Showing posts with label Mason (David). Show all posts
Showing posts with label Mason (David). Show all posts

27 January 2023

Television Man is Crazy


The one hundred and twelfth issue of Canadian Notes & Queries arrived in our rural mailbox yesterday afternoon. A beautiful thing, wrapped in a cover by Seth, I've been dipping in and out. I read Michael Holmes' remembrance of Steven Heighton first.


It was followed by Ken Norris's interview with Bruce Whiteman.

This evening, I'll be reading 'My Year of Mycorrhizal Thinking' by Ariel Gordon, whose daughter shares something with my own as a fan of Hannibal. Ariel, her daughter, and mine, will appreciate this photo taken in our kitchen not eight days ago.

This issue's Dusty Bookcase column focuses on Jeann Beattie's Behold the Hour (1959), which in my opinion ranks with Ralph Allen's The Chartered Libertine (1954) as one of the two best novels set early days of Canadian television.  

I'm not aware of a third.

Northrop Frye praised Allen's novel. Do I praise Beattie's?

Read and find out! Subscriptions can be purchased through this link.

Other contributors to this issue include:
Carolyn Bennett
James Cairns
Andreae Callana
Preeti Kaur Dhaliwai
Stephen Fowler
Susan Glickman
Alex Good
Brett Josef Griubisic
Graeme Hunter
Kate Kennedy
Rohan Maitzen
Darcy Mason
David Mason
Roderock Moody-Corbett
Shani Mootoo
Ian Clay Sewall
Rudrapiya Rathmore
Richard Sanger
Natalie Southworth
Kevin Sprout
Did I mention subscriptions can be purchased through this link?

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03 January 2023

A Forgotten Mystery; a Shattered Dream



The Twenty-First Burr
Victor Lauriston
Toronto: McClelland & Stewart, 1922
292 pages

Victor Lauriston was born William Edward Park on 16 October 1881 in the hamlet of Fletcher, not far from Chatham, Ontario. As an adult, he changed his name because he thought Park too plain for a writer. This was in 1918, sometime between the sixth and seventh rewrite of The Twenty-First Burr.

The Twenty-first Burr is a mystery novel populated in part by characters with assumed names and hidden identities. It begins with twenty-year-old Laura Winright's rushed return to North America after two years touring Europe. I've read enough old novels to know that such a young lady would not have been been permitted to go off alone to the Old World. That Laura did so – and in the midst the Great War – is a mystery left unexplained and unexplored.

"Was she a spy?" asks my wife.

Good question.

Our heroine's haste has everything to do with a telegram sent by her father, Detroit department store baron Adam Winright. Laura never lived in the Motor City, rather she was raised at the family mansion, Castle Sunset, at Maitland Port (read: Goderich, Ontario) on the shore of Lake Huron. 

Laura's return takes nearly everyone by surprise, most of all George Annisford, her betrothed. Not only does he fail to meet her ship as it docks in New York, he scolds her in a wordy telegram:
Oh, see here, chick! You've come down on us like the wolf on the fold. We haven't time to send out for crackers and cheese. Of course your father is just fine and dandy. Why shouldn't he be?
But Adam Winright is not fine and dandy. By the time Laura reaches Maitland Port, her father is dead.

Laura is convinced he was murdered, but brother Tom, her lone sibling, isn't convinced. What's certain is that Adam Winright was being blackmailed by a man signing himself "Andrew Webster." Brother Tom sends for Detroit private detective Harry Burnville to get to the bottom of it all.

Going further into the story risks doing the mystery a disservice, but only because plot is not its strong point. What makes The Twenty-First Burr worth reading are its characters. George, goodnatured and ever-positive, hides a fragile heart. Mrs MacTurk, the Winright's Scotch housekeeper, is a sour old bird who obsesses over apparitions and keeps a logbook of her sightings. My favourite character is the widow Villard, who sniffs in contempt at the memory of a young actress who it turns out... Ah, but that would be spoiling things.

Contemporary reviews invariably focus on Glory Adair, a nurse and amateur sleuth who relies on palmistry in bettering Burnville, her professional rival .


The Twenty-First Burr certainly has its flaws. Any speculation that Laura may have been a spy is quickly put to rest by her forgetfulness, which serves no purpose other than to slow the plot. This reader was amused by the amount time lost to rail travel, all of which could have been avoided if only Lauriston hadn't chosen to have the principle players live so far apart.

No doubt some weaknesses have to do with all those drafts. According to the author, the first was written in 1905, nine years before fighting broke out in Europe. The conflict is rarely mentioned, and then only in passing; it's effect on the home front is nonexistent. This reader counted four able-bodied young men, not one of whom is fighting overseas. And then we have the conclusion, in which Glory, who solves Adam Winright's murder, shares observations and clues not found elsewhere in the novel.

The Twenty-first Burr is anything but a fair-play mystery, but I don't hold a grudge. The characters are captivating and the locations are so uncommon as to be interesting. Mystery lovers living in Grimsby will be flattered by descriptions of their town as it was one hundred years ago: "the stone road, the fine country homes, the peach orchards, rank on rank of green trees orderly as soldiers on parade."

The worst thing about The Twenty-First Burr is that it shows such promise, yet was Lauriston's only mystery. McClelland & Stewart used the plates from George H. Doran's American edition. Neither publisher went back for a second printing.

Lauriston spent his royalties on buying those same plates. He hoped that they would one day be used in returning the novel to print. An author's fantasy, it ended in 1941 when they were sold for use in the war effort.

The Windsor Daily Star, 21 August 1941

The accompanying article – 'Chatham Writer's Dream Shattered After 19 Years' – begins:

Sale of 700 pounds of lead and copper plates in New Britain, Connecticut, recently, put an end to a dream that has lived in the persevering mind of Victor Lauriston, Chatham novelist, ever since he sold his first book 19 years ago. He had hoped sometime to use the plates for a reprint of the book, "The Twenty First Burr," [sic] a detective story.
     Metal in the plates will be melted to help win the war. Owing to exchange regulations, proceeds of the sale will go to pay a 16 years' storage bill. 
Lauriston lived well into old age, dying two days after his ninety-second birthday, yet he wrote only one more novel. A roman à clef titled Inglorious Milton, according to the Border Cities Star (20 October 1934), it "set every tongue in Chatham wagging." Lauriston's papers hold the manuscript, along with numerous letters of rejection. The novel was finally published by the Tiny Tree Club, a branch (sorry) of Chatham's literary society. I've not read it, but should. The Border City Star article compares it to Joyce's Ulysses.

I can only assume society members are portrayed in a flattering light.

Object: Light brown boards with black impressing. The jacket illustration is by Margaret Freeman. My copy once belonged to a woman named Olive Shanks.


At the time of the 1921 census, Miss Shanks, then age 29, lived with her parents (John and Hattie) and siblings (Bessie and Mark) at 146 Park Street, Chatham, Ontario.

146 Park Street, Chatham, Ontario
November 2020

In 2019, her copy ended up in my home, having been purchased from bookseller David Mason. Price: $90.00.  

Access: The Twenty-First Burr was published by Doran in the United States and in Canada by McClelland & Stewart. Neither edition enjoyed a second printing. As of this writing, two copies are listed for sale online, both from London booksellers: London, Ontario's Attic Books offers a jacketless copy of the Doran edition at US$35.00; London, England's Any Amount of Books is asking £30.00 for its jacketless Doran. The McClelland and Stewart edition is nowhere in sight. 

Sixteen of our academic libraries hold copies of one edition or the other, as does Library and Archives Canada.

The Twenty-First Burr can be read online here thanks to the University of Toronto and the Internet Archive.

04 July 2022

A Forgotten Novelist's Hidden Debut



Joan Suter was thirty-seven when her first novel, East of Temple Bar, was published. She'd begun her working life as a fashion illustrator, then headed for Fleet Street, east of Temple Bar, where she found employment as an editor for Amalgamated Press and the George Newes Firm. Suter also wrote short stories under the name "Leonie Mason," which led to some confusion when the London Daily Herald (18 August 1938) reported on the marriage of "Miss Leonie Mason who writes fiction under the name of Joan Suter" to journalist Ogilvie "Punch" MacKenzie Kerr.

London Daily Herald, 18 August 1938
According to the Daily Herald, the wedding followed "a romance of 14 days, which began when they met in a darts match."

Sadly, by the time East of Temple Bar was published, Joan and Punch were no more. She had yet to divorce, but had already met second husband James Walker, a major in the 12th Canadian Tank Regiment. They married in Toronto on 20 September 1946. From that point onwards she wrote as "Joan Walker," and erased East of Temple Bar and her Leonie Mason fiction from her bibliography.

I was on a bit of a Walker tear earlier this year, reading and reviewing her novels Murder by Accident (1947) and Repent at Leisure (1957). In April, I spoke about the author with Dick Bourgeois-Doyle on his Canus Humorus podcast.


I review East of Temple Bar in the new issue of Canadian Notes & Queries. The exercise brought to mind my work on A Gentleman of Pleasure, a biography of self-described "great practitioner of deceit" John Glassco.  

Speaking of Glassco, Carmine Starnino's The Essential John Glassco (Porcupine's Quill) is one of the three reissues I chose for the What's Old feature; No Crystal Stair by Mairuth Sarsfield (Linda Leith Publishing) and The Tangled Miracle by Bertram Brooker (Invisible Publishing) are the two others.

All three belong on your bookshelves.


Invisible, let me know what you're up to!

As always, Seth provides the cover. The Landscape, his regular feature, concerns the long-dead Montreal Standard's magazine supplement.

Margaret Atwood looks at the the short stories of Clark Blaise.

Other contributors include:
Marc Allen
Barry Baldwin
Elaine Coburn
Robert Colman
Jeffery Donaldson
sophie anne edwards
Sadie Graham
Brett Josef Grunisic
Tom Halford
Rhiannon Ng Cheng Hin
Kate Kennedy
Marius Kociejowski
Kim Johntone
Robin Mackay
David Mason
Dominik Parisien
and 
Alice Petersen
Jean Marc Ah-sen interviews Dimitri Nasrallah.

Megan Durnford interviews Céline Huyghbaert.

Sindu Sivayogan adapts Shyam Saladurai's Cinnamon Gardens.

As always, the last page belongs to Stephen Fowler, who serves up Melva E Adams' Marshmallow Magic. Self-published in 1978, it belongs in every Canadian kitchen.


Subscribers receive John Metcalf's The Worst Truth: Regarding A History of Canadian Fiction by David Staines.

Sixty-one pages in length, I read it in one sitting.


Subscriptions to Canadian Notes & Queries can be purchased through this link.

My review of Prof Staines' history was written for another magazine.

It's coming.


23 December 2021

Just in Time for Christmas!


The new issue of Canadian Notes & Queries arrives at a busy time of year, which suits me just fine. I usually race through each issue, reading it from cover to cover, but am now forced to slow the pace and savour.

And so, all I've read thus far is Seth's regular column 'The Landscape.' The beginning raised a smile of self-recognition:

There are still a few places in Ontario where one can find shelves (or piles) of old second hand books for sale that have not been curated. Randomly acquired, roughly heaped into sections, and priced not by author and title but by paperback or hardcover status alone. These places are dwindling fast but I still know a few prime spots. Don't expect me to name them or tell you where they're located though. s if. I don't want you going there. These are my secret places. My old books! Keep out.

Seth's focus this time is The Canada Permanent Story, 1855-1955. "These corporate books weren't really meant to be perused," he writes, yet Seth has done just that, sharing this endpaper illustration:


My own contribution concerns Garnett Weston, whose books and film work consumed much of my summer. They also consumed a fair amount of my income. I've yet to find a Weston in any of my secret places.

Garnett Weston
1890 - 1980
RIP

It's not entirely true that I've only read Seth's column. Among the other contributions is 'Telling the Story,' in which Susan Mayse remembers her father Arthur Mayse's writing career. I commissioned the  piece as the forward to the forthcoming Ricochet Books reissue of Arthur Mayse's 1949 novel Perilous Passage.


There's so much more to look forward to, including writing by:
Stephanie Bolster
Alex Boyd
Kornella Drianovaki
Megan Durnford
Stacey Easton
André Forget
Stephen Fowler
Alex Good
Ronald L Grimes
Brett Joseph Grubisic
Luke Hathaway
David Huebert
Mark Anthony Jarman
Kate Kennedy
Aris Keshav
M Travis Lane
Rohen Maitzen
Dancy Mason
David Mason
Jeff Miller
Nofel
J R Patterson
Shazia Hafiz Ramji
Patricia Robertson
Naben Ruthnum
Cal Sepulia
Drew Tapley
Rob Taylor
Carl Watts
Bruce Whitman
Given that it's the season... Anyone looking for a last minute Christmas gift can't do much better than a subscription to Canadian Notes & Queries. I bought a couple. You can, too!

07 June 2021

Criminal Notes & Queries


The most recent number of Canadian Notes & Queries – The Crime Issue – arrived last week in our Upper Canada rural mailbox. I was honoured to serve as Guest Editor. It was a pleasure putting it together, though I must admit that the heavy lifting was done by regular editor Emily Donaldson.

As always, Seth's provides the front and back covers. Tell the truth, do you not see yourself in one of his mugshots?


In The Landscape, Seth shares an undated, uncredited insert from The Weekend Magazine – which, as he notes, was itself an insert.

"What’s Old," our regular salute to reissues, coupled with offerings from the country’s antiquarian booksellers features Austin Clarke's When He Was Free and Young and He Used to Wear Silks (Anansi, 2021),  Carmine Starnino's Dirty Words: Selected Poems, 1997-2016 (Gaspereau, 2021), a new translation of Markoosie Patsauq's Hunter with Harpoon (MQUP, 2021). Windsor's Juniper Books offers The Executioners (Harlequin, 1951) and French for Murder (Fawcett, 1954), two old Brian Moore pulps that the late author's estate has kept out of print.

The Guest Editor’s Note, in which I recall childhood trauma brought on by a speeding ticket, is followed by the issue's Dusty Bookcase. This one is unusual in that the volume covered, Grant Allen's fin de siècle novel An African Millionaire, is not only in print, but is a certified Penguin Classic. We all remember studying it in high school, right?


Adam Sol and Manahil Bandukwala provide verse.

The issue's features begin with "Sin City," Will Straw's look at Police Journal, the post-war Montreal crime tabloid that anticipated Allô Police.


In "A Requiem for Skid Row," Amy Lavender Harris writes about a Toronto that has fallen to condos, but lives on in the works of Juan Butler, Austin Clarke, and Hugh Garner.

Novelist Trevor Ferguson (aka John Farrow) writes of his encounters with the criminal element in  "Fringe Elements."

Dedicated readers will remember my interest in the mysterious Kenneth Orvis (aka Kenneth Lemieux), author of Hickory House, The Damned and Destroyed,  Cry, Hallelujah!, and four other novels. You may even remember my 2016 plea for information about the man. Imagine my surprise in discovering that former 39 Steps frontman Chris Barry – whom I've seen onstage in Montreal and onscreen in Hannah and Her Sisters – is the mystery man's nephew.  Chris' "Uncle Ken, We Hardly Knew Ye: Kenneth Orvis’ Nephew Surveys the Writer’s Life, Hustles, and Mysterious Disappearance" helps fill in the gaps.


In "Vale of Fears," Monika Bartyzel looks at the influence of a 1935 murder on the fiction of Phyllis Brett Young, our most unjustly neglected novelist.

Jennifer Hambleton disturbs with "Shut Out: How University Libraries are Increasingly Limiting Public Access.

David Frank writes on the relationship between Jack London and all but forgotten Canadian socialist Wilfrid Gribble.

Chris Kelly looks at Blue City, the 1986 adaptation of the 1947 Ross Macdonald novel of the same name. You remember it, right? Judd Nelson and Ally Sheedy starred.

No?

This GIF may refresh you memory.


I intrude again with an interview with Danny McAuley of Brome Lake Books in Knowlton, Quebec.

David Mason's Used and Rare column concerns book thieves and a revelation about a certain famous author.

In the North Wing - selections from the Lost Library of CanLit Graphic Novels -  Nathan Campagnaro adapts Thomas King’s DreadfulWater.

We've also got a new short story from Caroline Adderson, “All Our Auld Acquaintances Are Gone.”


At a time when newspapers and magazines are slashing space devoted to book reviews, we buck the trend with:
Bruce Whiteman on Erin McLaren’s Little Resilience
Rohan Maitzen on Anna Porter’s The Appraisal and Deceptions
Laura Cameron on Amanda LeDuc’s The Centaur’s Wife 
Brett Josef Grubisic on Michael Melgaard’s Pallbearing 
Alex Good on Pasha Malla’s Kill the Mall 
Paige Cooper on Carrie Jenkins’ Victoria Sees It 
Dancy Mason on Patricia Robertson’s Hour of the Crab 
James Grainger on Andrée A Michaud’s Mirror Lake
Emily Donaldson on Sarah Berman’s Don’t Call it a Cult
The Shelf Talker belongs to The Bookshelf in Guelph. Catherine Bush's Blaze Island is one of their four titles.

As always, we finish off with Stephen Fowler's Exhumations. His pick this issue is Writing Thrillers for Profit: A Practical Guide by Basil Hogarth (London, Black, 1936), a volume that once belonged to "a recently deceased author of detective novels." Stephen suggests that it may have been a "joke gift." I'm betting he's right.


The CNQ Crime Issue can be purchased through this link.

It's a steal.

30 January 2021

Erring on The Terror of the Tar Sands



A 1968 children's book, one of the most obscure novels I've read since beginning the Dusty Bookcase, The Terror of the Tar Sands came under fire at the 2012 International Symposium on the History of the Oil and Gas Industry.

I was not invited.

The criticism originated with oil historian Joyce Hunt, who took issue with the use of "tar sands" in its title:
Contemporary rhetoric creates fear in the minds of those unfamiliar with today’s vital energy industry as it puts on hold construction jobs and the economic hopes of thousands. The media and those opposing oil sands development constantly refer to Alberta’s oil sands as tar sands, a technically incorrect term.
Does that not seem a bit unfair? After all, "oil sands" is also technically incorrect. And let's not forget that "tar sands" was used for decades by the industry itself. Still is:


Hell, I grew up with ads for the tar sands, like his one, which featured in the 31 October 1977 issue of Maclean's:

cliquez pour agrandir

(Am I alone in thinking that a sitting MLA shouldn't be on Syncrude's payroll, never mind serve on its Management Committee?)

I'm not a fan of The Terror of the Tar Sands either, but my criticism has nothing to do with the title. You can read all about it in the new issue of Canadian Notes & Queries. My copy arrived today. You're a subscriber, right? If not, here's some of what you're missing, beginning with this cover by Seth:


Dan Wells' Publisher's Note introduces a new series, Shelf Talkers, bringing together recommendations from independent booksellers (among them, my old friend Ben McNally).


Rod Moody-Corbett writes on Percy Janes, whose House of Hate is both one of this country's most controversial and most neglected novels. Only in Canada is such a thing possible.


We have a fable from Pauline Holdstock and a short story by Shaena Lambert.


Bruce Whiteman contributes a memoir.


Other contributors include:
Ho Che Anderson
Michel Basilières
Steven W Beattie
Juliane Okot Bitek
Andreae Callanan
Laura Cameron
Sally Cooper
Steacy Easton
André Forget
Alex Good
Brett Josef Grubisic
Tom Halford
Jeremy Luke Hill
Mikka Jacobsen
River Kozhar
Allison LaSorda
David Mason
John Metcalf
James Grainger Morgan
Nick Mount
Shane Neilson
Rudrapriya Rathore
Patricia Robertson
Mark Sampson
Richard Sanger
Souvankham Thammavongsa
Phoebe Wang 
It all ends on page 88 with Stephen Fowler's remarks on this book:


But wait, what's this?

The same envelope containing the latest CNQ brought the very first issue of Bibliophile, which features the latest news from CNQ mothership Biblioasis. 


Subscriptions to Canadian Notes & Queries can be got through this link.

One last thing: It was through reading The Terror of the Tar Sands that I first learned of Project Cauldron, a 1958 proposal which would have seen nuclear bombs used to separate bitumen from the sands. Why were we not taught this in school? After reading up on it all, this illustration from The Terror of the Tar Sands doesn't seem so insane.


13 July 2020

CNQ: Spring? Spring Ish



“When a day that you happen to know is Wednesday starts off by sounding like Sunday, there is something seriously wrong somewhere.”

The same might be said of a magazine's Spring Issue landing in July. Something is seriously wrong, though I dare say we're getting used to it. Yesterday, I donned a mask, looked about, and felt good that others waiting to buy beer had done the same.

What a long, strange year this has been... and it's barely half-way done. I like to think the arrival of this new issue of Canadian Notes & Queries signals a return to better times. There's a whole lot to look at, like this issue's What's Old, which features:


Here I remind readers that my birthday is next month.

The Dusty Bookcase column in this issue concerns Robert W. Service's thriller The Master of the Microbe. Published in 1926, its hero, an American expat living in Montparnasse, stumbles over a plot to unleash a deadly virus that attacks the respiratory system. Its earliest pages are as interesting and entertaining as anything I've read this year.


You'll also find Bruce Whiteman on George Fetherling, whose The Writing Life (Montreal: McGill-Queens UP, 2013) I edited:


I'm all in with Nigel Beale, who sounds off on the disregard this country demonstrates toward its literary heritage:


David Mason is spot on: There's no such thing as book hoarding.


The embarrassment of riches continues with Colette Maitland's contribution:


And then there's Cynthia Holz's memoir, 'Out of the Bronx':


Other contributors include:
Jeff Bursey
Page Cooper
Elaine Dewar
Meags Fitzgerald
Stephen Fowler
Ulrikka S. Gernes
Basia Gilas
Douglas Glover
Alex Good
Brett Josef Grubisic
Alex Pugsley
Seth
Kelly S. Thompson
Shelley Wood
and
editor Emily Donaldson

An unexpected treat, the copy I received included this insert:


Again, my birthday is next month.

29 January 2020

Published in the Age of Unravelling



Can it be? Not four weeks into the New Year and already a new Canadian Notes & Queries? A theme issue – "Writing in the Age of Unravelling" – it makes for some uncomfortable reading. Catherine Bush contributes an essay on representations of the climate crisis in fiction. Jacky Sawatzky writes on her memorial to the endangered giraffe. Jennifer Ilse Black and Waubgeshig Rice are interviewed. Andrew Forbes presents a cli-fi primer.


Credit goes to Guest Editors Patricia Robertson and Sharon English.

The issue's Dusty Bookcase concerns Hotter Than Hell, the 1974 Kiss album produced by Kenny Kenner and Richie Wise.

I jest. It's about the 2005 dystopian novel of the same title.


Political animals will remember Hotter Than Hell as the small press book the newly-elected Harper Conservatives made famous by silencing its author, government scientist Mark Tushington.

What intrigued me is that for all the coverage – The Globe & MailThe New York Times, The Scientist, et al – no one appeared to have taken the time to read the damn thing.

Well, I've read it. And now you don't have to.

Here's a typical passage:
The Eighteenth Guard (Pennsylvania) and Eighth Guard (New York) divisions, supported by the 1st Marine and 57th Urban brigades were attacking, The First Guard Division was being badly defeated in every sector. The 28th and 29th regiments were quickly pushed out of Abany and up the length of the Mohawk Valley. It was only then that we retreated into Utica that my forces could hold. Because of the inactivity of the IV Corps, I took a supreme gamble and withdrew elements of the 6th Armored Brigade from covering Montreal.
You're welcome.

Other contributors include:
Madhur Anand
Peter Anson
Nicholas Bradley
Yuan Changming
Stephen Fowler
Lise Gaston
Roger Greenwald
Mahak Jain
Joanna Lilley
JF Martel
David Mason
Catherine Owen
Seth
Roz Spafford
Erika Thorkelson
RM Vaughan
Mary Lou Zeitown
The issue also features the annual Book Review supplement.


Thirty-two pages of goodness, provided by:
Michel Basilières
Steven W. Beattie
Jeff Bursey
Andreae Callahan
Laura Cameron
Paige Cooper
Trevor Corkum
André Forget
Monique Giroux
James Granger
Brett Josef Grubisic
Katia Grubisic
Stephen Henighan
Dancy Mason
Rohan Maitzen
Rod Moody-Corbet
Rudrapriya Rathore
Patricia Robertson
Matthew D. Rodrigues
Mark Sampson
Jonathan Valelly
Derek Webster
Bruce Whiteman
Apparently, there's a sequel to Hotter Than Hell.

I'll leave it to others to explore.

Related post: