A bonus:
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Loren Swift #01 - Foul Shot
31 minutes ago
18 October 2014
17 October 2014
Ce soir: Hommage à Louis Hémon
Hommage à Louis Hémon
Parrainé par le Writers' Chapel Trust
Vous êtes invités à assister au dévoilement
d'une plaque commémorative.
Micheline Cambron (Université de Montréal) prendra la parole.
Vendredi, 17 Octobre, 2014 à 18:00
Église Anglicaine de Saint James the Apostle
1439 rue Sainte-Catherine, Ouest
Une réception avec vin et fromage suivra l'événement.
Louis Hémon Tribute
Sponsored by The Writers’ Chapel Trust
You are invited to attend the unveiling of a commemorative plaque.
Micheline Cambron of the Université de Montréal will speak.
Friday October 17, 2014 at 6 p.m.
St. James the Apostle Anglican Church
1439 St. Catherine Street West
A reception with wine and cheese will follow.
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15 October 2014
Touched in the Head by a Telepathic Virgin
Soft to the Touch
Clark W. Dailey
Toronto: News Stand Library, 1949
Caroline Prentiss entertains her male visitors – and she has many – in revealing robes and diaphanous negligees. She loves to kiss and encourages caresses, but don't you go getting any ideas about taking things further. At twenty-six, Caroline guards her virginity like no one, convinced that it is tied inextricably to her independence.
Understandably, swains swarm, but quickly fall away in frustration. Only two, playboy Harvey Garrett and lawyer Larry Devlin, show any stamina. Both have been pursuing Caroline for years, each pitching woo and proposing marriage. With a girl on the side, I think Harvey has had an easier time of it; poor love-struck Larry has been leading the life of a celibate.
Caroline is content with the status quo. Montreal's foremost celebrity sculptress – no joke – she takes pride in her ability to make a good living without being tied to any one man. When not entertaining, Caroline throws off robe and negligee so as to admire her naked self in a full-length mirror. The reader is twice told that she is the spitting image of Virginia Mayo.
The great Thomas P. Kelley, King of the Canadian Pulps, once bragged that he never revised a work in progress. I don't mean to suggest that Clark W. Dailey – of whom there is no trace – is Kelley, rather that the two men held similar views when it came to composition.
The fourth of this novel's eight chapters begins with something of a revelation. The celebrity sculptress is shown to be struggling financially. The post-war art boom has proved to be more of a sharp crack, and Caroline is forced to sell her work at bargain basement prices. Good guy Larry offers to pay her rent and bills, but Caroline hesitates. She fears the effect the loan – or is it a gift? – might have on their relationship. Ultimately, the sculptress accepts the lawyer's help.
Then something odd happens: Sans explication, the narrator (omniscient) reverses things, revealing that the lawyer has been paying for everything, Caroline's car included, for many months. A couple of chapters later, the reader learns that she has been passing on wads of Larry's dough to support Harvey. In today's parlance we might describe this as a reboot, with Caroline is reimagined as someone who never was a successful sculptor, despite her celebrity.
It's enough to make you want to throw the book against a wall. I didn't because it was already coming apart, and also because the many weird digressions contained entertained. Here, our omniscient narrator goes off on an awkwardly constructed tirade about the New Look:
The book is peppered with rants, observations and other asides. The most repeated topic concerns "thought transference". Brace yourself, the narrator has some pretty harsh things to say:How many women try to keep themselves slim, and when they look like a sheet of paper set up on end, with but the merest suggestion of what could be an attractive pair of rising beauties, when what curves they have are shrouded by grotesque "New Look"clothing, when they can walk down the street looking exactly like almost every other woman, that is, they wear a smug expression, because they think they are beautiful! Gawdallmighty! – how the fashion designers and their partners in misleading 'how to be smart' muck, the dress manufacturers, must smiles they purchase another yacht to set sail for Africa to get away from the horrible shapes they have been instrumental in creating, and to gaze in rapture and admiration upon woman as she was made to be – white, yellow or black!
Sadly, Soft to the Touch isn't worth reading for the plot; I'm not spoiling anything by describing the drama that ensues.
Harvey tries to kill his rival with some sort of poison he brought back from the war. Larry makes it to a hospital, where he lies drifting in and out of consciousness. During one lucid moment he asks Caroline to marry him. The sculptress agrees, but only because doctors have told her that he is sure to die. The bedside ceremony is performed, after which Larry loses consciousness for what looks to be the very last time. Caroline is left alone with her dying husband:
She was thinking. "How wonderfully he rallied after I held his hands for a long time. Perhaps..."Affect him it does! After a long night of handholding, Larry bounces back. The attending doctor, "wise, kind and clever, and a man very much interested in natural methods of healing," is pleasantly surprised. He sees nothing wrong with Larry wolfing down bacon, eggs and coffee with his new bride: "Hurrah!" exclaimed Larry, "our first breakfast together."
She rose and, as before, took both his hands in her soft, warm ones. Then she drew all her inner forces and mental resources together and concentrated her thoughts on one short phrase, "I shall live." Perhaps if she could drive this straight from her brain into his, it would affect him.
The last we see of Harvey, he's rushing off to the airport to catch a clipper to Bermuda. Larry is quickly discharged and returns to Caroline's Bishop Street apartment. The last pages of the novel are heavy with the promise of sex, but it ends before the act takes place. This reader didn't care; I'd long grown bored of Caroline and her groping admirers. I do miss the haranguing narrator, though, even if he can't be trusted.
Bloomer?:
Keeping one hand on the wheel, his other reached over and brushed her thigh, then touched the purse which lay in her lap.Object and Access: An extremely fragile mass market paperback. At 159 pages – twelve of which are blank – Soft to the Touch may just be the shortest News Stand Library title. I'm guessing that the unknown cover artist had never seen a photo of Virginia Mayo. I'm certain he'd never seen a naked woman.
Soft to the Touch is nowhere to be found on Amicus or WorldCat. Only three copies are currently listed for sale online, ranging in price from $10 to $25. Condition is a factor. Get it while you can.
13 October 2014
'Thanksgiving Morn'
From Canada First and Other Poems
James A. Ross
Toronto: McClelland & Stewart, 1920
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08 October 2014
'October in War Time'
Timely verse from the Great War by James A. Ross. First published in the 22 October 1918 edition of the Medicine Hat News, the above comes from the poet's Canada First and Other Poems (Toronto: McClelland & Stewart, 1920).
06 October 2014
Talking Canadian Noir with Brian Kaufman
Hitting newsstands as I type: the Pulp Fiction issue of subTerrain. Number 68, it contains all sorts of goodness, including stories by Jesse Donaldson, Jenean McBrearty, Bruce McDougall, J.O. Bruday, Sam Wiebe, Lisa Pike, Chelsea Rooney and John Moore. Add to that poetry from Mark Parsons, John Creary, Carolye Kutcha and John Greenhause, along with an essay by Peter Babiak.
Editor Brian Kaufman interviews me about the Ricochet Books series. I let drop that we'll be publishing Martin Brett's Hot Freeze, "the greatest of all Canadian post-war noir."
Dig that cover by Ryan Heshka.
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01 October 2014
Montrose en français: une enquête de Russell Teed
"La surprise de l’automne", writes Le Devoir critic Michel Bélair. Indeed, it is. Tomorrow sees publication of Meurtre à Westmount, a translation of David Montrose's The Crime on Cote des Neiges, marking the first time the author's work has been available in French. Credit goes to translator Sophie Cardinal-Corriveau who discovered Montrose through the 2010 Ricochet Books reissue. She knows talent when she sees it, as does Éditions Hurtubise editor André Gagnon, who writes in his note de l'éditeur, "j'ai pensé qu'il serait si j'ose dire criminel de ne pas offrir au lectorat francophone québécois cette irrésistible radiographie de la vie montréalaise des années d'après-querre, une histoire aussi sombre sue grinçante, pimentée d'action et arrosée de quelques bonnes pintes de Dow."
Yvon Roy contributed the cover illustration to this very handsome edition. A translation of my Ricochet Preface also features.
M Bélair describes Montrose as a writer of talent, comparing him favourably to Dashiell Hammett and Raymond Chandler.
He'll get no argument from me.
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29 September 2014
The Double Flame Mystery
The first of five sent by Welland bookseller Steven Temple, this photo of James Benson Nablo's The Long November has had me pouring over old notes. Four years ago, my nose was to the ground in dogged pursuit of the figures behind its publisher, Double Flame of Hollywood, California. I enlisted help in the hunt from my man in L.A., Stephen J. Gertz. We got so far as to amass a list of suspects, but then I got hungry and was forced to return nose to grindstone.
Canadian writers should be ever mindful of the fate of John Richardson.
What's someone so focussed with things Canadian care about a Tinseltown publisher, anyway?
Good of you to ask.
Double Flame issued just three books – The Long November, Port of Call by Stephen Mark, and Serge C. Wolsey's Call House Madam – each of which had appeared six or seven years earlier as News Stand Library paperbacks. There's got to be a link between the two fly-by-night publishers, right?
The Long November is by far the best of the three titles, but it's Port of Call that holds my interest. It first appeared – more or less – as Overnight Escapade, one of the strangest books I've read this year. It's not a novel, but a very long short story packaged with some very short short stories and others of a conventional length. Port of Call and Other Selected Stories on the title page, the Double Flame edition not only renames the lead, but drops a couple of others.
It's easy to see why Double Flame was so attracted to the Nablo and Wolsey titles. First published by Dutton in 1946, The Long November enjoyed three hardcover printings and numerous mass market editions (and is back in print with a new Introduction by yours truly). Call House Madam, purportedly the story of the career of L.A. brothel keeper Beverly Davis, enjoyed even greater sales with all sorts of editions stretching from the very early 'forties to the very late 'sixties. "Over 400,000 copies sold at $3.95 " claims the 1963 Popular Library paperback.
But why Overnight Escapade? The book came and went in April 1950; unlike many of its titles, News Stand Library never even bothered issuing an American edition. The 1957 Double Flame repackaging is the second and last we've seen of Stephen Mark and his strange stories.
Looking over these photos has me itching to reopen the Double Flame file.
But now, it's time for lunch. Gotta eat, you know.
Note: My thanks to Steven Temple for the photographs. Those interested in purchasing the Nablo and Mark Double Flames are encouraged to contact the bookseller through his website.
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28 September 2014
Canadians Need Not Submit
Before anyone gets too excited, I should point out that this ad comes from the September 1924 issue of The Goblin. The Toronto Sunday World, like The Goblin itself, is no more. A shame because it sure paid well. Easy to see how the thing attracted such big name authors:
Well, they were big names back then. And G.K. Chesterton lives on, right?
Here's the thing: Canadian short story writers – "special" or otherwise – had little place in the magazine. Rudyard Kipling, E. Phillips Oppenheim and Mary Robert Rinehart featured, but not Arthur Stringer, Frank L. Packard or Isabel Ecclestone Mackay. The sole Canadian I've found is Sir Gilbert Parker, and he hardly needed the money.
The Sunday World published its last issue in November 1924, just two months after that Goblin ad. Maybe they were paying too much for those stories.
The Bank of Canada informs that $3500 in 1924 is the equivalent of $48,883.33 today.
22 September 2014
Terrible, Just Terrible
A Terrible Inheritance
Grant Allen
New York: Thomas Y. Crowell, [c. 1890]
A Terrible Inheritance is by far the worst Grant Allen I've read to date. That it's so short made it no easier task; in fact, much of what makes the book so very bad is caused by its brevity. Subplot and character development have no space. The twists and turns found in Allen's best are all but absent – there's precious little room to manoeuvre. Coincidence, ever-present in the man's work, is forced to even more absurd heights. I blame the Society for Promoting Christian Knowledge, which in 1887 commissioned and published A Terrible Inheritance as part of its Penny Library of Fiction.
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| from Queer Chums by Charles H. Eden (London: Society for Promoting Christian Knowledge, n.d.) |
A Terrible Inheritance begins with the actions of an idiot, spoiling an otherwise very pleasant garden party at the English country home of Sir Arthur Woolryche. Here are the details: Some upper class twit, a would-be archer seeking to impress, strolls out onto the lawn, draws his bow, and hits the family dog.
The tragedy is made all the worse with the discovery that the arrow, one of Sir Arthur's Guyanese curios, has a poisoned tip.
But wait!
"Mr. Prior's here," somebody answered in haste from the group. "He knows more about poisons and poisoning than almost any other man in all England. He's made a special study of it, as I know. Mr. Prior! Mr. Prior! Come here, you're wanted."Good luck soon comes to outweigh the bad. Prior is not only an expert in poisons, but is the leading authority on curari, the very one used on the arrow. What's more, just days earlier he had received from South America an elixir that may well prove to be an antidote.
What are the chances!
Prior saves the dog, thus proving the corrective effective. The College of Physicians' awards him its gold medal. Better still, Bertha, Sir Arthur's beautiful daughter, falls for his "manliness and sterling good quality". Father gives his blessing, despite being troubled by the young man's resemblance to… to… Sadly, Sir Arthur can't quite place the face.
Remember, this is the tale of a terrible inheritance, not a happy union. As the wedding day approaches Prior learns that he is the son of a Dr Walter Lichfield, also an expert in curari, who had died in disgrace whilst awaiting trial in the poisoning death of an uncle.
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| The Terrible Inheritance Grant Allen London: E. & J.B. Young, n.d. |
"I don't know whether my profession makes me think to much of hereditary transmission, and all that sort of thing; but if I were born with a curse like that hanging over me, I'd give up my life entirely to some good for my fellow-men, and expose me least of all to any possible temptation. And I'd never marry."Prior's only hope is that the man he now knows to have been his father was in fact innocent. Through his investigations, he comes to believe that Arthur Flamstead, Lichfield's close friend, was the actual murderer. Who is Arthur Flamstead? Why none other than Sir Arthur himself. "He assumed the name Woolrych instead, by royal warrant, on the death of a distant cousin on his mother's side, from whom he inherited a certain amount of property," explains Lady Woolrych.
Sir Arthur? A murderer? I didn't believe it for a second, in part because his daughter Bertha is such a sweet girl. A Terrible Inheritance plays upon Allen's pet theories regarding heredity, something he does to greater effect in What's Bred in the Bone, The Devil's Die and A Splendid Sin. This adds a certain of predictability – a drunkard's offspring will become drunkards, a gambler's offspring will become gamblers, and an expert in curari will spawn experts in curari. Those familiar with Allen will look about the small cast of characters for the true murderer, but find none. Sure enough, the true culprit is introduced in the final chapter.
Do I spoil things more by revealing it all ends with a wedding?
Trivia (for Canadians): Prior doesn't know he is the son of Lichfield because he was an infant at the time of his father's death. His mother soon set sail for Canada, where she and her children lived "under an assumed name in a remote village".
Trivia (for writers): A Terrible Inheritance was the first of three books Allen wrote for the Penny Library of Fiction; A Living Apparition (1889) and The Sole Trustee (1890) followed. Writers for the series earned between 30s and £10 per title – roughly £172 and £1150 today. I'm guessing that Allen's pay was at the upper end. Either way, it's not bad for an afternoon's work.
Object: A slim, 57-page hardcover, my copy, the first American edition, was purchased in August from a Yankee bookseller. The frontispiece, by an illustrator named Gallagher, has been simplified somewhat on the cover. Am I wrong in thinking it a novella? Is it a long short story? The word count is 16,226. You decide.
Access: A Terrible Inheritance enjoyed three editions and was later published in Danish (En underlig arv, 1891), Swedish (Mordet i Erith, 1917) and German (Ein schreckliches Erbteil, n.d.). The Kingston-Frontinac and Toronto public libraries have copies, as do the University of New Brunswick, University of Alberta and Simon Fraser University.
Last century, the Canadian Institute for Historical Microreproductions produced microforms of the Crowell and Young editions. Both can be read gratis at the Internet Archive. As might be expected, they have attracted a wake of print on demand vultures, who in turn excrete all kinds of mess. Miami's Book on Demand demands US$55.78 for theirs; just under a dollar a page.
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| Advert for Monkey Brand Soap featured in the E. & J.B. Young edtion |
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19 September 2014
Here's to Patti Abbott and Friday's Forgotten Books
It's been well over six years since Patti Abbott launched Friday's Forgotten Books, a weekly round-up of blog posts dealing with buried, obliterated and blown over titles from years past. A latecomer, I first contributed back in December 2011 with Touchable, a novel co-authored by the man who created Bizarro World.
Anyone interested in the obscure will find Friday's Forgotten Books a weekly treat. Last Friday's gathering included neglected gems like Dolores Hitchins' Sleep with Slander and The Deadly Climate by Ursula Curtiss.
Most of Patti's contributors are Americans, and much of the focus is on the American and British, but that doesn't mean there's nothing for the lover of Canadian literature.
The Blue Wolf – William Lacey Amy
The Boss of Wind River – A.M. Chisolm
Desert Conquest – A.M. Chisolm
The Doctor – Ralph Connor
Woodsman of the West – M. A. Grainger
The Lost Cabin Mine – Frederick Niven
Northern Lights – Glbert Parker
The Backwoodsmen – Charles G.D. Roberts
Smith and Other Events – Paul St Pierre
Raw Gold –Bertrand W. Sinclair
Big Timber – Bertrand W. Sinclair
Wild West– Bertrand W. Sinclair
The Prairie Wife – Arthur Stringer
The Settler – Herman Whitaker
Patti herself is a great champion of Margaret Millar, as am I, as is John Norris of Pretty Sinister Books. Though we've never met in person, I think John might agree with me that Martin Brett's Hot Freeze is the great Canadian noir novel. At the very least, he shares my opinion regarding Frank L. Packard's influence in crime fiction. I would be doing something of a disservice in not sharing this image from John's post on Canadian Fandom #17. It may well be the ugliest thing published in 1951, and here I'm including Taylor Caldwell's The Balance Wheel.
Returning to Patti, this week saw the announcement of her debut novel, Concrete Angel. Publisher Polis Books describes it as an "unflinching novel about love, lust and greed". Who can resist? Not me. I'll be picking up a copy.
15 September 2014
An Invalid Amazon Customer Review (and others)
Three reviews by Amazon customer Lamppu. I have problems with the first, disagree wholeheartedly with the second, and have no opinion on the third.
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12 September 2014
University Professor Writes Roman à Clef Roman
Fasting Friar
Edward McCourt
Toronto: McClelland & Stewart, 1963
222 pages
This review now appears, revised and rewritten, in my new book:
The Dusty Bookcase:A Journey Through Canada'sForgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through
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08 September 2014
A Coupla Canadian Copycats
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| Carnival of Love [Mardi Gras Madness] Anthony Scott New York: Red Circle, 1949 Cover by Ray Johnson |
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| Carnival of Love [Mardi Gras Madness] Anthony Scott Toronto: News Stand Library, 1950 Cover by Syd Dyke |
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| The Glass Ladder Paul W. Fairman New York: Handi-Books, 1950 Cover artist unknown |
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| The Glass Ladder Paul W. Fairman Toronto: Harlequin, 1951 Cover artist unknown |
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