The Ottawa Citizen, 31 October 1947 |
27 February 2014
26 February 2014
Freedom to Read Week: Eight Men Speak
Freedom to Read Week Hump Day. Have you bought your banned book yet? If not, may I suggest Eight Men Speak? Written in 1933, reissued just last year by University of Ottawa Press, it's not so much a banned book as a banned play once – only once – staged as part of an effort to free Communist Party of Canada leader Tim Buck from Kingston Penitentiary. The Toronto Police didn't approve, nor did their Winnipeg brothers.
The Globe & Mail, May Day, 1934 |
The Ottawa Citizen, 2 May 1934 |
25 February 2014
Freedom to Read Week: Robertson Davies' Dad Against Censorship (and Misleading Cover Art)
Senator William Rupert Davies 12 September 1879 - 11 March 1967 RIP |
For my part, I do not believe this senate has any business at all legislating what I or anyone else should read. This is a free country, and we are not the keepers of our brothers' consciences to that extent. It would be going to far to try to tell adult Canadians what they should read… I think we should have confidence in the rising generation and try not to protect them too much. After all, character is formed by overcoming obstacles and resisting temptation.
— William Rupert Davies, 5 May 1953
The Globe & Mail, 6 May 1953 |
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24 February 2014
Freedom to Read Week: Catherine Seppala, the Book Burning Mayor of Fort William, Ontario
Catherine Seppala 1907 - 1975 RIP |
Welcome to the working week.
Looking over past Freedom to Read Week posts, I see I've written about personal heroes – Jean-Charles Harvey, Irving Layton, Norman Levine, F.R. Scott, and Dana Porter – while casting much more light on villains like Howard Burrell, Len Wynn, Raoul Mercier, Premier Maurice Duplessis, Fr. Harrigan, Col. Colin Harding, Sgt. John Watson, Det.-Lt. Lucien Quintal, and the forbidden books card catalogue of Lt.-Col. (Ret'd) John Merner.*
It probably doesn't reflect well on me that I focus so much on those who seek to suppress… and here I am doing it again with Catherine Seppala, once Mayor of Fort William, Ontario.
There's a good deal to admire about Mrs Seppala: she was a conservationist, a dedicated volunteer, a city councillor and Chair of Fort William's carnival queen contest.
The News-Courier (Charleston, SC) 10 January 1956 |
In 1959, she was elected Fort William's first and only female mayor. Sadly, the accomplishment is marred by abuse of power. It all began when the newly elected mayor visited the offices of the Central News Company and "suggested" to manager Henry Batho that he remove all copies of Lady Chatterley's Lover from city news stands. So persuasive was Mrs Seppala that Mr Bathos not only removed the book from sale, but received permission to use the city's incinerator in burning all seven hundred or so copies.
The Globe & Mail, 13 October 1959 |
Mr Bathos later told The Globe & Mail that he had feared a lawsuit. The same report has Mayor Seppela admitting that she hadn't actually read the Lady Chatterley's Lover, but she fully intended to one day. Ignorance in no way prevented her from deeming the novel as "a dirty rotten piece of filth", "the dirtiest thing ever put into print." "I will not hesitate to enforce a ban", she warned.
Condemnation followed, the most noteworthy coming in not one but two Globe & Mail editorials. Here's the second, published 14 October 1959:
(cliquez pour agrandir) |
The Globe & Mail, 7 October 1959 |
The Globe & Mail, 19 October 1959 |
The Globe & Mail, 27 October 1959 |
How far Mayor Seppala was willing to go is anyone's guess. A few months into the crusade she was struck by ill health, which in turn led to her resigning the mayoralty.
The Globe & Mail, 7 October 1959 |
* No light will be cast on Barrick Gold Corp. I rush to add that Peter Munk, Anthony Munk, Howard L. Beck, William Birchall, Jamie C. Sokalsky and Brian Mulroney are mighty fine people. Really.
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Labels:
Book burning,
Censorship,
Freedom to Read Week,
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Letters
21 February 2014
Cocking on the Beach
I possess one of the finest collections of Ronald Cocking material in private hands. Yes, I do. What's more, it was amassed in a matter of minutes.
There is a cautionary tale in this, recounted in my review of Die With Me, Lady. It will not be repeated it here. In its place, I offer these words of advice: Do not judge an oeuvre on eight pages of text.
Now, the collection:
ITEM #1
A glossy 6¼ x 8¼ black and white photograph (above) depicting the author at ease. A refugee from the defunct Miami News, I purchased this photo for US$5.33. The obverse appears to indicate that the image was published on 4 November 1951, a Sunday.
(cliquez pour agrandir) |
It was through this item that I discovered Cocking had once served as Managing Editor for The Hamilton News. The caption reports that J. Arthur Rank is "dickering for movie rights" to one of his three novels. Wish I knew which.
ITEM #2
A first edition of The House on Brooke Street (London: Hurst & Blackett, 1949), Cocking's first novel. "Written in the best 'Clubfoot' tradition", says the jacket, but I doubt I'll ever read it. Published sixty-five years ago at 8s. 6d., I paid £20 for my copy.
ITEM #3
High Tide is at Midnight, subject of my most recent post. Published by Hurst & Blackett in 1950, this is a first edition of Cocking's second book. This one, originally 9s. 6d., was purchased for £26.
ITEM #4
A second edition copy of Cocking's third and final novel, Weep No More, Lady, published in 1953 by the Mystery Book Guild. This one was a bargain at £7. The first edition was published in 1952 by Hurst & Blackett.
ITEM #5
Weep No More, Lady recast as Die With Me, Lady for the Canadian news stand. Published in June 1953 by Harlequin, it was this copy – more precisely, the first eight pages of this copy – that led me to drop C$147.10 (incl. shipping) on the above.
Oh, but didn't those eight pages show such promise!
Addendum: What do I know about Ronald Cocking? Not much ore than is found on the back of that glossy black and white. To be perfectly frank, I haven't been much inspired to take that ninety-minute drive out to Hamilton to see what I might find.
The laziest of searches, conducted from the comfort of my home office, finds Cocking twice mentioned in The Globe & Mail. Nothing to do with his books, mind. Here's the first, in Bruce West's column of 17 July 1950:
Cocking returned to the pages of Globe & Mail in this 7 June 1952 report from Osgoode Hall:
What else? What else? Well, let's see… That W. stood for William. He was born in 1907 at Portsmouth, and served in the RAF during the Second World War. Cocking emigrated to Canada, but at some point returned to the UK, where he contributed to Parade and Argosy. He died at Surrey in 1999.
Oh, and it seems he did know his canines. The last piece of Cocking fiction I've been able to find is "It's a Dogs Life!", published in the August 1971 issue of Argosy.
I'm not interested in buying a copy.
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Labels:
Cocking,
Globe and Mail,
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West
17 February 2014
The Lonely Patience of Kevin Marlow
High Tide is a Midnight
Ronald Cocking
London: Hurst & Blackett, [1950]
If the past is a foreign country, that of a foreign country will seem particularly alien. Still, I wonder if there was ever an England like the one depicted in High Tide is at Midnight. Was there really a time in which unlisted phone numbers were available to anyone who asked? Was there really a time when a simple call to a beautiful young film star would bring an immediate invitation to tea? Really? At the actress's London flat? Even when you refused to say why you were calling?
These are the sorts of questions that played through my mind when, I suppose, the author would've had me thinking about smuggling, rationing, and the high rate of purchase tax. His hero, Kevin Marlow of the Customs and Excise Department's Special Investigation Branch, is perhaps the dullest to ever feature in a thriller. "You know, Mr. Marlow," says his superior, Sir William Lindlay, "I think you are the most patient officer in the Branch. Not the most brilliant, perhaps, but certainly the most patient; and patience often achieves results denied to the purely clever people."
Clever colleague Craddock having failed, Kevin is assigned to take over an investigation into a smuggling ring thought to be working the English Channel. That evening, whilst going through Craddock's notes in his bachelor flat, he finds the calling card of new screen sensation Margaret Lawson. It's an "odd coincidence", Kevin having taken in her latest film, Strange Tomorrow, just hours earlier.
The very next morning, Craddock collapses, whispering these words to Kevin with his dying breath: "Kennington… Near Kennington. And… the… sea… port. They're… all… in… it."
Kevin doesn't bother following up on Craddock's parting tip. Never does. He begins his investigation by getting Margaret Lawson's phone number, giving her a call, sipping her tea, and coming away wholly unsatisfied:
Kevin decided that he didn't understand at all; nothing fitted. For one thing, he ought to be feeling a considerable resentment towards her because of the fact that she was deliberately obstructing him – yet all he could feel was admiration for her loyalty. Yet she had lied about Craddock, and if his vague suspicions about Craddock were right, that tied her up directly with what was going on – which was a vastly different thing to her being an unwilling party. He was thinking in circles, he suddenly realized – and gave it up. He must get a lot more facts first.Kevin's method is to visit and revisit his suspects with faith that it will all lead to something. I was reminded more of a Jehovah's Witness than a detective. High Tide is at Midnight is a novella made novel through excessive detail, most of which involves getting the protagonist from visit A to visit B:
At eight o'clock the next morning – a Saturday – Kevin was bowling along over Catford Heath, headed south-east. It was more like April than October – the sky was blue, and there was a golden haze in the crisp air. By eight-twenty-five he was in Farmingham, and he pulled up briefly at a café to drink some steaming hot coffee and eat some buttered toast.Although Kevin is helped along by the odd "odd coincidence" and has the good fortune to stumble, both literarily and figuratively, upon a good many clues, he proves himself incapable of exposing the smugglers. One of his greatest breaks occurs when, quite by chance, he stops in a village in which every single inhabitant is involved with the ring (vicar included). Even this leads to nothing. Shame Craddock is dead; bet he could've figured things out.
Then he went on down the arterial road until he came to the Sevenoaks-Maidstone Road, where he turned left. In Maidstone he stopped to consult his road-map, then pressed on down the Hastings Road for a mile, turned off south-east again on the Class 2 road, finally coming out in Tenterden. There he asked the way from a passing farmhand, and some five minutes later he coasted down into a hollow, and tucked under the hill on the left, close to a brook, there it was – a cottage with a small board attached to a gate on which was written 'THE DELL'.
Ultimately, it's Margaret Lawson who blows the lid off the smuggling operation, telling our hero everything. In doing so, she exposes family's participation, thereby risking gaol time for herself, her brother and her parents.
Why would she do such a thing?
Well, you see, the beautiful film star had fallen in love with the Customs and Excise man.
Was there ever really such an England?
The romantic Kevin Marlow:
"You know," he said, "I little thought when I was sitting in the cinema watching your last film a few days ago that I would be soon having you all to myself in a country cottage. I admire your acting enormously."
She said: "Thank you, sir. But seriously – I'm glad. Oddly enough, I want you to… have a good opinion of me."
"Why?"
She shrugged her slim shoulders.
I don't really know – after all, we're practically strangers. But I suppose that it's because intuitively I respect your judgement. Does that sound ridiculous?"
"No," Kevin said, smiling. "And it does my ego a lot of good." He looked over the rim of his cup. "While the Mutual admiration Society is in session, I should like to mention something else. I think that you're the most beautiful woman I have ever seen – and I mean that very sincerely. I hope you don't mind my saying that; anyway, it's said."
Object: A compact 222-page hardcover in black boards. I purchased my copy last year – avec Crime-Book Society belly band – for £26 from a bookseller in North Lincolnshire. The back cover features a pitch for the publisher's "New and Forthcoming Thrillers", including: The Man I Didn't Kill by Norman Deane (pseud. John Creasey), Fog is a Shroud by McKnight Malmar, and The Lady in the Wood by John Dellbridge. The one I'm most interested in is the ultra-uncommon Under the Quiet Water by Canadian Frances Shelley Wees.
Access: Not found in a single library on this side of the Atlantic. Cousins overseas will find it only at the British Library, Oxford University and Trinity College, Dublin.
No copies are listed for sale online.
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