02 January 2016

Grant Allen Tells It Like It Was



The British Barbarians: A Hill-top Novel
Grant Allen
London: John Lane, 1895

I'm not typically one for novelists' Introductions, particularly when they seek to explain, but I readily dove into that appended to The British Barbarians. This had everything to do with what I knew of its history. Allen wrote the novel in 1889, sent it to Andrew Chatto – he of Chatto & Windus – and was promptly advised that it be put in a drawer. The publisher was certain that The British Barbarians would poison Allen's career.

I won't say he was wrong.

In all likelihood, we'd have never seen The British Barbarians  were it not for The Woman Who Did. Published just months earlier, Allen's story of a clergyman's daughter who dares raise the child she bore out of wedlock was one of the great Victorian succès de scandal. With The British Barbarians, publisher John Lane looked to replicate sales.

Nothing of this history appears in Allen's Introduction; his focus is the market and concessions made to survive as a writer in late-Victorian London:
I have never said a thing I did not think; but I have sometimes had to abstain from saying many things I did think. When I wished to purvey strong meat for men, I was condemned to provide milk for babes.
This is Allen liberated, if only briefly. In Lane, he believed he'd found a publisher who "would consent to aid me in introducing to the world what I thought most important for it."

Self-aggrandizing?

You bet.

Wait, there's more: "I propose in future to add the words, 'A Hill-top Novel,' to every one of my stories which I write of my own accord, simply and solely for the sake of embodying and enforcing my own opinions."

All this builds the promise of a tiresome read, yet I found myself enjoying The British Barbarians every bit as much as The Devil's Die, What's Bred in the Bone, Michael's Crag and other older non-Hill-top novels.

Allen's mouthpiece in The British Barbarians is Bertram Ingledew, a mystery man who appears, quite literally, out of nowhere in the comfortable, leafy London suburb of Brackenhurst. Civil servant Philip Christy is the first to encounter the stranger. Impressed by Bertram's "nobility of gait and bearing", he provides assistance in securing lodgings at Miss Blake's Furnished Apartments for Families and Gentlemen. Bertram soon becomes a fixture in not only Philip's life, but that of his beautiful married sister, Frida Monteith. Both help Bertram acclimatize himself to his surroundings. Good thing, too, because this self-described "Alien" is very much a fish out of water.

On his second morning in Brackenhurst, a Sunday, Bertram shows up at the Monteith home wearing the very same suit as the previous day. Philip suggests that his guest avoid going out as his clothing might attract attention.
"Now, that 's awfully kind of you. But it's curious, as well; for two or three people passed my window last night, all Englishmen, as I judged, and all with suits almost exactly like this one – which was copied, as I told you, from an English model.
     "Last night; oh, yes," Philip answered. "Last night was Saturday; that makes all the difference. The suit's right enough in its way, of course, – very neat and gentlemanly; but not for Sunday. You're expected on Sundays to put on a black coat and waistcoat, you know, like the ones I'm wearing."
     Bertram's countenance fell. "And if I'm seen in the street like this," he asked, "will they do anything to me? Will the guardians of the peace – the police, I mean – arrest me?"
     Frida laughed a bright little laugh of genuine amusement.
     "Oh, dear, no," she said merrily; "it isn't an affair of police at all; not so serious as that: it's only a matter of respectability."
     "I see," Bertram answered. "Respectability's a religious or popular, not an official or governmental, taboo. I quite understand you. But those are often the most dangerous sort. Will the people in the street, who adore Respectability, be likely to attack me or mob me for disrespect to their fetich?"
There is action, but as one might expect in a work written simply and solely for the sake of embodying and enforcing Allen's own opinions, conversation dominates. Topics include marriage, war, religion and property, all discussed by Bertram with the keen interest of an outsider:
"Your taboos, I foresee, will prove a most valuable and illustrative study."
     "I beg your pardon," Philip interposed stiffly, now put upon his mettle. "We have no taboos at all in England. You're misled, no doubt, by a mere playful façon de parley, which society indulges in. England, you must remember, is a civilised country, and taboos are institutions that belong to the lowest and most degraded savages."
     But Bertram Ingledew gazed at him in the blankest astonishment. "No taboos!" he exclaimed, taken aback. "Why, I've read of hundreds. Among nomological students, England has always been regarded with the greatest interest as the home and centre of the highest and most evolved taboo development. And you yourself," he added with a courteous little bow, "have already supplied me with quite half a dozen."
Just who is this Bertram Ingledew fellow?

The question frustrates Philip so that he can't help but push against the boundaries of propriety in pursuit of the answer. Bertram's claim to be "Secretary of a Nomological Society at home" fails to satisfy for the simple reason that he won't reveal just where "home" is. The answer – hinted at early early in the novel, and revealed at its climax – is that Bertram is a time traveller from the 25th century come to study the taboos of primitive societies.

What I've yet to see recognized in writings on The British Barbarians – in fairness, there's not much – is the obvious fact that the author himself was not of fin de siecle England. Alien Allen was born, raised and educated in Kingston, Ontario. The myriad of taboos in his Canada would not have been markedly different from those of England, but what little distance there was surely provided perspective and inspiration.

The British Barbarians enjoyed three printings, but sales were no match for The Woman Who Did. John Lane tried to stoke the fire by with a parody, The Barbarous Britishers: A Tip-top Novel, by journalist and literary editor Henry Duff Traill. What Allen thought of this is unknown, though it is worth noting that he never placed another book with the publisher.

Andrew Chatto was probably right in thinking that The British Barbarians would harm Allen's career. It's hard to say for certain; Allen died not four years after publication.

There were no more "Hill-top" novels. Chatto rejected Allen's intended follow-up, The Finger Post. The work is lost, presumably destroyed.

Would that I could go back in time to rescue it.

Dedication:
This is a Hill-top Novel. I dedicate it to all those who have heart enough, brain enough, and soul enough to understand it.
Object: A very attractive, well-produced hardcover issued sans jacket. Cover and frontispiece are by Aubrey Beardsley. My Near Fine copy is a second printing, won for 99p from a British bookseller in an ebay auction this November past.

Access: Held by pretty much every university library in the land, Toronto Public Library, the Kingston Frontenac Public Library, Library and Archives Canada, Bibliothèque et Archives nationals du Québec and the Canadian Museum of History,

Not a dozen copies are listed for sale online. Descriptions are vague, but from what I've been able to determine at least four are true firsts. They're priced between US$150 and US$350. Condition is not a factor.

The less common American first (right) published by Putnam in 1895 can be had for as little as US$45 (from "the personal collection of noted Atlantean scholar Henry M. Eichner"). Curiously, British spellings are maintained, but Frida's name is spelled "Freda".

The British Barbarians returned to print in 1904, then reappeared briefly seven decades later. It has been out of print ever since, though it can be read online here thanks to the Internet Archive.

As always purveyors of print on demand are to be ignored.

Barbarians.

26 December 2015

Ten of the Best: Spanking Good Book Buys of 2015



Early morning on Boxing Day and I'm lying comfortably in bed. My late mother is to thank. She taught that there is something unseemly in leaving family Christmas dinner to wait overnight for the chance at a $9.99 blu-ray player at Best Buy.

Because I'm done with buying books for this year, the time has come to present my ten favourite acquisitions, beginning with the 1907 Routledge edition of The Clockmaker pictured above. Bought for a buck a couple go months back, the series title, "Half-forgotten Books", did attract.

Half-forgotten books are what this blog is all about… the three-quarters-forgotten and entirely forgotten, too. What follow are the nine others:


The British Barbarians
Grant Allen
London: Lane, 1895

A second printing of Allen's second biggest book, this one has slowly risen to the top of the pile on my night table. The oldest addition to my collection this year – our literature is still so very young – I won this for one pound in an ebay auction. Shipping charges tempered the victory.



Kalee's Shrine
Grant Allen
New York: New         Amsterdam, [1897]

Another Allen. One hundred and sixteen years after his death, books by this son of Kingston are becoming scarce, so I was pleased to get this one for just US$4.99. I understand it takes place primarily on the East Anglian coast and features an oculist.



The New Front Line
Hubert Evans
Toronto: Macmillan, 1927

A gift from James Calhoun, with whom I collaborated in writing the Introduction to Peregrine Acland's Great War novel All Else is Folly. I'm embarrassed to reveal – and reveal I must – that I was unaware Evans too had served in the conflict.


Hath Not a Jew…
A.M. Klein
New York: Behrman's         Jewish Book House,         1940

The first edition of the first book by the first great poet of Jewish Montreal, I found this for a dollar.




King of Egypt, King of              Dreams
Gwendolyn MacEwen
Toronto: Macmillan, 1971

The poet's novel of ancient Egypt and Akhenaton, I came across this copy – inscribed by MacEwen – whilst volunteering at our local library's book sale. In the words of the immortal Lou Reed, "you're going to reap just what you sow."



The Three Roads
Kenneth Millar
New York: Dell, [n.d.]

I purchased this first paperback edition at London's Attic Books, a very pleasant walk from the University of Western Ontario, at which Millar studied English literature.



The Damned and the          Destroyed
Kenneth Orvis
London: Dobson, 1962

A second novel from a Montreal writer who seems entirely forgotten. I'd never heard of him, and yet Orvis was published internationally and managed to limp on into the 'eighties. See: Over and Under the Table: The Anatomy of an Alcoholic (Montreal: Optimum, 1985).


A Japanese Nightingale
Onoto Watanna [pseud              Winnifred Eaton]
New York: Harper, 1901

Another second novel, this one written by the most accomplished member of Montreal's remarkable Eaton family. A true joy to hold and behold, I purchased my copy just two months ago at Attic Books.



The Keys of My Prison
Frances Shelley Wees
London: Jenkins, 1956

This Millaresque mystery set amongst the privileged of Toronto is a great read. My pristine first English edition, purchased from a bookseller in Lewes, adds to the delight. Seeing something older than myself in such fine form brings hope for the New Year.




And on that note… A Happy New Year to one and all!



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