The town is Bloomhill; the talk is of Elsbeth Payson. A few days before her eighteenth birthday, young Doctor Frederick Stowell catches Elsbeth at the Van der Water house. Priscilla Van der Water, a former "acrobatic dancer" now married to a brickyard foreman, is giving the girl a lesson on how to do a split. Stowell is horrified; Elsbeth lives in wealthy North Hill, and girls from North Hill do not visit Patchtown, Bloomhill's working class neighbourhood. The doctor orders her away, but she stands her ground: "Did you know, Freddie, that even for classical or professional ballroom dancing you should be able to do what's known as a 'split'?"
Elsbeth Payson's dream is to become a professional dancer. Her late mother approved, which is how she came to know Priscilla Van der Water in the first place. Her father, also late, looked to set his daughter off on a more conventional path, and so left almost everything to his two spinster sisters.
Almost everything.
On her birthday, Elsbeth is due to receive an inheritance of three thousand dollars (roughly $68,350 today). She intends to take the money, travel to New York, and study dance. A long-held plan, it comes off almost as Elsbeth had always envisioned, except that she's accompanied by pregnant Patchtowner Sadie Miller, whose fiancé was killed in one of Bloomhill's frequent industrial accidents.
Spanning 1933 and 1936, And the Town Talked is a Depression-era novel. I was interested in tensions between Bloomhill's classes, particularly after reading this early passage:
But And the Town Talked isn't much concerned with the plight of the proletariat. Though treated with sympathy, they're all pretty much the same: hard-working, cheerful, largely content with their lot in life. The exception is bad boy Cecil Andrews, who left Bloomhill's Patchtown for a life as a professional musician. He's a complex character, but only in relation to the others – Elspeth included.
Is And the Town Talked a masterpiece, as News Stand Library claims? Most certainly not!
Is Wild Geese a masterpiece, as academics have claimed? Here's hoping.
I'm moving my copy to the night table.
* Thanks to bowdler of Fly-by-Night, who spared me the task of comparing the McCall's and News Stand Library versions. His finding is that the latter cut short four of the novel's twenty-two chapters.
Object: A typical News Stand Library production, meaning that there is certain to be some sort of flaw. In this case, centre margins are so tight as to make it nearly impossible to read.
My copy was purchased earlier this year. Price: C$60.
The cover – uncredited – misleads in that Elsbeth has no child. Is she babysitting? Or is that meant to be minor character Sadie Miller?
"Not guilty, your honor!"
"I was dull, blank, all iron and ice; the judge, the jury, the public, even Kathleen, against me; and then that bottle in there — and I saw things like crystal! I had a glow in my brain, I had a tinge in my fingers; and I had success, and” — his face clouded — “he was as guilty as hell!”
Charley faces a dilemma:
What was there to do? Go back? Go back and knock at Kathleen’s door, another Enoch Arden, and say, "I have come to my own again”? Return and tell Tom Fairing to go his way and show his face no more? Break up this union, this marriage of love in which these two rejoiced? Summon Kathleen out of her illegal intercourse with the man who had been true to her all these years?
The story of a lost local literary gem, lost and foundMcGill-Queen's reissued Psyche the following year.
The author's three remaining books – Anything Could Happen! (1961), Undine (1964), and A Question of Judgement (1969) – have now been out of print for more than a half-century.
In a country plagued by indifference regarding its literary heritage, Phyllis Brett Young remains the most unjustly neglected writer.
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| Phyllis Brett Young 1914 - 1996 RIP |
