Another Sunday, Another Lesson

Following the first, another story of faith from Thomas Conant's 1898 Upper Canada Sketches:

During the summer of that memorable year (1843) the Mormons came to the country, in the hope of making converts. At Butterfield's Corners (Taunton) a man named John G. Cannon held forth for several days, sometimes in the open air and again in the houses of those inhabitants who appeared to have leanings that way.

On one occasion, in the midst of a heated harangue out of doors, he raised his right hand and said, "I ask Heaven if this is not true?" at the same time looking upwards. A moment, and the answer came from above, in a deep bass voice, "It is true," thus startling the audience almost into belief. Again, on making the assertion that the golden tablets of brother Joseph Smith were inspired, he asked, raising his voice, "Are they?" and again came the deep-voiced reply, "They are." One of the men, listening, declared there must be a man in a hollow basswood tree standing near, and said he would go for his hired man with his axe and have it cut down. "Don't you touch it," the Mormon cried authoritatively; "if you do the Lord will strike you dead." Perhaps half convinced, the man did not have the tree chopped down, the fraud passed, and the Mormon thus scored what appeared convincing arguments.

Quite near this scene a young girl was very sick with a fever, and lay in a state of coma. That he could raise the dead he now gave out, as in the illustration he is represented as doing. And it is only fair to the Mormon to add that after his pressure and manipulations over the girl she did open her eyes and look about.

Several converts were made. Among these a family of the name of McGahan embraced the faith, sold their farm for $4,000, gave the money to the Mormon, and went off to Salt Lake. Another, named Seeleys, also sold all and went, but they could not raise much money.

My father had charged me many times, that if ever I went to Salt Lake I should go and see these people. In 1878 I happened to be in the Mormon centre. From a man cutting stones for the new Mormon tabernacle I enquired for the family. The stone-cutter dropped his mallet as quickly as if shot, and replied that he knew them well, and would get a conveyance and take me to them, twenty-five miles down Salt Lake valley, and assured me of a most hearty welcome.

I did not, however, accept his offer, for, honestly, I confess I was afraid of the Mormons. As a "Gentile" I feared to risk my life among them, and preferred not to leave the protection of United States troops at Camp Douglas.

Related post: A Lesson for Sunday

A Lesson for Sunday

A cautionary tale concerning faith from Thomas Conant's Upper Canada Sketches:

During the winter of 1842-3 the Second Adventists, or Millerites, were preaching that the world would be all burnt up in February, 1843. Nightly meetings were held, generally in the school-houses. One E— H— , about Prince Albert, Ont, owned a farm of one hundred acres and upwards, stocked with cattle and farm produce, as well as having implements of agriculture. So strongly did he embrace the Second Advent doctrines of the Millerites that he had not a doubt of the fire to come in February and burn all up, and in confirmation of his faith gave away his stock, implements and farm. Sarah Terwilligar, who lived about a mile east of Oshawa "corners," on the Kingston Road, made for herself wings of silk, and, on the night of 14th of February, jumped off the porch of her home, expecting to fly heavenward. Falling to the ground some fifteen feet, she was shaken up severely and rendered wholly unfit to attend at all to the fires that were expected to follow the next day.

The apocalypse was to have begun at two o'clock in the morning, at which time the fresh February snow would have turned to blood and started to burn. Obviously, the Millerites were a bit off in their prediction.

Conant was less a year old at the time of the anticipated apocalypse, and so relied on others in penning his sketch. This including a manufacturer named Whiting, who complained that come morning "he could do no business, because the people had not gotten over the surprise of finding themselves alive."

And poor Sarah Terwilligar? The author tells us she broke her leg.

Related post: Another Sunday, Another Lesson

Nineteenth-Century Logrolling

In this hectic week it took me three days to realize that Thomas Conant's cautious praise of James McIntyre was part of an exchange of mutual admiration that began with this awkward verse:

Though the date these lines were sent is unrecorded, we know it must have been before they appeared in Poems of James McIntyre (Ingersoll, ON: Chronicle, 1889). Conant was a frequent contributor to the Globe, and did indeed "give fine sketch of bird and fowl", but his masterpiece, Upper Canada Sketches (Toronto: Briggs, 1898), dealt with much more than ornithology. An entertaining blend of nature writing and history, it gives the Conant family a bit more weight than might be their due. That said, it is worth mentioning that Thomas' namesake, his grandfather, was one of the four people killed during the Upper Canada Rebellion.

The scene was imagined by Edward Scrope Shrapnel.

The artist contributed twenty-six paintings to Upper Canada Sketches, making it one of the most attractive books to come out of nineteenth-century Canada.

The Verse Inside

Newspaper editor John Stephen Willison was an admirer of James McIntyre, which may explain the position of the poet's name above those of Alexander Charles Stewart, Bliss Carman and Charles Sangster in the 23 December 1893 edition of the Globe. What follows is a brief overview of "real Canadian poets" by critic Thomas Conant. All is quite polite. Of McIntyre, Conant cautions:

The great majority of his fellow poets will, I suppose, be disposed to pass him over in silence because he is deficient in grammar and early elementary education. No doubt he has written some lines which would have been better never to have seen the light, and doggerel, I am afraid, they must be termed. Yes, and so have the best of his fellows of the muse done the same to some extent! Not that I mean to be at all ungenerous, but only just to Mr. McIntyre: for he has really the verse in him, and gives us some here and again quite worth while.

The critic is selective in quoting McIntyre's verse, drawing lines from "Prologue to South Ontario Sketches" and "Province of Ontario". I take the same liberty in presenting the first 28 of the latter:

Poems of James McIntyre (Ingersoll, ON: Chronicle, 1889)

"This is certainly from the pen of a man who loves Ontario," observes Conant.

Those in need will find an antidote in "The Flight" by McIntyre's contemporary Susie Frances Harrison, otherwise known as "Seranus":

S. Frances Harrison. Pine, Rose and Fleur de Lis (Toronto: Hart, 1891)