The Dustiest Bookcase: E is for Eaton

The Dustiest Bookcase:

Short pieces on books I've always meant to review (but haven't).

They're in storage as we build our new home.

Patience, please.

Memory's Wall

Flora McCrae Eaton

Toronto: Clarke Irwin, 1956

213 pages

The Bombardier Guide to Canadian Authors places Flora McCrae Eaton as second only to Malcolm Frye. Both writers transcend the boundaries of our literature: Frye rates 6½ out of a possible five skidoos, while Lady Eaton is an even six. According to the Guide, Morley Callaghan is a third the writer she is, and yet I've never read Lady Eaton's work.

Memory's Wall was Flora McCrae Eaton's second and last book. The first, Rippling Rivers: My Diary of a Camping Holiday, was published in 1920 by the T. Eaton Company, the department store headed by husband Sir John Craig Eaton. That just two books propelled her to such heights in the Bombardier Guide speaks to her talent.

Before moving to St Marys, Ontario, our home these past ten years, I'd never seen a copy of Memory's Wall. They're not at all uncommon in this small town. My copy, purchased four blocks down the street, set me back a dollar.

It's signed.

The Eatons were once prominent in St Marys; Lady Eaton's father-in law, Timothy, had a store on Queen Street, as did his brother Robert. They stand with celebrated violinist Nora Clench (Lady Streeton) and Arthur Meighen as the town's most famous residents. The latter, our ninth prime minister, provided a forward to Memory's Wall.

It begins: "This book is truly a Canadian product." 

That's as far as I've made it.

Related posts:

Meighen as Monster

School's Out, Forever

Watch it tumbling down, tumbling down

Politician Picks Playwright!

A Very Canadian Succès de scandale
That's 'EN', Not 'AN'

A Gangster Finds God

Hooked
Ernie Hollands with Doug Brendel
Toronto: Mainroads Productions, 1987

A stolen car took me there. Hollywood was a grotesque paradise for me, with wide streets lit up  in neon, hundreds of peep shows where a guy could see a pornographic movie for a quarter, fifty cents if it was really raunchy. Teenage boys and senior citizens seemed to keep the place in business. Roaming the sidewalks were real-life versions of the girls in the porno flicks, painted-up prostitutes, some barely into their teens, others obviously pushing fifty. And liquor flowed freely everywhere.

Ernie Hollands is a smalltime crook looking to make it big in Hollywood. He thinks that pulling off heists in Tinseltown – as opposed to, say, Moose Jaw – will make him "someone with class, with clout, with a great reputation." Things don't go quite as planned. His first few days are wasted whoring, drinking, and selling stolen wristwatches. Eventually, he sets his sites on a Hollywood Boulevard grocery store: "They were doing big business, with customers swarming the aisles, and cash registers ringing like church bells, as the cashiers took in fives and tens, the twenties, the mounds of ones."

Ernie plans to rob the place after hours, then use the money to plan a big bank heist – "something to get real headlines." Because he'll be needing food as he works out the details, Ernie decides to shoplift from the very same supermarket. What he doesn't bank on – sorry – is a cop watching behind a plate of one-way glass. The cop stops the crook, patts him down, and finds a loaded .38. They struggle. The gun goes off:

My eyes fell on the policeman's leg. The wound, just below the knee, was pumping blood furiously. I was mortified.
     "Take the gun!" I shouted, holding the weapon out to him. "Take the gun!"

The cop grabs the gun with one hand, "grasping his bloody leg" with the other:

"I should put a bullet tight through you," he growled, and I knew he was serious. In the pit of my stomach, I was sick to see what I had done. And, in the moment, my whole life – all forty-two years of it – made me sick. I had accomplished nothing, I was little more than a wart on society's skin. I was slime. And this seemed to prove it to me, finally.
     "Go ahead," I replied as I stared down the barrel of the gun. "You'd be doing me a favor."

An autobiography that reads like a pulp novel, Hooked begins with the author's final crime – then flashes back to his childhood. There's nothing to envy. The son of a sixteen-year-old mother and forty-seven-year-old father, Ernie grows up surrounded by siblings in a two-room

Ernie Hollands at 17

Halifax slum house. There was only one pot to piss in. At age eight, Ernie learns that his parent's affection can be bought by shoplifting food and booze. A bit of an entrepreneur, he steals bundles of newspapers left on the curb for carriers and sells them at a discount in all-night restaurants. Ernie was a hellion at school, which gave mean Mrs Toblin an excuse to pull down his pants and give him the cane.

He ends up at the Halifax Industrial School – more of a prison, really – from which he makes his first great escape. What happens next is a bit of a blur. Ernie moves between Canada and the United States, picking pockets, shoplifting, and breaking into homes of the affluent. Every once in a while he gets caught, is sentenced, and then manages to escape. You'd almost think someone was looking out for him.

If there is a problem with Hooked, it is that its author has too much to confess; his crimes are so numerous, and the book so short, that not many are gone into in any detail. The one I remember most involves jewelry. Somewhere in the States, he teams up with a drunk to rob the home of a couple who own a grocery store. Their eighteen-year-old daughter stumbles upon the scene and is locked in a closet. The sound of her pounding on the door has Ernie realize that she's wearing a ring – which turns out to be an engagement ring – and so he opens the door and takes it.

Shows what a right bastard he was.

Ernie remained a bastard for many of the years that followed, and he kept getting lucky breaks. He has to serve only one year for shooting that Hollywood cop. After that, Ernie is extradited, and ends up in Millhaven, where his reputation as a cop-shooter brings considerable respect. Life is pretty good: "I had a radio, earphones, cigarettes, plenty of food, numerous books". The inmates are encouraged to take up hobbies – painting, needlepoint, sculpting – but none of these appeal. Eventually, he settles on fly-tying, and quickly develops a reputation as a master. Sports shops take notice, as does the press – "Time Flies Tying Flies" is the headline in the Toronto Star – and it isn't long before Ernie is raking it in:

I was making two or three thousand dollars a month, all tax-free. The taxpayers of Canada were paying my way, providing my housing, my utilities, my meals, my entertainment. I sat in my cell, smoking cigars by the case, watching television, reading filthy magazines, tying flies, and counting the money.

Those words appear on page 113 of this 146-page autobiography. The thirty or so pages that follow would have come as a surprise had the book's cover not promised a dramatic "before and after" saga I have ever read. What follows lives up to that grand claim.

Hoping to flog his wares, Ernie writes to Grant Bailey, the owner of a Pembroke, Ontario sporting goods store. He gets no order in response, but two religious tracts, along with a lengthy letter in which the storeowner recounts his journey to accept Jesus Christ as his Saviour. Ernie strings Bailey along, which unleashes a steady stream of tracts and books. Ultimately, they have the greatest effect:

On March 12, 1975, at two a.m., I got out of bed and I knelt in my cell in Milhaven Prison. I held my Bible and I raised my hands in the air. With tears streaming down my face, I let Jesus set me free.

The beginning of a remarkable scene, it's very well described in the book, but I much prefer Ernie's account from a later appearance on 100 Huntley Street:

I admit to being cynical about such things – can we agree that the percentage of crooks amongst evangelical preachers is very high? – but I've seen nothing to suggest that Ernie didn't leave crime behind. He married a widow, adopted her children, and at age fifty fathered his first child. He also founded Hebron Farm, an institution dedicated to helping ex-cons reenter society.

Hooked has an interesting structure in that the pages dealing with Ernie's redemption and Born Again life are so few. It's much more about crime than Christ, though the latter wins out in the end.

Ernie Hollands died in 1996, at the age of sixty-six. A smalltime crook who looked to make it big, he died a bigger man.

The critics rave: The only reviews I've seen for Hooked are the three on the back of the book itself. Two are provided by men associated with Full Gospel Business Men's Fellowship International, an organization that was new to me. The  third comes courtesy of John Wesley White:

I've written about Dr White's own books many times over the years – Arming for Armageddon, Thinking the Unthinkable, and Re-Entry – and can attest that his literary criticism is superior to his music criticism. Yes, once you pick Hooked up you will not get stopped.

Object: A cheap 145-page mass market paperback. I found my copy, a third printing, five years ago at the Stratford Salvation Army Thrift Store. Price: $1.00. Signed.

It came with a colour postcard of the Hollands family. Suitable for mailing.

Access: If information in my copy is to be believed – and I see no reason to doubt – 270,000 copies of Hooked were published in the first four years of its release. I've seen a later video in which Ernie pegs the number at a held-million. Not surprisingly, it is being sold online for as little as one American dollar. A crooked New Hampshire bookseller hopes to get US$96.71. At US$6.98, the lone signed copy is the one to buy.

Hooked is still in print, and can be bought directly from Hebron Ministries for eight Canadian dollars.

Library and Archives Canada has a copy, as do Portage College and something called Theolog in Vancouver.

I've seen two translations, French and Spanish, though Hebron Ministries informs that there are also Russian and Chinese translations in circulation.

I have no reason to doubt.

Related posts:

Come, Come, Come - Nuclear Bomb

Same Old Same Old about Armageddon
The Oxford PhD Rambles On

Songs for Sunday Suggested by John Wesley White
Immoral Music for a Monday Morning

A Motorola TV Hour Nightmare

A not-so-brief follow-up to last week's post on Judith Merril's Shadow on the Hearth.

"The title of my book had been chosen by the publishers in preference to about a dozen other titles I had provided, all of which pointed towards the idea of atomic war," writes Judith Merril in her unfinished autobiography, Better to Have Loved (Toronto: Between the Lines, 2002). Was Atomic Attack one of them? I prefer Shadow on the Hearth, just as I prefer her novel to the television adaptation.

Atomic Attack aired on 18 May 1954, as part of the first and only season of The Motorola TV Hour. The director was Ralph Nelson, justly celebrated for the films Requiem for a Heavyweight and Lilies of the Field. So why is this so bad?

Blame lies with writer David Davison's script, though I do wonder whether it was entirely his fault. A New York newspaperman, in 1947 Davidson earned significant praise for his debut novel, The Steeper Cliff. The story of an American serviceman's search for a missing person in post-war Bavaria, it was published in the United States, Britain and Australia (right). Through much of the 'fifties, Davidson made good money writing for Kraft Theater, The Ford Theater Hour, The Alcoa Hour, The Elgin Hour, and The United States Steel Hour, but had become disenchanted by decade's end. Davidson's moment in the spotlight came in 1961, when he appeared before the FCC to testify on the networks' deteriorating standards, which he blamed on the pursuit of ratings. By that time he'd all but given up writing for television. His two remaining decades were spent teaching.

Was Motorola just after ratings with Atomic Attack?

I ask because it ended up with so much more. Cold War historian Bill Geerhart informs that the teleplay was used in Civil Defense instruction and was listed for rent or sale in government catalogues. Indeed, the opening of Atomic Attack sounds every bit like propaganda:

The play you are about to see deals with an imaginary H-Bomb attack on New York City, and with the measures Civil Defense would take in such an event for the rescue and protection of the population in and around the city.

Davidson cuts the first two pages of Shadow on the Hearth, in which Veda calls in sick, and begins with the Mitchells – Gladys (Phyllis Thaxter), Barbie (Patsy Bruder), Ginny (Patty McCormack) and Jon (uncredited) at breakfast. It's a short scene, though it establishes all we need to know about the family and the busy day ahead: Jon is off to work, the girls are off to school, the maid is ill, and there's washing to be done.

Cut to the blandest of establishing shots:

Gladys descends the stairs and there is a blinding flash of light. She thinks a blown fuse is to blame, until rocked by a shockwave. Air raid sirens sound.

Extreme overacting follows, though I can't quite bring myself to fault Thaxter, who is stuck delivering this long monologue as she races about the house:

"Air raid? No. No, no, it can't be! Children! Jon! Clouds of smoke! Coming up from the south, from New York! Mrs Jackson! Mrs Jackson, what's happened! Don't you hear me? Oh, please! Is nobody home?"

This last bit is yelled out her kitchen window. Gladys rushes through the dining room and living room to the vestibule closet and then the telephone:

"Children at school. Jon! Jon at the office in New York. Oh, New York. New York. Operator? Long distance. No answer. Try the local operator. Operator? Somebody? No answer from anybody! Children. Must get down to school."

She throws on her raincoat and is almost out the door when the radio she'd turned on moments earlier comes to life:

"Your attention, please. We interrupt our normal program to cooperate in security and Civil Defense measures as requested by the United States government. This is a CONELRAD radio alert. Listen carefully. This station is now leaving the air. Tune your standard radio receiver to 640 or 1240 kilocycles for official Civil Defense instructions and news. Once again – Your attention, please! Your attention, please! This is your official Civil Defense broadcaster. An explosion has just taken place in New York City, which has believed to have resulted from the dropping of a hydrogen bomb. The bomb was probably carried by a guided missile launched from a submarine at sea! All Civil Defense workers report to emergency stations immediately."

"The children!" she cries. Gladys rushes to leave, but stops when she hears this:

Stay where you are, unless you are in immediate danger! Do not attempt to join your children if they are in school! They are being well taken care of where they are! Do not try to telephone! Remember: radioactivity may make food and water in open containers dangerous. Use canned and otherwise protected foods until further notice. Do not attempt to enquire about relatives in New York – as yet there is no information!

It reminded me of nothing so much as an old Gilda Radner sketch.

The remaining forty-three minutes of Atomic Attack – it runs fifty – aren't quite as funny, which isn't to say that they're not worth watching, particularly for readers of the book. After all, Shadow on the Hearth was written by a Trotskyist who would one day relocate to Canada in part because she "could no longer accept the realpolitik of being an American citizen." Atomic Attack strips away all shading and uncertainty, with everyone living under a government that has the situation well in  hand. Nowhere is this more evident that in the depiction of Jim Taylor, the Civil Defense Block Warden. Where in the novel he is a nefarious figure who sees the crisis and his new status as a means of manipulating and ultimately bedding Gladys, the Jim Taylor of Atomic Attack (William Kemp) is a by the book, no-nonsense and reliable.

Scientist Garson Levy – rechristened "Garson Lee" (Robert Keith) – has much the same background, but a very different future. As in the novel, he is being pursued by the authorities, but as he discovers this isn't because of his activism; they want him to set up a research project on "radiation exposure and how to deal with it."

Garson should know better than to distrust authority.

A youngish Walter Matthau plays young Dr Spinelli, but nothing is mentioned of his Shadow on the Hearth pacifist background. As in the novel, he takes Ginny to be examined at the hospital, which is here depicted as a calm, professional place with little activity. Ginny aside, the only patient seen is a rambunctious young scamp with a few sores on his face. "They're only important if they're not kept clean," Dr Spinelli reassures.

Other differences have less to do with propaganda than the challenge of cramming a 277-page novel into an Hour that isn't an hour long. Drunken neighbour Edie Cowell is replaced by Mrs Moore (Audrey Christie), one of several homeless people dumped at the Mitchell house by Block Warden Taylor. One of their number, Mrs Harvey (Elizabeth Ross) gives Gladys the opportunity to open up about her concerns for her husband. The scene is interrupted by a phone call from Jon's secretary, who more or less implies the worst. This is the greatest departure. As a reader of the novel, and a viewer familiar with the Hollywood Ending, I fully expected Jon to appear in the closing minutes. This never happens. And, so, a daring, unexpected conclusion.

In Better to Have Loved, Merril writes:

Watching the adaptation was sort of like having a different lens on each of my eyes. One part of me was saying, "They killed my book. They've killed my book." The other part was saying , "But they did the best they could to translate it into television."

I wonder about this.

Atomic Attack can be seen today on YouTube. When did Judith Merril last see it? I'm betting decades before her death – and perhaps only once.

Atomic Attack didn't kill Shadow on the Hearth, nor was it the best one could expect from television. The novel has great potential for adaptation today. Imagine a period piece in which it is believed that exposure to extreme radiation is might be cured. Imagine a time when nuclear weapons weren't nearly so numerous or powerful, a time in which most might actually survive all-out nuclear war.

Imagine.

Trivia: Radio broadcasts come fast and furious in both the novel and the Motorola TV Hour adaptation. In the latter, but not the former, Gladys uses Motorola radios to keep abreast of developments.

Product placement.

Related posts:

A Nuclear Family Nightmare
Come, Come, Come - Nuclear Bomb

Christmas Comes Early

My newest acquisition:

Maria Monk's Daughter: An Autobiography

Mrs. L. St. John Eckel

New York:

Published for the Author by the United States Publishing Company

1874

God bless us, every one!

Related posts:
Maria Monk's Immortal Book
Pornography of the Puritan
Maria Monk and the Kennedy Campaign
Words of Hate for Maria Monk

Pamela Wallin Issues a Challenge

Read over my morning coffee:

Despite all the motives attributed to us, journalists seldom set out to uncover human flaws or scandal just for the sake of creating pain, or embarrassment, or defeat. But we do quite deliberately look for contradictions and incompetence, which sometimes leads us to uncover the aforementioned. And I'll challenge those who would question our pursuits and our legitimate curiosity about those who seek to lead us to explain why, as citizens, the less we know the better we are able to make choices.

— Pamela Wallin, Since You Asked, p. 58

Related post:

Speaking of Pamela Wallin

The Mystery Writer Mystery Unravels

'Keeping an Eye Out for Pamela Fry' pays off:

A writer friend informs that Pamela Fry, author of Harsh Evidence and The Watching Cat, is the very same Pamela Fry who once worked as an editor at McClelland & Stewart. Though Miss Fry's years with the publisher were not many – 1965 to 1971 – she did work with several canonical favourites, including Sinclair Ross, Ernest Buckler and Farley Mowat. I imagine she'll be best remembered not for her mysteries, but as the editor of The Edible Woman, Margaret Atwood's debut novel. A high point to be sure.

The low? Look no further than Eric Koch's ill-fated satire The French Kiss (1969), which I mention here only because the book just might lay claim to the worst launch in Canadian publishing history. In Jack, McClelland biographer James King tells us that The French Kiss was on bookstore shelves when legal advice came down that members of Quebec's Johnson family might have been slandered in its pages:

The three thousand books were recalled, small slips pasted over the offending passages and the copies then returned to retailers. Jack only learned of the potentially disastrous situation at the book's launch at the home of the book's editor Pamela Fry. He called her aside, told her the book would have to be recalled and acted quickly and decisively to prevent a lawsuit.

According to King, Pamela Fry left M&S in for a position on a federal government task force. In his autobiography, Drawing on Type, designer Frank Newfeld places her c.1980 at the National Gallery of Canada. From there the trail grows cold.

Thanks go out to my "writer friend" and to fellow sleuth Richard Blanchard.

Related post: Keeping an Eye Out for Pamela Fry

The Bank Swindler's Signature

A brief addendum to Wednesday's post, in which I happened to mention that my copy of Lucius A. Parmelee's The Confessions of a Bank Swindler is signed. One correspondent asks me to post the signature. I'm happy to do so.

Must say that for a man who made his money in large measure through forgery, it does seem rather awkward.

Related post: A Bank Swindler Tries to Cash In

A Bank Swindler Tries to Cash In

The Confessions of a Bank Swindler

Lucius A. Parmelee

Waterloo, QC: Duval, 1968

The author begins by boasting that a member of the Canadian Banking Assocation once suggested he be offered a pension as an inducement to retire, adding: "I achieved fame of a sort and did very well." These more modest words set the tone.

Born in 1889, Lucius Parmelee was blessed in being a member of family of affluence and influence. Newspaper editor and three-term Liberal member of parliament Charles Henry Parmelee – that's him on the right – was an uncle. Another uncle once served as Quebec's Minister of Protestant Education. The latter's good work is reflected in this, nephew Lucius' only book; until Conrad Black, The Confessions of a Bank Swindler was likely the best written work by a Canadian criminal. I provide as evidence this passage in which the author looks back to his earliest years in Waterloo, Quebec:

One must remember that in this day there was no auto, radio, TV, and the thousand and one distractions, which are today offered to gratify our jaded appetites. Nor were they distracted by the innumerable incidents of a bizarre, and even sinister nature, which is the record of our daily lives. I do not agree with the French philosopher Rousseau, that the solution to the world's ills consist of a return to a state of nature. I do feel that there have been times in the past history of mankind, when the clock of destiny could well have been arrested, for a temporary breathing space, at least. Our characteristically North American attitude of service to the Gods of progress, may well mean serving an illusion.

No common criminal.

As a young man , Parmelee set off down the straight and narrow as a bank clerk, only to develop a rooted resentment toward the very industry in which he was employed. The low pay, which our grand banks expected to be supplemented by clerks' families, led to his resignation. Parmelee tried his hand at a number of occupations, including farmhand and barkeep, but returned to the banks as an unwelcomed visitor during the Great War:

From a moral point of view I had no scruples whatever. They paid their employees atrocious wages. They offered very little in the way of a life career. They obtained subsidy from the general public, due to the fact that their employees must have help from their parents for a few years, and in the case of the institution in which I served they had no pension plan. All in all I considered them bigger, and more cowardly robbers than myself.

Make no mistake, Parmelee's crimes were not robberies; they were swindles carried out though study, impersonation and forgery. The author's criminal activity spanned three decades, interrupted by an ill-considered investment in a chicken ranch, work at a wartime munitions plant and time spent in San Quentin. His final foray into financial fraud, in 1947 Ottawa, was in his own words a "disaster". He hit the Royal Bank, the Bank of Toronto, the Bank of Montreal and the Dominion Bank, walking away with some $17,000... only to be arrested a few hours later at a railway station in Vars, Ontario. Contemporary crooks will learn no tips from The Confessions of a Bank Swindler; Parmelee's scams and schemes were dated well before his book was published. The world into which he was ultimately released, on 15 June 1955, was foreign. "Montreal proved a revelation to me", he writes, unable to reconcile the metropolis with the tranquil city of his youth. The Confessions of a Bank Swindler owes its existence to the late Weekend Magazine, which in 1956 published a rudimentary version of the memoir. I expect the reception wasn't quite what editorial director Craig Ballantyne had anticipated. Readers took considerable offence to Parmelee's unrepentant nature; the banks, it would seem, were unassailable. The swindler's memoir attracted no interest from McClelland and Stewart, Macmillan or Ryerson; it ended up being self-published through a little printer in the author's birthplace.* No fame followed. Having gone straight, the man was accorded no obituary. Crime pays.

Object: A trade-size paperback, my copy is signed and includes a Weekend Magazine clipping that appears to have been used for promotional purposes. The first edition, I think, the only other I've seen – also signed – was published in mass market by a short-lived Montreal house called Bodero.

Access: There are no copies of either edition listed for sale online; look instead to the Bibliothèque et Archives nationales du Québec and the Toronto Public Library. Seven of our university libraries hold the book. Library and Archives Canada? Don't ask.

* This was the very same printer that two years earlier produced John Glassco's self-published Squire Hardman.

Related post:

The Bank Swindler's Signature

Mordecai's Mom's Memoirs

The new issue of Canadian Notes and Queries has arrived, bringing a rich mixture of essays on collecting, bookselling and Mordecai Richler. With ninety-six pages of goodness, there's too much to list here, but I will point CanLit collectors to essays by Nigel Beale, Michael Darling and Jim Fitzpatrick. I add that admirers of Charles Foran's Mordecai are treated to the biography's original preface, penned just as work was beginning.

My own piece deals with The Errand Runner: Reflections of a Rabbi's Daughter, the 1981 book by Leah Rosenberg, Richler's mother. A product of John Wiley & Sons' Toronto branch plant, it ranks as the most awkward and badly edited memoir I've yet come across – and here I'm including self-published stuff. Blame belongs entirely with the publisher, which reveals its reason for signing the memoir on the book's dust jacket.

As I write in CNQ: "Discard the dust jacket, however, and Mordecai Richler's name disappears. His is not to be found in the text..."

More in print.

Subscriptions are available here.

A Lionel Shapiro Cover Cavalcade

Either you hit the jackpot or get nowhere. There are much better writers than myself who can't even get to first base for coffee money.

– Lionel Shapiro, 1956

Having endured all 351 pages of The Sixth of June, I doubt I'll ever find the strength to open another Lionel Shapiro book – but if I do, A Star Danced, Gertrude Lawrence's 1945 "autobiography" will be the one. The English chanteuse maintained that the words were her own, but credit really belongs to Lionel Shapiro, ghostwriter.

A Star Danced was not the war correspondent's first book. The previous year saw They Left the Back Door Open, a rushed, but worthwhile piece of reportage on the Allies in Italy.

Shapiro turned next to fiction with The Sealed Verdict (Doubleday, 1947), "the tale of Major Lashley, whose reward for his brilliant and successful prosecution of a German war criminal was an official commendation... and an unexplainable feeling of guilt." One 1948 wire service story puts the first printing at 250,000, while another reports that Paramount had paid as much as US$200,000 for the rights. Though Walter Winchell thought The Sealed Verdict had the makings of an important film, no one was particularly taken by the results. The Bantam movie tie-in, which was never reprinted, marks the last time the novel saw print.

For Winchell, Torch for a Dark Journey (Doubleday, 1950) was "better than his first click The Sealed Verdict," but this time Hollywood didn't come calling. However, the novel did make it to the small screen in a 1950 Philco Television Playhouse broadcast. A California bookseller currently lists a souvenir of the effort, an inscribed copy of the first edition:

Signed for Delbert Mann - to whom I am greatly indebted for an incisive job of direction in the first dramatization of this book - and for whom I confidently predict an immense future in the world of dramatic arts. Lionel Shapiro, Nov. 24, 1950.

Mann was director of the television adaptation. His future in the world of dramatic arts wasn't exactly immense, but he did win the 1955 Best Director Oscar for Marty. And the further dramatizations? Still we wait.

Published in 1951, the Bantam edition enjoyed no second printing, though the uncredited cover image was recycled for by Corgi three years later.

Seen here through the fog of war in 1958, what Doubleday peddled as "a truly tender love story", Fontana pitches as a blood and guts war novel. In fact, The Sixth of June has just one battle scene, and it barely covers ten pages. Did I mention there are 351 pages in all? I read them all.

The Gazette, 6 August 1955

Margaret's Marriage in Mass Market

Margaret Trudeau: The Prime Minister's Runaway Wife

Felicity Cochrane

Scarborough, ON: Signet, 1978

Anyone needing a reminder of the crap once thrown at Margaret Trudeau need only look to Kate McMillan and the comments made under cover of pseudonym at her Small Dead Animals blog. Revelations of Mrs Trudeau's decades-long struggles with bipolar disorder have brought neither compassion nor reconsideration – but did serve as more carrion to chew, digest and defecate.

Published after the stuff first hit the fan, Margaret Trudeau: The Prime Minister's Runaway Wife is a product of a more civil time. It presents itself as a sympathetic account, while promising to dish the dirt. In the end, however, this is a book that teases, but never delivers. "The full, completely uncensored story of Margaret Trudeau's relationship with the different members of the Rolling Stones," ends up being little more than an overview of the seating arrangements at the 1977 El Mocambo gigs. Felicity Cochrane wasn't there, yet she still manages to paint a memorable scene:

This was the Stones' first club appearance since 1964, and as in the past, Jagger eventually whipped up the crowd into a convulsing hysteria with jerks of his hips, thrusts of his pelvis, and grasshopper-like gyrations guaranteed to induce mass orgasm.

Sounds messy.

The author next provides details of the painstaking preparations made to fête Peter Rudge, "manager of the Stones" (touring manager, actually) on his birthday. Mrs Trudeau didn't attend the party, but never mind.

Want to know why Pierre Trudeau didn't marry until his 53rd year? The cover copy promises the answer. And here's what Ms Cochrane has to say: "It has always been a mystery why Pierre didn't marry. It will always be open to speculation."

Thin stuff for a thin book; there's nothing hadn't already been reported at the time of its August 1978 publication. And yet, the author tells us that she spent "almost a year in interviews and research". Cochrane can't tell us who she spoke to – "for obvious reasons" – but does express appreciation for the Greater Vancouver Convention and Visitors Bureau. I doubt this was reciprocated. Here's the author on Margaret Sinclair Trudeau's birthplace:

Vancouver, where the Sinclairs settled, is a port city in the southwest corner of British Columbia, on what is now called the Pacific Rim. It was discovered by a British naval officer, Captain George Vancouver, in 1792, became a British colony in 1859, and was admitted into confederation in 1871. The original name of the city was Granville, but this was changed to Vancouver in 1886.

I count five factual errors. How about you?

We're also told that Vancouver has a daily called the Providence, its West End is comprised of highways and modern shopping complexes, and that the "famous Lion's [sic] Gate Bridge links West Vancouver to the lower mainland."

Great swaths of this 174-page book are devoted to the Canadian parliamentary system, the office of prime minister, and the early history of Simon Fraser University (also located in the southwest corner of British Columbia, on what is now called the Pacific Rim). Cochrane quotes liberally – no pun intended – lifting passages from dozens of news stories, all the while criticizing journalists for not having been more dogged in their pursuit of scandale.

Strange this, because without the uncredited, unacknowledged work of the fourth estate Cochrane would have had no book. She brings nothing to the table, and yet she had once been a reporter for Newsday. A Progressive Conservative, in the 1965 federal election she challenged veteran Liberal Stanley Haidasz in Toronto-Parkdale. Cochrane placed a very distant second, but made the news anyway by breaking her leg in a fall down some slippery polling station steps on election day.

The Quebec Chronicle-Telegraph, 10 November 1965

Cochrane jetted around the globe promoting Canadian honey, cheese and maple syrup for the Federal Department of Trade and Commerce. She also served as chaperone for 1966 Canadian Dairy Princess Gaylene Miller, but I think that the most interesting point in her career began in 1970 with her role as "personal manager" for Dianna – Dianna Boileau – whom she billed as "Canada's first sex change". Two years later, Cochrane wrote Dianna's story, Behold, I Am a Woman. It was published by New York's Pyramid Books, whose copywriters penned this pitch: "The story you are about to read will quite possibly shock you in its brutal frankness and graphic descriptions. It will startle you as it reveals a way of life and a way of sexual being that seem beyond the range of the normal imagination. And it will move you to a new kind of realization of the torments a sexual deviant must suffer in our society – as well as the hope that new medical techniques offer a person like Dianna, to at last find fulfillment."

Margaret Trudeau was Cochrane's second and final book. Not a happy experience, it seems. Even as the paperback was hitting the stands, Ms Cochrane was complaining that Signet's lawyers had made her take out the juiciest bits. Could Margaret Trudeau have been a better book? Had Felicity Cochrane dug up anything new? Shall we give her the benefit of the doubt?

Nearly four decades later, we know that it wasn't Margaret and Mick, but Margaret and Ronnie – both have said as much in their respective autobiographies. Should we have read anything into this?

The following day, a small get-together was held in the Rolling Stones' suite at the Harbour Castle Hotel. Margaret joined the group, sitting on the edge of the bed, and proceeded to watch the hockey game on TV, at the same time playing with Ron Wood's seven-year-old son. One guest who was there recalls that the little boy gave the impression he already knew Margaret quite well.

Object and Access: An unattractive mass market paperback, Signet claimed that the book was reprinted three times, totalling 170,000 copies. I've yet to find a one that indicates it is anything but a first printing. Very few booksellers have listed the book online; it's hardly worth the trouble. They're dreaming of sales ranging from $2 to $6.50. Six copies are held in Canadian libraries, academic and otherwise, but that's it. A French-language edition was published the same year by Éditions de l'Homme.

Related post:

Sex and the Trudeaus: Son and Hair

Some Senators Write (or Say They Do)

News this morning of five more Tory senate appointments, including yet another published author. This time the honour goes to Pierre-Hughes Boisvenu, whose Survivre à l'innommable is, perhaps, the best book penned by a Harper appointee. Not to slight skier and Mars Bar pitch queen Nancy Greene, but her autobiography, published when she was 25, was a tad premature. For one, it contains nothing of her decades of battle against biologists, environmentalists and native groups.

(Honestly, all this fuss over watersheds and endangered species when our millionaires are suffering long lift lines.)

Of the authors the prime minister has sent to the upper chamber, Pamela Wallin is the most prolific. She's also a publicist's dream. Her link at the senate homepage is unique in that it leads away from things governmental to a commercial site: pamelawallin.com. There you can read all about the senator's career, including her three books. You'll remember the first, Since You Asked, which appeared in 1998, at about the time she and the CBC gave up on each other. It seems that a few years later, we were offered something called Speaking of Success: Collected Wisdom, Inspiration and Reflection.

Doesn't ring any bells?

Publisher Key Porter says the book was a bestseller. In fact, they trumpet the accomplishment on the cover of her 2003 The Comfort of Cats, which "explores the bond between Kitty, a creatively named Siamese cat, and the woman who lives with her, Pamela Wallin."

Interested?

The senator provides convenient links to amazon.ca and amazon.com.

(Senator, why do you snub Heather Reisman? After all, how much money has Jeff Bezos given to your party?)

Fellow author Linda Frum can learn a lot from her enterprising colleague. Frum's senate website has nothing about Linda Frum's Guide to Canadian Universities or Barbara Frum: A Daughter's Memoir, and nearly six months after her appointment, her pages seem such skeletal things. Sure, there's that strange speech she gave about her grandmother having been born at home, the recent "Grey Cup match" and other stuff, but the rest is nothing more than a bunch of links. That said, I was interested to see that she presents four that concern Parliament. In these dark days of prorogation, what reassuring words does Senator Frum recommend we read? Well, there's an intriguing sounding article titled "The Parliament of Canada — Democracy in action", but clicking on the link only takes you to this page:

Anyone looking to bring this to the senator's attention will find that her contact page says, simply, "Contact Us".

Us?

The senator offers no hint as to the identity of this mysterious group, but then she offers no address or phone number either.

Senator Frum may be reached by writing:

The Honourable Linda Frum Sokolowski

Senate of Canada
Ottawa, Ontario
K1A 0A4