Showing posts with label Ardies. Show all posts
Showing posts with label Ardies. Show all posts

11 December 2023

Eight Gifts to Last



In past years I've noted gifts and donations to the Dusty Bookcase at the end of the annual list of Ten Best Book Buys. An exception is made here because of the shear volume, and because I wanted to add a personal note. And We Go On seems an appropriate title with which to start.


And We Go On
Will R. Bird
Toronto: Hunter-Rose, 1930

A memoir of the Great War, this first edition was given to me by military historian James Calhoun, with whom I co-authored the introduction to the 2014 Dundurn edition of Peregrine Acland's All Else Is Folly. Note the dust jacket description:
A story of the War by a Private in
the Canadian Black Watch;
a Story Without Filth
or Favour.
Bird's memoir was inspired in part by his disgust at the portrayal of soldiers in All Quiet on the Western Front and Generals Die in Bed. He wouldn't have liked All Else Is Folly
 

Outlaw Breed
William Byron Mowery
Calabasas, CA: Cutting Edge, 2023

Novelist Lee Greenwood is doing God's work in reviving neglected novels. He reached out three years ago after I reviewed former Vancouver Sun scribe Tom Ardies' 1971 thriller Their Man in the White House. You'd like it. The novel tells the story of an American president who is beholding to the Russians. Oh, and he has an unusual – I suggest unhealthy – relationship with his blonde daughter. Lee was then in the process of returning all Ardies' novels to print.

Outlaw Breed is not a political thriller. First published in 1936 under the title Black Automatic, it was written by a Buckeye known as the "Zane Grey of the Canadian Northwest." Starring Noel Irving, ex-RCMP, the action begins with a murder in Winnipeg, moves on to Fort McMurray, and then the Northwest Territories.


The Woman's Harvest
Anna Floyd
London: T. Werner Laurie, 1916

An obscure novel by a forgotten English writer, set in England in and around the time of the Great War, The Woman's Harvest has nothing whatsoever to do with Canada, yet I was drawn to it after reading Brad Bigelow's Neglected Books review. I just had to read it, but not a one was listed for sale online. Worse still, the nearest copy is found in the National Library of Scotland. Brad was generous in giving me his. I'll say no more because Brad's review says it all. You'll want to read it, too.
 

Canada Speaks of Britain
and Other Poems of the War
Charles G.D. Roberts
Toronto: Ryerson, 1941

The River St. John and Its Poets
L.M.B. Maxwell
[n.p.]: [n.p], 1946

Two chapbooks donated by my friend Forrest Pass. The earlier, Sir Charles' Canada Speaks of Britain features seven "Poems of the War" (including 'Peace With Dishonour,' which was actually composed in September, 1938), along with three poems from the previous war, and three more poems thrown in for good measure. The longest in the collection is 'Two Rivers':
                     Two rivers are there in hold my heart
                          And neither would I leave.
                     When I would stay with one two long
                          The other tugs my sleeve.
The two rivers are the Tantamar and the St. John, which ties in nicely to The River St. John and Its Poets by L.M.B. Maxwell, LL.D. It consists of a series of biographical sketches and sample poems of sixteen poets, including Sir Charles G.D. Roberts, LL.D., D. Litt.; Theodore Goodrich Roberts, D. Litt.; William Bliss Carman, M.A., LL. D.; and Alfred Goldsworthy Bailey, M.A., Ph.D. I was more interested in plain old Francis Sherman, Charles Boyle, and Elizabeth Roberts MacDonald, whose home I visited last autumn.
 

The Complete Adventures of Jimmie Dale, Volume Three
Frank L. Packard
[n.p.]: [n.p], 2022

The final volume of Packard scholar Michael Howard's annotated compilation of Packard's Gray Seal novels, this one includes Jimmie Dale and the Blue Envelope Murder (1930), Jimmie Dale and the Missing Hour (1935), and the unfinished and previously unpublished Jimmie Dale's Only Chance. 

But wait, there's more!

Also included are four chapters that were cut from The Further Adventures of Jimmie Dale (1919), the script for the first episode of the radio serial The Adventures of Jimmie Dale, the beginning of the British edition of The Adventures of Jimmie Dale (in which our hero is an Englishman), and a family biography by the late Francis Lucius Packard.  

The author's grandson, Jeffrey Packard, provides the preface. 

All three volumes can be ordered through Amazon.


One last  gift:


Self Condemned
Wyndham Lewis
Toronto: Dundurn, 2010

My friend Michael Gnarowski died on July 27th of this year. He'd taught at three universities, one of which I attended, but I was not one students. Still, I learned a great deal from Michael. We first met twenty years ago when I was working on my biography of of his friend John Glassco, that great practitioner of deceit. He and I were dogged in our pursuit of "the knowable truth." 

Our last days together started over pints in an Ottawa strip mall pub – the fish and chips wasn't terrible – after which we'd move on to apple pie and vanilla ice cream at the flat he shared with his wife Diana. In our second to last meeting, Michael pulled out this slightly battered copy Self Condemned, asking whether I had a copy.

I lied.

This edition is a Voyageur Classic, a series that followed the Carleton Library and the Centre for Editing Early Canadian Texts series, all of which Michael had overseen. I'd bought each Voyageur Classic upon release, and was honoured when he accepted my proposal to include All Else Is Folly (see above) in the series.

And so, because I lied, I was able to accept his generosity. Michael signed my copy, explaining that his writing hand would not do what he wanted it to.
 
I last saw Michael on Father's Day, which somehow seems appropriate. He ordered the fish and chips, and then we had pie and ice cream.

17 September 1934, Shanghai, China
July 27, 2023, Ottawa, Canada 
RIP


06 December 2021

The Ten Best Book Buys of 2021... and much more!



A better year than last, right? I got out more, raised pints in pubs, saw my daughter, and spent seven days touring Quebec City and the Eastern Townships. Hell, I even saw a movie in a theatre.

I also visited more bookstores, though a depressingly small number were worth the effort. Six of this year's ten best buys were purchased online. Ted Allan's pseudonymously published Quest for Pajaro (London: Heinemann, 1957) is my favourite. I'd known about about this science fiction romance since 1983, but in all the years that passed had never come across a copy.

No surprise, I suppose.

Quest for Pajaro was published in 1957 by Heinemann. There was no Canadian edition. Was anyone distributing Heinemann in Canada back then? If so, were they aware that "Edward Maxwell" was in fact Montrealer Ted Allan?

Doubt it.

I purchased Quest for Pajaro after having been invited to comment on Allan's work at this year's Toronto Jewish Film Festival. While not his best book, it is his most intriguing. There hadn't been many many Canadian science fiction romances before 1957 – still aren't. What's more, the novel's linchpin is an experimental jet known as the "Arrow."

Bruce Petty's gorgeous jacket illustration puts it over the top.

What follows is the rest of the ten best:

Ted Allan
Toronto: McClelland &
   Stewart, 1977

The author's only children's book, this tale of a talented squowse (offspring of a squirrel and a mouse) proved one of the most enjoyable and life-affirming reads of the year. The fifty – fifty! – Quentin Blake illustrations brought further joy.

Whispering City
Horace Brown
Pickering, ON: Global
   Publishing, 1947

Horace Brown's adaptation of this film noir shot in Quebec City, for years I'd hoped to find a reasonably-priced copy. This year I did (US$89.95).

Can it be as good as The Penthouse Killings? Please tell me it's better than Murder in the Rough.

Blood on My Rug
E. Louise Cushing
New York: Arcadia, 1956


A mystery novel that begins with the discovery of a body in a Montreal bookstore, since I'd long been searching for this novel. Might it be a candidate for reissue as a Ricochet Book?

Nope.

Still, I'm still happy to have it in my collection.

Let Not Man Put Asunder
Basil King
New York: Grosset & Dunlap,
   [n.d]

Though it's been two years since I bought, never mind reviewed, a Basil King novel, I leapt at this one. Let Not Man Put Asunder is either the seventh or eighth King novel to be adapted by Hollywood. IMDb does not recognize, but I have this photoplay edition as evidence.
 
Toute la Vie
Claire Martin
Quebec: Éditions de L'instant
   même, 1999

I've admired Claire Martin since reading Dans un gant de fer in CEGEP. David Lobdell's translation of her Doux-Amer deserves a return to print. Imagine the thrill in finding three signed Martins during my recent visit to Quebec City. This is one.

In Spite of Myself: A Memoir
Christopher Plummer
Toronto: Random House,
   2009

I regret many things in leaving our St Marys home, not the least of which involves selling thirteen-hundred books, In Spite of Myself amongst them.

I'm slowly been buying them back. This signed copy was found at the Kemptville Youth Centre Book Fair.

Marshall Saunders
Toronto: Standard
   Publishing, 1897

I own many copies of Beautiful Joe, but this is by far the most... um, beautiful. At one dollar, it was the least expensive book I purchased this year.

The Countess of Aberdeen provides an introduction!

Menaud, maître-draveur
Félix-Antoine Savard
Ottawa: 
Éditions Fides, 1967

Another Quebec City find, I came upon this inscribed, slip-cased edition on the very same day I made my pilgrimage to the author's home.

I vow to read it in the New Year.


Poldrate Street
Garnett Weston
New York: Messner, 1944


This old novel proved to be 2021's most unpleasant, stomach-turning read. Voyeurism, adultery, greed, murder, and something approaching necrophilia figure.

Good fun from a Toronto boy who made a killing in Hollywood before retiring to Vancouver island.


Two generous souls donated books to the Dusty Bookcase this year.

Lee Goldberg noted my interest in the novels of former Vancouver newspaperman Tom Ardies (Their Man in the White House, Kosygan is Coming) and was kind enough to send me newly published copies of This Briefcase is Going to Explode, Pandemic, Balboa Firefly, and Manila Time (the latter two written under Ardies' Jack Trolley nom de plume). 

Lee is in the process of reissuing Ardies' entire bibliography through Brash Books.

More power to him! 

Fraser Sutherland died this earlier this year. I was honoured to have been asked to provide an obituary for the Globe & Mail. One of the greatest challenges in its writing concerned family, specifically the name of a sibling, an older brother, who had died at a young age. Our newspaper of record is insistent on such things. It seemed not one of Fraser's friends could quite remember... and then one came through, which led me to this uncommon chapbook:


Published in 1976 by Northern Journey Press, Within the Wound is dedicated to that brother, Hugh Sutherland (1941-1965). I shared this discovery with Fraser's good friend, Adrian King-Edwards of Montreal's Word Bookstore, who in turn presented me with this copy.

RIP, Fraser. You are much missed.

02 July 2021

Have Bomb – Will Travel



This Suitcase is Going to Explode
Tom Ardies
Calabasas, CA: Brash Books, 2021
220 pages

Of all the books I've read in 2021, This Suitcase is Going to Explode has the best title by far. It follows Their Man in the White House as the second novel to feature journalist and sometime secret agent Charlie Sparrow. Our hero wasn't doing so well at the end of that first adventure. Had Sparrow been institutionalized? I don't quite remember. What I can say with certainty is that he was in a very bad place. The woman he loved had been killed and a man he knew to be a Russian plant had been elected President of the United States.

This Suitcase is Going to Explode opens with Sparrow back working for Morley, the head of CI-2, a secret American intelligence agency. Both are in a darkened room watching poorly edited surveillance footage of a frail, elderly man wandering slowly about the streets of Washington, DC. Where Sparrow sees a tourist, Morley sees a threat.

The old man is a German nuclear scientist by the name of Erik R. Schuler. In 1942, Morley was involved in a risky effort to steal Schuler away from the Nazis. Make no mistake, the scientist wanted escape. Schuler so hated Nazi Germany that he risked his life to join the Americans in the race to build the first atomic bomb. With the German surrender in May of 1945, Schuler breathed a sigh of relief, believing that he'd worked on a weapon that would never be used.

Then came Hiroshima.

Then came Nagasaki.

And then, after writing a letter condemning the United States for its use of the bomb, Schuler disappeared. The missing scientist's name was quickly scrubbed from the history of the Manhattan Project. Morley didn't know if Schuler was alive or dead until the footage arrived on his desk. What's most disconcerting is that neither he nor the agency has any idea who sent it.

English, the first assigned to find Schuler, is assumed to have had a live grenade shoved up his rectum.  It looks that way. Sparrow has much better luck in that he not only tracks down the scientist, but manages to bring him in – alive – to the Washington mansion Morley is using as a front.     

Schuler proves to be a confused old man whose actions are prompted by instructions received through an earpiece. He isn't all there, yet manages to relay with clarity that suitcases containing nuclear bombs have been placed in cities throughout the United States. Did Schuler, have something to do with these devices? He says not, but when questioned further appears to have forgotten about them entirely. Scars suggest he's had a bilateral temporal lobectomy.    

I enjoyed This Suitcase is Going to Explode even more than Their Man in the White House. The writing is tighter and the novel has a greater reliance on dialogue.

I do like dialogue.

Interviews at time of publication have Ardies describing his Sparrow thrillers as something of a lark. Perhaps they were. There's certainly a good amount of fun to be had in the reading. Early on, Sparrow is tasked with driving home Volrich, an egghead who's been probing Dr Schuler's damaged brain:
Volrich raised his newly acquired pistol and sighted down the barrel. His finger tightened on the trigger and he began chanting out a deliberate count. "One... two... three..."
     Is that thing loaded?" I asked.
     "Of course," Volrich said. "I thought that was one of the rules. 'You'll never kill anyone with an empty gun.'" His eye moved back to the gunsight. "Four... five...
     "Is it? I haven't looked in the rulebook lately."
     "Your problem," Volrich said. "One of your many problems..." He closed his eyes and squeezed as hard as he could. The hammer clicked on an empty chamber. "How long does it take to kill a man?"
     We had about a minute more to wait. I took a last drag and stubbed out my cigarette. "It all depends. But, I'll tell you one thing. You just took too long."
Volrich is a prig. When he's had enough, Sparrow pushes "Magic Violins of Villafontana [sic]" into the tape deck. 


I made a point of tracking down the recording...


...and listening to it as I read the rest of the scene. As the Magic Violins play, we get several more pages of their exchange, beginning with this:
"You may need the gun, " I said the. "The best idea is not to think about it. If you take time to think it will be too late."
     Volrich removed his pipe. The stem made a small circular motion. "With all this protection..."
     "It could happen, I said. "So don't count, huh? Don't think at all..."
     He looked at me with disgust.
You just know Volrich is going to die.

I prefer The Magic Violins' A Night at the Villa Fontana myself, but that has everything to do with the cover. 


Having come to know Sparrow through Their Man in the White House and This Suitcase is Going to Explode, I'm betting he would agree. He appears for the last time in the 1973 thriller Pandemic.

I'm looking forward to getting to know him even better.   

Object and Access: An attractive trade-sized paperback, the Brash Books edition is the first in 45 years. It was sent to me by the publisher, along with three other Ardies reissues. Having now read the novel – I'd never encountered a copy of a previous edition – I'm happy to add it to my collection.

This Suitcase is Going to Explode
was first published in 1972 by McClelland & Stewart (Canada) and Doubleday (United States). Two years later, PaperJacks and Panther published Canadian and UK mass market editions. Curiously, it wasn't until 1976 that Fawcett issued the first American mass market. The publisher made up for the tardiness with a really cool hologram cover (right).

Used copies of Doubleday's American first are being offered online at prices ranging from US$3.00 to US$10.45, but all look to be in rotten shape. The much more common Fawcett is more expensive – something to do with that hologram cover, I expect. Decent copies hover in the ten to twenty dollar range, though some booksellers are asking for much more. Some joker in Florida wants US$100.94 for a 46-year-old copy he claims is "Brand New!"

The McClelland & Stewart, PaperJacks and Panther editions are nowhere in sight, though I once managed of capture this petite screenshot of the elusive PaperJacks edition:


Reminds me of Logan's Run

My advice is to purchase the Brash Books edition.

A French translation, Une valise qui explose, was published in 1973 by Hachette. Are we to assume the nuclear weapon was retrieved from a baggage carousel?


Library and Archives Canada, the Toronto Public Library, and sixteen of our universities hold copies. Sadly, the Vancouver Public Library – its main branch, just a short walk from the Vancouver Sun, at which Ardies worked – hasn't one copy of his twelve novels. This Suitcase is Going to Explode is more common south of the border, I was interested to discover that those serving at the White Sands Missile Range in New Mexico will find it in their library.

No Canadian library has a copy of Une valise qui explose.

12 September 2020

A Tom Ardies Cover Cavalcade


Pandemic
Tom Ardies
New York: Doubleday, 1973
A follow-up to my most recent CNQ review

In Tom Ardies' first novel, Their Man in the White House, hero Charlie Sparrow fails to thwart the Russians from installing a pawn as President of the United States. In Sparrow's last adventure, Pandemic, he tries to prevent a worldwide epidemic. I haven't read the latter, so have no idea whether he succeeds.

Here's hoping.

Their Man in the White House has an unusual publishing history. The first edition, from McClelland & Stewart, was published in September 1971. Macmillan followed a week or two later with the first UK edition. Two years later, a cheap Panther paperback hit the racks. And yet, this most American of thrillers has never been published the United States.

Of the three editions, I think Justin Todd's McClelland & Stewart cover is the best. True, the White House isn't white, but I like to think the artist, an Englishman, made it brown in recognition of the events of 24 August 1814, the day his countrymen and mine set Washington alight. How else to explain the plumes of smoke?


The Macmillan edition errs in its depiction of President Davis Marshall and his daughter Lisa, both of whom are described in the novel as being extremely attractive. 


The Panther edition is elusive, but I've managed a small screen capture:


More Robert E. Howard than Cold War thriller, wouldn't you say?

The best Ardies cover ever is Fawcett's paperback edition of his second novel This Suitcase is Going to Explode. Published in 1976, it features a hologram:


Unusual for the time, this detail gives some idea of the effect:


So much better than the Hachette French translation, don't you think?


The cover of Une Valise qui explose is every bit as lazy as McClelland & Stewart's nonsensical Kosygin is Coming (1974).


A thriller set in Vancouver, Kosygin is Coming is Ardies' biggest selling novel. Angus & Robinson's UK first edition makes the city look like Manhattan. 


As far as I've been able to determine, the Vancouver Police Department has never flown helicopters with pontoons. Having lived more than a decade in Vancouver, I can attest that its street lights aren't nearly so low to the ground.

Kosygin is Coming isn't much of a title; I much prefer Russian Roulette, the title given the 1975 screen adaptation starring George Segal. PaperJacks, publisher of some of the ugliest paperbacks this country has ever seen, really rose to the occasion with the movie tie-in.


However did PaperJacks manage it? By using the lobby poster, of course.


For all their flaws, the most interesting Tom Ardies covers are the earliest. Kosygin is Coming was followed by In a Lady's Service (1976), Palm Springs (1978)...


...then a sixteen year silence. Tom Ardies returned in with Balboa Firefly, published under the nom de plume "Jack Trolley."

Balboa Firefly
New York: Carroll & Graf, 1974

In the interim, covers had become cheaper to produce and a whole lot less imaginative. Going by the reviews, the novels Ardies wrote as Trolley are his very best. I'm ashamed to admit I haven't read so much as one. His most recent, La Jolla Spendrift, was published in 1998.  

Tom Ardies is now in his ninetieth year. Dare I hope for more?

I dare.

01 September 2020

A Red in the White House?



Their Man in the White House
Tom Ardies
Toronto: McClelland & Stewart, 1971
198 pages 
One of the wealthiest men in the United States is running for the presidency, and intelligence agencies are concerned because Russian operatives are exercising influence. Do they have something on him? Does blackmail play a part? And what are we to make of the peculiar relationship between the candidate and his blonde adult daughter?
So begins my review, just published online at Canadian Notes & Queries.

A novel for our times, don't you think?

You can read it here:
Cold War, Warm Bed
Do not judge this book by its cover.

Related posts:

27 March 2020

Reluctantly Revisiting Canada's Great Virus Novel



Nobody told me there'd be days like these. The Nazis in the bathroom just below the stairs are the least of my worries.

I've been spending this time of self-isolation out and about in my role as an essential worker. On days off, I wander about the woods of our secluded home gathering firewood for next fall and winter. I sometimes fear I'm turning into the Michael Caine character in The Children of Men.

The Children of Men is not be the thing to watch just now. I managed to make it through the first episode of HBO's The Plot Against America, but could take no more. Since then, it's been SCTV and old episodes of 30 Rock.

I'm in need of a good laugh these days, though I well understand the curiosity of those who've asked me to recommend Canadian novels dealing with pandemics.

The craziest by far is May Agnes Fleming's The Midnight Queen (1863), which is set in London during the Great Plague. In Tom Ardies' Pandemic (1973), part-time secret agent Charlie Sparrow combats a millionaire who looks to unleash a killer virus upon the world.


But my greatest recommendation is The Last Canadian (1974) by William C. Heine, which just happens to be the first Canadian novel I ever read. Ten years ago, I shared my thoughts about the work in a blog post, which was subsequently taken down and reworked for inclusion in The Dusty Bookcase — the book.

I'm bringing it back for the curious. Enjoy... then look for something funny.

AT LONG LAST LUNACY



The Last Canadian
William C. Heine
Markham, ON: Pocket Books, 1974
253 pages

In the opening chapter of The Last Canadian, protagonist Gene Arnprior leaves his suburban home and speeds along the Trans-Canada toward Montreal. A to B, it's not much of a scene, but the image has remained with me since I read this book at age twelve. The novel was the first in which I encountered a familiar landscape. Of the rest, I remembered nothing... nothing of the sexism, the crazed politics or the absurdity.

Penned by the editor-in-chief of the London Free Press, it begins with late night news bulletins about mysterious deaths in Colorado. Gene recognizes what others don't and takes to the air, flying his wife and two sons to a remote fishing camp near James Bay. As a virus sweeps through the Americas, killing nearly everyone, the Arnprior family live untouched for three idyllic years, before coming into contact with a carrier. As it turns out, what doesn't kill you makes you stronger... Gene lives on, but must bury his wife and children.

The Last Canadian is a favourite of survivalists everywhere. Someone calling himself Wolverine writes on the Survivalist Blog:
The immediate response reaction is instructive. Second there are the North country survival techniques. Third there are psychological factors of being a survivor in a situation where most others die. And there is more, dealing with post-disaster situations, though I won't go into that because it would spoil the book for you.
I won't be as courteous. Spoilers will follow, but first this complaint: the title is a cheat. Gene is not "The Last Canadian" – there are plenty of others – rather he considers himself such because his citizenship papers came through the day before the plague struck. Gene is an American who came north for work. He'd enjoyed his time in Canada, had made many friends and "had come to understand the Canadian parliamentary system, and agreed that it was far more flexible and effective than the rigidity of the American system of divided constitutional responsibility."

Reason before passion.

Is it then surprising that, there being no parliament, he's drawn back to the United States? Heading south, Gene resists all invitations of the Canadians he meets, whom he considers "eccentric" because they've chosen to stay put, supporting themselves through farming and whatever might be found in local shops. There's much more excitement to be found south of the border.

First, he stumbles into a Manhattan turf war – but that's hardly worth mentioning. As a carrier, Gene inadvertently kills a number of Soviet military types who have set up a base in Florida. In doing so, he becomes Enemy #1 of the USSR. They send frogmen assassins, set off bombs, plant land mines, and lob nuclear missiles in his general direction, but still Gene beetles on. When a Soviet submarine destroys his Chesapeake Bay home, killing the woman he considers his new wife, Gene seeks revenge.

Though he has no evidence, Gene comes to blame the Soviets for the plague (in fact, it's a rogue Russian scientist), and dedicates himself to infecting the USSR. He begins with a short wave radio broadcast directed at the Kremlin: "If the Russian people were half as smart as your literature says they are, they'd have tossed you out long ago. Because they haven't, I have to assume they're as stupid as you are."

You see, because they are stupid, Gene has decided that all citizens of the Soviet Union should die. He cares not one bit that the plague will spread beyond the borders of the country, killing the rest of Asia and Europe, never mind Africa.

It's all crazy, but the reader is not surprised. Though Heine spills an awful lot of primary colours in an effort to paint the man as a hero, concern has been growing for quite some time. Remember when he hit his wife, just so she'd understand the gravity of their situation? How about when he'd threatened to tie his young son to a tree and whip him until he couldn't stand – all because he'd fallen asleep while tending a fire? Then there's that little glimpse of Gene's psyche provided when his new love, Leila, tells him a horrific story of being kidnapped, beaten and raped repeatedly by a psychopath:
"You can't imagine the things he made me do. And he killed a man to get one of his girls."
Gene felt another chuckle welling up. In the few years he'd spent in Korea and Japan, he'd read about most of the sex things there were to do, and tried a few himself. He stifled it, however, recognizing her revulsion.
Yep, pretty funny stuff... and don't forget to add that boys will be boys.

Intent on killing billions, Gene makes his way up the Pacific Coast, dodging Soviet and American forces, before crossing the Bering Strait into the USSR. Hundreds of Americans and an untold number of Russians die as a result. His journey and life are finally ended by a clusterfuck of nuclear strikes – Soviet, Chinese, American and British – which obliterate the Anadyr basin.

Lest the reader agree with the Soviets that Gene had become a madman, Heine is at the ready to set things right. You see, Gene's actions were perfectly understandable; the British prime minister tells us so.

We're left with the image of radioactive clouds composed of the people and terrain of Anadyr. They drift across Canada, sprinkling poisoned dust over the land. Some settles on the graves of Gene's wife and children:
In time the rains washed the radioactive dust down among the rocks and deep into the soil.
Something of Eugene Arnprior, who had suffered much and had done more to serve mankind than he could ever have imagined, had come home to be with those he loved.
Thus ends what I believe to be the stupidest Canadian novel.

Trivia: Published in the US under the snicker-inducing title Death Wind, and later as – go figure – The Last American


Terrifying, either way.

In 1998, the novel was transformed into a Steven Seagal vehicle titled The Patriot. Here the action hero plays Dr Wesley McClaren, a small town immunologist doing battle with Montana militiamen and the lethal virus they've released. Sure sounds like Gene Arnprior could help out, but he's nowhere to be found. Maybe he's up on Parliament Hill taking in the House of Commons. Who knows. The Dominion to the north is never mentioned, nor is the Soviet Union, for that matter. Truth be told, The Patriot has as much to do with the novel as it does good cinema.

It can be seen, in its entirety, on YouTube:


 

Object: A typical mass market paperback. The cover photo is by Jock Carroll, who also served as editor of this and other paperback originals published by the Pocket Books imprint. The final pages advertise more desirable titles in the series, including:
FESTIVAL by Bryan Hay. A modern novel which reveals the rip-off of drug-crazy kids by music festival promoters.
THE QUEERS OF NEW YORK by Leo Orenstein. A novel of the homosexual underground.
THE HAPPY HAIRDRESSER by Nicholas Loupos. A rollicking revelation of what Canadian women do and say when they let their hair down.
Access: As far as I've been able to determine, The Last Canadian went through at least seven printings, making its scarcity in the used book market something of a mystery. Just two copies are currently listed online. At US$99.95 and US$133.53, both are described as being in crummy condition.

Where do these survivalists get their money?

Take heart, April is less than four days away. The President of the United States has assured us that the virus will be gone by then. Something to do with the heat, he says.

Strange days indeed.