Has the book-banning impulse dissipated over the decades in Canada, or does it remain a problem?
From a curious reader on the U.S. Gulf coast, the rusty buckle of the Bible belt where school districts still get their knickers in a knot every now and then about certain books.
I'm please to report that it has indeed dissipated, RTD. Gone are the days when, say, the RCMP would raid the Vancouver Public Library. Men like Lt.-Col. John Merner are now the focus of well-deserved ridicule. There's a museum not far from me that has a display dedicated to the work of Elinor Glyn. I try to remind myself of these things in those increasingly rare instances in which censors rear their ugly heads. Theirs is a losing struggle.
A writer, ghostwriter, écrivain public, literary historian and bibliophile, I'm the author of Character Parts: Who's Really Who in CanLit (Knopf, 2003), and A Gentleman of Pleasure: One Life of John Glassco, Poet, Translator, Memoirist and Pornographer (McGill-Queen's UP, 2011; shortlisted for the Gabrielle Roy Prize). I've edited over a dozen books, including The Heart Accepts It All: Selected Letters of John Glassco (Véhicule, 2013) and George Fetherling's The Writing Life: Journals 1975-2005 (McGill-Queen's UP, 2013). I currently serve as series editor for Ricochet Books and am a contributing editor for Canadian Notes & Queries. My most recent book is The Dusty Bookcase (Biblioasis, 2017), a collection of revised and expanded reviews first published here and elsewhere.
Has the book-banning impulse dissipated over the decades in Canada, or does it remain a problem?
ReplyDeleteFrom a curious reader on the U.S. Gulf coast, the rusty buckle of the Bible belt where school districts still get their knickers in a knot every now and then about certain books.
I'm please to report that it has indeed dissipated, RTD. Gone are the days when, say, the RCMP would raid the Vancouver Public Library. Men like Lt.-Col. John Merner are now the focus of well-deserved ridicule. There's a museum not far from me that has a display dedicated to the work of Elinor Glyn. I try to remind myself of these things in those increasingly rare instances in which censors rear their ugly heads. Theirs is a losing struggle.
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