Showing posts with label Keith. Show all posts
Showing posts with label Keith. Show all posts

27 April 2026

In Canada's Green and Pleasant Land



As a Watered Garden

Marian Keith [Mary Esther Miller MacGregor]
Toronto; McClelland & Stewart, 1946
297 pages

My Marian Keith collection began with The Bells of St Stephens, purchased seventeen years ago in London, Ontario, not long after our move to nearby St Marys. I ask you, what self-respecting bibliophile could pass up a jacket like this?


I'd barely heard of Marian Keith and had no idea how popular she'd once been in that area of the country. Eight more Marian Keith titles were added during our decade in St Marys. They were thick on the ground. The Bells of St Stephen's set me back four dollars, twice as much as any other. A few were rescued after having failed to sell at library book sales. Before last week, I'd never read one.


I've now read one.

Academics position Duncan Polite as Keith at her best, but as I'd never come across a copy my foray into the author's work ended up being the late career As a Watered Garden. Why this novel? Well, I'd read that the plot involved a great mystery.

The first chapter is the best. Thirty-five-year-old Islay Drummond is taking stock of the large family farmhouse off Georgian Bay, recently inherited from Great-Aunt Christena. No one knows just what to make of the bequeathal, least of all sisters Kate and Jeanette:
"More sensible if she left it to me." Jeannette had been wanting to see this since the will was read. "What a wonderful place to leave the children summers!"
Kate replies:
"Wonder she didn't saddle us with it, she knew how I hated the old farm. She was quite capable of it!" 
The answer seems to be that Islay happened by not long before the old woman died. It was the first visit in a very long time. Islay had meant to drop by again, but you know how busy things can get.

Islay plans on spending the summer at the old farmhouse, having been granted a four month leave from her employer, "the irritable and exacting Mr. Francis," but neither sister believes she'll last. Both point to the mod cons of Islay's life in the city. "She has an electric range in her apartment!" Kate exclaims. "And frigidaire," adds Jeanette.

These exchanges take place shortly before Kate and Jeanette gather their respective broods and drive away. Stoic elder brother Robert follows. He'd arrived without wife Mary and their children. Pete, who is closest to Islay in both age and affection, is the baby of the family. He lives the life playboy and so speeds off in a small little coupe, honking all the way.


If, like me, you enjoy novels dealing with family dynamics, As a Watered Garden may not be for you. Islay's siblings never return. That said, distant relatives abound. The closest is cousin Steve Laird whose farm borders hers. He's planted a vegetable garden for Islay, but doesn't appear to be interested in doing much more.

This poses a bit of a problem as Islay is intent on dedicating her four months away from Mr Francis to writing a novel:
It was her secret. Even Pete didn't know it. That winter when she broke her ankle... she'd been laid up for weeks. And somehow she'd started scribbling – little sketches of the office staff  – 'profiles' the editor called them, whisking through them competently. Ought to be a story, must have a plot. Make a real yarn of it. That's what people asked for... Well, this summer she was going to see what she could do.
What Islay wants more than anything is silence and solitude.

She won't get it. 

We know from the first that there is an ex-fiancé around and about – he threw her over years ago for a New York City party girl – but the first intrusion comes in the form of anemic waif Artie. 

How could Islay turn the boy away? Artie's memories are dominated by a draught that caused the loss of his family's farm and contributed to the deaths of his two siblings. The surviving family is newly arrived in the area, having driven over three thousand kilometers from dusty Saskatchewan.

Young Artie first appears during a downpour. As a Watered Garden being the title, I'm certain this is intentional. Later on, the house in which the boy and his parents live will be flooded during a summer storm.

There's irony for you.

Things happen, not nearly so dire, and are interesting if inconsequential. Other characters intrude on Islay's solitude and her literary effort stalls. The mystery, such as it is, concerns Great-Uncle Peter's daughter Bessie:
Great-Aunt Christena had burned Bessie’s picture up. You never talked about Bessie. Never even said her name. Even when you were very small you knew not to do that.
But why?

The answer has nothing to do with murder, adultery or anything even remotely unpleasant. Quite the opposite. It's really of a type that is common in family histories; Bessie married a man Christena disapproved of. 

The Windsor Star, 30 November 1946
Though published post-war, As a Watered Garden is set in the final summer before the conflict. I was struck that the Drummond siblings are entirely untouched the Great Depression. Every one of them is thriving. The automobiles used in their departure are spiffy. Though Islay is a secretary, hers is every bit as new and stylish. Even amongst the well-to-do, she really cuts a figure with her stylish outfits. Artie's family aside, not one character struggles with economic circumstance.


As a Watered Garden has been described as the first book in Keith's Georgian Bay Trilogy. Yonder Shining Light and Lilacs in the Dooryard followed, which take the reader through the Second World War into the post-war, though I don't expect I'll be bothering with either.

As a Watered Garden was a perfectly pleasant read, if you like that sort of thing.

The critics rave: 
The men and women with whom she peoples her books are sympathetically real and easily recognizable as those one meets in everyday life. And she herself obviously believes that everything always comes out right in the end. While her books may never make any shattering imprint upon the larger stream of literature they leave a very peasant ripple in our Canadian brook.
– Eileen Kerr, The Gazette, 7 December 1946
Object and Access: Lacking the dust jacket, bound in blue boards, my copy once belonged to E.L. MacDougall of 189 Blythwood Road, Toronto.


As I write, two copies are listed for sale online, both offered by London, Ontario booksellers. At US$20.00, the cheaper of the two has retained its dust jacket.  

Related post:

01 December 2021

The 1921 Globe 100 206: Don't Mention the War


The Globe, 3 December 1921
The 1921 edition of 'Recent Books and the Outlook,' the Globe's annual list of best books, begins on a positive note: "Author's and publishers have had an unhappy experience during the past few years owing to conditions which they could not control, but the current season has a distinctly better tone."

The Great War must surely have ranked as the preeminent condition. There were years in which the conflict came close to dominating 'Recent Books and the Outlook.' The 1920 edition had an entire section devoted to books about the war:


Not only is the Great War barely mentioned in the 1921 'Recent Books and the Outlook,' just three of its 206 books are related to the bloodshed just twenty-four months past. Great War poetry disappears entirely... and with it poetry. I exaggerate, but only slightly. Eight volumes of verse are listed, down from nineteen the previous year; four are Canadian:
My Pocket Beryl - Mary Josephine Benson
Later Poems - Bliss Carman
Bill Boram: A Ballad - Robert Norwood
Beauty and Life - Duncan Campbell Scott
I'm not familiar with any of these titles, but have read and reviewed Robert Service's 1921 Ballads of a Bohemian. To this point, the Bard of the Yukon had been a 'Recent Books and the Outlook' favourite;' I'd thought Ballads of a Bohemian a shoo-in. Is Bill Boram: A Ballad so much better? I must investigate.

As in years past, fiction makes up the biggest category; their number is seventy-two, the star being If Winter Comes by A.S.M. Hutchinson:


Hutchinson's achievement aside, the Globe is disappointed by foreign offerings:
Fiction in other countries has been disappointing during the last year, and has certainly not proved as rich as biography or history. American readers fall into two classes says the New York Times Book Review, those who like John Dos Passos' "The Three Soldiers" and those who do not.
The correct title is Three Soldiers.

It doesn't make the list.

My copy
(New York: Doran, 1921)
Where foreign writers of fiction disappoint, Canadians flourish. A record twenty-four Canadian fiction titles figure. Or is it twenty-three? Twenty-two?
The Lone Trail - Luke Allan
Anne of the Marshland - Lady Byng
Barriers - Lady Byng
To Him That Hath - Ralph Connor
The Lobstick Trail - Douglas Durkin
The Gift of the Gods - Pearl Foley
Red Meekins - W.A. Fraser
Maria Chapdelaine - Louis Hemon [trans W.H. Blake]
Maria Chapdelaine - Louis Hemon [trans Andrew Macphail]
The Quest of Alistair - Robert A. Hood
The Hickory Stick - Nina Moore Jamieson
Little Miss Melody - Marian Keith
The Conquest of Fear - Basil King
Partner of Chance - H.H. Knibbs
The Snowshoe Trail - Edison Marshall
Purple Springs - Nellie McClung
Rilla of Ingleside - L.M. Montgomery
Are All Men Alike? - Arthur Stringer
The Spoilers of the Valley - Robert Watson
Let's ignore the misspelling of Isabel Ecclestone Mackay's surname, shall we. Louis Hémon's, too. Interesting to see both Maria Chapdelaine translations, don't you think? What really intrigues is the inclusion of Basil King's The Conquest of Fear.


As my 1942 World Library edition (above) suggests, The Conquest of Fear is a work of philosophy. The Globe describes it at a novel:


The inclusion of Arthur Stringer's Are All Men Alike? is just as intriguing. The author published two books in 1921, the other being his heart-breaking roman à clef The Wine of Life. By far the finest Stringer I've read thus far, my dream is to one day bring out an edition featuring the twenty-four James Montgomery Flagg illustrations it inspired.

My collection of the Globe's 1921 Canadian "fiction" titles
Is Are All Men Alike? superior to The Wine of Life?

I haven't read it, nor have I read Jess of the Rebel Trail or Little Miss Melody. I have read Miriam of Queen's and The Window Gazer, both of which disappointed. The Empty Sack is my very favourite Basil King title, and yet it too pales beside The Wine of Life.

Or is it better? Are they all better?

What do I know? I think Three Soldiers is the best novel of 1921.

Yes, I'm one of those who like it.

15 January 2021

The Dustiest Bookcase: K is for Keith


Short pieces on books I've always meant to review (but haven't).

The Bells of St. Stephen's
Marian Keith
Toronto: McClelland & Stewart, 1922
336 pages

My rule when buying books by Marian Keith is to pay no more than two dollars. I ignored this with The Bells of St. Stephen's, which set me back four dollars. The cover, depicting a young woman with volume in hand, seduced.

I don't know what to make of Marian Keith because I've never read her. She exists in a fog, as do so many once-popular Canadian novelists. Keith was more successful than the vast majority, and yet she's still miles below contemporaries like Gilbert Parker, Ralph Connor, Basil King, and L.M. Montgomery (with whom she co-authored 1934's Courageous Women.) I doubt one of Keith's novels sold as well as Robert E. Knowles' St. Cuthbert's, but her literary career lasted much longer, stretching from Duncan Polite (1906) to The Grand Lady (1960).

I've been meaning to read Keith for years. Is The Bells of St. Stephen's the best place to begin? In Canadian Novelists: 1920-1945 (1946), Clara Thomas suggests that Keith's best is A Gentleman Adventurer (1924).

I've yet to cross paths with anyone who has read Keith, but I'm sure you're out there.

Where should I begin?

My Marian Keith collection.
Total expense: $11.00