Showing posts with label Saturday Night. Show all posts
Showing posts with label Saturday Night. Show all posts

01 October 2021

Dustiest Bookcase: S is for Slater (not Mitchell)


Short pieces on books I've always meant to review (but haven't).

The Water-Drinker
Patrick Slater [John Mitchell]
Toronto: Thomas Allen, 1937
149 pages

I read Patrick Slater's The Yellow Briar a few months after moving to southern Ontario. Our new neighbours and friends had read it in school. Another friend, Michael Gnarowski, was preparing a new edition for Dundurn's Voyageur Classics series. Copies were plentiful in our newly adopted corner of the country. It took little effort, little time, and less than thirty dollars to amass a nice little collection of various editions. The new Dundurn edition set me back twice as much as the others combined. 

l-r: the 1933 Thomas Allen edition, the 1963 Macmillan edition, the 1966 Macmillan edition, the 1970 Macmillan edition, and the 2009 Dundurn edition.
My lazy pursuit was encouraged by clippings left by former owners. These were found between the pages of one of the two Thomas Allen copies I own:


I really liked The Yellow Briar, but can't quite remember why. Wish I'd posted a review on this blog. I didn't because these new neighbours and friends were so familiar with he book; it didn't seem neglected or forgotten. As years passed, I realized that the offspring of our new friends and neighbours – closer to me in age – knew nothing of Patrick Slater and The Yellow Briar

Slater wasn't really Patrick Slater but a lawyer John Mitchell. The Yellow Briar, sold by the author and his publisher as a memoir, was a hoax. As hinted in the headline of a clipping above – 'Author Who Jailed Self In Spite of Crown Dies' – Mitchell was a troubled soul. This photograph suggests as much:
 

The image comes from yet another clipping – this one from Saturday Night – which I found in the pages of my copy of The Water-Drinker.


Published four years after The Yellow BriarThe Water-Drinker is a collection of verse coming from a man who'd previously published only prose. It begins with a twenty-one-page introduction in which Slater/Mitchell offers a mea culpa, before expounding on literature, poetry, growing old, and purse picking. The thirteen poems that follow are interrupted by nine colour plates featuring paintings by F.H. Varley, Paul Kane, Cornelius Krieghoff, and Maurice Cullen, amongst others. A tenth illustration – uncredited – appears only in black and white:


Might it be by the poet himself?

My copy, purchased in 2010, once belonged to Louis Blake Duff (1 January 1878 - 29 August 1959). It appears to have been a birthday gift, presented on his sixtieth birthday:


Duff was the author of several books and chapbooks, most having to do with the history of southern Ontario. A respected local historian, his death was noted by William Arthur Deacon in the pages of the Globe & Mail:
Dr. Duff deplored what he called the booklessness of Canadians, their disinterest in literature. As a passionate bibliophile – his own library contained 10,000 volumes – he could not help but be depressed by this characteristic which he considered a national trait.
My copy of The Water-Drinker was one of Dr Duff's 10,000 volumes.

It set me back all of $2.50.

13 December 2015

Kenneth Millar at 100; Ross Macdonald at 59



Kenneth Millar/Ross Macdonald: A Checklist
Compiled by Matthew J. Brucolli
Introduction by Kenneth Millar
Detroit: Gale, 1971

Kenneth Millar was born one hundred years ago today. The first recognition of the anniversary I saw came this past May when Linwood Barclay reviewed the new Ross Macdonald Library of America collection for the Globe & Mail.

Library of America. And why not? After all, Millar was born in Los Gatos, California. His Canadian parents returned to their home and native land a few months later, marking the beginning of a confusing childhood that included a variety of addresses and living arrangements in Vancouver, Kitchener, Wiarton, Winnipeg and Medicine Hat. Kitchener is key. He returned repeatedly to the Southern Ontario city, and as a child lived there longer than another other. It was in Kitchener that he first met and fell for fellow Kitchener-Waterloo Collegiate Institute student Margaret Sturm. In 1931, their respective short story debuts were published in The Grumbler, the school's literary magazine. His, "The South Sea Soup Co.", suffered a printer's error: "Ken Miller".

After graduation, Millar attended Waterloo College (now the University of Waterloo), the University of Western Ontario and the University of Toronto. He married Margaret, who had dropped out to become a writer. And she did… they both did. Ken sold stories, poems and reviews to Saturday Night, but Margaret Millar was the first to publish a novel: The Invisible Worm (1941). The year after publication, the couple moved to Ann Arbor, where Ken had accepted a fellowship at the University of Michigan. Visits aside, the Millars never returned to Canada, settling instead in Santa Barbara, some 450 kilometres south of Ken's birthplace.

Measuring such things is a fool's game, but I think it safe to say that Millar is much more American than, say, Vladimir Nabokov, whose work is also included in the Library of America. Millar saw himself as both Canadian and American, and considered his greatest character to be the same.

I make a deal about of Millar's early years – again – because we Canadians don't. Three years ago, I had to convince the folks at The Canadian Encyclopedia that he was worthy of an entry.

Margaret, too.

The greatest value in Kenneth Millar/Ross Macdonald: A Checklist lies not in the checklist itself, now very much out of date, but in Millar's seven-page Introduction. Here he provides a rather distorted account of that very messy childhood, and the long, agonizing attempts to capture same in "Winter Solstice", an abandoned autobiographical novel. The struggle went on for years, unresolved until "transformed and simplified into a kind of legend, in The Galton Case."

His favourite novel and I still haven't read it.

I've gone over every page in this slim volume, from Matthew J. Brucolli's Compiler's Note ("This checklist is not a bibliography…"), through Kenneth Millar's Introduction ("Having a bibliography put together is in some ways like being psychoanalyzed…"), to the checklist bibliography checklist itself. Introduction aside, the best of it is found in the images.

The end papers are pretty great, though I do wish they were in colour.

(cliquez pour agrandir)
The title pages, also reproduced, provide a nice reflection of the author's decade-long transition from Kenneth Millar to Ross Macdonald:


Millar was just fifty-five when this checklist was published. No one could have known that his career was in its final years. He managed just two more novels before Alzheimer's began taking its toll. Some of the best things about the book are reproduced manuscript pages – five in all – providing glimpses of a keen mind at work… the keen mind that was lost.

(cliquez pour agrandir)
(cliquez pour agrandir)

I'd happily read entire Millar novels this way, beginning with "Winter Solstice". Next Library of America volume, perhaps.

Object and Access: Eighty-six pages in black boards, issued sans dust jacket. I bought my copy two years ago at a London bookstore, a pleasant stroll from the University of Western Ontario. Price: $6.99.


Copies are held by Western and fourteen other Canadian universities. The Toronto Public Library also comes through; Library and Archives Canada does not.

Fifteen copies are listed for sale online, all but one ranging in price from US$12.50 to US$90. Condition is not a factor. The fifteenth, the exception, is inscribed by Millar to his lawyer Harris Seed, and features laid-in "a bookmark issued by the publisher that prints a poem by the author that also bears his holograph signature in ink." Clearly, the copy to present during this season of gift giving. Price: US$1250.

Related post:

29 April 2013

Alan Eagleson Shills for W.H. Smith



The National Hockey League regular season ended late last night. Tomorrow hundreds of millionaires will take to the ice in paid pursuit of a trophy intended for Canada's best amateur team. What better time to acknowledge Hall of Fame Builder Alan Eagleson, OC, for helping to make the game what it is today.

This poorly produced advert from the November 1978 issue of Saturday Night, captures the "Ardent Hockey Fa [sic]" as an improbable pitch man for W.H. Smith. "I've always enjoyed reading" says Queen's Counsel Eagleson, "and it's only in the last eight years that I've had time for leisure reading as opposed to legal reading."

I imagine that the amount of time devoted toward "legal reading" increased dramatically during the long fin du millénaire journey that ended in the Mimico Correctional Centre.

Personal note: Cufflinks are gratefully accepted from those who invite me to speak. Gas money is also good.

Related post:

11 April 2011

The Jacket, the Dressing Gown and the Closet

Dark Passions Subdue
Douglas Sanderson
New York: Dodd, Mead, 1952
This is an unpleasant novel filled with unpleasant characters, but you musn't complain. The dust jacket cautions: "Mr. Sanderson is a terrifying critic of the social scene. His Montreal frauds can be found in big cities everywhere. His hero's crisis is the crisis not of an individual, but of an era."
A hero, a crisis... it's hard to identify either. The protagonist of this, Sanderson's debut, is Stephen Hollis, a young McGill student who lives with his wealthy, pious, Protestant parents in post-war Westmount. He's handsome and he's intelligent, but the reader will find that this poor little rich boy has the personality of a cinder block. To the characters in this novel, however, Stephen is very attractive indeed. Everybody, male and female, wants to be his friend – while he cares for no one.
And then Stephen meets Fabien, a sophisticated Noel Coward sort of figure who never leaves his large, luxuriously decorated Montreal house. Young, well-groomed and impeccably dressed, Fabien is a bon vivant who is always at the ready with a bon mot or catty remark. He is a comfortably directionless aesthete, content to bathe in the delights of fine wine and his intimate entourage of attractive young men. This includes Duncan, a perpetually shirtless dancer, whom Fabien has not only taken into his home, but supports financally.
Here I'm about to spoil things for the potential reader:
It's not true that Stephen's "crisis is the crisis not of an individual, but of an era" – quite the opposite, in fact. The moment comes with just pages to go when he professes his love for Fabien. Stephen begs to be held, Stephen is rejected. It is only then, when attempting physical intimacy, that Stephen learns Fabien is not a "queer".
"Whoops! Stevie dear, Whoopsie!" says Crystal, who reveals herself as Fabien's girlfriend.
Fabien himself is not nearly as goodnatured: "You fool! You bloody fool! You misunderstand me. I am a foreigner." Because, you see, foreigners are often mistaken for homosexuals.
What is a surprise to Stephen was also a surprise to me. Sanderson is guilty of toying with the reader; playing upon stereotype in order to deceive. Here, for example, is our first glimpse of Fabien.
Up on the landing a shaft of light appeared from an opening door and a figure, smoking a cigarette and wearing a bronze-colored Charvet dressing gown, emerged, advanced, and leaned nonchalantly over the bannister. The voice was as pleasantly languid as the pose.
"Greetings, you infamous cow. You won't mind if I mention that I cooked a perfectly delicious Lobster Newburg and opened a bottle of Chablis?"
Duncan laughed. "I beg your pardon."
"Granted, of course."
"I was out with a woman. She wanted to know if I was an intellectual."
"You are, my dear. Far too. Did you convince her?"
"I don't know. I went home with her and she offered me some wine." He sat down on the bottom stair. "I suppose there is no way of helping anyone. That poor lonely woman. Christ, it was ghastly." He burst into tears.
The figure did not move. The voice softened. "Come upstairs and have a shower and tell me all about it, my pet. And let that great heart bleed for the world if it must, but please, please don't weep on the staircase. It simply isn't done. Come now."
Dear Duncan – in tears again. Earlier in the evening he'd wept while rejecting the advances of beautiful Westmount matron Miriam:
"I can't," he said, his breath was coming in sobs; "I'm sorry, but I can't." His hands were over his face, muffling his voice so that she could barely understand what he was saying.
"Duncan–"
"No, it's no use. I tried, honestly. When you came into the room I told myself I could do it because I was a man."
But you see, Duncan, a Scot, is also a foreigner.
In terms of sales, Dark Passions Subdue went nowhere. My copy appears to have been marked down several times with no takers. Reviews were awful and tended to be a touch unfair. Writing in Saturday Night, B.K. Sandwell chose to concentrate on the author's errors when writing French dialogue. One wonders whether The New York Times' John Brooks read the book at all; he describes it as a "first novel about a young couple living in Montreal."
The commercial and critical disappointment caused Sanderson to reinvent himself as a mystery writer. As "Martin Brett", the next year he published Exit in Green, which was followed by the wonderful, noirish Hot Freeze (1954).
Trivia: Credit for the dust jacket's design goes to H. Lawrence Hoffman. No great fan, I've always found Hoffman's work pretty forgettable, though his cover for the first edition of Mickey Spillane's The Long Wait (1951) does stick in the mind.
Access: Not found in a single public library in Canada. Eight university libraries come through for us, but not McGill. Five copies of the first and only hardcover edition are currently listed for sale online, ranging from C$10 (crummy, ex-library copy) to US$112.50 ("Very Good", although the accompanying description leans toward Good). The 1953 Avon paperback also first and only seems just as uncommon: five copies ranging in price from US$13 to US$46. Sadly, in purchasing the paperback one misses out on on the moralizing found on the hardcover's jacket copy. That said, you do get this: "Young Stephen Hollis discovered the irrevocable truth of his lack of normal maleness."
"Sexy Cover Art", says one bookseller. Not in my opinion.
Each to his own, I suppose.

21 February 2011

Freedom to Read Week – Monday


Lt.-Col. John Merner (Ret'd)
1980

Some chilling words from "Censorship Canada" by Hawley Black, published in the December 1980 edition of Saturday Night:
Like the Vatican in the old days, Canada has an index of forbidden material. Ours is a filing cabinet of index cards, kept by Customs and Excise officials on the sixth floor of the Connaught Building just around the corner from the Château Laurier. The keeper of the index, in effect the chief of Censorship Canada, is Lt.-Col. John Merner, a sixty-two-year-old retired army officer who bears the official title Head, Prohibited Importation Section. Along with a departmental lawyer and a couple of clerks, Merner protects Canada from books, films, videotapes, and other materials that he believes (as Section 99201-1 of Schedule C of the Canada Customs Tariff puts it) "treasonable or seditious or of an immoral or indecent character."

...

If a customs decision goes against you, you can appeal. But you may find yourself catalogued among the 100,000 names contained in the Customs Intelligence File. If your appeal fails, the government can destroy the material and you lose your court costs. If your appeal succeeds, the government returns the material to you – and you lose your court costs anyway. Not many people appeal.

...

When I visited the office recently, the Head, Prohibited Importation Section, and his helpers were busily keeping Canada free of material that might subvert the civil order or endanger morals. They were doing so in something close to secrecy, protected by a bureaucratic wall that can be penetrated neither by parliament nor by the press, or even by the minister of revenue himself. Other censors – such as the Ontario film censors – find themselves regularly embroiled in headline-making conflicts, but all is quiet in the Connaught Building. So far as an outsider can determine, there are not even internal struggles over what to censor. Only once in ten years, Merner recalls, has the minister of revenue – it was Robert Stanbury – actually fought one of his decisions. And, says Merner, "He lost."
Funny he never married.

06 May 2010

Jack Kent Cooke in Extra Innings



Looking into The Chartered Libertine I was surprised – shocked – to find that The Canadian Encyclopedia has no entry on Jack Kent Cooke. In fact, Mel Hurtig's baby contains not even a passing mention of the man. What gives? Yes, he left Canada in 1960... sure, he became an American citizen... but Cooke was a Hamilton boy born and bred. Self-made, before heading south he'd come to own the most listened to radio station in Canada. His Triple-A Toronto Maple Leafs led the International League in attendence. What's more, bucking stereotype, this high school drop-out turned Saturday Night into the best Canadian literary magazine of its day. Robertson Davies was one of his hires.

So, why no entry? Cooke underwrote the first Ali/Fraser fight, built the Los Angeles Forum with his own money and owned of the Lakers, the Kings and the Redskins. I mean, c'mon, the man bought the Chrysler Building.

In Toronto, Cooke was a very powerful man; Ralph Allen, who relied on print media for his livelihood, was brave in taking him on. The reader of 1954 would've had no problem in identifying Cooke as the inspiration for Garfield Smith. Cooke owned CKEY, Smith owns CNOTE; Cooke made the Maple Leafs a success with gimmicks that are similar to those used to sell the Queens d'Amour. Then there are the lesser known things; like his model, Smith has an enviable library and an appreciation of fine art.

Reviewing The Chartered Libertine in the Globe and Mail, William Arthur Deacon displayed a certain caution, complimenting Allen on his use of "imaginary characters". The novel itself features no disclaimer – you know the type: "...any resemblance to persons, living or dead, is entirely coincidental." Allen covers himself by having Smith twice mention Cooke as a talented business rival. He also provides no glimpse of Smith's personal life... that is, until the very end of the novel, when he marries between innings in a game against the Cincinnati Barmaids. The bride, Queen d'Amour Honeybear Rodney, served as Smith's male assistant before agreeing to change sex as a publicity stunt to help sell tickets.


Barbara Jean Carnegie Cooke and Jack Kent Cooke, Maple Leaf Park, Toronto, c. 1954

Cooke's own marriages were only a touch more conventional. Where
The Canadian Encyclopedia is silent, Wikipedia steps in. The entry is awkward and repetitive, but the facts are spot on:
Cooke's first marriage, his longest, lasted 45 years. He and Barbara Jean Carnegie married in 1934, and were divorced in 1979. Carnegie was awarded what was then the largest divorce settlement in history - $42 million. The presiding judge during the bench trial was Joseph Wapner, who later became famous as the judge on television's The People's Court. Cooke and Carnegie had two sons: John Kent Cooke and Ralph Kent Cooke.

Cooke's second marriage, to Jeanne Maxwell, lasted only 10 months.

Cooke's third marriage, to Suzanne Elizabeth Martin, was even shorter: 73 days. During that brief marriage Martin, age 31, gave birth to a baby girl whom the couple named Jacqueline Kent Cooke. At the time of Jacqueline's birth, Cooke, her father (age 74), was 43 years older than Martin (age 31). Martin in the divorce action sought $15 million from Cooke.

Following Cooke's death, it was revealed that his final wife, Marlene Ramallo Chalmers - a former drug runner from Bolivian who was 40 years his junior - had been cut out of his will. Cooke and Chambers had married in 1990, divorced in 1993 (after she made headlines in May 1992 by accidentally shooting herself in the finger and in September 1993 by driving drunk in Georgetown with a man pounding on the hood of her Jaguar convertible), and remarried in 1995. Chambers filed suit against Cooke's estate and reportedly received $20 million in a settlement reached about a year after Cook's death.
To the good folks at The Canadian Encyclopedia: Please don't make me have to turn to Wikipedia again.

30 November 2009

The Final Sigh




"The Heavenly Boy", read by Donald Winkler at the installation of the memorial plaque to John Glassco. The poet's last published verse, it appeared in the December 1980 issue of Saturday Night. Glassco died the following month.