The Dusty Bookcase: Ten Years, 100 Titles

The Dusty Bookcase turns ten today. How is that possible? What was meant to be a six-year journey through the obscure and forgotten titles in my library has turned into something of a career. Is "career" the right word? This blog doesn't pay the bills, but it has resulted in a book, a regular column in Canadian Notes & Queries, and the odd gig with other magazines. It's also responsible, in part, for my position as Series Editor of the Véhicule Press Ricochet Books imprint.

True to the plan, I pulled the plug on this blog the day after The Dusty Bookcase turned six... only to be coaxed back by friends. I was easily swayed. I've enjoyed my time here; The Dusty Bookcase has brought much more than work, and has never seemed like work.

Though I don't see an end to The Dusty Bookcase, posts will be less frequent this year. I owe my publisher two books – and, as they'll pay at least a few bills, I aim to deliver the first. Still, let's see if I can't make it through these:

For this tenth anniversary, I've put together a list of the one hundred books that have brought the most enjoyment on this journey. The very best feature, as do the very worst. And so, Ralph Allen's cutting satire The Chartered Libertine (praised by Northrop Frye) is followed by two of Sol Allen's gynaecologist novels, which are in turn followed by the paranoid delusions of lying, hate-filled bigot J.V. Andrew. What fun!

All are recommended reading. You can't go wrong.

Hey, wasn't blogging supposed to be dead by now?

All Else is Folly - Peregrine Acland (1929)

Love is a Long Shot - Ted Allan (1949)

For Maimie's Sake - Grant Allen (1886)

The Devil's Die - Grant Allen (1888)

What's Bred in the Bone - Grant Allen (1891)

Michael's Crag - Grant Allen (1893)

The British Barbarians - Grant Allen (1895)

Under Sealed Orders - Grant Allen (1896)

Hilda Wade - Grant Allen (1900)

The Chartered Libertine - Ralph Allen (1954)

Toronto Doctor - Sol Allen (1949)
The Gynecologist - Sol Allen (1965)

Bilingual Today, French Tomorrow - J.V. Andrew (1977)

Firebrand - Rosemary Aubert (1986)

Revenge! - Robert Barr (1896)

The Unchanging East - Robert Barr (1900)
The Triumphs of Eugène Valmont - Robert Barr (1912)

Similia Similibus - Ulric Barthe (1916)
Under the Hill - Aubrey Beardsley and John Glassco (1959)
The Pyx - John Buell (1959)
Four Days - John Buell (1962)

A Lot to Make Up For - John Buell (1990)

Mr. Ames Against Time - Philip Child (1949)
Murder Without Regret - E. Louise Cushing (1954)

Soft to the Touch - Clark W. Dailey (1949)
The Four Jameses - William Arthur Deacon (1927)
The Measure of a Man - Norman Duncan (1911)

Marion - Winnifred Eaton (1916)

"Cattle" - Winnifred Eaton (1923)

I Hate You to Death - Keith Edgar (1944)

The Midnight Queen - May Agnes Fleming (1863)
Victoria - May Agnes Fleming (1863)

Present Reckoning - Hugh Garner (1951)
The English Governess - John Glassco (1960)
Erres boréales - Armand Grenier (1944)
Everyday Children - Edith Lelean Groves (1932)

This Was Joanna - Danny Halperin (1949)
The Door Between - Danny Halperin (1950)
The Last Canadian - William C. Heine (1974)
Dale of the Mounted: Atlantic Assignment - Joe Holliday (1956)

Flee the Night in Anger - Louis Kaufman (1952)
No Tears for Goldie - Thomas P. Kelley (1950)
The Broken Trail - George W. Kerby (1909)
The Wild Olive - Basil King (1910)
The Abolishing of Death - Basil King (1919)
The Thread of Flame - Basil King (1920)
The Empty Sack - Basil King (1921)
The Happy Isles - Basil King (1923)

Dust Over the City - André Langevin (1953)
Orphan Street - André Langevin (1974)
Behind the Beyond - Stephen Leacock (1913)
The Hohenzollerns in America - Stephen Leacock (1919)
The Town Below - Roger Lemelin (1944)
The Plouffe Family - Roger Lemelin (1948)
In Quest of Splendour - Roger Lemelin (1953)
The Happy Hairdresser - Nicholas Loupos (1973)
Young Canada Boys With the S.O.S. on the Frontier -
Harold C. Lowrey (1918)

The Land of Afternoon - Madge Macbeth (1924)
Up the Hill and Over - Isabel Ecclestone Mackay (1917)
Blencarrow - Isabel Ecclestone Mackay (1926)
Fasting Friar - Edward McCourt (1963)
Shadow on the Hearth - Judith Merril (1950)
The Three Roads - Kenneth Millar (1948)
Wall of Eyes - Margaret Millar (1953)
The Iron Gates - Margaret Millar (1945)
Do Evil in Return - Margaret Millar (1950)
Rose's Last Summer - Margaret Millar (1952)
Vanish in an Instant - Margaret Millar (1952)
Wives and Lovers - Margaret Millar (1954)
Beast in View - Margaret Millar (1955)
An Air That Kills  - Margaret Millar (1957)
The Fiend - Margaret Millar (1964)
Awful Disclosures of Maria Monk - Maria Monk (1836)
Murder Over Dorval - David Montrose (1952)
The Body on Mount Royal - David Montrose (1953)
Gambling with Fire - David Montrose (1969)
Wreath for a Redhead - Brian Moore (1951)
Intent to Kill - Brian Moore (1956)
Murder in Majorca - Brian Moore (1957)

The Long November - James Benson Nablo (1946)

The Damned and the Destroyed - Kenneth Orvis (1962)

The Miracle Man - Frank L. Packard (1914)
Confessions of a Bank Swindler - Lucius A. Parmalee (1968)
The Canada Doctor - Clay Perry and John L.E. Pell (1933)
Adopted Derelicts - Bluebell S. Phillips (1957)

He Will Return - Helen Dickson Reynolds (1959)
A Stranger and Afraid - Marika Robert (1964)
Poems - Richard Rohmer (1980)
Death by Deficit - Richard Rohmer (1995)

Dark Passions Subdue - Douglas Sanderson (1952)
Hot Freeze - Douglas Sanderson (1954)
The Darker Traffic - Douglas Sanderson (1954)
Night of the Horns - Douglas Sanderson (1958)
Catch a Fallen Starlet - Douglas Sanderson (1960)
The Hidden Places - Bertrand W. Sinclair (1922)
I Lost It All in Montreal - Donna Steinberg (1983)
The Wine of Life - Arthur Stringer (1921)

For My Country - Jules Paul Tardivel (1895)

The Keys of My Prison - Frances Shelley Wees (1956)
Arming for Armageddon - John Wesley White (1983)

Related posts:

Fin
The Dusty Bookcase at 1000

Ten Dusty Favourites from The Dusty Bookcase

Brian shares ten noteworthy finds on his bibliophilic journey, including gossip about the Eaton family, radish-heavy dialogue, and "the worst sex scene in all of Canadian literature."

The good folks at All Lit Up have just posted my overview of ten favourite Dusty Bookcase finds. You can read it through here.

Yep, the worst sex scene in all of Canadian literature – and it wasn't written by Dan Hill.

Related posts:

The Dusty Bookcase – The Book!

The Dusty Bookcase in the Toronto Star

The Dusty Bookcase in the Toronto Star

Not my pool, sadly, but that belonging to a friend and old work colleague. Today's Saturday Star features a piece by Nick Patch on the forthcoming Dusty Bookcase book. Although the article itself isn't available online – not to non-subscribers – my picks of five books worthy of attention is open to all:

Rare Reading List: Four Essential Obscure Canadian Reads

(And One Non-Essential)

Because I've received requests for links to my writing on the titles mentioned in the list and article:

The Last Canadian - William C. Heine

Toronto Doctor - Sol Allen

Awful Disclosures of Maria Monk - Maria Monk

The Plouffe Family - Roger Lemelin

A Stranger and Afraid - Marika Robert

The Midnight Queen - May Agnes Fleming

Orphan Street - André Langevin

Michael's Crag - Grant Allen

Bilingual Today, French Tomorrow - J.V. Andrew

The publication date for The Dusty Bookcase is 15 August. It is available for pre-order at Amazon, Chapters/Indigo, and McNally Robinson.

Still Strange (if a little less so)

The Gynecologist

Sol Allen [pseud. Barney Allen]

New York: Pyramid, 1969

I imagine publication of The Gynecologist provided considerable relief to Sol Allen enthusiasts. Sixteen years earlier, Toronto Doctor, his previous novel, had ended abruptly. Just as handsome gynaecologist Guy Fowley and winsome patient Eleanor Hollis started in on what had all the makings of a revelatory scene, the reader was met with a note:

There was no Toronto Surgeon, but I'm certain that much of what the author intended for that unrealized book appears in The Gynecologist. For one, the novel "picks up the thread of the story in Guy's office" – albeit fourteen chapters in.

The first seventy pages of The Gynecologist are little more than rewrites and revisions of bits and pieces from Toronto Doctor, including the very passages that so disturbed fourteen months ago. The reader new to Allen will find the sudden swarm of characters and relationships without benefit of backstory confusing. The enthusiast, I am one, will be confused by threads cut, rearranged and brought forward ten or more years. Episodes that had taken place in the months following the Second World War now happen in the dying days of the Diefenbaker government. The effect is disorienting, much like the peculiar advertisement Allen placed in the 11 March 1949 edition of The Canadian Jewish Review.

Readers new and old benefit from a gentle narrative arch, though it achieves no real height. The most important event, the appointment of a new Chief of Obstetrics and Gynecology at fictitious Metropolitan Hospital, much anticipated in Toronto Doctor, is first mentioned here on the day the announcement is to take place.

Guy gets the post, though this isn't to say that he's the main character. Just as Toronto Doctor isn't about any one Toronto doctor, no single practitioner dominates. The spotlight darts between each man – and they are all men – resting occasionally on a wife, daughter, son or secretary. Things are very much as they were in the previous novel, switching between the tension of the operating theatre and dramas played out in drawing rooms. Dinner parties continue to be held, only now wives begin to cheat on husbands, and husbands begin cheating on wives. Unhappy marriages become more so. One character's death proves beneficial to another, while another achieves sudden wealth. But throughout it all, babies are born. Babies are born.

Such is life.

Favourite passage: 

She was a big woman, but well proportioned; and he could see the pangs of life swelling in her axilla, which was shaven but not very clean, in the veins of her strong neck, in the flux of her bosom. With a soundless cry, he moved toward her.

Trivia: Where I'm not sure I've so much as met a gynaecologist, Allen counted several amongst his friends, including Benjamin Cohen, Chief of Obstetrics and Gynecology at Toronto's Mount Sinai Hospital, who is thanked for "placing the inmost details of his vast clinical and personal experience at my disposal." Contributions by the living are also recognized, though only through initials: "J.G., S.S., S.C. and Wm. A. C."

How hard could it have been in 1965 to identity Toronto gynaecologist "Wm. A. C."?

Object: A 318-page mass market paperback consisting of very small, dense type. My copy, the second Pyramid edition, includes this:

Having died the previous year, Allen was not a resident of Toronto. He wrote four novels, though not one was titled The Black Sheep. It would appear that Sex and the H Bomb was never published. Pity.

Access: I first spotted The Gynecologist on a shelf at the Central branch of the Vancouver Public Library. The Toronto Public Library also has a copy, as do seven of our universities.

The first Pyramid edition can be had for as little as one American dollar. The less common second edition, featuring hot cover by Frank Kalan, will set you back at least US$4.95.

Allen put out two editions of The Gynecologist – both in 1965 – through his own Rock Publishing. Copies in dust jacket are scarce, with only one currently listed for sale online. A Very Good copy of the second edition, at $50 it's a bargain.

Related posts:

Our Strangest Novel?

Our Strangest Novelist?

Our Strangest Book Advertisement?

A Last-Minute Slogan, "Give Books"

Coaching courtesy of an old Eaton's ad published in the 23 December 1933 Globe & Mail. The venerable department store recommended forty-two books, though only five are Canadian: Cannibal Quest by Gordon Sinclair, My Vision for Canada by William Arthur Deacon, The Girl from Glengarry by Ralph Connor, The Master of Jalna by Mazo de la Roche, and for the kiddies, Picture History of Canada by Jessie McEwan and Kathleen Moore.

The young lady gracing the cover of that month's Maclean's appears unfazed by the slim pickings.

You just know that first gift is a book. I'm betting the second is an album of Duke Ellington 78s. The third is, of course, a box of Laura Secord chocolates.

Fast-forward eight decades to this, my annual year-end summary. There will be gift suggestions.

This got off to a good start in January with Philip Child's Mr. Ames Against Time, then hit its stride in the first two chapters of Ronald Cocking's Die with Me Lady, before stumbling badly in the third. "Never have I seen a book fall apart quite so dramatically and melodramatically", I wrote in reviewing Cocking's novel. There was no recovery, which is not to say that the marathon didn't have its moments.

I've fallen into the habit of the listing the three books that are most deserving of reissue. In 2012, Margaret Millar, the pride of Kitchener, swept all spots. I read only one of her novels in 2013, yet here she is again:

For Maimie's Sake – Grant Allen
Vanish in an Instant – Margaret Millar
A Stranger and Afraid – Marika Robert

Of the twenty-four titles reviewed here this past year, only one, Ross Macdonald's The Dark Tunnel (a/k/a I Die Slowly), is currently in print. I saw a copy in the London Indigo just last week. Imagine!

Mention must also be made of Toronto Doctor by Sol Allen, which vies with Neil Perrin's The Door Between as the strangest Canadian novel I've ever read. This brings me to the good people of the Editing Modernism in Canada Project and Ottawa University Press, who are the recipients of this year's praise.

For six years now, project and press have been bringing new and reissued works by our most significant modernist authors. They're attractive and inexpensive to boot!

If all goes well, next year will see a return to print of Sol Allen's 1928 debut novel They Have Bodies, edited by Brock University's Gregory Betts. For this gift-giving season, I ignore Sinclair, Deacon, Connor, de la Roche and McEwan in recommending the following:

Waste Heritage
Irene Baird

Edited by Colin Hill

The Wrong World
Bertram Brooker

Edited by Gregory Betts

Swinging the Maelstrom
Malcolm Lowry

Edited by Vik Doyen
Introduction by Miguel Mota
Notes by Chris Ackerley

Eight Men Speak
Oscar Ryan et al.

Edited by Alan Filewood

Dry Water
Robert J.C. Stead

Edited by Neil Querengesser
     and Jean Horton





And, if I may, I'd like to suggest The Heart Accepts it All, the recently published collection of letters by John Glassco edited by yours truly.

Happy Holidays!

Our Strangest Book Advertisement?

Following Tuesday and Thursday's posts:

I can't leave Sol Allen's Toronto Doctor without presenting this advert for the book from the 11 March 1949 edition of The Canadian Jewish Review. I know of no other.

A dog's breakfast, is it not? The eyes hardly know where  to begin. I suggest the top right and corner:

The header is a bit of a mystery. The text is correct that Allen's story features Jews and Gentiles, but the former are very minor characters, passing fleetingly, never to be seen again. And while it's true that one character is an anti-Semite, she quickly learns to keep her opinions to herself.

Then there's that cheeky lead, which I'm betting was penned by the author of this self-published book:

To say that this is the greatest novel you have ever read is a trite statement. We won't say it. At least not at the moment.

Shouldn't that be the greatest novel you will ever read? After all, the advert is selling Toronto Doctor in advance of publication.

Never mind. What I find most interesting is this:

The sample pages alongside are a fair indication of the quality and style of this important book. These are no better and no worse than the average of its 386 pages.

I can attest to the veracity of this bold claim, though it needs mention that these aren't pages from the book – the page numbers and lines of type do not match. Oh, and the finished book has 390 pages.

Our strangest advertisement? Our messiest? Our least effective? All three?

And so, I leave Toronto Doctor with a final fun fact. Author Sol Allen held two positions in his family's company:  Secretary Treasurer and Director of Advertising. 

Related posts:

Our Strangest Novel?

Our Strangest Novelist?
Still Strange (if a little less so)