11 November 2021

Remembering Calvin Dale Williamson


A sixty-page booklet published by William Southam, father of the Southam newspaper empire, Regimental Songs was distributed to members of the Canadian Expeditionary Force. The first song is "Alexander's Ragtime Band;" the second, "Alouette," is followed by "Annie Laurie." My favourite is the fourth: "Any Little Girl That's a Nice Little Girl is the Right Little Girl for Me." Regimental Songs provides only the chorus:

The song in full is quite ribald.

Southam's booklet contains 168 songs – some bowdlerized, some not. "God Save the King" is sandwiched between the chorus of "Every Little Bit Added to What You've Got Makes Just a Little Bit More" and select lines from "Good-Night, Ladies."

Regimental Songs isn't all King, Country, and girls. 

I purchased the booklet ten years ago at a library book sale. It once belonged to Calvin Dale Williamson of St Marys, Ontario, who at nineteen enlisted to serve as a private in the 55th Overseas Battery, Canadian Field Artillery.

Après la guerre, Cal Williamson worked as a plumber. A life-long bachelor, he lived in a modest house on Jones Street East (likely the same house in which he was born). A friend who hired him in his later years remembers Mr Williamson as a hoarder and something of an eccentric. Calvin Dale Williamson died in 1983, at the age of eighty-seven. "When he died, the contents of his house were cleared out and dispersed," writes my friend. "The house was demolished and there is no trace of this interesting man left in St. Marys – except, perhaps, at some drilled wells."

Calvin Dale Williamson lies next to his parents, Thomas and Cordelia, in the St Marys Cemetery.

RIP

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01 November 2021

We All Win With May Agnes Fleming!

Who Wins?; or, The Secret of Monksworth Waste
May Agnes Fleming
New York: New York Book Company, 1910
180 pages

A woman trudges by night, babe at breast, though England's bleak marshes and ghastly commons. She begs for rest at Leamington, the nearest town, but her brute of a husband is insistent on making a ship that is scheduled to depart from Plymouth the next day. Yet, upon reaching Leamington, he's drawn to the warm lights of the Vine Inn. He does decide stop – but not before blackening his wife's one unblackened eye. "I'm going in for a pot o' porter, mistress," says he; "wait you here till I come back. The poor woman does just that. Upon her husband's return, she takes up a long, heavy, sharp-pointed stone, "deadly as a dagger," and brings it down on his head:

There was one convulsive bound, one gurgling cry, a spout of hot, red blood, and then—
      The woman turned away with sickening horror from what lay before her. It was very still, too; there was no need to repeat the blow. She flung the stone away, took one last glance at the sleeping child, one last, shuddering gaze at that other still form, then turned swiftly and flitted away into the night.
Time and place shift abruptly to a crowded French vaudeville on the Surrey side of the Thames, where dark-eyed danseuse Miss Rose Adair is giving her farewell performance before returning to Paris. It's the cheapest hot ticket in all of London. A small gathering of slumming military men sit in the more expensive seats:
Very harmless young heroes, their maiden swords still unfleshed — their maiden pistols preserving their pristine glitter — dainty carpet knights, great in the dance, and mighty at the mess-table. They lounged about the boxes, amusing themselves with sarcastic criticisms on their neighbors, while waiting for the curtain to rise.
The most envied of their circle is nineteen-year-old Lieutenant Cyril Paget Trevanion; this has less to do with his striking good looks – he has the proportions of "a muscular Apollo" – than it does with his  future as Lord of Monkswood Hall, Trevanion Park, and heir to an estate with a rental income of £15,000 per annum (roughly £1,830,000 today). In the immediate, young Trevanion has caught the eye of la belle Rose... and she his. Trevanion's fellow officers see short-term fun, but no future:
"A man can not marry his grandmother — no more can he marry a little danseuse, particularly at the innocent age of nineteen. Not but that Miss Rose Adair is pretty enough and sparkling enough to almost warrant such folly. Trevanion’s deucedly spooney about her, but there’ll be no marrying, take my word for it. He comes of a race as proud as the devil.”
What is the connection between these two disparate scenes? Who is the murderess? What happened to her baby? Will Trevanion marry Rose? Can an aristocrat and vaudevillian share a future?

And then there's the title. Who Wins? Against whom? What's the prize?

As in all May Agnes Fleming novels, answers come in time. Who Wins?, being one of her shortest, they come more quickly and are a touch more obvious. This is not to suggest that the standard elements of a Fleming novel are lacking; murder, extreme wealth, extreme poverty, inheritance, disinheritance, secret identities, secret passages, more murder, and romance all figure.

Hermit or hag? There's always one.

In this case, it's the latter.

Much as I'm loath to use the term, I can't help but describe Who Wins? as the most meta of the Flemings I've read to date. This has much to do with the mysterious character Angus Macgregor's occupation as a writer of popular fiction. In this scene, acquaintance Charley Chudleigh stops by for a tongue-wag:
"Busy, as usual?" he remarked, lounging in, looking inexpressibly handsome and cool in his summer suit of spotless linen. "If I disturb the exercises, I'll go." (Macgregor, in the deep, rose-shaded window-seat, was writing.) "Whereabouts are you? Is Lord Charlemagne Charlemount on his knees to the lovely Lady Sleepshanks? Or is the Black Bandit in the act of leaping from the top of the Martello Tower with the shrieking Aureola Pasdebasque in his arms, or has Rinaldo Binaldi, the magnificent hero of the tale, the dazzling son of 'poor but honest parents,' just been consigned to the deepest dungeon beneath the castle moat by that black-hearted scoundrel, the gouty old Marquis of Carabas? Egad! Macgregor, you sensation novelists are tremendous fellows, and play the very mischief with the women's noddles. Say the word, and I'll go; I've the greatest awe of the profession, and wouldn't interrupt a thrilling chapter for countless worlds."
I laughed aloud when reading this passage, in which the valet M François resigns his position:"Mr. Macgregor's valet may seem to have little to do with this veracious history, but Mr. Macgregor's valet was the direct means of bringing about a rapid dénouement."

Who Wins? isn't my favourite Fleming novel – that would be The Midnight Queen –but as I'm learning there is no bad place to start reading her work.

Give Who Wins? a try if you're looking for one of her shorter reads; whether female or male, she will play with your noddle.

Trivia: Google informs that Plymouth is a 317-kilometre hike from Leamington, estimating sixty-five hours of steady walking between spa town and port city. I expect May Agnes Fleming, a New Brunswicker who never visited England, was unaware of this fact.

Object: My copy was purchased last year from a bookseller in upstate New York. Price: US$12.00. It was once owned by a man named Gerald E. Rule ("from Mother"). The title on its cover and spine drop the question mark, but the title page (above) gets things right. Likely the most recent edition, it was published as part of the New York Book Company's Famous Fiction Library. Amongst the other Canadian titles in the Famous Fiction Library, we find only Mrs Fleming's The Baronet's Bride.

Access: Lauren McMullen's invaluable "Checklist of Works by May Agnes Fleming" suggests that Who Wins? made its print debut serialized in Philadelphia Saturday Night (16 April and 23 July 1870). She records a second serialization under the title The Mystery of Mordaunt Hall, which ran anonymously from 16 July 1870 to 1 November 1870 in the London Journal. Prof McMullen notes that the names of settings and characters are altered in the latter serial.*

Prof McMullen's research suggests that Who Wins? may have first appeared as a book published by New York's Surprise Library. No date is given. The earliest edition that can be read online – New York: Munro, 1895 – is here at the Internet Archive. Those looking to purchase a copy online have two choices: a 110-year-old or so New York Book Company bind-up of The Baronet's Bride and Who Wins? (price: US$15.93) or a nearly-equally-as-old paper-covered Street & Smith edition (price: US$25.00).

I'd be torn.

No pun intended.

The Mystery of Mordaunt Hall is not to be confused with another novel of the same title serialized in New Zealand's Thames Star (4 February-14 April 1896). It too was published anonymously.

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31 October 2021

A Harlequin Halloween Hobo



I can't be alone in finding this cover disturbing. Just what is going on? Is this woman terrified or has she lost her mind? Is she the lady hobo? I ask the because that's a pretty nice frock. And doesn't her hair look terrific!

This 1953 Harlequin follows the 1935 Coward-McCann first edition. "Lots of incident but what of it?" sniffed Kirkus.

Lest you think I'm making too much of Harlequin's cover image 1953's, consider the back cover copy: 


"Fear and death... terror-stricken women... an excitedly different story of stark horror."

Amongst Beth Brown's other books are ApplauseBallyhoo, and That's That. For Men Only, the ribald tale of a successful brothel-owner, and the heart-warming, sentimental All Dogs Go to Heaven, suggest that, like Brian Moore, Beth Brown wasn't one to be tied down to a genre.

Though I haven't read Lady Hobo, I have listened to this 1968 recording of Brown's Minnie, the Tired Trolley Car. A children's story, it is he stuff of nightmares.

Listen if you dare!



29 October 2021

The Scotts of Quebec City


Having praised Quebec City and its plaques bleu on Wednesday, I now condemn.

And with good reason. 

As one may divine, the above – 755, rue Saint-Jean – was built as a church. Dedicated to St Matthew, patron saint of tax collectors and accountants, its history dates to 1772. The grounds surrounding hold centuries-old bones of the Anglican faithful.

St Matthew's most notable rector was Frederick George Scott (1861-1944). A charismatic Anglo-Catholic, his views on religion fit well – as well as might be hoped – in a predominantly Catholic city. Outside the Church, Scott is best known as the Poet of the Laurentians. He produced thirteen volumes of verse in his 82 years. The favourite in my collection is a signed copy of Selected Poems, which was published in 1933 by Emile Robitaille, 30 Garneau Street, Quebec City.

In 1980, the Anglican Church of Canada gave St Matthew's to the Ville du Quebec. It was remade and remodelled as a library. In 2017, it was named after novelist and memoirist Claire Martin (1914-2014).

I'm a great admirer of Martin, and have sung her praises here and here.  She deserves greater recognition in English-speaking Canada. I wonder how she's remembered in French-speaking Canada? In the very same hour I took these photos, I purchased three signed Martin first editions at between six and eight dollars apiece.

I digress.

La bibliothèque Claire-Martin features a very attractive entrance detailing the author's life and work.

This is supplemented with a half-dozen displays lining the library's centre aisle.

Much as I was happy to see them, I was bothered that there was no recognition whatsoever of F.G. Scott. Not only that, there was no recognition of the reverend's third son, Francis Reginald Scott (1899-1985), who was born in the manse overlooking the aforementioned cemetery.

F.G. Scott was one of the most celebrated Canadian poets of the nineteenth and early twentieth centuries. Son F.R. Scott was a founder of both the CCF and the NDP, was Dean of the McGill Law Faculty, fought dictatorial Quebec premier Maurice Duplessis, and defeated the censors in Canada's own Lady Chatterley's Lover trial. F.R. Scott's bibliography consists of over a dozen books, including the Governors General's Award-winning Essays on the Constitution: Aspects of Canadian Law and Politics (Toronto: University of Toronto, 1977) and The Collected Poems of F. R. Scott (Toronto: McClelland & Stewart, 1981). He is recognized as a pioneer in the translation and promotion of Québecois literature.

La bibliotheque Claire-Martin has no books by either man. In fact, there are no books by F.G. Scott in the entire Quebec City public library system. La bibliothèque de Québec has one – one – volume by F.R. Scott, Dialogue sur la traduction, (Montreal: Éditions HMH, 1970). I can't help but think this has everything to do with it having been co-written by Anne Hébert.

My copy, inscribed by Scott to Hugo McPherson, purchased thirty years ago at the Montreal Antiquarian Book Fair.
This is not to suggest that the Scott family is unrecognized. Sharp-eyed visitors will spot this century-old plaque dedicated to members of the St Matthew's Anglican Church congregation who fell during the Great War.


The second column bears the name of Henry Hutton Scott, F.G. Scott's son, F.R. Scott's brother, who was killed during the capture of Regina Trench. A chaplain in the First Canadian Division, Reverend Scott shares a moving account of the search for son's body in The Great War as I Saw It (Toronto: Goodchild, 1922). For those who haven't read it, this short piece from the 1 December 1916 edition of the Toronto Daily Star gives some idea of what to expect.


All this is to recognize the absence of recognition. La bibliotheque Claire-Martin has no plaques bleu dedicated to F.G. Scott and F.R. Scott. La bibliotheque Claire-Martin has no books by F.G. Scott and F.R. Scott.  

To borrow a phrase used by Jacques Parizeau, it's a bloody disgrace.

27 October 2021

Blue Plaque Special: Quebec City Edition


In the early days of the Dusty Bookcase – more than twelve years ago! –  I heaped praise upon London's blue plaques, singling out favourites affixed to the former homes of George Frideric Handel, Jimi Hendrix, and Canadian British Prime Minister Andrew Bonnar Law. "Despite all good intentions, and a great deal of effort, we have nothing that compares in this country," I wrote.

I was wrong.

As I discovered last week during a visit to my home and native province, plaques abound in Quebec City! Consider the above, which recognizes Antoine de Saint-Exupéry's 1942 stay at 25, avenue Sainte-Geneviève (below).

One night? Two?

Never mind, it's worthy of a plaque.

As in London, the plaques of Quebec are blue. I saw them on nearly every street in the old city. Here we have two plaques, both dedicated to literary figures – Félix-Antoine Savard (1896-1982) and Luc Lacourcière (1910-1989) – who at different times called 2, rue des Remparts home:


Below is a photo of 5, rue Hébert, once the residence of  Sir James MacPherson Le Moine (1825-1912). A lawyer and historian, Sir James is the author of Quebec Past and Present (1876) and, appropriately, Picturesque Quebec (1882).

(A mystery: The Répertoire du patrimoine culturel du Québec website lists the plaque as being located at 1½, rue Hébert when in fact it is at number five. Installed in 2001, it would appear to have been moved one address over at some point after 2006. Waymarking.com has a photograph of the plaque in its former location.)

My favourite plaque bleu is found at 34, rue St-Louis, which served as residence of Philippe-Joseph Aubert de Gaspé (1786-1871) between the years 1816 and 1822. Built in 1675, one of the oldest standing houses in old Quebec, it's now home to the restaurant Aux Anciens Canadiens.

You can't see the blue plaque in this photo, but it's there.


Sadly, the pleasure derived in seeing Quebec's blue plaques was tempered by the knowledge that Montreal has no similar programme.

Why not?

I speculated as to the reason in that twelve-year-old post... and have not changed my thought on the matter.

My last day in the province found me walking through Montreal's Notre-Dame-de-Grâce. I passed 6879 Monkland Avenue. It once belonged to Irving Layton. The poet owned and lived in the house for more than four decades.


There is no plaque of any kind.

O Montreal!

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12 October 2021

A Shadow Moves Through a Shadowy Underworld




The Shadow
Arthur Stringer
New York: Century, 1913
302 pages

Time was when Jim Blake could pass unnoticed through the seedier side of New York. He'd hobnob with dips, yeggs, till-tappers, and red-lighters. Blake befriended ticket snips, queer shovers, hotel beats, bank sneaks, keister-crackers, dummy chuckers, sun gazers and schlaum workers. He studied their routines, their tricks, their hang-outs, their histories, and got to know the Tammany heelers, "the men with 'pull,' the lads who were to be 'pounded' and the lads who were to be let alone, the men in touch with the 'Senator,' and the gangs with the fall money always at hand."

All this was when he was a Secret Service man with the Bureau of Printing and Engraving. That job ended – rather he ended it – when the press began reporting on his exploits. Blake pretended that he wasn't encouraging the coverage, but his higher-ups at the Bureau were no dummies.

Good thing he'd made those connections at Tammany Hall.

Blake left the Secret Service to become Third Deputy Commissioner in the New York Police Department. His fame increased. There were newspaper features, magazine pieces, and even a Broadway play based on his exploits. Blake never forgot standing, in private box, to acknowledge the applause of an admiring audience.

But this is all backstory. Years have passed, times have changed.

The early pages of the The Shadow find our protagonist in decline. Not long after joining the NYPD, Blake was elevated to Second Deputy Commissioner, but there his career stalled. He'd known to throw in his lot with the Tammany crowd, but that was the extent of his political savvy. Younger members of the force have come to see Blake and his crude methods as relics from an earlier time. He's even been put down by a cop on the beat:
"You call yourself a gun! A gun! why, you’re only a park gun! That’s all you are, a broken-down bluff, an ornamental has-been, a park gun for kids to play ’round!"

The Cavalier, 21 September 1912
Stringer encourages the reader to share this impression with an opening scene in which an exhausted Blake summons a former lover, Elsie Verriner (a/k/a Chaddy Cravath; a/k/a Charlotte Carruthers). Years earlier, Blake had picked her up as an accomplice of con man and bank thief Connie Binhart. Elsie had pleaded that she'd change her ways. Blake had been taken in by her pretty eyes, protected her from the law, had fallen in love, and had gone so far as to propose. Elsie was reluctant, Blake pressed, and then she returned to Connie Binhart.

Never-Fail-Blake (New York: McKinlay, Stone & MacKenzie, [c. 1928])
Again, this was years ago, which is not to say that all is forgiven or forgotten. Blake comes down hard on Elsie, demanding that she tell him just where her old partner in crime has been hiding. The last seven months have seen Binhart chloroform a woman, shoot a bank detective, and make off with $180,000. The Commissioner is under pressure to capture the crook. When Copeland, the First Deputy, fails, Blake steps up, seeing the capture of Binhart as a means of reestablishing his old reputation. Under threat of arrest for an unrelated crime, Elsie hands over a letter Binhart has written from Montreal.

Blake makes for Montreal, only to learn that the crook has decamped for Winnipeg. At Winnipeg, he's told that Binhart is on his way to Calgary. No dummy, Blake realizes he's been set up for failure, most likely by Copeland. Because returning to New York would only add to his humiliation, Blake takes a train to Chicago, where he begins his own inquiries into Binhart's whereabouts. It's here that the chase really begins, taking the Second Deputy through the more seedier locales of the United States, Brazil, Central America, and the Far East. 

The Shadow follows The Wife Traders (1937) and The Devastator (1945) as the third Stringer read this year. I'm glad I gave it a go. While those disappointed, The Shadow proved entertaining, imaginative, exciting, and highly atmospheric. If nothing else, read Chapter XIII, set on a ship running guns to Ecuador. This is Stringer at the height of his talent.

Anyone with an interest in the criminal underworld and its slang will enjoy, though I do warn that racial epithets feature. I admired Stringer's disregard of convention. Blake's life will be saved by a sexy female assassin in Shanghai. Elsie will reappear – reformed – as an agent for the Treasury Department. Both disappear well before the happy ending.

No women feature.

Were you expecting a love story?

Trivia: The return address on Binhart's letter is 381 King Edward Avenue, Westmount. Part of the plant is that the letter was posted from Montreal's King Edward Hotel, not King Edward Avenue. Neither avenue nor hotel exist outside the pages of the novel.

Object: A bulky hardcover purchased earlier this year from the Princeton Antiques Bookshop. Price: US20.00 (w/ a further US$25.00 for shipping). Much as I'm happy to add it to my library, how is this right?

Access: There was a Bell & Cockburn edition, but I've never seen it. While I've yet to find evidence that the Century edition of The Shadow enjoyed a second printing, in terms of sales this novel looks to be one of Stringer's most successful. It first appeared in a shorter version in the pages of Cavalier (September 21 - October 12, 1912). Century's first American edition followed in January 1913. Nine years later, cheapo publisher A.L. Burt reissued the novel under the superior title Never-Fail Blake. It last appeared under that same title as part of a set of Stringer novels, "Supertales [sic] of Modern Mystery," published in the late 'twenties by McKinlay, Stone & MacKenzie.

As I write, two copies of the Century edition are being offered online. Neither is in wonderful condition, but they seem worth the $20 asking price. Copies of Never-Fail-Blake are best ignored. I don't imagine anyone is tempted by this:


The Shadow is held by Library and Archives Canada and is fairly common in our university libraries. Curiously, the Canadian War Museum, the Institut National de la recherche scientifique and École nationale d'administration publique also have copies. What's that about?

Public library users will find that only the Toronto Public Library serves.

The Shadow can be read online – gratis – through the Internet Archive and Project Gutenberg. 

11 October 2021

Thanksgiving Verse by J.K. Foran


Poetry for this Thanksgiving Day by J.K. Foran, KC, Lit D, LL D., from the posthumously published collection A Garland: Lectures and Poems (Montreal: Gazette, [1931]).

THANKSGIVING 

      For the sound of waters rushing
            In bubbling beads of light;
      For the fleets of snow-white lilies
            Firm anchored out of sight;
      For the reeds among the eddies,
            The crystals on the clod;
      For the flowing of the rivers,
            I thank Thee, O my God!

      For the rosebud’s break of beauty,
            Along the toiler’s way;
      For the violet’s eye that opens
            To bless the new born day;
      For the bare twigs that in summer
            Bloom like the prophet’s rod;
      For the blossomings of flowers,
            I thank Thee, O my God!

      For the lifting up of mountains
            In brightness and in dread;
      For the peaks where snow and sunshine
            Alone have dared to tread;
      For the dark and silent gorges
            Whence mighty cedars nod;
      For the majesty of mountains,
            I thank Thee, O my God!

      For the splendor of the sunsets,
            Vast mirrored on the sea;
      For the gold-fringed clouds that curtain
            Heaven’s inner majesty;
      For the molten bars of twilight,
            Where thought leans glad, yet awed;
      For the glory of the sunlight,
            I thank Thee, O my God!

      For the earth and all its beauty,
            The sky and all its light;
      For the dim and soothing shadows
            That rest the dazzling sight;
      For unfading fields and prairies,
            Where sense in vain has trod;
      For the world’s exhaustless beauty,
            I thank Thee, O my God!

      For an eye of inward seeing,
            A soul to know and love;
      For these common aspirations
            That our high heirship prove;
      For the hearts that bless each other
            Beneath Thy smile, Thy rod;
      For the amaranth saved from Eden,
            I thank Thee, O my God!

      For the hidden scroll, o’erwritten
            With one dear name adored;
      For the heavenly in the human,
            The Spirit in the Word;
      For the tokens of Thy presence
            Within, above, abroad;
      For Thine own great gift of being,
            I thank Thee, O my God.
Sadly, I don't own a copy of A Garland. Happily, it can be read online at Bibliothèque et Archives nationales du Québec through this link. Their copy was a gift to the Bibliothèque de la ville de Montréal from Dusty Bookcase favourite Ethel Ursula Foran, Dr Foran's daughter.