five other tales and parables remained unread. There was little point. The two Parkers I'd bothered with – The March of the White Guard and Tarboe – had me convinced that nothing would be nearly as good as "The Lane That Had No Turning." Picking up this volume six years later, I see that I was spot on, which is not to say that the rest of the volume doesn't offer anything worth your time. These are my three favourite tales:
'The Little Bell of Honour'
Voyageur Luc Pomfrette curses his baptism – "Sacré baptême!" – bringing hushed shock to the people of Pontiac. The Curé demands Pomfrette repent, but he refuses. The little bell of honour worn around the his leg, conferred out of respect by the other voyageurs, comes to serve as a signal of his approach. Restauranteurs will not serve him and shopkeepers will not sell to him. Though Pomfrette learns to be resourceful, milling his own flour and fashioning clothes from rags, he wastes away. Why will he not repent? And what caused him to blaspheme in the first place?
'The Tragic Comedy of Annette'
Log driver Bénoit, the most attractive and charismatic man in all of Pontiac, avoids the girl to whom has promised marriage. The shortest story in the collection, it would spoil everything to describe much more.
'An Upset Price'
As a tale of drug addiction, "An Upset Price" is uncommon for its day. Secord, its main character, left Pontiac to serve as a physician in the American Army. His delicate, indicate operations were praised in the Lancet, and he could've practiced anywhere, but chose to return to his small Quebec hometown. Coincidentally, I saw the doctor's downfall reflected last night in an episode of the German period drama Charité.
This is not to suggest that the other stories aren't without interest, rather that that interest will depend on the individual. For example, "Uncle Jim," concerning a hardworking farming couple who accept the return of their son, now married to a "designing milliner," will appeal to modern readers who wring their hands over boomerang children. The gothic "Parpon the Dwarf" is recommended to readers of the genre and anyone studying dwarfism in literature. Parpon features throughout much of the book and, it should be noted, is the sole person to stay loyal to the damned Luc Pomfrette.
Parker concludes his dedication to Laurier by announcing that the volume contains his last tales of Quebec. I can't say that they're the last I'll read. This volume may be a mixed bag, but I am curious about The Seats of the Mighty, Parker's historical romance of the Conquest. In 1896 it followed Francis Hopkinson Smith's Tom Grogan and A Lady of Quality by Frances Hodgson Burnett as the third biggest selling novel in the the United States.
Though we're loath to admit it, Canadians love it when Americans pay us notice.
Fun fact: In 1899, Doubleday & McClure published a volume of Gilbert's tales of the Pontiac and parables of the provinces – sans "The Lane That Had No Turning" – under the title Born With a Golden Spoon.
Object: A remarkably attractive cloth-bound hardcover featuring four plates by Frank E. Schooner. To think it came from a budget publisher. I bought my copy in 1998 at a Toronto Goodwill store. Price: $1.50. If the scrawl on frontispiece is to be believed, it once belonged to J.P. Butler of Walden, Massachusetts.
Access: The complete collection (see: Fun Fact above!) was first published in 1900 by Morang in Canada, Doubleday, Page in the United States, and Heinemann in Great Britain. Other editions followed, most notably as Volume 11 in the Imperial Edition of the Collected Works of Gilbert Parker (New York: Scribner's, 1913).
Online listings begin at US$2.99 and extend all the way to €86.00. The collection can be read online – gratis – through this handy link to the Internet Archive.
As always, print on demand vultures are to be ignored.













