Good, it's a Packard

The Four Stragglers
Frank L. Packard
London: Hodder & Stoughton, [n.d.]

The Locked Room
Frank L. Packard
London: Hodder & Stoughton, [n.d.]

Entering the Unknown with Frank L. Packard

The Four Stragglers
Frank L. Packard
Toronto: Copp Clark, 1923

It's hard to know just what to expect when picking up a Packard; reference books offer little or nothing, archived reviews are few, and with one or two or three exceptions book bloggers have given him a pass. Add to all this the sad fact that the dust jackets to his books are almost always missing, as is the case with this soiled, stained, beat-up copy I spotted last October in the "FREE" box at Montreal's Cheap Thrills.

A few pages into this free book, I was beginning to think that it might just end up being my favourite Packard novel. Although that first flush of excitement gave way to disappointment, I don't regret the read.

The Four Stragglers opens in the darkness of an unnamed battlefield during the Great War. Cut off from their respective units, three soldiers take refuge in a thicket; a fourth lies dead or unconscious a few metres away. Flares flying above reveal faces, and the cognizant come to recognize that they'd all played parts in a daring jewel heist not two years earlier.

It's a confusing, chaotic scene. Shouldn't it be? Shells rain down, a munitions dump explodes in the distance and somewhere out there march Germans with bayonets. Then there's that fourth straggler lying on the ground. The idea that he might be listening in on the reunion forces cryptic conversation. Eventually, one of the other three raises his rifle and fires:

     The first man screamed out:
     "Christ! What have you done?"
     "I think he was done in anyway... It was as well to make sure."

Dead. Dead. And yet the next flare that hangs in the heavens reveals that his body has disappeared.

We're transported suddenly to the Claremont, an exclusive gentleman's club in London's West End. The Armistice now more than three years in the past, the reader is listening in on a conversation between Sir Harris Graves and Captain Francis Newcombe. A man of obvious privilege, Sir Harris has the means and the time to pursue criminology as a sort of hobby. His current focus is the aforementioned theft and its connection with an elusive, infamous East End criminal known as Shadow Varne. The captain, transfixed, expresses concern:

"I fell impelled to say to you that, if this man is what you describe him to be, is so dangerous as you say he is, I would advise you, Sir Harris, in all seriousness to leave him – to Scotland Yard."

Sir Harris stands fast... and is murdered before morning. If it hasn't already, the reader's suspicion will fall on Newcombe, who is not only revealed to be the straggler who shot the injured soldier, but Shadow Varne himself.

I found the most interesting aspect of The Four Stragglers revolved around the idea of the T.G. – the Temporary Gentleman – a man who through obtaining commission would be permitted privileges heretofore enjoyed only by members of a certain class. For Varne, as Captain Francis Newcombe, lasting entry to a once closed-off world is made possible through wartime heroics. "I became a Permanent Gentleman", he tells doomed Sir Harris. "Democracy! Private Francis Newcombe – Captain Francis Newcombe – Francis Newcombe, Esquire."

Packard's novels are always peppered with the fantastic and improbable; for much of The Four Stragglers I took Newcombe's rise as another example. But then I thought of our own Sir Arthur Currie, GCMG, KCB, a man who himself rose from the lowest ranks. I don't mean for a second to suggest that Currie was a murderer – just an embezzler.

Object: The first Canadian edition, my copy appears to have been first owned by a man named Donald Shipley. A 1925 Christmas gift from "Claude", it bears the label of Wendell Holmes, a bookseller in London, Ontario.

Access: Canadians, look to your universities – of the public libraries, only Toronto's serves.

The Canadian first shares plates with the Doran American first and a later Burt reprint. It wasn't until 1934 that the Hodder & Stoughton British first appeared. Together, more than couple of dozen copies are listed for sale online. They begin at £4.00, but the one to buy is a $15 copy of the Canadian first with dust jacket by A.D. Rahn. The most expensive – forty dollars –  comes from an ill-informed bookseller  who writes: "THIS A 1923 HARDCOVER BOOK IT IS EXTREMLY [sic] RARE BOOK IT HAS A NAME INSIE [sic] THE COVER AND HAS BEEN READ THE BINDING IS SUNNED AND HAS NO JACKET THE CORNERS ARE BUMPED AND THE PAGES ARE TANNED EVENLY."

Čtyři zaběhlíci, a Czech edition, was published in 1928. Apparently the National Library of the Czech Republic has a copy.

The Hidden Robert Kroetsch

(cliquez pour agrandir)

Discovered last week in the little town of St Marys, Ontario, the key to understanding and properly recognizing the symbolism, messages and codes hidden within Robert Kroetsch's 1975 novel Badlands.

An unknown hand reveals the secrets, so many secrets, held by each and every paragraph – yes, each and every paragraph – of this 270-page novel.

I am now entertaining offers for this unique, invaluable volume.

Further images available upon request.

Serious enquiries only, please.

Beer, Broads and Blackmail Bring Confusion

Mark it for Murder
Douglas Sanderson
New York: Avon, [1959]

Douglas Sanderson had left Montreal behind as both a home and a setting when Mark it for Murder was published, but traces of the city remain. Just look at John Molson, the name of our hero. We're told next to nothing about this man, except that he once studied at the Sorbonne. Europeans take him for an American, but I wouldn't be so sure.

The opening pages of Mark it for Murder find Molson at a private club on the French Riviera. He gets plastered with a Swede, makes love on the beach with beautiful Julie Chirac and pummels her escort Roger Lascelles before being called away to attend to Joseph P. Craddock, his wealthy employer. On the way back the Mercedes Molson drives loses a wheel and careens off a cliff into the Mediterranean. He bails, rescuing Louise (another love interest) in the process.

Stripped to its bare bones, the beginning of the novel sounds rather silly, but it's actually very strong. Mark it for Murder features some of Sanderson's finest writing, particularly in its sketches of Spain:

So up and down they walk, making talk as adolescents make drawings on a lavatory wall. From the same motive and with the same innocence. I listened. Spaniards talk so loudly it is difficult not to listen. They were describing as true the things imagined before falling asleep the previous night. But their lies were gracious, interesting and enthusiastic. They enjoyed what they were saying and politely hid their disbelief in another man's story.

The change in location comes courtesy of Craddock. An aged blackmailing businessman who has found religion, he's by far the most realized and intelligent character in the novel. Craddock's violent death, depicted on the cover of Cry Wolfram, the Secker & Warwick edition, marks an unfortunate downturn.

Craddock really knew the ins and outs of the extortion business; now that he's no longer around to explain the novel becomes a confusing mess. Things get so bad that by the third to last chapter, Sanderson resorts to a sit-down with a chatty, campy, faux-English queen who happily answers any and all questions that Molson cares to pose. This is followed by a chapter in which all the key players gather in a room to hear out the accusations and theories of the local governor. And finally – in the final chapter – an attempt at a denouement as Molson and Louise take in a bullfight.

A frustrating book, it features a surprise ending with Molson losing Louise to a matador on the final page. I'm not sure why, but I'm sure Craddock could've explained it... or maybe the chatty, campy, faux-English queen.

Object: A fragile 160-page mass market paperback. Though labeled "An Avon Original", it looks to have been preceeded by Cry Wolfram, Secker & Warburg's UK first. Both editions enjoyed just a single printing each.

Access: Canadian library patrons will find Mark it for Murder at Concordia University and Library and Archives Canada. The University of Calgary and University of Victoria have Cry Wolfram.

Curiously, Cry Wolfram appears to be more common than Mark it for Murder. Seven copies of the former are listed online – all with dust jackets – at prices ranging from eight to thirty dollars. Very Good plus copies of Mark it for Murder can be had for between four and eighteen dollars. But hurry – only four copies are listed online.

A French translation using under Sanderson's Martin Brett pseudonym was published by Gallimard. Title: La semaine de bonté.

Not to be confused with Max Ernst's Une semaine de bonté.

Lilian Vaux MacKinnon and Her Critics

A fleeting follow-up to the previous post:

Lilian Vaux MacKinnon earned a English B.A. (Honours) at Queen's, though I don't see much evidence of this in Miriam of Queen's. What the university's website describes as a "critical success" received a mixed bag of reviews. The harshest appraisal comes from an anonymous critic in the December 1921 edition of Canadian Bookman:

The book gives one the idea that Mrs. MacKinnon enjoyed her student life under "Geordie" Grant to the full, and wants to enable others to see it as she did, but is handicapped in her effort by a desire to stick to literal facts. It is somewhat as if one were to attempt to describe  the life of a great university by reproducing a sophomore's diary.

There's more, of course, but I've chosen these words because they touch on the autobiographical nature of the novel. It's this reading of Miriam of Queen's – as a roman à clef – that brought the most positive reviews, like this one in The Ottawa Citizen:

Many of the characters in "Miriam of Queen's" will be recognized. There is for instance her father, a good civil servant. "Roderick Campbell had been in the government employ in increasingly responsible positions since he had moved to Ottawa from the Island of Cape Breton. Highly esteemed, reserved to the point of austerity, a scholarly man, books were his favorite pastime." The Campbell's lived "in a substantial brick house set among the trees" in the Capital.

Like Miriam, Lilian Vaux MacKinnon called Ottawa home, and like her heroine she travelled widely. The Citizen review describes Marion of Queen's as being "almost Dominion-wide in its scope, the scenes extending from the countryside to Cape Breton to the cities of eastern, middle and western Canada."

And so I'm left shaking my head over this:

Canadian Bookman, June 1922

Never assume that a reviewer has actually read the book in question.

Related post:

Back to School with Miriam of Queen's