07 April 2012

'Death of D'Arcy McGee'


McGee Mausoleum
Cimetière Notre-Dame-des-Neiges, Montreal

A poem on the death of Thomas D'Arcy McGee, assassinated 144 years ago this morning.

from Verses and Rhymes by the Way
Nora Pembroke [pseud. Margaret Moran Dixon McDougall]
Pembroke, Ont.: S.E. Mitchell, 1880

Related posts:

01 April 2012

Now that April's Here...



Spring has sprung and the thoughts of a middle aged man turn to work. Much of these past few months have been spent going through John Glassco's letters in preparation for a volume to be published this coming autumn.

More on that another day.

This morning, rereading correspondence between the poet and his old McGill friend Leon Edel, I was stuck – for the nth time – by their final exchanges. Glassco, not long for this world, continues to be haunted by a short story published a half-century earlier: Morley Callaghan's "Now that April's Here".

The story is one the writer's most anthologized, but I've never quite understood its weight; Callaghan had better than this. Its real value lies in it being a nouvelle à clef, with Glassco cast as Johnny Hill, a young, chinless expatriate who is writing his memoirs. Glassco's friend Graeme Taylor appears as Charles Milford, whom Johnny supports through a small monthly income. As portrayed by Callaghan, they're two gay boys who delight in snickering at others. Robert McAlmon makes an appearance as Stan Mason, a boozy writer who is hurt to discover that he is their chief target.

Graeme Taylor, John Glassco and Robert McAlmon, Nice, 1929
The story was first published in the Autumn 1929 number of This Quarter, by which time Callaghan had completed his "summer in Paris" and was safely back in Toronto. He never got to witness the effects the time bomb left behind in Montparnasse had on Glassco's friendship with McAlmon. Leon Edel came to Glassco's aid by dismissing the story in his "Paris Notes" column for the Montreal Daily Star. Late in life, after Glassco's death, he allowed that Callaghan's depiction of the "two boys" was accurate.


For Glassco, it was a story that just wouldn't go away. In 1936, he saw it given a place of prominence in Now that April's Here and Other Stories. It would return in Morley Callaghan's Stories (1959) and lives on in the man's misleadingly-titled Complete Stories (2003).

Then we have Now that April's Here, an odd 1958 feature comprised of four Callaghan short stories": “Silk Stockings”, “Rocking Chair”, “The Rejected One” and “A Sick Call”, but not the one that gives the film its title.


Now that April's Here enjoyed a gala opening in Toronto, closing after two weeks. After a few more runs through a projector in Hamilton, it was never screened again. Glassco was spared the distress of reading the title on Montreal movie marquees.

This seven minute clip, courtesy of YouTube, reveals why the film is forgotten:


Criterion will not be interested.

Cross-posted at A Gentleman of Pleasure.

29 March 2012

A Dick's Deadly Dames



The Deadly Dames
Malcolm Douglas [pseud. Douglas Sanderson]
Greenwich, CT: Gold Medal, 1956

Douglas Sanderson's fifth novel, The Deadly Dames was the first to be published as a paperback original. Not quite the same as "straight to DVD", of course, but I don't think it's such a coincidence that this book is by far the weakest of the lot.

With The Deadly Dames we have a new publisher, a new nom de plume and a new hero. Sort of. That hero, Bill Yates, shares something with Mike Garfin, the protagonist of Sanderson's two preceding books: both are Montreal private investigators, both are the sons of French Canadian mothers and both have Scotch landladies.

As with Garfin's outings – Hot Freeze and The Darker Traffic – things start rolling when the private investigator is hired by someone of considerable wealth. In this case, the client is Philip Corday, a spoiled lush who hopes to get the goods that will allow him to divorce his cheating wife Grace. Yates has only just accepted the job when an expensively dressed woman tries to hire him away. Minutes later, she's crushed under the wheels of a streetcar rounding the corner of St Catherine and Peel. And so, what began as a bland divorce case takes a deadly turn. Pun intended.

St Catherine and Peel, Montreal, 1956

Mike doesn't stick around. No pun intended. Hoping of catch Grace and her lover, he heads north to the Corday country home. Things become complicated when he confuses the unfaithful wife with her beautiful older sister. Some PI.

Bodies pile up quickly in The Deadly Dames – nine corpses in 160 pages – but our man Yates is not one of them. Dozens of shots are fired in his direction, but none find their mark. He's beaten senseless repeatedly, but bounces back with superhuman speed. Not even a broken nose slows him down. Good thing too, because the action in this novel clocks in at well under 72 hours.

A lazy novel, the fast pace is provided by characters that exist for no other reason than to propel the plot. There's Corday's chatty Russian housekeeper, a talkative cop with an encyclopedic knowledge of Montreal's underworld and a rural hashslinger who likes nothing more than to listen to the police waveband. As for Yates, he's not so much Mike Garfin under a different name as a pale imitation. There's not much to him, and yet every woman, bar none, throws herself at him.

I lie.

There was that lady who was run over by the streetcar, but she never had a chance.

Worst sentence: "In that dress, in those surroundings, she looked like a poem that got printed by accident in an anthology of prose."

Object: A slim mass market paperback with vibrant cover image by Bob Peake, whose work graced this pretty pink book belonging to my mother:

Warner Brothers Presents My Fair Lady
New York: Warner Brothers Pictures, 1964

Access: The first edition enjoyed one lone printing. A handful are listed online, with decent copies gong for under ten dollars. I could find no library copies outside Ohio State University's William Charvet Collection of American Fiction. Yep, "American Fiction". The first British edition, published in 1961 by Consul, is both less attractive and less common. Two crummy copies are listed for sale online at £2 and £5.
Translated by Laurette Brunius, in 1956 Galimard published a French language edition titled Du Rebecca chez les femmes. The original features no character named Rebecca.

In 2006, a half century after the Gold Medal edition, The Deadly Dames was paired with Sanderson's next novel, A Dum-Dum for the President, and returned to print by the dedicated people at Stark House. The twofer is blessed with a very fine essay by expat Montreal critic Kevin Burton Smith, and an all too brief interview with the author. My copy, a second printing, was bought south of the border. The book is unavailable in Canada. 

27 March 2012

The Retired Reverend King on Abolishing Death



A new Canadian Notes and Queries arrives bringing another Dusty Bookcase sur papier. This one, a bit longer than usual, focuses on that old odd bird Basil King's spiritualism.  Eternally fascinating.


Seth's superhero cover compliments an appreciation of Alvin Schwartz by Devon Code, my old dining parter Shaena Lambert contributes a new short story and Michel Basilières reviews The Sister Brothers. Steven W. Beattie, Marc Bell, Alex Boyd, Michael Bryson, Mark Callanan, Kerry Clare, Emily Donaldson, Aaron Gilbreath, Alex Good, Philip Marchand, John Martz, David Mason, K.D. Miller, Tara Murphy, Shane Nelson, Tina Northrup, Patricia Robertson, Christian Schumann, Kenneth Sherman, Zachariah Wells and Nathan Whitlock add to the goodness. But let me draw attention to Mike Barnes' contributions: an essay and The Reasonable Ogre, a Biblioasis chapbook featuring a new short story with illustrations by Segbingway.


Produced in an edition of 450 copies as a collectible for subscribers of CNQ. My copy's #149.

Information on subscriptions to Canadian Notes & Queries can be found here.