It doesn't seem right to describe the new issue of
Canadian Notes & Queries as special – every issue is special – but this one, the one hundredth issue, marks a remarkable milestone. That it did so in its fiftieth year is both a reflection of an often precarious past and its stability this past decade under publisher Dan Wells.
I came on board with
my first Dusty Bookcase column in issue 81 (Spring 2010). My subject back then was
The Miracle Man, the very first book I'd ever read by
Frank L. Packard. This time around, the column takes the form of an investigative update on thriller writer and passer of forged cheques
Kenneth Orvis (a/k/a Kenneth LeMieux). His is not exactly a household name, though regular readers may remember my reviews of his debut,
Hickory House (1956), and
Cry Hallelujah! (1970), his greatest flop.
I've also contributed an essay, "For All Its Faults," which has been described by historian Christopher Moore as an evisceration of the killing of the New Canadian Library. In this unpleasant task I was supported by Daniel Donaldson's razor sharp editorial cartoon.
On a related note – two, actually – my daughter Astrid provides an editorial cartoon to "Hints and Allegations," a chapter from Elaine Dewar's GG-nominated
The Handover, the shameful story of how it was our country's greatest publisher was given away to a foreign multinational.
Also featured is Andreae Callanan's "The Xenotext's Woman Problem," winner of this year's CanLit Crit Essay Contest. Nick Mount writes on CanLit's beginnings, Anna Porter shares memories of McClelland & Stewart as it was in the 'seventies, and Jim Polk looks at fifty years of the House of Anansi. In "Will Anyone Care?" Mark Sampson lays bare his obsession to preserving his work. The issue is rounded out by contributions from Seth, Pierre Nepveu (translated by Donald Winkler), Robert Wringham, Mary H. Auerbach Rykov, Mark Bourrie, Kamal Al-Solaylee, Jason Dickson, David Huebert, David Mason, J.C. Sutcliffe, Rohan Maitzen, André Forget, Alex Good, Bruce Whiteman, Stephen Fowler.
More information can be found
here at the CNQ website. And this
link will take you to the subscription page, which will bring you issues 101, 102, and 103.
Every one special.
