Mr. Steven Against Company Policy

Thanks goes out to Jim B. for helping to identify the artist behind the handsome jacket to Philip Child's Mr. Ames Against Time, the subject of Wednesday's post. He is Arthur Steven, who from 1947 to 1970 served as Art Director of Ryerson Press. Mr Steven's illustration is wider than previously pictured, stretching from the spine to just inside the front flap. Clicking on the cover below will bring a nice-sized image.

Captured is the novel's opening scene:

The court-house clock boomed five times and Mr. Ames performed the rite of taking out his watch. It never failed to give him a small satisfaction to find that his watch was exactly on time, for he was a man who liked things in order: watch in order, clothes however shabby in order, conscience neatly in order.
   A dog chased a cat across Mr. Ames' path...

At the right, we can see the Urania Burlesque Theatre, at which Mr. Ames serves as doorman.

Randall Speller has written a very fine piece on the artist, "Arthur Steven at the Ryerson Press: Designing the Post-War Years (1949-1969)" (Papers of the Bibliographical Society of Canada/Cahiers De La Société Bibliographique Du Canada, Fall/Automne 2003), in which we find this:

In opposition to company policy during these early years, Steven was able to discreetly insert his name or an initial on the occasional dust jacket or illustration, something that appears to have been easier in the early 1950s. The jackets for Philip Child's Mr. Ames against Time [sic] (1949), J.V. McAree's Cabbagetown Store (1953), and William Arthur Deacon's The 4 Jameses (1953), among others, are signed "Steven" in very small letters; Isabelle Hughes' The Wise Brother (1954) and the map endpapers of Marjorie Freeman Campbell's Niagara: Hinge of the Golden Arc (1958) are signed with a very small 'S' in the lower right corner. These "signatures" are the first indicators of a consistent design presence at Ryerson in the post-Thoreau MacDonald years.

This, of course, has sent me running to the bookcase. Sure enough, I found "STEVEN" by the side of the road on the cover of Cabbagetown Store.

On the jacket he produced for Ryerson's The 4 Jameses, a favourite, "STEVEN" can be seen near the bottom right-hand corner.

And, also bottom right, there's that "S" on the cover of The Wise Brother.

I found no other jackets signed "STEVEN" or "S" in my modest collection of Ryerson Press books – just forty-two in all – but that doesn't mean I won't keep looking.

Related post:

Mr. Child's Simple Story of Dramatic Suspense

Mr. Child's Simple Story of Dramatic Suspense

Mr. Ames Against Time

Philip Child

Toronto: Ryerson, 1949

244 pages

This review now appears, revised and rewritten, in my new book:

The Dusty Bookcase:

A Journey Through Canada's

Forgotten, Neglected, and Suppressed Writing

Available at the very best bookstores and through

Biblioasis, Amazon, Chapters/Indigo, and McNally-Robinson.

Related post:

Mr. Steven Against Company Policy
(in which the cover artist is identified)

An Old Poem for the New Year by Arthur Stringer

from Open Water
(New York: John Lane, 1914)

Related posts:

A New Year

Immature Verse for the New Year

Temperance Verse for New Year's Day

Mistake at Beechwood Cemetery?

As 2012 draws to a close, I find myself wondering whether this was the year in which we should have been celebrating the sesquicentennial of William Wilfred Campbell's birth. If so, where would we have held the parade?

It's a mystery to me that such uncertainty envelopes the date and place of this Confederation Poet's birth. After all, 'twas only 150 (or so) years ago; one would think that the son of an Anglican clergyman would have a good solid record of his christening.

The plaque pictured above, standing not twenty paces from Campbell's grave at Ottawa's Beechwood Cemetery, tells visitors that the poet's year of birth was 1862, yet the unusual bench/memorial marking the grave itself records the year as 1858.

In her Introduction to William Wilfred Campbell: Selected Poetry and Essays (1987), editor Laurel Boone writes that the poet was born in 1860 at Athens, a township not too far from Brockville in eastern Ontario. Ms Boone revises her claim in the fourteenth volume of The Dictionary of Canadian Biography (1994), providing only a probable date – 15 June 1860 – and a likely place of birth: Newmarket, some 300 or so kilometres to the west. 

 Tracy Ware is confident in The Canadian Encyclopedia, naming Berlin – now Kitchener – as Campbell's birthplace, but shows caution concerning the date: "1 June 1858?"

In his Encyclopedia of Canadian Literature, W.H. New shows no hesitation whatsoever: "b Berlin (Kitchener), ON, 1 June 1858".

The entry George Wicken penned for The Oxford Companion to Canadian Literature challenges with the pronouncement that Campbell was born in 1860 "in Newmarket, Canada West (not in Berlin/Kitchener, in 1858, as has been supposed)".

from The Poems of Wilfred Campbell (Toronto: William Briggs, 1905)

All agree, at least, that Campbell was born somewhere in Ontario in 1858 or 1860, but there's not a single source out there that supports 1862, the year cast (pun intended) by Beechwood. I'd like to think that the cemetery's plaque is the result of further research, but I'm not so sure. My queries have brought this response:

From the information available in our records, the informant for the passing of Mr. William Wilfred Campbell was his son in law [sic] Mr. E. Malloch. He is probably the person who provided the information on Mr. Campbell to the funeral home (‘Rogers & Burney Fineral Home’) and to the cemetery. Our records indicate that Mr. Campbell was 56 when he passed, that is why you get the ‘abt 1862’ year of birth on the ancestry website. We do not have any other details on the date of birth. 

Confidence is further shaken by the plaque itself, which sums up Campbell's life in just two sentences:

AN OUTSTANDING FIGURE IN CANADIAN POETRY, CAMPBELL HAD A LONG AND DISTINGUISHED CAREER AS A WRITER, CLERGYMAN AND CIVIL SERVANT. HE AUTHORED MANY NOVELS AND WAS APPOINTED INTO THE DEPARTMENT OF MILITIA IN 1883 AND THEN IN 1897 MOVED TO THE PRIVY COUNCIL OFFICE.

"HE AUTHORED MANY NOVELS"?

I knew of two obscurities, Ian of the Orcades (1906) and A Beautiful Rebel (1909), when I began this investigation. I've since learned of a third, "Richard Fizzell", which was serialized in 1909 and 1910 issues of The Christian Guardian (it has never appeared in book form). Apparently, two others exist as manuscripts only. 

Can this be considered "MANY"?

Perhaps.

Meanwhile, the real Mystery at Beechwood Cemetery remains unsolved.

Maybe next year.

Christmas Verse by Isabel Ecclestone Mackay

from Fires of Driftwood (Toronto: McClelland & Stewart, 1922) 

A Merry Christmas to all!

Related posts:

Christmas Verse from Master of All Poets James Gay
Arthur Stringer Pines for Christmas Past

Christmas Greetings from Gay Page!

Miss Machar's 'The Call of Christmas - 1914'

A Neglected Novelist's Neglected Grave

Three photographs taken yesterday in Toronto's Mount Pleasant Cemetery at the gravesite of Peregrine Acland, author of All Else is Folly, and his wife Mary Louise Danforth.

Related post:
Peregrine Acland: Fifty Years
The Great Canadian Great War Novel

Grumbles About Gumble & Praise for Stark House

Looking back, I see this as a year of reading riches bookended by two great disappointments. In January it was Douglas Durkin's Mr. Gumble Sits Up, the story of an indebted, tired man whose rest in peace is interrupted when he returns to life at his funeral. December brought Tan Ming, a self-published, pseudonymous fantasy penned by electronic organ pioneer Morse Robb. It's the tale of an Eaton's window dresser who falls in love with a mannequin, uses magic to make her come alive, and then flees into a post-apocalyptic future.

Oh, but don't both sound fun?

Mr. Gumble Sits Up and Tan Ming ended up being the two hardest slogs of the year; at 471 deathly dull and dense pages of text, the latter was particularly trying. My now eleven-month-old post on Mr. Gumble Sits Up can be found through this link. Anyone interested in hearing more about Tan Ming will have to wait for a future Dusty Bookcase column in Canadian Notes & Queries.

Of the thirty-two titles reviewed here and in CNQ, I count three novels that should be reissued forthwith. All are by Margaret Millar, the pride of Kitchener, Ontario:

     Wall of Eyes
     Beast in View
     An Air that Kills

Not one is available in Canada, which isn't to say that they can't be purchased abroad. Orion reissued Beast in View under its Phoenix imprint just last year, while An Air that Kills is available in the United States courtesy of California publisher Stark House.

This year's tip of the hat and pat on the back goes to Stark House for having returned An Air that Kills to print, along with five other Canadian novels:

An Air that Kills/Do Evil in Return – Margaret Millar

I won't pretend to have read all twenty-five Margaret Millar novels, but I have An Air that Kills. The best thus far, my take can be found here:

Margaret Millar and the Air Up North

The Deadly Dames/A Dum-Dum for the President – Douglas Sanderson

Originally published in 1956 and 1961 respectively, these Montreal noir mysteries are the last novels Sanderson set in Canada. I've written about The Deadly Dames here:

A Dick's Deadly Dames

Pure Sweet Hell/Catch a Fallen Starlet – Douglas Sanderson

I can't speak to Pure Sweet Hell, but Catch a Fallen Starlet is one of my favourite Sanderson titles. My thoughts on the novel:

Drunken Writer Exposes Hollywood Hush-Up



Sadly, Stark House has no Canadian distributor. All titles are available through the Stark House website and, ahem, amazon.com (not amazon.ca).

Canadian distributors take note.

The Vancouver Sun, 7 December 1962