28 March 2014

The Bullet Trains of the Montreal Metro



Just got into Montreal thanks to my friends at The Word bookstore who kindly offered a ride from my door to theirs. A distance of 694 kilometres, it was punctuated by a stop at Brockville's From Here to Infinity, at which I scored the above.

More on those another day.

For now, a few print on demand covers I've been sitting on. All are products of VDM Publishing, the very worst of the print on demand vultures.


Imagine, Victoria Square to Times Square in just 80 minutes.


My great wish, of course, is that they one day extend the Blue Line west to my current home in St Marys, Ontario.

A bonus:


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24 March 2014

Of Montreal, Notes and Queries



Spring arrives, bringing a new issue of Canadian Notes & Queries. Number 89 – for those keeping count – this one is devoted to Montreal, the very finest city in all the Dominion.

There, I've said it. Again.

My column this time around is a modest introduction to the city's post-war pulp novels, ten in total, published between August 1949 and December 1953.* A remarkable, all too brief period, it saw the first two books by Brian Moore, the second by Ted Allan, and the debut, wet decline and soaked disappearance of Russell Teed, Montreal's greatest private dick. Regular readers will recognize the titles, all of which have been featured here these past five years:


The House on Craig Street
Ronald J. Cooke
Winnipeg: Harlequin, 1949 






Love is a Long Shot
Alice K. Doherty [pseud. Ted Allan]
Toronto: News Stand Library, 1949






Sugar-Puss on Dorchester Street
Al Palmer
Toronto: News Stand Library, 1949








The Mayor of Côte St. Paul
Ronald J. Cooke
Toronto: Harlequin, 1950








Wreath for a Redhead
Brian Moore
Winnipeg: Harlequin, 1951








The Crime on Cote des Neiges
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1951








The Executioners
Brian Moore
Winnipeg: Harlequin, 1951








Flee the Night in Anger
Dan Keller [pseud. Louis Kaufman]
Toronto: Studio Publications, 1952









Murder Over Dorval
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1952








The Body on Mount Royal
David Montrose
     [pseud. Charles Ross Graham]
Winnipeg: Harlequin, 1953







Other contributors to CNQ #89 include: Meaghan Acosta, Asa Boxer, Kate Beaton, Michel Carbert, Bill Coyle, Jesse Eckerlin, Trevor Ferguson, Elizabeth Gill, Mary Harman, Kasper Hartman, David Homel, Cory Lavender, David Mason, Donald McGrath, Leopold Plotek, Eliza Romano, Robin Sarah, Mark Sampson, Norn Sibum, Marko Sijan, JC Sutcliffe, Zachariah Wells, Kathleen Winter, and Caroline Zapata.

The country's very best magazine vendors are selling CNQ #89 for $7.95, but what you really want to do is take out a one-year subscription – available here – at twenty dollars. In so doing you will not only ensure that the magazine is brought directly to your door or post office box, but will also receive a subscriber-only collectable. This issue it's "Mountain Leaf" by Peter Van Toorn. Friends will be envious.
* I'm following the OED here: "popular or sensational writing that is regarded as being of poor quality". Letters of complaint should be sent to oed.uk [at] oup.com.

20 March 2014

Alberta Gothic



"Cattle"
Winnifred Eaton
New York: A.L. Burt, [1925?]
294 pages

This review now appears, revised and rewritten, in my new book:
The Dusty Bookcase:
A Journey Through Canada's
Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through


14 March 2014

Selling Intent to KillTueurs à gages, really



A few final words about Jack Cardiff's Intent to Kill. Blame 20th Century Fox; its poster for the French release fairly demands comment.

Let's begin with the title, which is nearly identical to Tueur à gages, that given the French release of This Gun for Hire. I won't blame the powers at the time; Tueurs à gages is not only appropriate, but a more exciting title than Intention de tuer.

But what to make of "La lutte sans merci de 'SCOTLAND YARD' contra les TUEURES A GAGES"?

Scotland Yard doesn't figure in the film. Why would it? Not one scene takes place off the Island of Montreal. "La lutte sans merci" is limited to one man, Det Sgt O'Brien of the RCMP, played by Montrealer Paul Carpenter. He doesn't even appear until the second half of the film, when he's assigned to guard the intended target. O'Brien spends most of his time making smalltalk at the nurses' station.

"Do the Mounties always get their man, like they say?"
"Well, they got me."
This is not to say that O'Brien isn't effective. Screenwriter, Jimmy Sangster, may have been British, but he has the Mountie apprehend the hired killer in typically Canadian fashion.

"I'm Detective O'Brien, sir… RCMP."
O'Brien does indeed get his man, in the shoulder, just as the other assassins move in.


Not one of them carries a rifle, as they do in the French poster. They don't wear hats, either, which leads me to wonder if it was O'Brien's suit that had the French recast him as a member of Scotland Yard.

"You don't look like a Mountie."
"I left my horse outside."
That's it. You'll hear no more from me about Intent to Kill. Promise.

Tueurs à gages, on the other hand…

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