D'Arcy McGee's Query (with a response)

The Poems of Thomas D'Arcy McGee

Montreal: D & J Sadlier, 1870

A response from 'Thomasine' (Miss Olivia Knight), originally published in a 1860 edition of The Nation (Dublin).

Related posts:

'O Martyr'd McGee!'

D'Arcy McGee, All Compliment to Thee

A St. Patrick's Day Fragment

A Poet's Angry Word With the Fenian Brotherhood

Getting to the Fenian Raids

In the Midst of Alarms

Robert Barr

New York: Stokes, 1894

With St Patrick's Day on the horizon thoughts turn to the Fenians. And why not? Their ill-considered incursions helped induce the birth of this country. Tragicomic, the Fenian Raids seem suited for satire, so why is that after nearly fifteen decades this forgotten novel stands alone in using those troublous times as a backdrop?

Never having before read Barr, I had more than modest expectations for this book. After all, the writer was very much respected in his day. True, he was "popular", but so were his friends Joseph Conrad, Henry James and Arthur Conan Doyle. And consider this: as a volunteer soldier, Barr helped defend the Niagara frontier during the raids. Sadly, nothing of his experience seems much in evidence here.

The novel begins well with a strong chapter focused on the reunion of old school chums Stillson Renwick and Richard Yates in a Fenian infested Buffalo hotel. Fifteen years have passed since their last meeting, during which Renwick has become a proper, polite professor at the University of Toronto. Yates, in stark contrast, has quit Canada for a fast-paced life as a New York journalist. He is a drinker, a gambler, a womanizer and overall bon vivant, a man whose drive has very nearly put him behind asylum gates. A change of pace is required – so he's been told – and the journalist has decided a week or two of camping with his passive pal Renwick is just the thing to cure his ills.

The next day, the pair crosses the Niagara into Canada, leaving behind all intrigue and excitement for woodland pleasures. "The Odd Couple Go Camping" isn't much of an idea; Barr seems to recognize as much by introducing Kitty Bartlett and Margaret Howard, two attractive farmers' daughters for the men to pursue. Further pages – chapters, in some instances – are devoted to topics such as soap making, bread baking, and the dueling roles of the rural blacksmith and village grocer in the years preceding Confederation. All quite accurate observations, from what I can tell, but it does become a bit tiresome. The chapter devoted to the mid-19th-century public library policies of Canada West bores even a bookish fellow like myself.

But where are the Fenians in all this? They're rarely mentioned; no one takes the threat of invasion seriously. "They won't venture over", predicts journalist Yates, the man with his ear closest to the ground. "They fight with their mouths. It's the safest way."

When the Fenians do finally invade, well over half-way through the novel, encounters are fleeting. Renwick and Yates are captured, marched to the Fenian camp, have a brief exchange with "General" John O'Neill, and are released. The professor and the journalist are far away when the fighting begins. Barr's description of the absurd comedy of errors that was the Battle of Ridgeway is limited to a dispassionate, two-page factual account that reads like something ripped from an old high school textbook.

"The farce is known as the Battle of Ridgeway, and would have been comical had it not been that death hovered over it," Barr concludes.

Too soon?

Bloomer: "Touch a man on his business, and he generally responds by being interested."

Object: A small volume with microscopic type, this "SECOND EDITION" features five substandard illustrations by C. Moore Smith.

Small wonder that later editions featured scenes imagined by the talented Harrison Fisher.

Access: Our academic libraries succeed while our public libraries fail. Those of Fort Erie, Port Colborne and Welland, all key communities in the Battle of Ridgeway, lack copies. In Canada, only the taxpayers of Toronto and Vancouver are properly served. The novel is much more common south of the border.

In the Midst of Alarms was a bestseller in its day, and was reprinted for many years thereafter, but there isn't much evidence of this online. The armful of 19th-century copies currently listed range between ten and thirty dollars. As might be expected, print on demand farms dominate, displaying editions of ugliness and ineptitude. Nabu Press is the worst offender, offering the booklover a choice of covers depicting the snow covered mountains of southern Ontario and the ancient ruins of Fort Erie.

Selling The Nymph and the Lamp

The Americans show us how it's done with this 1952 Popular Library edition of Thomas H. Raddall's big book. Compare, if you will, with the New Canadian Library copy from my university days:

Or how about the Nimbus edition, which appeared a few years later:

Now, to be fair, Nimbus have since redesigned their cover. No false advertising here:

And to be perfectly fair, the Popular Library edition does find some spicy, equally misleading competition in Harlequin's 1952 The Nymph and the Lamp.

"On this island of lonely men, she was the last woman in the world." The Nymph and the Lamp as post-apocalyptic novel... a different On the Beach.

Related posts: Selling The Strange One

Kelley Pulls a Fast One

Bad Men of Canada

Thomas P. Kelley

Toronto: Arrow, 1950

Scott Young, Neil's dad, had a pretty good story about Thomas P. Kelley. It begins with the two men taking a morning stroll on Toronto's Wellington Street. A panicked pulp editor interrupts, offering Kelley good money to deliver a story before noon. Kelley accompanies the man back to the magazine's offices, is given a title – "I Was a Love Slave" – and begins typing. He joins Young for lunch $200 richer.

No blockhead, Kelley wrote for money and he wrote rapidly; there were no second drafts. With fiction, he would sprint with an eye on the word count, coming up with an ending only when approaching the finish line.

Non-fiction didn't offer quite the same freedom. It wasn't that Kelley felt bound by facts, more that he tried to keep them in mind. Bad Men of Canada is a typical of his approach. Short on names and dates, filled with imagined dialogue, the stories are excited and repetitive. Reading Kelley's words is not unlike listening to an old-timer – yes, old-timer – down at the local pub. Here, for example, is the writer's description of American serial killer H.H. Holmes:

Physically, he was a weakling. He had buck teeth, his nose was somewhat flattened, and he had a habit of drooling from the corners of his mouth.

In brief, in appearance, H.H. Holmes was an awful mess! And yet, the gals went for him in a big way! Don't ask me why – your guess is as good as mine!

The inclusion of Holmes, subject of the first of the book's ten chapters, is a cheat. True, the man once visited Toronto – he even stayed long enough to murder two children – but Holmes has about as much to do with this country as Charles Ng. Not all the chapters concern Bad Men of Canada, and the pitch line – "A History of the Ten Most Desperate Men in Canadian Crime" – is just as loose. Just who is the desperate man in chapter four, "Four Bad Men"? And what about chapter two, "The Terrible Donnelly Feud"? Is it one of the Donnellys or a member of the mob that killed them?

It was no surprise to see the Donnellys in this book; Kelley mined their sordid story throughout his career. In fact, he'd included the Donnellys in Famous Canadian Crimes, a collection of his New Liberty Magazine pieces, just one year earlier. There's a good deal more overlap between Famous Canadian Crimes and Bad Men of Canada – overlap that goes far beyond subject. Whole paragraphs are carried over unchanged from one book to the other, while others undergo minor rewrites. "It was a spring morning in 1879 when four desperadoes galloped into the small village of Ashcroft, B.C., with gun blazing," in Famous Canadian Crimes, becomes: "On a bright summer morning in 1879, four desperadoes galloped into the small village of Ashcroft, B.C., with guns blazing."

Spring, summer... who remembers? Anyway, it was a morning.

All this recycling seems a bit disingenuous given Kelley's introduction:

To be sure there are other cases that could have been included in this volume. But a volume allows just so many pages – and just so many cases. If the reader, after perusing this volume would like to read the stories of more Bad Men of Canada, a letter to the publisher might encourage a sequel.

That Kelley, already looking to pull another job.

Favourite sentence: "'Here he comes,' he whispered. 'It's Ryan!'"

Object: A fragile massmarket paperback, typical of its time.

Access: Another Arrow obscurity. No copies are currently listed for sale online. It seems that the only library copy in the world is held at the University of Michigan's William L. Clements Library. "The Clements Library contains a wealth of primary sources for the study of early American history," says the university's website.

Three Centuries of Piracy

The Adventures of Tom Sawyer

Mark Twain

Toronto: Rose-Belford, 1873

The Governess [The English Governess]

Miles Underwood [pseud. John Glassco]

Coniva, CA: Collectors Publications, 1967

Under the Hill

Aubrey Beardsley/John Glassco

n.p.: Kessinger, 2010

Freedom to Read Week – Saturday

Freedom to Read Week – Friday

The Vancouver Sun, 11 February 1953

Freedom to Read Week – Thursday

The Leader-Post, 7 January 1938

The Ottawa Citizen, 7 January 1938

Freedom to Read Week – Wednesday

The Gazette, 6 November 1959

Freedom to Read Week – Tuesday

The Globe & Mail, 23 October 1961

The Globe & Mail, 25 November 1961

Freedom to Read Week – Monday

Lt.-Col. John Merner (Ret'd)

1980

Some chilling words from "Censorship Canada" by Hawley Black, published in the December 1980 edition of Saturday Night:

Like the Vatican in the old days, Canada has an index of forbidden material. Ours is a filing cabinet of index cards, kept by Customs and Excise officials on the sixth floor of the Connaught Building just around the corner from the Château Laurier. The keeper of the index, in effect the chief of Censorship Canada, is Lt.-Col. John Merner, a sixty-two-year-old retired army officer who bears the official title Head, Prohibited Importation Section. Along with a departmental lawyer and a couple of clerks, Merner protects Canada from books, films, videotapes, and other materials that he believes (as Section 99201-1 of Schedule C of the Canada Customs Tariff puts it) "treasonable or seditious or of an immoral or indecent character."

...

If a customs decision goes against you, you can appeal. But you may find yourself catalogued among the 100,000 names contained in the Customs Intelligence File. If your appeal fails, the government can destroy the material and you lose your court costs. If your appeal succeeds, the government returns the material to you – and you lose your court costs anyway. Not many people appeal.

...

When I visited the office recently, the Head, Prohibited Importation Section, and his helpers were busily keeping Canada free of material that might subvert the civil order or endanger morals. They were doing so in something close to secrecy, protected by a bureaucratic wall that can be penetrated neither by parliament nor by the press, or even by the minister of revenue himself. Other censors – such as the Ontario film censors – find themselves regularly embroiled in headline-making conflicts, but all is quiet in the Connaught Building. So far as an outsider can determine, there are not even internal struggles over what to censor. Only once in ten years, Merner recalls, has the minister of revenue – it was Robert Stanbury – actually fought one of his decisions. And, says Merner, "He lost."

Funny he never married.

Freedom to Read Week – Sunday

The Cambridge Public Library's copy of Censorship Goes to School by David Booth (Markham, ON: Pembroke, 1992).

Father Dowling Meets the Strange Sisters

Such is My Beloved [Wind Woman]

Carol Hales

New York: Berkley, 1958

The Such is My Beloved they don't teach in school.

Such is My Beloved

Morley Callaghan

New York: Scribner, 1934

The one they do.