The Ten Best Book Buys of 2023!

With sadness, I report that 2023 was another year in which all my favourite acquisitions were purchased online. This is not to suggest that every transaction was a good one. In March, I won a lot of twelve Marilyn Ross Dark Shadows books, three of which bear the signature of their true author, New Brunswick's W.E.D. Ross. 

My lengthy victory dance came to an abrupt end when they arrived loose in a recycled Amazon box. Most were in poor condition, some featured stamps from used bookstores, and one had a previous owner's name written on its cover. Added to all this was the shipping charge, which far exceeded the amount paid for the books themselves, and was several times greater than what Canada Post had charged the seller.

Had all gone well, this copy of Barnabas, Quentin and the Frightened Bride (New York: Paperback Library, 1970) would've surely made the cut.

Enough negativity! It was a good year!

What follows is 2023's top ten:

In Nature's Workshop
Grant Allen
London: Newnes, 1901

I bought three Grant Allen books this year – the novels This Mortal Coil (1888) and At Market Value (1895) being the others – but this is the one I like the most. The posthumously published second edition, it features over one hundred illustrations by English naturalist Frederick Enock (1845-1916).

Hot Freeze
Martin Brett [Douglas

   Sanderson]

London: Reinhardt, 1954

For years I've been going on about Hot Freeze being the very best of post-war Canadian noir; it was one of the first novels reissued as a Ricochet Book. I was aware that there had been a UK edition, but couldn't find a copy with dust jacket.

Found it!

Hilary Randall: The Story

   of The Town
Horace Brown

Toronto: Voyageur, [n.d.]

While working to return Brown's 1947 novel Whispering City to print, I learned that Saturday Night editor B.K. Sandwell had thought Hilary Randall just might be the great Canadian novel. Self-published roughly four decades after its composition, my copy is inscribed!

Wedded for a Week; or, The

   Unseen Bridegroom
May Agnes Fleming

London: Milner, [n.d.]

As with Grant Allen, I can't let a year go by without adding more Fleming to my collection. The Actress' Daughter was the first, but I much prefer this 1881 novel, if only for its two titles.

Writing this I realize that I haven't read a Fleming in 2023. 

A Self-Made Thief
Hulbert Footner

London: Literary Press,

   [n.d.]

As my old review of 1930's The Mystery of the Folded Paper suggests, I'm not much of a Footner fan, Still, at £4, this last-minute addition to a large order placed with a UK bookseller seemed a bargain. The dust jacket illustration, which I hadn't seen, is unique to this edition.

Pagan Love
John Murray Gibbon
Toronto: McClelland &

   Stewart, 1922

Had I not read this novel, it's unlikely this wouldn't have made the list. Pagan Love entertained at every turn as a take-down of the burgeoning self-help industry and corporate propaganda. Odd for a man who spent most of his working life writing copy for the CPR.

Dove Cottage
Jan Hilliard [Hilda Kay

   Grant]

London: Abelard-Schulman,

   1958

There are books that grow on you. Reviewing Dove Cottage this past March I likened it to an enjoyable afternoon of community theatre, but it has remained with me in a way that the local real estate agent's performance as George Gibbs has not.

Three Dozen Sonnets &

   Fast Drawings

Bob McGee
Montreal: Véhicule, 1973

This year marked the fiftieth anniversary of Véhicule Press. Three Dozen Sonnets & Fast Drawings was the press's very first book. A pristine copy with errata slip, it appeared to have been unread.

No longer.

Awful Disclosures of Maria

   Monk
Maria Monk

New York: Howe & Bates,

   1836

A first edition copy of the text that launched an industry. Not in the best condition, but after 187 years, much of it being pawed over by anti-papist zealots, what can one expect.

My work on the Maria Monk hoax continues. 

Crimes: or, I'm Sorry Sir,

   But We Do Not Sell

   Handguns to Junkies
Vicar Vicars [Ted Mann]

Vancouver: Pulp, 1973

As far as I know, Crimes is Ted Mann's only book. When published, he was an editor at National Lampoon. The Bombardier Guide to Canadian Authors was in his future, as were NYPD Blue, Deadwood. and Homeland.

What to expect next year? More Allen and Fleming, I'm betting.  Basil King seems likely.

Related posts:

The Ten Best Book Buys of 2022 (plus gifts!)
The Ten Best Book Buys of 2021... and much more!
Ten Best Book Buys of 2021 (& Three Great Gifts)
The Twenty Best Book Buys of 2019
Best Book Buys of 2018 (four of which were gifts)
Ten Best Book Buys of 2017 (one of which was a gift)

The Ten Best Book Buys of a Very Bad Year (2016)

Ten of the Best; Spanking Good Book Buys of 2015

Done With Buying Books (2014)

Cheese! What a Story!

Life, Liberty, and the Pursuit of Self-Improvement

A Crooked Cousin in a Cunning Cottage

Maria Monk's Immortal Book

B is for the Bombardier Guide to Canadian Authors

Of Sex and Drugs and Montreal

The Great Canadian Author Photo and Bio?

Purchased last week to treat myself. Lord knows I deserve it. Above is the cover of the first and only British edition of Hot Freeze by Martin Brett. Published in 1954 by Max Reinhardt, it follows Dodd, Mead's first American edition by a matter of weeks. I prefer the latter, but only for the dame.

I first read Hot Freeze in 2011, roughly nine years after the author died. It's the very best work of post-war Canadian noir, those by Brian Moore and David Montrose included. Four years later, I helped return it to print as part of the Véhicule Press Ricochet Books series. It is the only edition to be published under Douglas Sanderson, the author's true name. 

A few months later, Ricochet brought back Blondes Are My Trouble (original title: The Darker Traffic), the sequel to Hot Freeze.

Blondes Are My Trouble is the second-best work of post-war Canadian noir.

Sanderson is an unlikely top dog. A transplanted Brit, he began writing thrillers after the commercial failure of his literary debut, Dark Passions Subdue (1952). He claimed the turn toward genre was done on a dare. If true, it sure paid off; throughout the decades, he produced nearly two dozen, most of which enjoyed French translation.

Mon cadavre au Canada [Hot Freeze]

Martin Brett [Douglas Sanderson; trans Bruno Martin]

Paris: Gallimard, 1955

I wrote the intro to the Ricochet Hot Freeze and invited John Norris to contribute another for Blondes Are My Trouble. Greg Shepard of Stark House Press has done more than anyone in reviving interest in Sanderson, republishing nine Sanderson novels, featuring additional material by himself, Kevin Burton Smith, Paul Charoff, Jonas Westover, and the author's son John D. Sanderson. This, I believe, forms the bulk of Sanderson scholarship. What else have we got? Never mind The Canadian Encyclopedia, The Oxford Companion to Canadian Literature, and W.H. New's Companion to Canadian Literature, not even Wikipedia recognizes Sanderson.

No, I'm wrong. The French Wikipedia has a Martin Brett entry – very informative it is, too.

I reference all this because after all my years researching Sanderson, the brief Max Reinhardt author bio brought some revelations.

That is one great author photo.

Were it not for the words in parentheses, it would rank amongst the best author bios ever. 

Related posts:

Of Sex and Drugs and Montreal
Ricochet! Rocochet!
Ricochet Prefers Blondes
The Jacket, the Dressing Gown, and the Closet
A List of Montreal Post-War Pulps: A Second Shot

Ten Best Book Buys of 2020 (& Three Great Gifts)

In years to come – presuming they come – I expect I'll look upon this beat-up copy of Arthur Beverley Baxter's The Blower of Bubbles with great affection. I do now. Published in 1920 by McClelland & Stewart, the book is neither rare nor valuable, yet it is this year's most memorable find. It was purchased at the Bookworm in Perth, Ontario, not long after lockdown restrictions had been lifted. Three months had passed since I'd last visited a bookstore. After all that time, I'd have gladly paid for admission.

As might be expected, most of the books added to the bookcase this strange year were bought online. You'll see I was particularly drawn to signed copies – something to do with the daily reminders of mortality, I suppose.

What follows are the nine other titles in this year's top ten. 

An African Millionaire

Grant Allen
New York: Edward Arnold,

   1897

The first American edition, this isn't the best of copies – I am not a wealthy man – but at US$27.00 it was a great find. Responding to my review of Allen's The Woman Who Did, a friend suggested that An African Millionaire is the author's better-known book. Perhaps, but is it as good?

Mon cadavre au Canada

   [Hot Freeze]

Martin Brett [Douglas

   Sanderson; trans Bruno

   Martin]

Paris: Gallimard, 1955

The French translation of our greatest post-war noir novel. The story is abridged and Bruno Martin is clumsy, but that didn't stop me from also buying Estocade au Canada, his translation of Sanderson's A Dum-Dum for the President.

Pascal Berthiaume
Francis DesRoches

Quebec: Elite, 1932

A novel brought to my attention by Jean-Louis Lessard of Laurentiana. His review of this short novel of romance and small town politics intrigued. I was not disappointed!

Signed by the author.

Married, Yet No Wife;

   Or, Told in the Twilight
Mary Agnes Fleming

New York: Street &

   Smith, [c. 1916]

A fragile paperback published during the Wilson administration, it crumbles to the touch. The nineteenth-century Carleton editions hold up better, but I do like that cover. The title, which predates same-sex marriage in Canada by more than a century, intrigues.

PeeVee
Fred Jacob
Toronto: Macmillan, 1928

Bland boards, lacking dust jacket – please tell me one has survived – and still this ranks as one of my favourite finds. I've been meaning to read poor Fred Jacob for ages. The first sentence grabbed me: "In the Hortop family, innovation was looked upon as something to be combated."

The Twenty-first Burr
Victor Lauriston

Toronto: McClelland &

   Stewart, 1922

An early Canadian mystery, this is Lauriston's only novel. Amongst his other books are A Century of Milling, 1848-1948: the story of the T.H. Taylor Company Limited, Chatham, Ontario and Blue Flame of Service: A History of Union Gas Company and the Natural Gas Industry in Southwestern Ontario. Inscribed by the author.

Mine Inheritance
Frederick Niven
Toronto: Dent, 1945

Niven never had much of a profile, so how is it that Mine Inheritance, of which I'd never heard, was once abridged and edited as a school text? This copy, found in an Ottawa bookstore, came from the library of Henry C. Miller, founder of the legendary Graphic Publishers.

The Devastator
Arthur Stringer

Indianapolis: Bobbs-

   Merrill, 1944

The last of Stringer's forty-four novels, I purchased this on a whim, sight unseen, from an online bookseller located in author's birthplace (Chatham, Ontario). Hollywood figures, as it did in the life of the author. Will you look at that cover! Signed by Stringer!

Psyche
Phyllis Brett Young

Toronto: Longmans, 1959

The first edition of the author's first novel –  signed by the author, with a gift inscription from her mother – how this ended up in a Wallingford, Oxfordshire bookshop is anyone's guess. It has now been repatriated. I made the purchase while working on the Ricochet reissue of The Ravine, Phyllis Brett Young's only thriller.

Three generous souls sent books which, had they not been gifts, would have been considered amongst the year's best buys:

Dale of the Mounted:

   Atomic Plot
Joe Holliday

Toronto: Allen,

   [1959]

Of the fourteen Dale of the Mounted books, this is the one I'd most wanted to read. I mentioned as much when reviewing Dale of the Mounted: Atlantic Assignment. Chris Otto of Papergreat heard my wish.

CAW-CAW Ballads
Wilson MacDonald
Toronto: The Author, 1930

Number 449 in this "AUTHOR'S EDITION, WHICH IS LIMITED, NUMBERED AND AUTOGRAPHED." The poet inscribed this copy to Healey Willan. A gift from Fiona Smith, does this go in my MacDonald collection or my Willan collection? I can't decide!

 

The Private War of

   Jacket Coates
Herbert Fairly Wood
Toronto: Longmans,

   1966

A gift from old pal James Calhoun, who worked with me in returning Peregrine Acland's All Else is Folly to print. The Private War of Jacket Coates is Canada's only novel of the Korean War. How is it that there was only one? And why is he title so bad? I aim to find out.

There's more to my purchase of Arthur Beverley Baxter's The Blower of Bubbles. On that day I was in Perth for the celebration of the 101st birthday of André Hissink, my grandfather.

A man born in 1919, in the midst of the Spanish Flu pandemic, two months after his 101st birthday he came down with COVID-19... and he beat it.

Here's hoping I share those genes.

Here's hoping you all are safe and well.

Related posts:

The Twenty Best Book Buys of 2019
Best Book Buys of 2018 (four of which were gifts)
Ten Best Book Buys of 2017 (one of which was a gift)

The Ten Best Book Buys of a Very Bad Year (2016)

Ten of the Best; Spanking Good Book Buys of 2015

Done With Buying Books (2014)

Ten Dusty Favourites from The Dusty Bookcase

Brian shares ten noteworthy finds on his bibliophilic journey, including gossip about the Eaton family, radish-heavy dialogue, and "the worst sex scene in all of Canadian literature."

The good folks at All Lit Up have just posted my overview of ten favourite Dusty Bookcase finds. You can read it through here.

Yep, the worst sex scene in all of Canadian literature – and it wasn't written by Dan Hill.

Related posts:

The Dusty Bookcase – The Book!

The Dusty Bookcase in the Toronto Star

A List of Montreal's Post-War Pulps: Second Shot

Late last month, I was interviewed by CULT MTL for their cover story on Montreal pulp and the Ricochet Books series. The issue arrived on the stands last week. Since then, I've been contacted by a number of people wanting a list of Montreal's post-war pulps. The only one of which I knew was this 2014 list made for my Canadian Notes & Queries column. I think it has stood the test of time – two years, anyway – but am now wondering whether it shouldn't be expanded.

All depends on one's definition of "post-war," really. For the purposes of the column, I chose the ten years that followed the August 1945 armistice – though, truth be told, I see the period as ending in 1960. Am I wrong? Americans tend to agree... much to do with Kennedy's victory and that torch being passed to a new generation, I expect. Across the pond, certain cousins maintain that it all ended in 1979 when Thatcher moved into 10 Downing Street.

And then a great darkness set in.

This revised list covers pulps set in Montreal and published between the armistice and the end of 1960, the last day of the farthing. Links are provided for my reviews of each. Titles that have been revived as part of the Ricochet Books series are indicated with asterisks.

The House on Craig Street
Ronald J. Cooke
Winnipeg: Harlequin, 1949 

The first novel by magazine writer and editor Cooke, The House on Craig Street is about a kid who thinks he'll make a killing in the advertising game. He does, though this real passion is literature.

Love is a Long Shot
Alice K. Doherty [pseud. Ted Allan]
Toronto: News Stand Library, 1949

Allan's second novel – after the recently rereleased This Time a Better Earth – Love is a Long Shot is notable for containing the most disturbing scene in Canadian literature. I've written this before. I'll write it again. It haunts.

Sugar-Puss on Dorchester Street*
Al Palmer
Toronto: News Stand Library, 1949

Newspaperman Palmer's only foray into fiction. A slim novel written with tongue firmly in cheek, its value comes in its depiction of pre-Drapeau Montreal, a time when Dorchester was a street... and was called Dorchester.

The Mayor of Côte St. Paul*
Ronald J. Cooke
Winnipeg: Harlequin, 1950

Easily the best of Cooke's three novels. Heavily autobiographical, like the first, it follows aspiring writer Dave Manley, who joins a crime syndicate in quest of material.

Wreath for a Redhead
Brian Moore
Winnipeg: Harlequin, 1951

The very first novel by Moore, a man who would win two Governor General's Awards and be shortlisted for several Bookers.

 "Montreal Means Murder!"

The Crime on Cote des Neiges*
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1951

Montrose's debut introduces Montreal private dick Russell Teed. Here he's trying to prove the innocence of a Westmount girl accused of murdering her bootlegger husband.

The Executioners
Brian Moore
Winnipeg: Harlequin, 1951

Dangerous men arrive in Montreal tasked with either kidnapping or killing an exiled foreign leader. Mike Farrell, a veteran of the Second World War and more than a few boxing rings, sets out to stop them.

Flee the Night in Anger
Dan Keller [pseud. Louis Kaufman]
Toronto: Studio Publications, 1952

Unique amongst the post-war pulps, Flee the Night in Anger divides its action between Montreal and Toronto. Beware the 1954 American reprint, which cuts out a good quarter of the text (including the dirtiest bits).

Murder Over Dorval*
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1952

The second Russell Teed book, Murder Over Dorval is set in motion when a Canadian senator is clubbed on the head during a particularly turbulent flight from La Guardia.

The Body on Mount Royal*
David Montrose
     [pseud. Charles Ross Graham]
Winnipeg: Harlequin, 1953

The third and final Russell Teed adventure is also his booziest. This one involves blackmail, illegal gambling and, of course, a dame... two, in fact.

Intent to Kill
Bernard Mara [pseud. Brian Moore]
New York: Dell, 1956

The last of Moore's Montreal pulps. A thriller set in a building modelled on the Montreal Neurological Institute. The basis for a more than competent 1958 feature film of the same name. Both are recommended.

The Deadly Dames
Malcolm Douglas
     [pseud. Douglas Sanderson]
New York: Fawcett, 1956

The first Sanderson to be published as a paperback original, The Deadly Dames sees the return or Montreal private dick Mike Garfin (see below), but under another name. By pub date, Sanderson had quit Montreal for Alicante, Spain.

Related titles:

Noirish novels not included because they were first published in hardcover or because they don't take place in Montreal.

Daughters of Desire
Fletcher Knight
Toronto: New Stand Library, 1950

A mystery of sorts that begins in a Montreal nightclub, but quickly shifts to a yacht bound for the Bahamas; the novel itself is directionless. Promises of sex come to nothing, despite the presence of a hooker and a promiscuous heiress.

Dark Passions Subdue
Douglas Sanderson
New York: Avon, 1953

The author's debut, this "story of the men who don't belong" deals with homosexuality and the angst of a privileged Westmount boy studying at McGill. Sanderson's "serious novel," it was first published in 1952 by Dodd, Mead.

Hot Freeze*
Martin Brett
     [pseud. Douglas Sanderson]
New York: Popular Library, 1954

The greatest work of Montreal noir... and it's written by a transplanted Englishman. Go figure. Hot Freeze marks the debut of private dick Mike Garfin. It was first published the same year by Dodd, Mead.

French for Murder
Bernard Mara [pseud. Brian Moore]
New York: Fawcett, 1954

Moore's third pulp, the first not set in Montreal. American Noah Cain stumbles upon a murder scene and spends the rest of the novel running around France trying to find the girl who can clear his name.

Blondes Are My Trouble*
Martin Brett
     [pseud. Douglas Sanderson]
New York: Popular Library, 1955

The second Mike Garfin novel – very nearly as good as the first – sees the private dick doing battle with a Montreal prostitution ring. Originally published in 1954 by Dodd, Mead under the title The Darker Traffic.

A Bullet for My Lady
Bernard Mara [pseud. Brian Moore]
New York: Fawcett, 1955

Josh Camp arrives Barcelona to search for his missing business partner. A treasure hunt ensues. By far Moore's weakest and silliest novel (writes this great admirer).

This Gun for Gloria
Bernard Mara [pseud. Brian Moore]
New York: Fawcett, 1956

Disgraced journalist Mitch Cannon, down and out in Paris, is approached by a wealthy American matron who wants his help in finding her daughter. He refuses, but does it anyway.

Hickory House
Kenneth Orvis
     [pseud. Kenneth Lemieux]
Toronto: Harlequin, 1956

By a Montrealer, but set in an anonymous city on the shores of Lake Michigan. I'm reading it right now and would appreciate hearing from anyone who knew the mysterious Mr Orvis.

Murder in Majorca
Michael Bryan [pseud. Brian Moore]
New York: Dell 1957

The last Brian Moore pulp, published between The Feast of Lupercal and his very best Montreal novel, The Luck of Ginger Coffey. Moore left the city for New York in 1959, much to our loss.

The Pyx
John Buell
New York: Crest, 1960

An unusual, highly impressive first novel in which Catholicism, the occult, prostitution, heroin, wealth and privilege all come into play. The basis for the less impressive 1973 film of the same name, it was first published in 1959 by Farrar, Straus & Cudahy.

C'est tout.

Have I missed anything?

Let me know.