07 April 2018

Thomas D'Arcy McGee: 150 Years



He has gone from us, and it will be long ere we find such a happy mixture of eloquence and wisdom, wit and earnestness. His was no artificial or meretricious eloquence, every word of his was as he believed, and every belief, every thought of his, was in the direction of what was good and true.
— Sir John A. Macdonald, 7 April 1868
The great Thomas D'Arcy McGee was murdered 150 years ago today, nine months after Confederation. His remains the only assassination of a federal politician in our history. Is it unseemly that I take some pride in this?

McGee became my hero at Allancroft Elementary School. He was never mentioned in class; I first learned about him through a book, Pierre Berton's Historic Headlines (Toronto: McClelland & Stewart, 1967), borrowed from the school library.

These past nine years I've marked the anniversary of McGee's death with verse written as news of the tragedy swept across the Dominion he'd brought into being. This year, a unfinished poem composed by McGee himself. Appropriate, I think.

The Poems of Thomas D'Arcy McGee
New York: Sadlier, 1869
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03 April 2018

From Harlequin Romance to Canada Post



Thursday will see Canada Post release "Great Canadian Illustrators," five stamps celebrating the work of Will Davies, Blair Drawson, Gérard DuBois, James Hill, and Anita Kunz.

Though all five supplied art for books and magazines, the Will Davies stamp will be of particular interest to bibliophiles in that it features one of the more than 500 cover illustrations he did for Harlequin.

Curiously, Canada Post doesn't identify the book in question, but seconds of sleuthing reveals it to be Neptune's Daughter, a 1987 novel by British reporter and romance writer Jay Blakeney (published under her "Anne Weale" nom de plume).


I think Canada Post chose well. Of the Davies covers I've seen – admittedly, nowhere near 500 – it's by far my favourite. Viewed one after another, there's a sameness to his Harlequin work.

That Dear Perfection
Alison York
Toronto: Harlequin, 1988
Fortunes of Love
Jessica Steele
Toronto: Harlequin, 1988
No Angel
Jeanne Allan
Toronto: Harlequin, 1991
Anything for You
Rosemary Hammond
Toronto: Harlequin, 1992
This is no criticism of Davies; Harlequin is famous for placing limitations on authors and illustrators. Of all Davies' Harlequin covers, the one I most want to read is the one I find most disturbing:

Unfriendly Proposition
Jessica Steele
Toronto: Harlequin, 1990
Here one month, gone the next, Harlequin covers barely have time to lodge in the brain. Unsurprisingly, the one Davies cover that has remained in mine came from an entirely different Toronto publisher. A fixture of my teenage years, I saw it everywhere:

The Canadian Caper
Jean Pelletier and Claude Adams
Toronto: PaperJacks, 1982
Recommended, The Canadian Caper is an account of the 1980 smuggling of American embassy staff through Canadian Ambassador Ken Taylor's Tehran residence. Argo, Ben Affleck's Academy Award-winning film based on the same events is a piece of revisionist, jingoistic garbage.

I'm getting sidetracked.

Davies died two years ago. Everything I've read has it that he was a kind man with a passion for cars. I don't much care about automobiles myself, and yet can't help but be drawn to illustrations like this:


No pun intended.

Canadians, shall we celebrate the day by writing a love letter? What better way to send it than with a stamp born of a Harlequin Romance.

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01 April 2018

Dorothy Dumbrille's Easter Prayer



Verse for Easter Sunday by Anglican clergyman's daughter Dorothy Dumbrille, whose novel All This Difference I'm currently reading. Of her verse, S. Morgan-Powell, Editor-in-chief of the Montreal Star, wrote:
I do not think any of our contemporary writers can excel her in this sort of verse, It is because it is simple and goes straight to the heart, and yet is devoid of mere sentimentality that it possesses such appeal.
From Stairway to the Stars (Toronto: Thomas Allen, 1946):


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