06 October 2014

Talking Canadian Noir with Brian Kaufman



Hitting newsstands as I type: the Pulp Fiction issue of subTerrain. Number 68, it contains all sorts of goodness, including stories by Jesse Donaldson, Jenean McBrearty, Bruce McDougall, J.O. Bruday, Sam Wiebe, Lisa Pike, Chelsea Rooney and John Moore. Add to that poetry from Mark Parsons, John Creary, Carolye Kutcha and John Greenhause, along with an essay by Peter Babiak.


Editor Brian Kaufman interviews me about the Ricochet Books series. I let drop that we'll be publishing Martin Brett's Hot Freeze, "the greatest of all Canadian post-war noir."

Dig that cover by Ryan Heshka.


Related post:

01 October 2014

Montrose en français: une enquête de Russell Teed



"La surprise de l’automne", writes Le Devoir critic Michel Bélair. Indeed, it is. Tomorrow sees publication of Meurtre à Westmount, a translation of David Montrose's The Crime on Cote des Neiges, marking the first time the author's work has been available in French. Credit goes to translator Sophie Cardinal-Corriveau who discovered Montrose through the 2010 Ricochet Books reissue. She knows talent when she sees it, as does Éditions Hurtubise editor André Gagnon, who writes in his note de l'éditeur, "j'ai pensé qu'il serait si j'ose dire criminel de ne pas offrir au lectorat francophone québécois cette irrésistible radiographie de la vie montréalaise des années d'après-querre, une histoire aussi sombre sue grinçante, pimentée d'action et arrosée de quelques bonnes pintes de Dow."

Yvon Roy contributed the cover illustration to this very handsome edition. A translation of my Ricochet Preface also features.

M Bélair describes Montrose as a writer of talent, comparing him favourably to Dashiell Hammett and Raymond Chandler.

He'll get no argument from me.


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29 September 2014

The Double Flame Mystery



The first of five sent by Welland bookseller Steven Temple, this photo of James Benson Nablo's The Long November has had me pouring over old notes. Four years ago, my nose was to the ground in dogged pursuit of the figures behind its publisher, Double Flame of Hollywood, California. I enlisted help in the hunt from my man in L.A., Stephen J. Gertz. We got so far as to amass a list of suspects, but then I got hungry and was forced to return nose to grindstone.

Canadian writers should be ever mindful of the fate of John Richardson.


What's someone so focussed with things Canadian care about a Tinseltown publisher, anyway?

Good of you to ask.


Double Flame issued just three books – The Long November, Port of Call by Stephen Mark, and Serge C. Wolsey's Call House Madam – each of which had appeared six or seven years earlier as News Stand Library paperbacks. There's got to be a link between the two fly-by-night publishers, right?


The Long November is by far the best of the three titles, but it's Port of Call that holds my interest. It first appeared – more or less – as Overnight Escapade, one of the strangest books I've read this year. It's not a novel, but a very long short story packaged with some very short short stories and others of a conventional length. Port of Call and Other Selected Stories on the title page, the Double Flame edition not only renames the lead, but drops a couple of others.


It's easy to see why Double Flame was so attracted to the Nablo and Wolsey titles. First published by Dutton in 1946, The Long November enjoyed three hardcover printings and numerous mass market editions (and is back in print with a new Introduction by yours truly). Call House Madam, purportedly the story of the career of L.A. brothel keeper Beverly Davis, enjoyed even greater sales with all sorts of editions stretching from the very early 'forties to the very late 'sixties. "Over 400,000 copies sold at $3.95 " claims the 1963 Popular Library paperback.


But why Overnight Escapade? The book came and went in April 1950; unlike many of its titles, News Stand Library never even bothered issuing an American edition. The 1957 Double Flame repackaging is the second and last we've seen of Stephen Mark and his strange stories.

Looking over these photos has me itching to reopen the Double Flame file.

But now, it's time for lunch. Gotta eat, you know.


Note: My thanks to Steven Temple for the photographs. Those interested in purchasing the Nablo and Mark Double Flames are encouraged to contact the bookseller through his website.

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28 September 2014

Canadians Need Not Submit



Before anyone gets too excited, I should point out that this ad comes from the September 1924 issue of The Goblin. The Toronto Sunday World, like The Goblin itself, is no more. A shame because it sure paid well. Easy to see how the thing attracted such big name authors:


Well, they were big names back then. And G.K. Chesterton lives on, right?

Here's the thing: Canadian short story writers – "special" or otherwise –  had little place in the magazine. Rudyard Kipling, E. Phillips Oppenheim and Mary Robert Rinehart featured, but not Arthur Stringer, Frank L. Packard or Isabel Ecclestone Mackay. The sole Canadian I've found is Sir Gilbert Parker, and he hardly needed the money.

The Sunday World published its last issue in November 1924, just two months after that Goblin ad. Maybe they were paying too much for those stories.

The Bank of Canada informs that $3500 in 1924 is the equivalent of $48,883.33 today.