12 October 2013

The Foster Poetry Conference at Fifty


Irving Layton, Milton Wilson, Leonard Cohen, Eli Mandel and Aviva Layton,
Foster Poetry Conference,, October 1963
Off to the Eastern Townships this morning to celebrate the publication of The Heart Accepts It All: Selected Letters of John Glassco:
Brome Lake Books

265 E Knowlton Rd

Knowlton, QC 
12 October 2013, 2:00 pm
And what better day than today? 'Twas fifty years ago – 12 October 1963 – that Glassco's Foster Poetry Conference opened at the Glen Mountain Ski Chalet. With Glassco, F.R. Scott, A.J.M. Smith, Irving Layton, Louis Dudek, Ralph Gustafson, Eldon Grier, D. G. Jones, Leonard Cohen, Leonard Angel, Kenneth Hetrz, Henry Moscowitz and Seymour Mayne, it remains the greatest gathering of Quebec's English-language poets.

Three days of poetry, comradeship and drink, even the most subdued reports paint it as a great success. Scott was so fired by the experience that he pressured Glassco to edit the proceedings for McGill University Press.  


Glassco agreed to take on the project, but soon came to recognize that the contents failed to capture anything of the exuberant nature of the conference. The late night conversations, the raw exchanges, the drinking – almost all that had been informal, spontaneous, and dynamic had been left unrecorded. What's more he found work on the book a "horrible bore." On 4 May 1964, he wrote Jean Le Moyne: "I shall never be an editor again: this is the work for professionals who have secretaries, electric typewriters, photocopy machines, the co-ordinative faculty and endless patience: but the book is now ready for press."


When the galleys arrived Glassco found the quality so poor that the November 1964 publication date had to be scratched. For months the anthology hung over his head as he awaited, with dread, the reset galleys. What arrived was much improved and he moved quickly to clear the sheets from his desk. Then, just when his work appeared to be finished, Glassco discovered that he'd been saddled with the task of distributing payments to the twenty contributors. The irritation was only compounded by the small sums. Leonard Cohen received three dollars, barely enough to purchase a copy of the book.

My work in editing Glassco's letters was much more pleasurable.


11 October 2013

Tonight: Honouring Gwendolyn Graham



All are welcome.

Speaking will be
Norman Ravvin, Associate Professor and Chair, Institute for Canadian Jewish Studies, Concordia University
and
Claire Holden Rothman, author of Salad DaysBlack Tulips
and The Heart Specialist.
The Venerable Linda Borden Taylor will officiate.

Friday, 11 October 2013, 6 p.m.

Church of St James the Apostle
1439 St Catherine Street West (Bishop Street entrance)
Montreal

A wine and cheese reception will follow.

07 October 2013

N is for Nablo News



All kinds of activity here this past weekend in preparation of Friday's Gwethalyn Graham plaque dedication and Saturday's John Glassco event, but I somehow managed to slip in a bit of work relating  to James Benson Nablo. I can now report that The Long November, the Niagara Falls writer's only book, will be returning to print this coming spring as part of the Véhicule Press Ricochet Books series.

I could not be happier.

Set in Toronto, Chicago, Moreland Lakes (read: Kirkland Lake, Ontario), an unnamed Italian village and the author's hometown, The Long November is one of the most interesting novels of the post-war period. News Stand Library pitched it as "a tale of passion and virile drive". It's all that and more.

One of the unexpected pleasures of this exercise, this stroll through the neglected writing of our past, is that it has often brought contact with the children, grandchildren, nephews and nieces of the writers concerned. It was my good fortune that the daughter and grandson of James Benson Nablo spotted my posts on The Long Novemberthe novel's paperback history and the author's career in Hollywood.


So it is that I spent an enjoyable few hours yesterday reading through five James Benson Nablo manuscripts on loan from Nancy Vichert, his daughter. As far as I've been able to determine, all are unpublished and have no connection with the stories that were adapted by Hollywood: Drive a Crooked Road, A Bullet for Joey, Raw Edge and China Doll.


After the success of The Long November five editions in six years! – the native of Niagara Falls made his way to Hollywood. The duo-tang for one of the of the manuscripts features an address that places him within walking distance of Laurel Canyon Boulevard, not too far from Chateau Marmont:
 

8401 Ridpath Drive, Hollywood, CA
(cliquez pour agrandir)
James Benson Nablo's time in Tinseltown was not long, but he left his mark. Drive a Crooked Road, adapted by Blake Edwards and Richard Quine, was Columbia Pictures' great attempt to turn Mickey Rooney into an adult star. A Bullet for Joey places Edward G. Robinson and George Raft in Montreal as, respectively, a French Canadian detective and infamous gangster.


Nablo's talent was such that further adaptations appeared after his untimely death at the age forty-five.

I'm pleased to be involved with the return of The Long November. It's been more than a half-century. Long overdue.

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