Mrs. J. Hoodless, Domestic Scientist

J.W.L. Forster. Adelaide Hoodless (c. 1897)

One hundred years ago today, Adelaide Hoodless collapsed and died while delivering a speech to the Women's Canadian Club in Toronto. She was a foe of suffragettes, thought a woman's place was in the home and believed the education of girls should focus on making them good wives and mothers. Still, she's owed a debt of gratitude for recognizing the importance of nutrition and sanitation in an increasingly urban Canada.

"Educate a boy and you educate a man, but educate a girl and you educate a family", she would say; but to Mrs Hoodless, education for girls centred on domestic science. Her efforts made Canadian home and hearth healthier, but helped keep women out of the workplace. Under her watch, the Hamilton YWCA phased out commercial courses, replacing them with classes in domestic science. Mrs Hoodless' influence expanded greatly with the 1898 publication of her Public School Domestic Science, a textbook used in schools across Ontario, and less than two years later she found herself president of the new Ontario Normal School of Domestic Science and Art. All went south from there: financial problems, a nervous breakdown and dismissal, ending with her hitting the stage, literally, in Toronto.

An ignoble end to an interesting woman from another time. Tonight I raise a glass to Mrs Hoodless... anyone who dismissed proponents of prohibition as "temperance cranks" can't be all bad.

A Thanksgiving Hymn

"A Thanksgiving Hymn" by Agnes Maule Machar (a/k/a Fidelis), from the revised edition of her Lays of the 'True North,' and Other Canadian Poems, published in 1902 by Copp, Clark. Miss Machar's portrait is taken from Canadian Singers and Their Songs, compiled by Edward S. Caswell (Toronto: McCleland & Stewart, 1919).

Old Folks

Jean-Louis Lessard has just completed a very fine series on early Canadian writer Philippe-Joseph Aubert de Gaspé, the seigneur best-known for Les Anciens Canadiens (1863). I first encountered this historical romance as part of a CEGEP course on the literature of Quebec (if memory serves, Hubert Aquin's Prochain épisode and David Fennario's Without a Parachute were also on the reading list), but the words I read belonged to translator Sir Charles G.D. Roberts.

I've always viewed Roberts and his translation, The Canadians of Old, with a dab of derision, an irrational discourtesy that originates with the cover of the New Canadian Library edition used in the course. Those familiar with the NCL's second series design will be grateful that the only image I could find is so small. It was such an ugly book, made all the worse by the inexplicable presence of Roberts' name in place of the author's. Even the title is wrong: Canadians of Old, when it should be The Canadians of Old. Of course, none of this had anything to do with Roberts, who was three decades dead when this particular edition appeared. Like I say: irrational.

To be fair to Sir Charles, his name doesn't even appear on the cover of the handsome 1890 first edition, despite the fact that he was at the time a poet of some acclaim. I don't believe Roberts ever really considered himself a translator. The idea for the book came from New York publisher Appleton, and was accepted at a time when he was in dire need of cash. That said, it wasn't a bad match. Roberts may not have shared Aubert de Gaspé's interest in Boileau and Racine, but both he and the seigneur were readers of Sir Walter Scott. The name of the novel's protagonist, Archibald Cameron of Locheill, provides a good indication of the depth of the baronet's influence. This was raised to the surface in 1905, when publisher L.C. Page reissued the book as Cameron of Lochiel - dropping the double 'l', thus bringing the character's name into line with Cameron of Locheil in Waverley, Scott's hugely successful first novel.

This second title has received a good amount of criticism these past ten decades, but let's again be fair; though adopted in Canada by Copp Clark, it was first imposed on the book by a Boston publisher with an eye on the American market. I'll add that the 1865 theatrical adaptation was titled Archibald Cameron of Locheill ou un épisode de la guerre de Sept Ans au Canada, and that the plot has more to do with Archie than pal and fellow protagonist Jules d'Haberville.

Les Anciens Canadiens holds a unique position in this country as a novel translated by four different hands. The first, by Georgina M. Pennée (The Canadians of Old, 1864), was later revised by Thomas Guthrie Marquis and published in 1929 as Seigneur d'Haberville: A Romance of the Fall of New France. I imagine that Roberts' translation is the most read (the NCL edition sold nearly 1800 copies in the first six months alone); a great shame since it has been surpassed by Jane Brierley's 1996 translation. The only one currently in print, it is highly recommended, as are her translations of Aubert de Gaspé's Mémoires (A Man of Sentiment, 1988) and his posthumous Divers (Yellow-Wolf and Other Tales of the Saint Lawrence, 1990), which received a Governor General's Award.

Oh, and Prochain épisode and Without a Parachute? Also recommended.