01 January 2018

Agnes Maule Machar's New Year's Wish (& mine)



 A NEW YEAR’S WISH 
'To know the love of Christ, that passeth knowledge.' 
               To know by surest inner sight
                    The love that ‘passeth being known’;
               To know that this, the Infinite,
                    Is yet for evermore our own: 
               As gentle as the falling dew,
                    Stronger than mightiest waves are strong,
               New, as each opening day is new
                    Old as the eternal years are long!  
               Wider than heaven’s blue above
                    The stars that most remotely shine;
               Nearer than human looks of love
                    That are but gleams of the Divine. 
               To know that love, most tender, true,
                    Closer than earthly ties most dear—
               This be the blessing ever new
                    To gladden this and every year.

A Happy New Year to all! 

Let's hope it's a good one
Without any fear.

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31 December 2017

Bliss Carman's New Year's Rockin' Eve



NEW YEAR'S EVE
          The air is pulsing as with crowding wings.
          Migrant Ideals and valiant-hearted Dreams,
          The Heavenly vanguard of eternity,
          Muster to cross the frontier of new days.
          A brave unhasting company, they throng
          Out of old years with life’s immortal zest,—
          In gleaming panoply of seraphim
          Advance these dauntless heralds of all good.
          ‘Tis midnight hour. The clanging bells break forth.
          The march of man has crossed the boundary
          Into another year. Close up the ranks!
          Our ancients bid, fare on! New Year, Salute!
          The promise of the past is on your knees.
          The glory of all time is unto God.
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30 December 2017

My Favourite Read of 2017?



Not Wives and Lovers, the best novel. Not Frustration, the worst. Not Dan Hill's self-flagellating Comeback, the strangest. No, my favourite and most memorable read this year was Judith Merril's Shadow on the Hearth. Ian McGillis posed the question and I answered, with explanation, in the Montreal Gazette.

Kaie Kellough, Sean Michaels, Sina Queyras, Heather O'Neill, Carolyn Marie Souaid, Jack Todd, and Kathleen Winter chime in with theirs.

Read all about it here:



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27 December 2017

A Scarytale of Old York



The Gerrard Street Mystery
John Charles Dent
Constance Bay: Three Bats, 2017
32 pages

A Christmas gift read on Christmas Day, "The Gerrard Street Mystery" is one of the very few Christmas ghost stories to come out of Victorian Canada. You'll get no argument from me if you disagree. There is a ghost, but the holiday is mentioned only briefly. Though the climax takes place in December 1861, the narrator and hero misses Christmas Day itself because he is unconscious.

The title story of The Gerrard Street Mystery and Other Weird Tales, issued in 1888 by Rose Publishing, this is, of course, the work of a dead man. I've always found it interesting that the book was put together within weeks of his funeral. Why the rush? There couldn't have been much hunger for such a thing; John Charles Dent was not known as a writer of fiction, but as a journalist historian, and biographer. Prior to that, he'd been a lawyer, which may account for the legal-sounding start to this weird tale:
My name is William Francis Furlong. My occupation is that of a commission merchant, and my place of business is on St. Paul Street, in the City of Montreal. I have resided in Montreal ever since shortly after my marriage, in 1862, to my cousin, Alice Playter, of Toronto.
William gives a brief, dry account of his early life – stained by the loss of his parents – in order to explain how it was that he came to be raised by his uncle, Richard Yardington, a prominent Toronto businessman. Cousin Alice, was not so unfortunate in that she lost only her mother. However, as her father is a man of "dissipated habits," she too was taken into Uncle Richard's care. As the years pass, William's "childish attachment" to Alice ripens to "tender affection," and the two become engaged. Though their uncle shares nothing of "the prejudice entertained by many people against marriage between cousins," he is a firm believer that his male ward should demonstrate the ability to provide. Thus, William embarks for Australia, so as to better oversee his business interests.

Four years pass, during which William amasses a respectable return. Uncle Richard writes calling him home. William responds that obligations will prevent a return for a further six months, but his business wraps up early, and he is soon on a ship sailing from Melbourne. No use in writing Uncle Richard or Alice of course; he'd likely arrive in Toronto on the same day as his letter.


Mystery in "The Gerrard Street Mystery" begins en route when William, on a lark, asks whether there might be something for him in General Delivery at the main post office in Boston's Merchant's Exchange Building.

He is gobsmacked to discover that there is!

The letter is from Uncle Richard*:


How could affectionate Uncle Richard have known that his ward would be in Boston? Why would he think that William might ask for a letter at General Delivery? How could Uncle Richard have known he'd be home for Christmas? Most of all, what sorrow has befallen beloved Alice?

Answering these questions would only spoil the story. Instead, I'll borrow a page from my friend J.F. Norris of Pretty Sinister in sharing three things I learned in reading the story:


William returns to Toronto via the mid-day express from Hamilton. As his train arrives at Union Station, he spots Uncle Richard in the Waiting Room. Until then, I had no idea that Union Station of 1861 was so very, very small.


Not to be outdone by Boston, the main Toronto post office also figures. Though it no longer serves to carry Her Majesty's mail, the building still stands. Today, it's most famous as the building from which convicted criminal Conrad Black removed his famous 13 file boxes.


A fleeting reference to the book The Debatable Land Between This World and the Next (1871) introduced me to the Scottish-American social reformer and spiritualist Robert Dale Owen. Much of the rest of the Christmas Day was spent dipping in and out of his other work. In The Policy of Emancipation (1863) I found these words, reproduced from 23 September 1862 letter Owen sent to President Lincoln:
In days when the public safety is imminently threatened, and the fate of a nation may hang upon a single act, we owe frank speech, above all other men, to him who is highest in authority.
A wise man was Mr Owen.

Here's wishing us all a Happy and Peaceful New Year.

Object and Access: A very attractive chapbook, letterpress printed in 10pt Baskerville on Reich Savoy paper. Issued in an edition of thirty-five, it was a Christmas gift from Three Bats' publisher Jason Byers.
* This image from the very poor microform copy of The Gerrard Street Mystery and Other Weird Tales available at the Internet Archive.

25 December 2017

Great War Christmas Verse from a Century Past


Lens, France
25 December 1917
A poem by Arthur Stringer from the December 1917 issue of Maclean's.

Christmas Bells in War Time 
                  From spire and tower, in silvery tune,
                       The chimes like birds take flight.
                  Where that golden boat, the moon,
                       Drifts slowly down the night.                     
                  Aloud, alert, alone they cease
                       And wake these midnight bells,
                  Proclaiming, through their calmer, Peace
                       Where Peace no longer dwells.                    
                  Yet chime by chime, like homing birds,
                       They float, soar up, recede,
                  A gust of old-time gladdening words
                       That back to Sorrow lead.                    
                  For as we listen, bell by bell,
                       They bring about us here
                  Our hotly dead who sleep so well
                       We dare not dream them near.                    
                  So be still blithe, O Bells, and gay.
                       Since through the old glad sound
                  Our dead come home this Christmas Day
                       From grave strewn Flanders' ground!

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18 December 2017

Yeah, I Know the Muffled Man



The Mystery of the Muffled Man
Max Braithwaite
Toronto: Little, Brown, 1962
160 pages

Fifty-five years ago, The Mystery of the Muffled Man vied with Joe Holliday's Dale of the Mounted in Hong Kong as a Christmas gift for young, bookish nephews. I doubt either won, but it would not surprise
me if the former achieved greater sales. After thirteen volumes, Holliday's Dale of the Mounted books were getting tired; I think it worth noting that the Hong Kong adventure would be his last. Braithwaite's, on the other hand, was part of the Secret Circle, a new and exciting series driven by a survey of booksellers, librarians, teachers and, most importantly, Scarborough school children and their parents.

Results in hand, General Editor Arthur Hammond, set about recruiting what was described in a November 1962 press release as "the best available Canadian authors."

It seems that most were too busy.

The Secret Circle stable was very small,  containing veteran workhorses like Robert Collins, Lawrence Earl, David Gammon, and Scott Young. Hammond himself contributed two of the series' twelve books, while dictating length, plot points, and endings for the others.

The extent of Hammond's influence on The Mystery of the Muffled Man might make for an interesting paper, but I'm not the one to write it. Braithwaite's first novel, preceding Why Shoot the Teacher by three years, this one is a bit of a bore. It begins with a chilly wait for a train in
a northern Ontario mining town. Young Chris Summerville has been sent by his parents to meet his cousin, equally-young Carol Fitzpatrick, who will be visiting while her parents spend the Christmas holidays in Bermuda. Eventually, the train arrives, but before Chris meets Carol there is an altercation that will hang over the remainder of the novel. Chris's overly-friendly dog, Arthur, runs to greet the new arrivals, only to be clubbed by a "muffled man" who had emerged from the train. Carol later tells her cousin of some suspicious behaviour the muffled man exhibited on the train: pouring over maps, avoiding RCMP officers, and pretending to have a broken left arm.

There's little more worth reporting, except to say that The Mystery of the Muffled Man is a novel bereft of mystery. The character who clubs a dog is obviously the villain. Why is he in the northern Ontario mining town? Well, the only thing we know of the area's history is that there had been a bank robbery ten years earlier, and that the money was never found.

By far the most interesting thing about the novel is how little the muffled man figures. Accompanied by friend Dumont LePage, Chris and Carol decide to go ice fishing, get lost in the woods, climb an old fire tower to get their bearings, and discover an abandoned gold mine. After a cave-in separates him from the rest of the group, Chris sees the muffled man digging to retrieve the stolen loot and empties the bullets from his unattended rifle. Chris's father and two RCMP officers show up in the nick of time, resulting in this climactic passage:
"You stay here with the boy," Constable Scott said to Mr Summerville. "We'll deal with him." And, holding their guns at the ready, the two uniformed men moved down the tunnel.
     In five minutes it was over. The muffled man, trapped by the wall of fallen stone, and with an empty gun in his hands, was quickly overpowered.
Before dismissing The Mystery of the Muffled Man as the weakest novel read this year, it's only fair to acknowledge that it wasn't written with me in mind. The survey that informed the Secret Circle was conducted before I was even born. What's more, I've never so much as considered living in Scarborough.

Trivia: Jack McClelland once encouraged a hard-up Norman Levine to contribute to the series.

Object: A compact hardcover with eight illustrations of varying quality by Joseph Rosenthal. My copy, not nearly so nice as the one pictured above, was purchased three years ago at a London book store. Price: 60¢


Access: WorldCat records a grand total of two Canadian libraries holding the Little, Brown edition. It also lists a 1981 Bantam-Seal paperback, and something titled The Muffled Man (Scarborough: Nelson, 1990).

Interestingly, no copies of the Bantam-Seal and Nelson editions are on offer from online booksellers. The original Little, Brown came and went with a single printing. Though not many copies are listed online, it is cheap. Very Good copies begin at US$8.00. At US$30.10, the most expensive is an inscribed copy offered by an Ontario bookseller.

Remarkably, the novel has been translated into Dutch (Avontuur in een goudmijn) and Swedish (Mysteriet med den maskerade mannen).

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11 December 2017

The Year's Best Books in Review – A.D. 2017; Featuring Three Books Deserving Resurrection



I finished reading my last book of the year yesterday afternoon; there is no way the I'll reach the end of the next before January. And so, the time has come for the annual recap of the best dusty books reviewed here and in Canadian Notes & Queries.

Twenty-seventeen was an unusual year for the Dusty Bookcase. Roughly twice as many books were covered in the first half as in the second. Promotion of the Dusty Bookcase book, The Dusty Bookcase: A Journey Through Canada's Forgotten, Neglected and Suppressed Writing, had something to do with it, but so too did other projects. The sad result is that just nineteen books were reviewed in 2017... and here I include that for the book I finished yesterday, which has yet to be written and posted. Either way, it is an all-time low.

Happily, despite the relatively small number – nineteen! – it was very easy to come up with this year's list of three books deserving a return to print:


Revenge!
Robert Barr

Barr stands with May Agnes Fleming and Grant Allen as one of our three most interesting Victorian novelists, and yet we ignore them all. This 1896 collection of twenty short stories delves into the darkest, deadliest areas of the soul.



Behind the Beyond
Stephen Leacock

First published in 1913, this is one of titles dropped in the New Canadian Library's bloody post-Ross purge. It stands amongst Professor Leacock's best collections. Interested publishers should consider the sixteen A.H. Fish illustrations featured in the first edition.


In Quest of Splendour
[Pierre le magnifique]
Roger Lemelin
[trans. Harry Lorin Binsse]

Lemelin's third novel, and very nearly his last, this pales beside the sales of the other three, but I think it is his best. Harry Binsse's 1955 translation enjoyed a single printing. Time has come for a new edition.



Three works reviewed this year are in print:


First published in 1902, the oldest is Ralph Connor's somewhat nostalgic, somewhat autobiographical novel Glengarry School Days. Last I looked, the 2009 New Canadian Library edition with introduction by John Lennox was still available from Penguin Random House. For how much longer, I wonder.


Shadow on the Hearth (1950) by Judith Merril is far from the best novel I read this year, but is recommended just the same. A Cold War nightmare, it has as much to do with the H-bomb as state secrecy and control. It features as one of three novels collected in Spaced Out: Three Novels of Tomorrow, published by the New England Science Fiction Society Press.


Wives and Lovers (1954) is generally considered the last Margaret Millar non-Mystery... which isn't to say that there isn't mystery or that its characters don't do some very bad things. The very best novel I read this year, it can be found in The Master at Her Zenith, the third volume in Syndicate Books' Collected Millar.

I was involved in resurrecting only one book this year:


The Pyx
John Buell

The twelfth title in the Ricochet Books series, I consider this the best. A debut novel, first published in 1959 by Farrar, Straus & Cudahy, it has drawn considerable praise through the decades. This new edition has an introduction by Sean Kelly.



Praise this year goes to Biblioasis' ReSet series. Now, I do recognize the optics – Biblioasis being the publisher of The Dusty Bookcase – but, really, is it not overdue? For six years now, roughly half the life of the press, it has been bringing back some of our most unjustly neglected titles. Early in the New Year, I Don't Want to Know Anyone Too Well, the collected stories of Norman Levine, will be added to the series.


Speaking of the New Year, I don't think it's too early for resolutions. Here are mine:
  • I resolve to read more books by women (two-thirds of my 2017 reading were books by men);
  • I resolve to read more books by French language writers (In Quest of Splendour was the only one read in 2017);
  • I resolve to read and review more forgotten, neglected and suppressed books than I did this past year;
  • I resolve to continue kicking against the pricks. 
You?

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