Kenneth Orvis Cover Cavalcade (and a mystery)

What follows fails. It was intended as a visual feast of first edition covers for every book written by the mysterious Kenneth Orvis.

Close but no cigar.

Hickory House, the author's scarce Harlequin debut is here, as is Over and Under the Table, his much less common swan song. What's missing is Walk Alone, Orvis's second book. Described by Orvis as a novel, it features in every one of his bibliographies, yet WorldCat does not recognize; Library and Archives Canada has no copy, nor does the Library of Congress. No used copies are listed by online booksellers. Search engines bring nothing. I've yet to find a single review or advert.

Like its author, the book is a elusive... or is it simply a phantom?

Either way, these are the others, complete with snippets of poorly written cover copy:

Hickory House
Toronto: Harlequin, 1956
Cover illustration by Norm Eastman

Hickory House – the result of a lifetime's hopes and ambitions. After lean years of insignificant books with their small bets and mean losers, hurried movings and furtive payoffs, now Al Rossi was a Big Time operator with a whole city answering to him.

The Damned and the Destroyed
London: Dobson, 1962

When Maxwell Dent returned from the Korean War after helping to smash an enemy ring supplying narcotics to U.N. forces, he thought he had turned his back forever on this nefarious trade with all its unpleasant associations. Yet here he was in Huntley Ashton's elegant Westmount home being asked to undertake a similar task in Montreal.

Night Without Darkness
Toronto: McClelland & Stewart, 1965
 Jacket design by Peter Edwards

Anton Fox, a Communist militant, has abducted a Western scientist, Beldon, and plans to use his new discovery, known as "paralysis mist", to get control of the Communist bloc – and take the Cold War off the ice.

Cry Hallelujah!
London: Dobson, 1970
Jacket design by Geoffrey Harrold

A beautiful girl with a vision starts a revivalist mission in a decrepit hall in Greenwich Village – her congregation a handful of down and outs and the prostitutes from the brothel opposite.

Into a Dark Mirror
London: Dobson, 1971
Jacket design by Colin Andrews

Mark and Toni become inextricably involved in a crime hunt in France when they are there to investigate the extraordinary disappearance of their fathers after a war reunion. 

The Disinherited
London: Dobson, 1974

Here is an audaciously original novel of human conflicts and suspense. In a story of nonstop tension it details the agony of the wrongly-accused and the guilty, and the public attitude toward them.

The Doomsday List
London: Dobson, 1974

Several CIA agents have been 'eliminated' in various particularly brutal ghoulish ways. These murders have taken place at regular intervals in different European countries, and Adam Beck from another top-secret agency, is detailed to investigate.

Over and Under the Table:
The Anatomy of an Alcoholic
Montreal: Optimum, 1985
Cover design by Emmanuel Blanc

I feel very excited. Over and Under the Table will be advantageous to family members of alcoholics, school children, ministers of religion and persons who work on a day to day basis with alcoholic members of our society.

Major R. Mackenzie

Director, Public Relations, The Salvation Army, Montreal

My thanks to St Marys Public Library, which managed to get me a copy of Over and Under the Table as an inter-library loan from McMaster University. Thanks to McMaster, too!

Related posts:

Kenneth Orvis: A Plea

Betting the House

'A Relentless Story of the Hell of Drug Addiction'

Kenneth Orvis: A Plea

Do you know this man?

I've been slowly making my way through the complete works of Kenneth Orvis (a/k/a Kenneth Lemieux). Eight books in total – perhaps nine? – it hasn't

been at all taxing. My favourite thus far is The Damned and the Destroyed, a 1962 novel dealing with drug dealing in 'fifties. I admit that my preference has everything to do with the fact that it is set in Montreal, the author's hometown and mine.

I'm certain I never heard a word about Kenneth Orvis growing up – then again, I never heard anything about John Glassco, whose biography I would write and whose letters I would edit. Two very different men, though they did share a penchant for drink; Over and Under the Table, Orvis's 1985 memoir, is subtitled The Anatomy of an Alcoholic.

The challenge in writing about Glassco was that he loved to fabricate; the man fancied himself "an accomplished liar" and "great practitioner of deceit." Things were made easier by the paper trail he left in his wake. And then there were his friends... many of whom became my friends.

I thank him for that.

Glassco died in 1981, more than four years before Orvis's Over and Under the Table saw publication. According to the author's bio on the back cover, the author had recently relocated to Montreal and was at work on a new novel.

As I say, Glassco had friends. Did Orvis?

Of course, he did.

And so, this plea – directed at friends, family, acquaintances and colleagues – for information about the man. This for a future article about Orvis and his work.

My email address: brianjohnbusby[at]gmail.com... or you can just leave a comment.

All leads appreciated. No stones unturned.

Related posts:

Betting the House

'A Relentless Story of the Hell of Drug Addiction'

Betting the House

Hickory House

Kenneth Orvis [pseud. Kenneth Lemieux]

Toronto: Harlequin, 1956

Bookie Alfredo Rossi can see the writing on the wall. The Feds are cracking down, and it's only a matter of time before they move in on him and sidekick Benny Kramer. Fortunately, Al has been good with his savings; he dresses like a million dollars, but is otherwise quite frugal. Al's also a guy who keeps an ear to the ground. He's heard rumblings about a corrupt mayor in some city on Lake Michigan. He's also heard that this same mayor, Carson Peters, keeps paperwork pertaining to his various illegalities in his office safe.

Al knows just the guy, a safecracker named Lou Kovaks, who can get him those papers. The poor sap was once a steady client – "Lou doesn't pick stretch runners as well as he does the locks on safes" – before he took one too many chances on the job. He's been serving time in the prison at Dannemora, but is just about to be sprung. Al is there when it happens: "'What's the matter, Al... afraid I'd be late for the first race?'"

Instead of the track, Al drives Lou to that city on Lake Michigan. Along the way, he fills the safecracker in on the job, complete with photograph:

"It's an old Continental," he stated soberly, "I've blown a dozen them in my time. A good jamb shot and the door pops open like a cuckoo clock when the hands point up."

Piece of cake. After Lou is paid, he leaves town and the novel. Al sticks around and blackmails the mayor into allowing him to set up Hickory House, a swanky nightclub and illegal gambling den on the edge of town. All goes swimmingly until the joint attracts the attention of big-time mobster Budsey Everest.

Hickory House is a first novel. In his 1985 memoir, Over and Under the Table, author Kenneth Orvis tells us it was written over an intense seven-month period: "Total absorption in plotting writing, and editing erased every other want and need except eating, sleeping, bathing, and defacating [sic]." I found this surprising, not because Hickory House is a bad book (it's perfectly fine), but because it's so short and simple. There is no real depth to the characters: Benny is devoted, Peters is corrupt, his tramp of a daughter is a tramp, and Al really know how to dress. Everyone plays their part, and the plot unfolds pretty much as you might expect.

Seven months?

Who am I to say it wasn't worth it? Hickory House went in and out of print within a month, but Orvis maintains that it brought all sorts of attention:

My novel had opened many new doors. After several radio and TV interviews and short pieces in local newspapers, more copywriting accounts than there was time for were easily available.

One can't help but envy.

So, yes, a worthwhile debut... for Orvis, if not the reader.

Shame that Harlequin forgot to put his name on the cover.

Object and Access: A 157-page mass market paperback. This past summer I snatched up the lone copy being sold online from a bookseller in Lunenburg, Nova Scotia. Price: US$12.95.

Not on Worldcat.

Good luck.

Related post:

'A Relentless Story of the Hell of Drug Addiction'

Arnold Viersen Has a Rhyme for Manure

                    Your lights are on, but you're not home.
                    Your mind is not your own.

The week Arnold Viersen was born, Robert Palmer's "Addicted to Love" topped the Billboard Hot 100. Who dares call it coincidence?

Like Preston Manning George Pepki before him, the rookie MP for Peace River-Westlock has a rhyming dictionary and knows how to use it. Anyone requiring evidence need look no further than his most recent speech in the House of Commons.

The poet first captured my attention this past May, when he presented this at the Conservative Party Convention:

Straight outta Barrhead, Alberta (pop. 4,432).

Viersen is a seer. Leadership no-shows like Tony Clement were included only because lines like this are to good to let slide:

                        I've got the chops,
                        Like to drink hops.
                        Even on twitter
                        I'm a heavy hitter.
                        In Cabinet for ten years,
                        Leave the Libs in tears.
                        The man from Muskoka,
                        I'm our party's Lee Iococa.

I'll allow that Viersen's not much good at reading prose,

but when it comes to verse he really shines. Consider "Farmers: Heart of Rural Canada," which the MP performed in the House on 6 May 2016:

     Springtime is here; our farmers are in their fields
     Assessing the moisture, gauging their yields.
     When rain is sparse and times are tough
     And the price of hay is especially rough,
     As Conservatives we understand
     It takes hard work to till the land.
     Alberta NDP passed a law for working on prairie farms:
     More expensive food – don’t care who it harms.
     They said, “John dear, we want your food
     But only feed your cows when we’re in the mood;
     No overtime or you pay the price.”
     Beef and pork will cost more than twice.
     We’re standing up for farmers, feeding cows ’till nine.
     We’re standing up for farmers, working overtime.
     You eat their beef, you sit on leather,
     Your feet are shoed in stormy weather.
     Without their food, life would be grim
     Unless you plan to be awfully thin
     Family farms are getting fewer.
     Once they’re gone, we’re in deep manure.
     Don’t egg me on, the yolk’s on you.
     If farmers leave, what will we do?
     Bottom line – You want to eat?
     Support our farmers – Buy their wheat.

"Don't egg me on, the yolk's on you." That line alone is worth every cent of the $170,400 the MP will earn this year.

To think it has been immortalized in Hansard.

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A Man With No Face

For Remembrance Day, my latest piece for The Walrus.

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