Showing posts with label Vehicule Press. Show all posts
Showing posts with label Vehicule Press. Show all posts

20 May 2020

Phyllis Brett Young's Ricochet



Copies of Phyllis Brett Young's The Ravine, the latest Ricochet Book, were delivered yesterday. I see their arrival as another sign of spring.

Number fifteen in the series, The Ravine has had an unusual history. It was first published by W.H. Allen in 1962 under the name "Kendal Young," and yet the author's true identity was exposed in an advert on the rear dust jacket.


Sadly, Psyche never made it to celluloid. The Ravine did appear on the screen – adapted bowdlerized and bastardized as Assault (1971) – but it isn't worth your time.

The Ravine is.

I knew nothing of Phyllis Brett Young until 2007, when McGill-Queen's University Press revived her 1960 novel The Torontonians. The next year, it brought back, Young's Psyche (1959).


This new edition of The Ravine joins MQUP's reissues in shining light on a writer to be celebrated.

As Ricochet Books' Series Editor, my thanks go out to Valerie Argue, Phyllis Brett Young's daughter, who granted permission for its reissue. I thank Amy Lavender Harris for providing a very fine introduction.

The first new edition in forty-nine years, it's long overdue.


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18 July 2019

Reviving a Searching Novel about Drug Addiction



Kenneth Orvis' The Damned and the Destroyed arrives in bookstores this week. The fourteenth in Ricochet Books' series of post-war Canadian noir reissues, I'm particularly keen on this one. If anything, Lee Child is even more of a fan, choosing the novel for his entry in Books to Die For: The World's Greatest Mystery Writers on the World's Greatest Mystery Novels (New York: Atria, 2012).


Child writes about purchasing a copy – the 1966 Belmont edition (above) – after having been drawn by the cover:
What lay inside was not quite as advertised – although by no means a disappointment. Quite the reverse, actually. This was a solid, high-quality thriller.
First  published in 1962, set in 1954 Montreal, I first read The Damned and the Destroyed four years ago. My opinion of the novel – shared here – was at the time lukewarm. That I pushed to have it republished as a Ricochet Book says something about first impressions. The Damned and the Destroyed has never let go. My interest in the novel and its author is such that I wrote the introduction to this, the first print edition in more than half a century.

Enjoy... as much as you can a story of smack and death.

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20 December 2018

Best Books of 2018 (none of which are from 2018)



I'm right now reading Thomas Jerome Seabrook's Bowie in Berlin, a book that has nothing at all to do with Canadian literature. The next up on deck is The Great Gatsby, which I'm in the habit of rereading every three, four or five years. Given this busy season, it's doubtful that I'll read another Canadian book before year's end. And so, the time has come for my annual reading obit, beginning with the three out-of-print books most deserving of reissue:



The Thread of Flame
Basil King
New York: Harper, 1920

The first novel the reverend wrote after the Armistice, this is the story of a man who, suffering from shell shock, loses his identity and memory. Essential reading for anyone studying the depiction of PTSD in literature.

The Empty Sack
Basil King
New York: Harper, 1921

A tale of two families, both trying to make sense of the post-Great War world. Murder features, rather unexpectedly. I dare not spoil, but I have reason to think that it influenced Ben Hecht's The Front Page.


Blencarrow
Isabel Mackay
Toronto: Allen, 1926

The last of five novels penned by a woman known more commonly as Isabel Ecclestone Mackay, its depiction of failed promise and domestic abuse had me wondering how it is that she is so forgotten.



Between this blog and my Canadian Notes & Queries column, I read and reviewed twenty-five forgotten and/or neglected Canadian books this year, five of which are actually in print:


It's rare that I let a year go by without tacking a Grant Allen novel. Miss Cayley's Adventures is one of the most popular, but not with me. Oh, I liked it well enough... but there are much better. In the midst of reading the novel I posted a list of my ten favourite Grant Allen novels. Revising that list, I would place Miss Cayley's Adventures at number eight, between The British Barbarians and Recalled to Life.


What fun! Last year, Robert Barr's Revenge! made my list of three books most deserving of a reprint. The Triumphs of Eugène Valmont would've been a shoe-in for this year had it not been available from the good folks at Gaslight Crime of Harpenden, Herts. Their edition features "The Adventures of Sherlaw Kombs" and "The Adventure of the Second Swag," two Sherlock Holmes parodies not included in the original. The most entertaining read this year.


The Invisible Worm, Margaret Millar's 1941 debut had been long beyond both my financial reach and that of Ontario's interlibrary loan system. At long last, I was able to read it thanks to Syndicate Books' Collected Millar. Or is it called The Complete Margaret Millar? Either way, I'm appreciative. Collectors should take note that a copy of the first UK edition (above left), published in 1943 by John Long, is still available from Dacobra Books, Belleville, NSW, Australia. Price: US$520.


The Lively Corpse is Rose's Last Summer under another name. Margaret Millar's tenth novel, it closes The Dawn of Domestic Suspense, the second volume in the Collected Millar. The third volume is titled The Master at Her Zenith. This is Millar ascending.


The author's second novel, The Box Garden was published fifteen years before The Stone Diaries made her a household name. I'm embarrassed to admit – yet I must admit – that it is the only Carol Shields novel I've ever read. On the other hand, does her work really have a place in a blog devoted to forgotten, neglected, and suppressed writing?

This year I was involved in returning John Buell's Four Days to print. The author's second novel, it isn't so well known as his debut, The Pyx, but I think it is his best (and here I acknowledge that I haven't yet read his 1976 novel Playground). A Ricochet Book from Véhicule Press, the new edition features an introduction by Trevor Ferguson (aka John Farrow).


I didn't publish a book this year, but did contribute a few photos, ticket stubs, and a handbill to my friend Jim Dooley's Red Set: A History of Gang of Four. This is what comes from being a pack rat.


Praise this year goes to American Frank L. Packard scholar Michael Howard, who has begun reissuing the Jimmie Dale/Grey Seal novels in annotated editions.


The next, featuring The Further Adventures of Jimmie Dale and Jimmie Dale and the Phantom Clue, will be released in the New Year. True labours of love, they can be purchased through American online booksellers.

Resolutions, I have a few:
  • I resolved last year to read more books by women. And I did! Eleven of the twenty-five I reviewed were by women writers. Let's see if I can't improve on that number.
  • I resolved last year to read more books by French language writers... and failed miserably. What I'd thought was an all-time low in 2017 – one! – was surpassed with a zero count in 2018. I hang my head in shame.
  • I resolve to finish one of the two books I'm currently writing.
  • Finally, as always, I resolve to continue kicking against the pricks.
How 'bout you?

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10 December 2018

This Necessary Read



This Necessary Murder
Frances Shelley Wees
London: Jenkins, 1957
191 pages

When buying this book I chose to ignore several significant clues: This Necessary Murder is the only Frances Shelley Wees novel that did not attract a North American publisher. The Jenkins edition was limited to a single printing. There has never been a paperback.

It begins:
Jane Merrill (our young Jyne, as Patch the gardener called her), ran joyfully down the broad polished stairs her brother Jonathan's ancient Toronto house and flung open the door. The birds were out of their minds with excitement over the fat worms hastily digging themselves underground on the dewy lawn, and the great variety of perfectly wonderful spots for new one-room homes. The air was heavy with flowers, budding leaves, new grass...
My heart sank.

Before reading those words, I'd hoped This Necessary Murder might make it as a Ricochet Book, the Véhicule Press imprint for which I serve as series editor.

And why not?

I'd liked the author's previous mystery, The Keys of My Prison, going to far as to liken it to the domestic suspense and psychological dramas of the great Margaret Millar. Ten months after reading the novel, The Keys of My Prison was back in print as a Ricochet Book.

This Necessary Murder isn't nearly so strong a work, but it's also not quite as awful as its publishing history and opening scene suggest.

Our young Jyne or Jane (we never do encounter Patch the gardener) is twenty-four years old. A single woman of indeterminate means, she lives with and dotes on her much older bachelor brother, renowned specialist in criminal psychology Doctor Jonathan Merrill. Dutiful Police Constable Henry Lake, “Jonathan’s extra right arm,” also lives in the ancient Toronto house, though this is a temporary arrangement.

Read nothing into Jonathan’s bachelorhood.

Backstory informs that the doctor has recently put his skills to use in taking down the notorious Barnes Gang, and was shot through the shoulder for his efforts. Now, with leader Jed Barnes and the rest of his gang locked away in the Don Jail, the threat posed to the small Merrill household appears over. Henry Lake stays on only to care for Jonathan as he recovers from his shoulder wound.

You know, instead of a nurse or Jane or Patch the gardener.

The morning of the fat worms brings a letter from Allie March, wife of Jonathan’s old college friend Danny:
We need Jon in Tressady just now. We have an odd little problem… an emotional business, nothing more. I wish Jon could come but I don’t dare write him. It’s only a small storm in a Wedgwood teacup, but there are possibilities of the sort of unpleasant gossip and long-term suspicions that are bad for a small town.
Justice being swift in This Necessary Murder, Jon isn’t able to help because he has to stay in Toronto to testify at the Barnes Gang trial. He suggests Jane go in his place:
“Me? In your place? Are you out of your mind?”
     “Quite sane. You have often acted as an observer for me before now. You could see what is troubling Allie… send me reports… get out of the city as you wish to do, and as soon as I am free I will come.”
     “How long will that be?”
     “Not long, I think,” Jonathan said quietly.
Again, justice is swift in This Necessary Murder; investigation, on the other hand, moves at the pace of a particularly fat worm.

But is there really anything to investigate?

The small storm in a Wedgwood teacup is being caused by Bill Edwards, the fiancé of Ann Elliott, small town dress-designer and heiress to a family fortune built on the lumber industry. It is assumed that the two would’ve wed by now had it not been for the recent deaths of Ann’s mother and sister. The old lady – well, she was in her fifties – died of heart failure. The sister, Myra, followed a few months later during a Toronto shopping spree. A vain asthmatic with an allergy to just about everything, she was discovered dead in her car smelling of a perfume she'd been advised to avoid. At the time, no one thought anything suspicious about either death, but Bill has begun to suggest that both women were murdered.

Before Jane has the chance to do much investigating, the body of a real estate agent named Marina Thorpe is found just outside the gates of the Elliott estate. Jonathan and Henry Lake fly in from Toronto and things get strange.

Jonathan holds sway over the investigation... but why? Sure, he's worked with law enforcement in the past (see: Barnes, Jeb), but the doctor isn't in the employ of any law enforcement agency. As a Toronto Police constable, Henry Lake is well outside his jurisdiction. And yet, the Ontario Provincial Police allow both free rein. Meanwhile, Jane steals what she believes to be evidence from an innocent woman, and then accompanies Jonathan as he removes articles from murder victim Marina Thorpe's hotel room. In doing so, the doctor learns that the OPP sergeant standing guard has a pass key, and so asks him to keep watch as he goes through a room belonging to a man is known to have spoken to the murdered woman:
The sergeant looked at him sharply. “I got no orders, Dr. Merrill.”
     “Nor have I. We are definitely out of bounds. But I think that under the circumstances we could be allowed the latitude.
     “Well you wouldn’t do no harm,” the sergeant agreed.
Idiots!

"What right have you big-shot snooping outsiders got to come here and show up the regular officers?"   says the murderer, when caught. "A smart-alecky girl... an armchair thinker with his arm in a fancy black sling, a tin-horned cop with a notebook... and how do you think our Provincial men are going to look, going into court with all the credit going to you?"

Good questions. Of course, Jane, Jonathan, and Henry have no right at all. The Provincial men won't look at all good. What's more I'm betting that the evidence Jane and Jonathan collected will be thrown out of court.

And so, This Necessary Murder joins Wees's Where is Jenny Now? in being considered and rejected as a Ricochet Book.

Next up: M'Lord, I Am Not Guilty.

Here's hoping it's better than its title.

Most boring sentence:
The day moved on.
Most boring passage:
Bill Edwards, Allie and Danny had gone to Ann Elliott's. Jonathan had called Henry Lake to give him the news of Jed Barnes, and Henry had said at once that he would like to come in and see Jonathan, if suitable replacements could be found for him. There had been two more reporters, he said, and in any case Miss Elliott had been shut up in her room most of the day, alone, and it might be that she would soon waken and wish for company. There had been a special note in his voice that Jonathan recognized. So Allie and Danny had been encouraged to go out there, and Bill had insisted on going too.  
Trivia: Though Jane is the main character in This Necessary Murder, her name isn't so much as mentioned in jacket copy.

More trivia: Ottawa is spelled "Ottowa." I blame the British editor.

Still more trivia: The Herbert Clarence Burleigh fonds at Queen's University features a good amount of writing on Wees, including "MURDER IN MUSKOKA," a piece on This Necessary Murder clipped from the Toronto Telegram. Sadly, the fonds do not record the date, nor the writer, nor the artist who contributed this illustration:


The anonymous hand behind "MURDER IN MUSKOKA" writes that "This Necessary Murder starts out in Toronto and moves to Muskoka" (the novel places Tressady as being north of Toronto, but gives no specific location). Jonathan Merrill is described as a psychologist who lectures at the University of Toronto (something not mentioned in the novel). According to this same anonymous hand, Wees has confirmed that the Boyd Gang inspired the Barnes Gang (which plays a role only in the backstory). She reveals that Jonathan Merrill is modelled on a "Toronto public relations man (who is in on the secret)."

Object and Access: A compact hardcover in pristine dust jacket. The rear flap features an advert for The Keys of My Prison. I purchased my copy of This Necessary Murder from bookseller Stephen Temple this past summer. He was kind enough to knock off a few dollars from the asking price.

As of this writing one – one – copy is listed for sale online. Jacket-less and ex-library, it's being offered at $17.50 by a Chatham bookseller. It may well be worth the price.

Library and Archives Canada, the University of Calgary, and the University of Victoria have copies. C'est tout.


Despite disinterest from the Americans and paperback houses on both sides of the pond, the novel was published in German translation: Der Duft von Permaveilchen (Munich: Goldmann, 1962).

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24 September 2018

The Return of John Buell's Four Days



John Buell is Montreal's most unjustly neglected novelist, and this is his most unjustly neglected novel. Four Days is so strong a work that it alone caused Edmund Wilson to declare Buell one of Canada's foremost writers. Beginning with the 1962 Farrar, Straus & Culahy, the novel enjoyed several editions and translations, then slipped out of print in the early 'nineties.

No more.


This week sees its return, following The Pyx, John Buell's debut novel, as the thirteenth Ricochet Book published by Véhicule Press. Montreal writer Trevor Ferguson, also known by his "John Farrow" pen name, provides a new foreword. As Ricochet series editor, I'm proud to have worked with publishers Simon Dardick and Nancy Marrelli in returning Four Days to print.

I first wrote about Four Days in this 2011 Dusty Bookcase review:
Four Days in Darkest Quebec
It is one of Canada's greatest novels.

Edmund Wilson would agree.

John Buell
1927 - 2013
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05 March 2018

The Pyx Censored!



I spent a couple of hours this past weekend researching John Buell's second novel, Four Days, first published fifty-five years ago by Farrar, Straus & Cudahy. And why not? Buell is one of our finest novelists – Edmund Wilson thought so – but he is also one of our most unjustly neglected. I was honoured to help usher his debut, The Pyx, back into print last year as part of the Ricochet Books series.

The Pyx was roundly praised, enjoyed numerous translations, and was adapted to the screen in a not so bad film starring Christopher Plummer and Karen Black. Four Days too was praised. It has always been in the shadow of Buell's debut, and yet it is the better novel. In fact, Four Days is the author's best novel and is one of the greatest novels set, as least partly, in Montreal.

Why was I researching?

I'll leave you to guess.

An unexpected discovery came from an unlikely source, Anne Montagnes' review of Four Days in the 24 February 1962 edition of the Globe & Mail:
This, Mr. Buell's second novel, is of a texture with his first, The Pyx. Both reveal his careful study of Graham Greene – the concern with outlaw characters, the struggle between good and evil, the ever-narrowing pursuit both spiritual and physical, the compassionate Catholicism that appears before even those who spurn it, the violence, the pity. Unlike Mr. Greene, Mr. Buell writes with an economy of viewpoint and action, a simple unfolding of his story. Furthermore, Mr. Buell is never off-colour, as Mr. Greene sometimes is, making it even stranger that at least one branch of the Toronto Public Library has, because of vociferous complaints, removed The Pyx from its open shelves.
This is the first I'd learned of The Pyx being attacked by the censors... and in Protestant Toronto, no less. Further research uncovered this Letter to the Editor (6 March 1962):


The Toronto Public Library website informs that six copies of the Ricochet Books edition are in circulation. Only one copy of the Farrar, Straus & Cudahy edition survives.

It's reference only.

A coincidence, I'm sure.

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08 February 2018

Margaret Millar en français (et une petite histoire)



Several years ago, I had the idea of including Margaret Millar in the Véhicule Press Ricochet series. My plan was to revive every one of the out-of-print novels she'd set in Canada: The Devil Loves Me, Wall of Eyes, The Iron Gates, and Fire Will Freeze. I was hoping to find some way of adding An Air That Kills, her last with a Canadian setting, though it was then in print from Stark House Press.

By great coincidence, I knew Millar's literary executor; we'd first met decades ago, when the author was still alive. Response to my query brought the news that Syndicate Books had just negotiated the rights to reprint every single Margaret Millar title.

As a series editor, I was discouraged; as a fan, I could not have been more excited. At long last, I'd be afforded the opportunity to read uncommon Millar novels like The Invisible Worm, The Weak-Eyed Bat, Experiment in Spring, and Wives and Lovers.


The first volume of Syndicate's seven-volume Complete Millar, was published in September 2016. Titled The Master at Her Zenith, it includes Vanish in an Instant, Wives and Lovers, Beast in View, An Air That Kills, and The Listening Walls. Four more volumes have followed, returning a total of twenty-two novels to print. I've been pacing myself. The last two volumes of the Complete Millar will be published this year.

"Arguably the most talented English-Canadian woman writer of her generation, as a genre writer who lived much of her life in the United States Millar is often ignored by Canadian critics," I wrote in Millar's Canadian Encyclopedia entry. Had it not been for Gabrielle Roy, "English-Canadian" would've been unnecessary.

Is Roy still well known amongst Anglophones? The Tin Flute is studied, which is more than can be said about anything by Millar. This month, Roy's Street of Riches and The Road Past Altamont are being added to Penguin's Modern Classics series.

Sixty-seven years have passed since the publication of The Invisible Worm, Millar's debut, and she has never once had a Canadian publisher. Now is the time for French-language publishers of my home province to embrace her. Nearly every Millar mystery has been translated by Parisian publishers... and nearly all are out of print. As a starting point, I recommend Omelette Canadienne, the translation of Fire Will Freeze, the only Millar novel set in Quebec.

I'll leave you with four favourites.

La femme de sa mort [Vanish in an Instant]
Paris, Presses de la Cité
Mortellement votre [Beast in View]
Paris: Presses de la Cité, 1957
Un air qui tue [An Air That Kills]
Paris: Presses de la cité, 1958
Au violeur! [The Fiend]
Paris: Gallimard,1966
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13 October 2017

Talking Ricochet in Quill & Quire



Steven W. Beattie's piece on Ricochet in the brand new Quill & Quire is available free online. Some guy named Busby is interviewed. You can read it here.

Busby will be speaking at Bouchercon tomorrow at 5:00 pm.


10 October 2017

Talking Ricochet at Bouchercon



I'll be speaking about Ricochet Books at Bouchercon 2017 as part of the 20 on the 20 Spotlight Sessions this coming Saturday. Please drop by and say hello if you get a chance. Always nice to put a face to a name.

Sheridan Centre
123 Queen Street West, Toronto

VIP Room, Concourse Level

Saturday, October 14
5:00 pm


26 June 2017

News from a Messy Desk in a Dusty Room



The publication of The Dusty Bookcase – the book – approaches. I spent several hours last week going over copy edits, which is one reason there hasn't been much activity here. The second reason is that changes are afoot.

More anon.


Today, I wanted to announce the return to print of John Buell's The Pyx, the twelfth title in the Ricochet Books series. As series editor, I couldn't be more proud. To be honest, after Peregrine Acland's All Else is Folly, I never thought I'd be involved in the republication of so important a novel. First published in 1959 by no less a house than Farrar, Straus & Cudahy, The Pyx has been roundly praised. It enjoyed numerous editions and translations, remaining in print for over three decades. It was last published in 1991 by HarperCollins Canada – curiously, I've yet to encounter this edition.

The new Ricochet Books reissue features "A Reminiscence By Way of Introduction" by the author's former student Sean Kelly.

If you're knew to Ricochet, The Pyx is a great place to start. If you've been buying the series, thank you!


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08 May 2017

The Return of The Pyx



It's no great secret – and certainly no deadly secret – that this spring's Ricochet Books title will be John Buell's masterful debut novel, The Pyx. The reissue was announced a few months ago, though I haven't mentioned it here.

I should have. I've never felt so proud in working to return a title to print.

No Canadian novelist has been so unjustly neglected as John Buell. He was published by Farrar, Straus, he was praised by Edmund Wilson, and he has been out of print for more than a quarter century. I never once heard John Buell's name in the years I studied at Concordia University... the very same university at which he was teaching.

Wish I'd known.

Sean Kelly was one of Buell's students. This was years earlier, when The Pyx was first published. Sean was good enough to write the introduction to the new Ricochet edition. It begins:
In 1959, when his novel The Pyx was published, John Buell was a 32-year old professor at Loyola College, where I was a first-year student and he saved my life.
The first half of Sean's introduction has just been published in Concordia University Magazine. You can read it and the rest of the issue online – gratis – through this link. Sean's piece features on the third to last page.


The Ricochet edition of The Pyx will hit bookstores later this month. It can be pre-ordered through the publisher and online booksellers.

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12 December 2016

The Year's Best Books in Review – A.D. 2016; Featuring Three Titles Deserving Resurrection



Still more than two weeks left in the year, but not too early for this list. Given my schedule these days, I know the book I'm reading right now will be the last finished before the ball drops in Times Square. I also know that it won't make the grade.

What's the book? I'll let that remain a mystery, though the sharp-eyed will spot it amongst other 2016 reads pictured above.

This year, I reviewed twenty-seven books – here and in the pages of Canadian Notes & Queries. That's just three more than in 2015, and yet I had a much harder time deciding on the three most deserving of a return to print. These are they:

The Midnight Queen
May Agnes Fleming

Who'd have thought this 19th-century novel of the Plague Year, would be such good fun. It's a fast-paced, crazy ride featuring a masked medium, a killer dwarf, long-lost siblings, and highwaymen and whores playing at being aristocrats. It's also quite well written.

There Are Victories
Charles Yale Harrison

An ambitious, daring novel by the man who gave us Generals Die in Bed. Set in Montreal and New York, this isn't a war novel, though it does deal with its devastating effects. Flawed, but brilliant, the novel's scarcity adds to the need for reissue.

For My Country [Pour la patrie: roman du XXe siecle]
Jules-Paul Tardivel

In this 1895 novel, Satan looks to secure his hold on the Dominion of Canada, only to be thwarted by divine intervention and something resembling a fax machine. The original French remains in print, but not this 1975 translation by Sheila Fischman.


Regular readers know that nearly every Margaret Millar I read is recommended for republication. This year, I read only one of the Grand Master's novels: Do Evil in Return. It would've made the list had it not been announced for republication as part of Syndicate Books' Complete Margaret Millar. Look for it in March.


Three books reviewed here this year are currently in print:

The Man from Glengarry
Ralph Connor [pseud. Charles W. Gordon]
Toronto: McClelland & Stewart, 2009
Olive Pratt Raynor [pseud. Grant Allen]
Peterborough, ON: Broadview, 2003
The Cashier [Alexandre Chenevert]
Gabrielle Roy [trans. Harry Binsse]
Toronto: McClelland & Stewart, 2010
I helped usher two titles back into print this year, both as part of Véhicule's Ricochet Books series:

Gambling With Fire
David Montrose
[Charles Ross Graham]

The fourth and final David Montrose novel. Here private investigator Russell Teed, hero of the first three, is replaced by the displaced Franz Loebek, a once wealthy Austrian aristocrat caught up in Montreal's illegal gambling racket.
The Keys of My Prison
Frances Shelley Wees

In the 2015 edition of the Year's Best Books in Review I made reference to a book I was hoping to revive. "If successful, it'll be back in print by this time next year," I wrote. The Keys of My Prison is that book. A novel of domestic suspense set in Toronto, it should appeal to fans of Margaret Millar...


And on that note, as might be expected, praise this year goes to New York's Syndicate Books for The Complete Margaret Millar. The Master at Her Zenith  and Legendary Novels of Suspense, the first two volumes in the seven-volume set are now housed in the bookcase. The next, The Tom Aragon Novels, is scheduled for release on the tenth of January.


Great way to start the new year.

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