Showing posts with label Macmillan of Canada. Show all posts
Showing posts with label Macmillan of Canada. Show all posts

01 June 2015

Passion Over Reason in a Bland Bachelor's Lap



The Unreasoning Heart
Constance Beresford-Howe
New York: Dodd, Mead, 1946
235 pages

This review, revisited and revised, now appears in my new book:
The Dusty Bookcase:

A Journey Through Canada's
Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through


Related posts:

27 December 2013

Christmas with Neil Young's Dad



Home for Christmas and Other Stories
Scott Young
Toronto: Macmillan, 1989

Seventeen stories by sportswriter and sometime hired pen Scott Young, this is pleasant enough stuff. "Bread-and-butter articles" to borrow the words of one character, most were written for the Globe & Mail, many dating from the days in which the newspaper published a Christmas edition. The best of the lot, those spared the jam and jelly, touch on the autobiographical. In "Once Upon a Time in Toronto" he shares memories of his first Christmas as a married man. "The Night After Christmas" is about the unforeseen, rather surprising consequence of a festive wartime party. My favourite, "A Prairie Boy's Christmas, 1933" is as much about the holiday as it is about the author's rough childhood. It's the author's favourite, "Early One Christmas", that disappoints. Rewritten as "Glad Tidings from the Paper Boy", it begins:
Once there was a boy of 13 who had The Globe and Mail paper route on Brookdale Avenue in North Toronto, between Yonge Street and Avenue Road. He was a tall and thin boy who did not like getting up at six every morning…  
Young has placed some distance between himself and the 13-year-old, whom he never names, removing much of the warmth. Here's the beginning to the original, published in the 25 December 1964 Globe & Mail. Enjoy!
Almost everyone has his own favorite Christmas story. I believe that I am particularly lucky in that my favorite concerns one of my sons. He is 19 now, a little taller than I am and a lot thinner. But this story happened six years ago when he was 13 and delivered a Globe and Mail route on Brookdale Avenue in North Toronto.
     I used to hear him almost every morning at six when he wakened. Usually the two hours after he left were my soundest sleep of the night.
     On the rare occasions when he overslept, this built-in alarm mechanism in my mind brought me awake about the time he should have been moving. When I could not hear him I would tiptoe to his room and say, "Neil".
     "Yes," he'd say instantly, sitting upright in bed, wide awake.
     "I guess you overslept."
     "Guess I did."
     But on this Christmas morning of 1958 he was up on time and, like all other Globe and Mail boys up that morning, rose when the world was black and cold.
     He made the blind trip to the bathroom and sleepily began to pull on his clothes.
     Downstairs, he stood for a moment and looked at the stacked and laden Christmas tree, did the slow march past it, stopped to shake a parcel or two and stood like a robin to listen, and then went on.
     A glass of milk and a brief forage in the refrigerator, and then on with his ear-covering cap and his scarf and parka and overshoes and mitts, on that ice-cold bicycle seat and down the driveway to pedal into the morning alone.

Object: A compact 117-page hardcover in red boards with twenty-four illustrations by Huntley Brown. I bought my copy eleven years ago from a Vancouver bookseller. Price: $1.99. It's a signed, first edition. There has never been another.


Access: Twenty-four years after publication, it's not too hard to find in public libraries. Dozens of copies are being offered online with prices ranging from US$0.01 to US$7064.57. Condition does not factor.

Long out-of-print, as Home for Christmas it can be read as an ebook. This is the "cover":


Chindigo and Amazon.ca for $9.99. Amazon.com charges US$10.78 because… oh, just because.

Related posts:

06 June 2012

Teamwork



Face-Off
Scott Young and George Robertson
Toronto: Macmillan, [1971]

It's playoff time in the NHL and who cares? Canada, the nation referred to in the league's name, hasn't had a team in contention since April. The last ice I saw was in February. It's two weeks to the summer solstice, for goodness sake.

Face-Off dates from just about the time things started going south. Pun intended. This is not a literary endeavour, but a bit of hack work described awkwardly as "a novel based on an idea created by John F. Bassett".


That would be the John F. Bassett who was the son of John W.H., father of Carling, and owner of the justly forgotten Memphis Southmen, Birmingham Bulls and Tampa Bay Bandits. His idea – not at all bad – was to turn Love Story into something that would appeal not only to readers of Erich Segal, but Rolling Stone and The Hockey News. The novel would be followed by a feature film and, ultimately and improbably, a delicious chocolate bar.

George Robertson, screenwriter of the unjustly forgotten Quentin Durgens, M.P.,  was recruited, as was sportswriter Scott Young. The casting of the latter name was particularly inspired; Young had not only penned a few kids' hockey adventures, but was the father of Neil.


The hero here is Billy Duke, a defenceman touted as "the third in a line of Golden Boys" that includes Bobbys Hull and Orr. The hottest of prospects, Billy is about to be drafted when he meets beautiful, talented folk-rock chanteuse Sherri Lee Nelson, a hippy chick who has "a trim, lean figure with everything in about the right amounts distributed in the right places."

A warning to parents: This is no Boy at the Leafs' Camp or Scrubs on Skates. Billy makes mention of his penis on the first page, and the second... and will talk about laying your sister in the third. Though the sex peters out – again, pun intended – this is not a novel for children. Pretty Sherri, an unstable pot-head, will turn to LSD, mescaline and loads of other stuff as things turn sour.

I thought I'd have a field day with Face-Off; everything about it seemed on the surface so silly – "Happy flip-side and all that jazz... Pull up a joint and make the scene", Sherri's manager invites – and yet I came to care for Billy and Sherri and was shaken when the ending, which is set up to be very Disneyesque, turns out to be anything but.



Reading Face-Off has made me want to see the film... and reading about that film makes me want to see it all the more. A commercial failure, it was criticized for focusing too much on hockey; just about half the run time is taken up by footage of games. Like the novel, it skates between fact and fiction; Derek Sanderson, Bobby Orr, Brad Park and Jacques Plante all figure as characters.


Nine – just – when Face-Off was released, I was only dimly aware of its existence. Still, even as a young pup I recognized that it served as the inspiration for SCTV's Power Play, "the Great Canadian Hockey Film", starring William Shatner Dave Thomas, Al Waxman Rick Maranis, Helen Shaver Catherine O'Hara and Hockey Hall of Famer Darryl Sittler John Candy as hot prospect Billy Stemhovilichski.


The parody features in the DVD reissue of Face-Off.

Such good sports.


Object and Access: A slim hardcover in dark blue boards with shiny red type, the Macmillan first edition, with its 6000 print run, supposedly sold out by November 1971. That same month, Pocket Books let loose 50,000 mass market paperbacks, though you'd never know it from online booksellers. Three copies of the Pocket edition are listed at between US$5 and US$21 (condition not a factor). The Macmillan edition is more common online with all sorts of acceptable copies going or about ten bucks.

02 December 2011

The Highest Compliments of the Season



Now in the final month of the year, tradition dictates that I offer holiday gift suggestions – this time accompanied by bits and pieces published one hundred years ago today in the Globe.

Of the twenty-eight neglected books reviewed here this year, the three most deserving of a return to print are:
Hot Freeze by Martin Brett (né Douglas Sanderson)
The Pyx by John Buell
Four Days by John Buell
By coincidence, not design, each deals with the Montreal criminal underworld of decades past. Used copies of are available through online booksellers for as little as a dollar ($5 in the case of Hot Freeze).

Praise this year goes to the British Columbia publishers that returned worthy titles to print through the Vancouver 125 Legacy Books Project. Ten books in total, I recommend Class Warfare by D.M. Fraser, Crossings by Betty Lambert, The Inverted Pyramid by Bertrand W. Sinclair and, above all others, Edward Starkins' Who Killed Janet Smith?

Macmillan of Canada, 1984/Anvil Press, 2011

I'll be so bold so to make this final gift suggestion: my own A Gentleman of Pleasure: One Life of John Glassco, Poet, Memoirist, Translator and Pornographer, published this past April by McGill-Queen's University Press. Seven years in the making, at long last a biography of this country's most unusual writer.

Right now, the least expensive copies – C$25.17 – come through Amazon.ca. Would that I could compete. The best I can do is offer signed copies, gift wrapped in Anaglypta (heavy embossed paper) and postage paid to any destination, at the retail price of C$39.95. Kind souls can make contact through email at my blogger profile.

Once a bookseller, always a bookseller.

09 May 2011

The Good Soldier Comes to Canada



The Good Soldier: The Story of Isaac Brock
D.J. Goodspeed
Toronto: Macmillan, 1967

With just over a year until the War of 1812 bicentiennial, things are becoming busy in my part of the country. Our cousins immediately to the south are perhaps a just bit less active. What some American historians call "The Forgotten War" is a conflict David Paterson didn't want recognized. In 2009, the then-governor of New York, the central state in the struggle, vetoed the creation of a War of 1812 200th Anniversary Commemoration Commission. Paterson now gone, the body was finally brought into being through a bill passed the month before last. No finances attached.



The commemoration of what was in essence a failed war of conquest should be interesting. I'll be paying particular attention to the treatments of Tecumseh and Isaac Brock in relation to, say, William Henry Harrison.

There is no Tecumseh Street in our little town, but Brock has been so honoured. It's not at all surprising. "If it had not been for Isaac Brock," writes author Goodspeed, "Jefferson's prediction that the conquest of Canada would be 'a mere matter of marching' might well have come true."

Published more than fifteen decades after the man's death, written for the children that followed another war, this book provides an excellent introduction for anyone coming to Brock's life for the first time. Donald James Goodspeed, a lieutenant-colonel in the Canadian Armed Forces, Senior Historian in the Canadian Defence Force's Historical section, had a talent for writing clean, clear and concise histories. His book on the Canadian Corps, The Road Past Vimy, covers the rather complicated story in just 185 pages. The Good Soldier is even shorter – 156 pages, punctuated by twenty line drawings – yet it provides not only a remarkably thorough account of Brock's life, but some good background on the causes of the conflict.


Volume #29 in the Great Stories of Canada series, The Good Soldier follows a strict format in that it features no references. Yet, it is possible to identify at least some of Goodspeed's sources: A Veteran of 1812, Mary Agnes FitzGibbon's 1894 life of John FitzGibbon; and The Life and Correspondence of Major-General Sir Isaac Brock, KB (1845) by Brock's nephew and correspondent, historian Ferdinand Brock Tupper.

Goodspeed limits all comment and opinion to the very last paragraphs. It's here that the lieutenant-colonel mentions Jefferson's prediction, adding: "Thus, in a very real sense, Canada's present independence is the gift of the soldier from Guernsey."

I wonder what that Channel Island has planned.



Trivia: D.J. Goodspeed is my club name.

Object: A slim hardcover in black and red boards, with drawings by sometime Great Stories of Canada illustrator Jack Ferguson (who, the dust jacket tells us, lives on a farm that once served as a campsite for Brock). My copy of The Good Soldier, a reprint of the 1964 Macmillan first, appears to have been issued at the same time as a paper edition.

Access: A couple of acceptable copies of the first edition are available from online booksellers at about $26. As one might expect, the reissue is cheaper. Brock University has a copy, as do a number of other academic institutions. Only two public libraries hold the book in their collections both, sadly, as non-circulating reference copies. In other words, children cannot take this book home to read.

09 November 2010

Acknowledging Hugh MacLennan



Hugh MacLennan died twenty years ago today. I never met the man, though I did once nod reverently as we passed each other in an otherwise deserted university hallway. He smiled. I should have stopped. I've since learned not to let such opportunities slip by.


Another regret: I've never seen the screen adaptation of MacLennan's Two Solitudes. When offered the opportunity I chose Superman: The Movie. Christopher Reeve as the Man of Steel beat Stacy Keach's Huntly McQueen. This happened back in 1978 when I was still a young pup – shouldn't I be given a second chance? As far as I can tell, Two Solitudes never made it to Beta or VHS or LaserDisc or DVD. YouTube doesn't have so much as the trailer.


Is it any good? All I have to go on is the poster, a publicity photo, Macmillan's movie edition and a handful of contemporary reviews. It seems no one was particularly crazy about the film... "letdown" is the most accurate one-word summation, though Jay Scott provided a particularly detailed and damning review for the 30 September 1978 Globe and Mail:
Stylistically, Two Solitudes is pure Hollywood, Old Hollywood. It is not enough that we make exploitation films for the Americans: now we are copying their ponderous historical dramatizations, employing composer Maurice Jarre, the once-favored treacly symphonizer of those lumpen ethics. It is a characteristically Canadian irony that the dramatizations being Xeroxed no longer exist in their original form. Two Solitudes does not resemble any contemporary American film of quality as much as it resembles made-for-TV novels like Washington: Behind Closed Doors and Rich Man, Poor Man; it's a passionless political soap opera.
A few months later, Scott named Two Solitudes as one of ten worst films of 1978, while pointing to Superman was one the ten best.

Wonder if I'd agree.

07 October 2010

Limited Time, Limited Editions (2/6)



No Man's Meat
Morley Callaghan
Paris: Edward W. Titus at the Sign of the Black Manikin, 1930

"I have had printed of this edition five hundred and twenty-five copies on Verge de Rives, of which five hundred copies for subscribers and twenty-five copies, numbered 501 to 525, for the press. The entire edition is signed by the author. This is no: 165 E.W.T."

I'm pretty sure that this is the first signed, numbered edition I ever bought. At the time I was writing for television – a daytime soap, if you must know – and felt pretty flush with cash. How flush? Well, I plunked down US$125 for this novella from Callaghan's summer in Paris.

It's that old familiar story. A husband and wife entertain a female friend. The guest ends up sleeping with the man to pay off a gambling debt. Everybody is unhappy... until the wife realizes that she's in love with her gal pal and the two run off together. Saturday night, Sunday morning.



The novella didn't appear in Canada until 1978 when Macmillan published it in No Man's Meat & The Enchanted Pimp. Its dust jacket makes for interesting reading:
...when No Man's Meat first appeared in 1931, its frank treatment of perverse sexuality [whoring? bisexuality?] made it unsuitable for a commercial house, and it was privately published in Paris by an avant-garde press. Since then the limited edition of four hundred copies [525, actually] has gained widespread fame by word of mouth. Its early notoriety has been softened by Edmund Wilson's description of the piece as "a small masterpiece", and the original edition as become an underground classic, changing hands for two hundred dollars and more.
Thirty-two years later, there are plenty of copies listed online for US$60 (US$35 without slipcase). How to explain its decline. The internet has certainly played a part, but I think the real blame lies with Macmillan. In making the novella more accessible, the new edition took away much of the mystery – No Man's Meat isn't nearly as risqué or quirky as the title suggests.


Stoddart re-resurrected the novella in 1990, but you'd never know it from their jacket copy, which implies that No Man's Meat is a new work. I believe it was the last book that Callaghan lived to see published.


Note: That's Titus not Tutis.
This:
Not this:

03 May 2010

Baseball in Panties, of Course



The Chartered Libertine
Ralph Allen
Toronto: Macmillan, 1954

As a young man I placed Ralph Allen with Thomas B. Costain and Thomas H. Raddall; Canadian writers whose book club editions choked church bazaars, thrift stores and library sales. Raddall, I would learn, was a perfectly fine writer; The Nymph and the Lamp was one of the more enjoyable novels read during my undistinguished university years. And Costain? Well, I could never get through more than a few pages. I didn't touch Allen, which is a pity because The Chartered Libertine is one of the cleverest satirical novels to have come out of this country

Timely and timeless, it concerns attacks on the CBC and its struggle for survival. At the centre is businessman Garfield Smith, "sole owner and president of radio station CNOTE, part owner and business manager of the Toronto Daily Guardian, chief debentures holder and Editor Emeritus of True Blue Revelations Magazine, and non-stockholding past chairman of the board of the rather disappointing Drive-in Dentistry Inc." Smith's newest acquisition is a failing women's softball franchise called the Swansea Lady Slugerettes. He brings the team to Toronto, renames it the Queens d'Amour and clothes the players in new uniforms consisting of "scarlet bodices and long opalescent pantaloons".

No fan of public broadcasting, Smith has been content to limit his attacks to station identification: "This is CNOTE, a station that is listened to and makes money." The trouble begins after the CBC refuses his cash offer to air Queens d'Amour games in place of cultural programming. Working under cover of anonymity he sets out to destroy the broadcaster through the League for the Incorporation of Godly and Humanistic Training (LIGHT), folks who don't much care for Shaw and take great objection to mention of unwed mothers on the radio.


The Globe and Mail, 29 May 1954

There's a good deal of noise, but no culture war. With an eye on the polls, the Conservative-Liberal PM orders the crown corporation sold, thus outmaneuvering the Liberal-Conservative leader who had always hoped to do just that... not that he'd ever let on.

You see, he had a hidden agenda.

Trivia: Robert Fulford, amongst others, has identified the model for Garfield Smith as Jack Kent Cooke.

Object: A nicely bound hardcover, it belonged to my father, a CBC employee.

Access: Easy enough to find in our university libraries. As far as I've been able to determine, there was just one Macmillan printing, and no paperback edition. The book was also published in the United States by St. Martin's – one wonders what American readers made of all that stuff about the CBC and Canadian party poltics. No surprise, I suppose, that one Yankee bookseller is selling the book as a "different kind of baseball novel". There are a few Very Good copies currently listed online in the C$15 to C$20 range. Of these, the real gem is one signed by blurb contributor Northrop Frye. And at only US$19.95! Then we have the sad example of an Ottawa bookseller who asks US$100 – four times more than anyone else – for a jacket-less copy with previous owner's signature. Priced fairly only if that previous owner was Jack Kent Cooke... and features his annotations.

01 February 2010

Ex Libris



It was interesting to see Whit Burnett's name appear so frequently in news stories dealing with the death of J.D. Salinger. Burnett is an overlooked figure in American letters – he doesn't even have a Wikipedia entry, for goodness sake – yet in his day he held considereable sway and respect. Charles McGrath wrote in the New York Times that Salinger "bragged in college about his literary talent and ambitions, and wrote swaggering letters to Whit Burnett, the editor of Story magazine." According to McGrath, "Mr. Salinger’s most sustained exposure to higher education was an evening class he took at Columbia in 1939, taught by Whit Burnett, and under Mr. Burnett’s tutelage he managed to sell a story, 'The Young Folks,' to Story magazine."

What does all this have to do with Canadian literature? Not a whole lot, I suppose – though Salinger's influence outside the ever-tightening borders of the United States cannot be denied. And it should be recognized that Story published a small number of Canadian writers, including those old standbys Stephen Leacock and Morley Callaghan.


I'm not sure what to make of the inscription in this copy of Sackcloth for Banner (Macmillan of Canada, 1938), purchased seven years ago from a Philadelphia bookseller. Jean-Charles Harvey was not amongst the Canadians featured in Story, and I can find no evidence of a friendship between the two men. Perhaps it's nothing more than a warm greeting from a writer to an admired editor... a "friend in letters", so to speak.

With another deadline approaching, another change of pace. The next week or so will feature images of books from others' libraries that have somehow ended up in my own... along with a word or two of explanation. Wouldn't want anyone to think I lifted these things.

12 July 2009

MacLennan Rising



Belated recognition of the new McGill-Queen's University Press edition of Hugh MacLennan's The Watch That Ends the Night, the first in its reissue of novels by the 'seminal Canadian writer'. A couple of decades ago it would've been inconceivable that a MacLennan novel could go out of print. Not so in today's unhealthy environment – even this, the author's finest work of fiction, had been unavailable for several years.

I know of seven other cover treatments of the novel, but this new one by David Drummond's has become my favourite. The designer discusses the series in his blog.

Two other favourites follow.


Macmillan of Canada first edition, 1959


Signet mass market paperback, 1960

25 April 2009

Cardinal Villeneuve's Folly



Les Demi-civilisés
Jean-Charles Harvey
Montreal: Éditions du Totem, 1934

Seventy-five years ago today Jean-Marie-Rodrigue Villeneuve, Archbishop of Quebec, had Les Demi-civilisés placed on the Index of Prohibited Books, thus ensuring that there will always be those who make a special effort to track it down. Not always an easy thing to do. While Cardinal Villeneuve's condemnation most assuredly helped spur sales – the 3000 copy print run sold out in a matter of weeks – it also meant that the novel, Harvey's second, remained out of print until 1962, when a revised edition was published.

In his 'CONDEMNATION DU ROMAN "LES-DEMI-CIVILISES"', the Cardinal cites article 1399, 3°, of the Code of Canon Law, which calls for the banning of works that 'purposely attack religion or good morals'. In fact, both are left unscathed; the reader finishes the novel with virtue intact. Harvey doesn't attack religion, but the Church. His demi-civilisés are not the uneducated, but their repressors: an alliance of clergy, politicians and businessmen.
The Globe and Mail, 30 April 1938

A pariah to some, a hero to others, Harvey did maintain a certain profile, and was sought out as a speaker. Pierre Chalout of Le Droit called him the 'grand-père de la révolution tranquille', yet during the final years of his life Harvey fell out of favour with a thud. His promotion of bilingualism and defence of federalism, as articulated in Pourquoi je suis anti-séparatiste (1962), alienated a great many Quebec intellectuals. Thirty-two years after his death, Quebec City has no rue Harvey, nor does Montreal. All but one of his books is out of print.



Les Demi-civilisés is one of a very small number of Canadian novels to have received two English language translations. The first, by Lukin Barette, is saddled with the rather unfortunate title Sackcloth for Banner (Toronto: Macmillan, 1938). As if that weren't bad enough, it may well be the worst translation yet made of a Canadian novel. Barette omits passages, changes names, invents dialogue and commits what amounts to a rewrite of the final two chapters. All is set right with Fear's Folly, John Glassco's 1980 translation, published two years later by Carleton University Press.



Object and Access: Sadly, predictably, all but absent from our public libraries. A decent copy of the first edition is currently listed online at US$30.00. An incredible bargain. English-language editions aren't dear. As Sackcloth for Banner, it goes for between C$60 and C$135. Fear's Folly is usually on offer for about C$15.