from After Ypres and Other Poems
Robert Stanley Weir
Toronto: Musson, 1917
Related posts:
A JOURNEY THROUGH CANADA'S FORGOTTEN, NEGLECTED AND SUPPRESSED WRITING
This review, revisited and revised, now appears in my new book:The Dusty Bookcase:
A Journey Through Canada's
Forgotten, Neglected, and Suppressed WritingAvailable at the very best bookstores and through
The Man from Glengarry Ralph Connor [pseud. Charles W. Gordon] Toronto: McClelland & Stewart, 2009 |
Olive Pratt Raynor [pseud. Grant Allen]
Peterborough, ON: Broadview, 2003
|
The Cashier [Alexandre Chenevert]
Gabrielle Roy [trans. Harry Binsse]
Toronto: McClelland & Stewart, 2010
|
The Globe, 2 December 1916 |
The third year of the war finds no appreciable diminution in the output of books. The demand for good reading grows apace, although publishers are in difficulties over the increased cost of production. One result of the paper shortage across the border is the growing tendency to place orders for printing and binding in Canada. The examples of workmanship recently turned out by Canadian printers show what this country may yet accomplish in the production of books.The downer comes with the next paragraph:
Canadian fiction is still in a stagnant condition. The attractions of the American market have proved too strong as yet to admit the development of a Canadian school of novelists.Take heart, our poets are being recognized south of the border:
In a New York publisher's circular the following appeared: "Canadians or Americans? In 'Canadian Poets and Poetry,'* an anthology collected by John Garvin and recently published by Stokes, the verse of Bliss Carman and Arthur Stringer along with that of Roberts and more generally recognized Canadians somewhat surprise the average reader who thinks these poets are native Americans. It is true, however, that Arthur Stringer's birthplace is Fredericton, New Brunswick, and his A.B. [sic] is from the university there, while Carman was born in Ontario and educated at the Universities of Toronto and Oxford."Though the copywriter has confused Stringer and Carman – the former is the Ontario boy and Oxford man – this is just the sort of recognition that makes glowing hearts glow. The anonymous Globe reviewer – William Arthur Deacon, I'm betting – fans the flames in writing that the war has brought "a renaissance of Canadian poetry," as exemplified by Canon Scott's In the Battle Silences and Rhymes of a Red Cross Man by Robert W. Service (the lone book I own on the list).
Spun-yarn and Spindrift Norah M. Holland Toronto: Dent, 1918 |
Canadian Poets* – John Garvin, ed.I read nothing into the misspelling of Miss Pickthall's Christian name (nor the brevity of the review).
In the Battle Silences – F.G. Scott
Rhymes of a Red Cross Man – Robert W. Service
The Witch of Endor – Robert Norwood
The Watchman and Other Poems – L.M, Montgomery
Maple Leaf Men and Other War Gleanings – Rose E. Sharland
Lundy's Lane and Other Poems – Duncan Campbell Scott
Rambles of a Canadian Naturalist – S.T. Wood
The Lamp of Poor Souls and Other Poems – Marjorie Pickthall