Leonard Cohen Stands Out as a One Woman Man

Death of a Lady's Man
Leonard Cohen
Toronto: McClelland & Stewart, 1978

Death of a Ladies' Man
Lee Roberts
New York: Gold Medal, 1960

Death of a Ladies' Man
James McQueen
Melbourne: Penguin Australia, 1989

Death of a Ladies' Man
Alan Bissett
Edinburgh: Hachette Scotland, 2010

Gay on Sunday: The Temperance Poems

Teetotalism trickles as gentle, concordant music through the verse of our James Gay. No Carrie Nation, the man abhorred violence. True, he was a gunsmith, but then he was also a carpenter, an innkeeper and, of course, Master of All Poets. Where Mrs Nation wielded a hatchet, Gay preferred the written word. Consider, for example, this stanza from "The Great Exhibition", written in anticipation of the 1875 Guelph Fair, in which he entreats fellows in his profession to forgo the drink (if only temporarily):

Few words for our Town Innkeepers, I hope you won't get tight.
Carry out your business decently from morning until night.
So as our visitors by the thousands will return and have to say
They've been treated in our town of Guelph in a kind and friendly way.

Only two Gay temperance poems survive – I've always assumed there were more – both found in Canada's Poet (London: Field & Tuer [1885?]). I leave you this Palm Sunday with his words:

THROW ALL OUR GROG BOTTLES AWAY, LIKE J. GAY

Your poet is a great advocate for good. All our duty as far as we can,
Is to love and respect our fellow-man;
Rush to do him good, that's if we can;
Whether Greek, Gentile, or a Jew,
We are in duty bound to help him through.
It's not the church of any kind
Can destroy the peace of your poet's mind;
He's a true believer every day,
Lives as happy as the flowers in May.
Anything for good that we can see
We should turn out and help like that busy bee;
Those are a guide for our fellow-man,
Doing good is their every day's plan;
All through the day all do their best,
When night comes on they take their rest.
All insects have their cunning ways;
All those are of one mind
To make their homes so neat and fine.
Oh, if man could only see,
And live as happy as that bee;
Cast off bad thoughts of any kind,
The world very soon would be of one mind.
Live on this earth in love and peace,
And not to act as brutes and beasts.
Let temperance be our guide while on this earth we stay;
With good of all kinds
Be on our minds.
And throw all our grog bottles away,
Like J. Gay.

TEMPERANCE

Temperance and sobriety all should understand,
Two of the best things ever carried out by man;
Study this word temperance all for the best,
To be taken in so many ways, carry nothing to excess.

Intemperance is the forerunner of crimes,
Draws thousands into rascality and death before their times;
And still don't blame liquor for all,
Other things too are not for the best;
We should never fill our bodies to excess.
So many rascalities carried out by man,
Better than Gay who can understand;
Allow me to warn you of your danger of doing so,
But running further into sin is all the go.

Related posts:

Gay on Sunday: Yet Another Attack on Tennyson
Temperance Verse for New Year's Day
A Local Poet is Recognized

The Return of Hugh Garner's Neglected Novel

As promised, after a sixty-three year and nine month absence Hugh Garner's Waste No Tears returned to print last week. The fifth Vehicle Press Ricochet Book, it marks something of a departure in the series as the first reissue set in Toronto. It is also the first novel written by a

Governor General's Award-winning author, which begs the question: Where is David Montrose's award? Murder Over Dorval is a hell of a lot better than The Pillar.

Never mind.

Waste No Tears was Garner's third novel, and follows Storm Below in being the second published. As mentioned elsewhere, the original News Stand Library edition from July 1950 is uncommon – three of our university libraries have copies – but this only goes part way in explaining the neglect and indifference shown by those who have written on Garner and his work. The novel receives no mention in  The Oxford Companion to Canadian Literature and the Encyclopedia of Literature in Canada. Yet, the novel is ever-present in the bibliographies featured in the author's books. Here it is in Hugh Garner's Best Stories, for which he won that Governor General's Award:

Garner's early paperback originals have been too readily dismissed. It seems that only Cabbagetown has been deemed worthy of attention – in large part, I think, because the bowdlerized Collins White Circle first edition was restored and published by respectable Ryerson Press.

In his Canadian Literary Landmarks, John Robert Colombo writes of Waste No Tears as "hack work". Paul Stuewe, Garner's biographer, echoes in describing it as a "book noteworthy only as an example of how rapidly a professional writer can produce hackwork when necessary."

Hey, we non-academics have to make a living somehow. Besides, writing produced with an eye on manna can have value.

As with Brian Moore's pulp work – similarly neglected – there is much to explore in Waste No Tears. I recommend Michael P.J. Kennedy's "Garner's Forgotten Novel and Its Relationship to the Stories", which deals with the links between Waste No Tears, "Lucy", "Mama Says to Tell You She's Out" and "The Yellow Sweater". Amy Lavender Harris gives us not only "Hugh Garner's Forgotten Toronto Novel, Waste No Tears", but graciously accepted my invitation to write the Introduction to the new edition:

Although Morley Callaghan’s early Toronto novel Strange Fugitive – set in a long-vanished downtown slum district known as 'the Ward' – often receives literary credit for exposing the city’s seedy underside, it is Garner’s paperback novels – Waste No Tears and Present Reckoning chief among them – that reveal how narrow is the line that separates 'Toronto the Good' from its seamier shadow. It’s a line drawn precisely along Jarvis Street, a street that even now remains incompletely improved, the converted mansions and corporate towers at its north end still sliding irrevocably downhill toward the rooming houses and massage parlors where brutal necessities continue to be transacted in what remains of Toronto’s notorious skid row.

More Toronto novels to come. Promise.

More Montreal, too. Another promise.

But first, Niagara Falls.

That's a tease.

Related post:

Unsettling Garners

Remembering Edith Eaton and D'Arcy McGee

It's become something of a tradition here to acknowledge Thomas D'Arcy McGee on this day, the anniversary of his assassination. And I will. But it would be wrong to let this seventh of April pass without paying homage to Edith Eaton, who died one hundred years ago today.

Writing as "Sui Sin Far", Eaton has been described variously as "the first Chinese-American fictionist", "the first Chinese-American woman writer" and "the mother of Chinese-American literature", but these descriptions come from our cousins to the south. Pay them no mind.

The eldest daughter of Englishman Edward Eaton and his Chinese wife Lotus Blossom, she was born in 15 March 1865 in Prestbury, Cheshire, emigrating to Montreal seven or eight years later.

Eaton's earliest writing appeared in The Dominion Illustrated, The Montreal Daily Star and The Montreal Daily Witness. Both fiction and non-fiction, all show a great sensitivity toward the Chinese communities of Canada and the United States, as reflected in her modest memoir, "Leaves from the Mental Portfolio of an Eurasian", published in the Independent (21 January 1890):

I have come from a race on my mother’s side which is said to be the most stolid and insensible to feeling of all races, yet I look back over the years and see myself so keenly alive to every shade of sorrow and suffering that it is almost a pain to live.

Never a healthy woman, in her mid-thirties she left Quebec for more temperate California. The writer spent roughly a decade on the American west coast and lived briefly in Boston before returning to Montreal. A monument stands in her honour at Mount Royal Cemetery, in which D'Arcy McGee is also interred.

This year, a poem to the politician by Joliette's Louis-Thomas Groulx, written six days after the assassination.

Assasinat de l'honorable Thomas D'Arcy McGee — 7 avril 1868

I

O mon Dieu!… c'est horrible!… une assassine

     A tranché le fil de ses jours….

Mais son âme set allée à ta bonté divine

     Qui sourit aux martyrs – toujours.

     Il meurt ennemi du désordre

Et de ces hommes vile qu'on nomme Feniens.

     Prions pour ce martyr de l'Ordre,

Nous tous qu'il a servis, ô mes concitoyens.

Dieu veuille que son sang répandu par ses frères,

Ne tombe – encore tout chaud – sur leurs fils et sur eux.

Appraise, O doux Jésus, la haine et les colères

Qui vont semant le meurtre et font le deuil affreux.

II

Il ne reverra plus sa femme ni sa fille,

Ni son fils qu'il aimait d'un amour infini.

Tous vont pleurer, hélas! – Console la famille

Seigneur, et dis: enfants, votre père est béni.

La Nation prend soin de l'épouse chérie,

De la famille et du fils – tendre orphelin qui prie,

Il est pour chaque vie, une heure de douleur

Que je ne saurais pendre et qui bris le cœur.

Alors, heureux qui meurt: mais malheur à qui tue.

Des vivants et des morts, Dieu seul se constitue

Juge. Aussi, seul il a droit de vie et de mort

Sur tous. Caïn, – tuer d'Abel – en vain se tord.

De désespoir. Son crime est avec lui, sans cesse.

Et suivra, partout, soit qu'il coure ou bien cesse

D'Aller. Qu'il veille ou dorme, Abel agonisant

Sera, devant sa face, à toute heure, présent.

Caïn voudrait mourir de remords qui l'oppresse,

Mais son crime est si grand qu'il lui faudra longtemps

Encore, ouïr la voix douce mais vengeresse

Qui dit toujours: "Caïn, que te faisais-je, aux champs."

Il ne dormira plus le cruel fratricide;

Et le bon Dieu, pourtant, l'a pris sous son égide,

Disant: en quelque lieu qu'il aille – ce vilain –

Chacun reconnaîtra mon signe sur Caïn.

III

Que l'assassin se nome Eagleson ou White,

Ou de tout autre nom qu'on entend prononcer,

Son forfait odieux rend mon âme interdite,

Et c'est presque mourir, mon dieu! que d'y penser.

Le ciel saura punir une action si noire.

………………………………………………….

Maintenant que McGee a vu Dieu dans sa gloire,

Et que sa voix se mêle au séraphique chanr,

Regrette-t-il la terre où l'hommes est si méchant?

IV

A quoi me servirait de biaiser ou de feindre?

La pauvre humanité, certes! est bien à plaindre

L'homme détruit, Dieu crée, et la gouffre béant

Dévore ce que Dieu fait sortir du Néant.

Qui sondera, Seigneur, ce mystère insondable?

Je vois, partout, l'énigme écrite par ton doigt.

Toujours, ce que tu fais me parait admirable

Ce que tu laisses faire est indigne de toi.

Tu ne réponds jamais, quand l'homme t'interroge

Pourquoi m'as-tu donné l'entendement, la voix

Et la cœur, si ce n'est pour faire ton éloge?

Mais le ferai-je…. après le meurtre que je vois?

Ou donc regardais-tu, quand fut ourdi ce crime?

Quand tombait, sous le coup, l'innocente victime?

Comment as-tu souffert – toi si juste et si bon –

Que D'Arcy fût atteint par balle de plomb?

Je ne veux pas, Seigneur, que mon âme murmure,

Mais je dis: ton enfant trouve cette morte dure!…

………………………………………………….

………………………………………………….

Merci. --Dieu parle enfin. Vici ce que j'entends:

"J'ai pris votre martyr." – Et le bourreau? – j'attends.

"L'ivraie est dans le blé, la rose a son épine,

"Je fais une Merveille avec une ruine.

"J'appelle à moi le bon et j'attends le méchant

"Mais que le juge humain sévisse et attendant.

"Que vos lois aient leur cours. Mais que votre sentence

"Ne fasse pas périr la timide innocence.

"Faites que la justice atteigne l'assassin.

"Ce qu'il doit, qu'il le paie à son fatal destin.

V

"Meurtrier, tue encor, tue encore et te hâte.

"Toi, martyr, souffre encore, souffre comme Socrate

"Sans te plaindre et pardonne. Ils viennent les temps dûis

"Ou ma faux abattra comme des épis mûrs

"Les hommes – cœurs pervers – qui font de la malice

"Et leur unique étude et leur plus cher délice.

"Je sais qui fait le mal, et sais qui fait le bien

"Je vois l'être maudit qui fait le Fenien.

"Il est tout près de moi; je le sens, je le touche

"Peu s'en faut que son nom ne sorte de ma bouche

"Et si je n'avais pas horreur de ce gueux-là,

"Mettant le pied dessus, je dirais – le voilà.

"On dirait que le peuple – aveugle volontaire –

"Ne voit pas le serpent, avec sa tête altière,

"Qui se plie et s'allonge, et se promène et va

"Jusqu'aux pieds de son Roi qu'il enlace déjà."

Quoi, donc, est le serpent? Est-ce le Royalisme,

Ou la démocratie, ou le saint-Simonisme,

Ou l'Athéisme encore? – Dis, seigneur, qu'est-ce enfin?

" – Aucun de ces mots-là ne convient au Matin.

"Vous le verrez bientôt. Son ardente prunelle

"Vous illumine avec sa brillante étincelle.

"Il s'en vient du Midi, sinon de l'Orient

"Qu'il souilla comme il veut souiller tout l'Occident.

"Si je n'étais pas là, quand paraîtra la Bête,

"Le combat serait court, et sûre le Défaite.

"Mais je veille sur vous et sur le Trône, aussi,

"Et garde auprès de moi mon fidèle D'Arcy."

Joliette, 13 avril 1868

Related posts:

'O Martyr'd McGee!'

D'Arcy McGee's Query (with a response)

D'Arcy McGee, All Compliment to Thee

'Death of D'Arcy McGee'

'IN MEMORIAM! The Hon. T.D. McGee'

A Poet's Angry Word With the Fenian Brotherhood

Gay on Sunday: Yet Another Attack on Tennyson

from Canada's Poet

 James Gay

London: Field & Tuer, [1885?]

Related post:

The Master of All Poets Outlives Longfellow, Writes Victoria,

Takes on Tennyson and Calls for a Vote

A Sailor's Story

Overnight Escapade

Stephen Mark

Toronto: News Stand Library, 1950

The publisher comes clean on the title page. "Overnight Escapade" is no novel, but the longest of a number of stories bound in a cheap paperback that is sure to come apart in your hands. 

I admit to being shocked by its beginning: "The glory hole stank more than usual from the sweat of men".

No seaman, I was unaware of "glory hole" as a nautical term.

"Overnight Escapade" is less about ships than shore leave. Central character sailor Steve Green is a man adrift with no attachment to anyone or anything:

Ten years I'd been going to sea – looking for something. I didn't know what when I started – I still don't know, but there's that lousy feeling I get in my stomach and in my brain every now and then.  

Now, some might call that a hangover, but Steve is no boozehond. While fellow crewmen check out the public houses of London, the latest port of call, he continues his aimless wandering on dry land. He's taking a breather in front of the Criterion Theatre at Piccadilly Circus when a long black Daimler draws up. Inside a veiled woman with voice "like Margaret Sullivan [sic] only a thousand times more sexy" beckons.

Who can resist!

The mystery woman takes him to a Regent's Park mansion, up a darkened staircase, through a gathering of men and women in evening dress, and into her warm bed.

Seconds of pleasure follow.

This is no slight on Steve – such is the pace of his overnight escapade that there's barely time for a quickie. He hasn't even hitched up his pants before the mystery woman, Elspeth, asks for a favour. He soon finds himself smuggling a package past the well-dressed group. Per instructions, he takes a cab to Denman Street, where he delivers same to one Anthony Masker, the most unattractive transvestite I've yet encountered in our literature.

This was a fruit factory and it looked as if I was the guy about to be served for dessert.

Though Steve is rather rude in declining Anthony's invitation to a bit of fun with a "pretty young queen" in Chinese pyjamas, he politely accepts a drink… which turn out to be a mickey finn. When he comes to, he finds Anthony gone and the queen "as cold as a prostitute's kiss – dead as yesterday's news." Not one hour has passed since our hero enjoyed the pleasures of Elspeth's flesh.

(cliquez pour agrandir)

As I say, "Overnight Escapade" is fast paced. Before the night is up, Steve will have run into a pal in a pub, accompanied a floozy to a hotel room, and been abducted no less than three times. He'll have travelled by train, cab, ship and submarine. Our hero will have also visited a secret island full of Nazi planes and atomic bombs one hundred or so metres off the English coast.

Reading Steve's story I was reminded of the overnight escapade in Douglas Sanderson's Flee from Terror. It only works if the reader accepts a world in which ships bound from London reach the North Sea in well under an hour, and one can travel by rail from Clacton-on-Sea to Liverpool Street station in fifteen minutes. It only works if one believes that the House of Commons is 24/7 and Scotland Yard inspectors are at their desks by five in the morning. It only works if…

Of course, "Overnight Escapade" doesn't work at all. That is, unless the reader recognizes that Steve, our narrator, loses consciousness three more times in its telling – twice from blows to the head.

Favourite passage: 

Just as she gets to me she raises her arm and lifts her veil off her face.
     ZING!!!!
     I don't know what I was expecting but it sure didn't measure up to what I got. Hedy Lamarr is a bag compared to this – and I would never kick Hedy Lamarr out of bed. 

Favourite sentence:

When I reached the end of the dock I glanced back at my ship, squatting black and ugly, like an old woman relieving herself.

Bloomer:

The dames had to force themselves to follow Frank around the glory hole.

Object: A poorly produced 160-page mass market paperback, edited in typical NSL style.

Cover by Syd Dyke!

Access: News Stand Library printed separate editions for the Canadian and American markets, then let the novel slip away. Only one copy of the Canadian, the true first, is listed online. A Very Good copy at US$10, it's a bargain. Three copies of the American, all Very Good, are on offer at US$15 to US$20. They are to be considered if the Canadian is gone.

WorldCat lists one copy – the American edition – held at Library and Archives Canada. C'est tout.

The Master of All Poets Outlives Longfellow, Writes Victoria, Takes on Tennyson and Calls for a Vote

With National Poetry Month in its second day,
Is it not time to celebrate James Gay?

The first Poet Laureate of Canada (by his own account), James Gay produced some of the most memorable verse of the nineteenth century. Such was his capacity that the titles alone are worth repeating: "Gay's Talents", "James Gay's Book of Poems", "A Greater Scholar than James Gay", "The Feathered Tribe and the Poet James Gay", "Throw All Our Grog Bottles Away, Like J. Gay" and "The Mind of Man is Ofttimes Blighted". The poet's accomplishments become all the more impressive when one considers that he didn't begin composing until late in life, after having suffered a bout of "brain fever".

As his name suggests, Gay was a cheerful man, though sadness did enter through the death of Henry Wadsworth Longfellow and the inexplicable silence that met repeated entreaties that Victoria recognize his position as Poet Laureate. Both are united in his 1882 poem "My Latest Address to Her Majesty":

My honoured Queen, I feel sorry to say,
I received the sad news across the way
Of my brother Longfellow's death, on the twenty-fourth day.
Singular for me to say he died on my birthday, March, the twenty-     fourth day.
The age of both is very true—
Longfellow seventy-five, and Gay seventy-two.
The brightest of poets have passed away:
Now its left between Tennyson and Gay.

Four years earlier the poet had doubled his efforts to be recognized after Victoria's son-in-law, the Marquis of Lorne, became Governor General of Canada. Gay had something in common with the Marquis as he was not born Canadian. The Bard of Guelph began life on 24 March 1810 in Bratton Clovelly, Devon, emigrating to the fair Dominion twenty-four years later. Anticipating a trip to the land of his birth, Gay sent to Rideau Hall "My Address to His Excellency the Marquis of Lorne and Her Royal Highness Princess Louise (No. 2)", in which are found these lines:

As the greatest Poets have passed away,
It appears it's left between Tennyson and James Gay.
Being so long in Canada, according to my belief,
I want to wear on my person the Canadian medal, the beaver and      maple leaf;
So when I travel throughout my native land hundreds can have to say,
And also have the pleasure of seeing the world's Poet James Gay,
Poet Laureate of Canada up to this present day;
And when I receive my Canadian medal I shall feel happy as the      flowers of May.

A carpenter, an innkeeper, a gunsmith, a locksmith, a musician, a showman and, of course, a poet, Gay was nothing if not ambitious. Recognition as Poet Laureate was secondary to confirmation of his claim to being the Master of All Poets.

Laurels, I have not gained through superstition,
But won by merit and fair ambition;
The greatest poets having long since gone to rest,
On two are left behind of the very best.
Alfred Tennyson is from the south of England,
And James Gay is from Devonshire in the west,
So both poets are English I am proud to say.
It now remains for all to say
Who is the Master Poet of the day,
Tennyson or James Gay.

Gay called for a popular vote to determine whether it was he or Tennyson who was the Master of All Poets. Though it never came, the former gunsmith continued with certain confidence to use the title throughout the remainder of his life. Seven months Tennyson's junior, I imagine he thought he had a fair chance at outliving the Poet Laureate of Great Britain and Ireland. However, it was Gay who was called heavenward first, on 23 February 1891. Alfred, Lord Tennyson, his rival, followed nineteen months later.

Related posts:

Guelph: City of Galt, Gay, Glyn, Graves and Girdles

Verse for Victoria Day by the Master of all Poets

'November the First' by the Master of All Poets

The Erotic Michael Ondaatje

Related posts:

The Erotic Brian Moore

The Erotic Mordecai Richler

The Homoerotic A.E. van Vogt
The Homoerotic E.J. Pratt
The Pornographic Edna Jaques

Harlequin: The Love That Dare Not Speak Its Name

Suggestive Harlequins: A Romantic Threesome

The Bullet Trains of the Montreal Metro

Just got into Montreal thanks to my friends at The Word bookstore who kindly offered a ride from my door to theirs. A distance of 694 kilometres, it was punctuated by a stop at Brockville's From Here to Infinity, at which I scored the above.

More on those another day.

For now, a few print on demand covers I've been sitting on. All are products of VDM Publishing, the very worst of the print on demand vultures.

Imagine, Victoria Square to Times Square in just 80 minutes.

My great wish, of course, is that they one day extend the Blue Line west to my current home in St Marys, Ontario.

A bonus:

Related posts:

Alpha, Beta, Dada

Alpha, Beta and Other Crap Sold by Amazon

POD Cover of the Month: Special Montreal Edition

Of Montreal, Notes and Queries

Spring arrives, bringing a new issue of Canadian Notes & Queries. Number 89 – for those keeping count – this one is devoted to Montreal, the very finest city in all the Dominion.

There, I've said it. Again.

My column this time around is a modest introduction to the city's post-war pulp novels, ten in total, published between August 1949 and December 1953.* A remarkable, all too brief period, it saw the first two books by Brian Moore, the second by Ted Allan, and the debut, wet decline and soaked disappearance of Russell Teed, Montreal's greatest private dick. Regular readers will recognize the titles, all of which have been featured here these past five years:

The House on Craig Street
Ronald J. Cooke
Winnipeg: Harlequin, 1949 

Love is a Long Shot
Alice K. Doherty [pseud. Ted Allan]
Toronto: News Stand Library, 1949

Sugar-Puss on Dorchester Street
Al Palmer
Toronto: News Stand Library, 1949

The Mayor of Côte St. Paul
Ronald J. Cooke
Toronto: Harlequin, 1950

Wreath for a Redhead
Brian Moore
Winnipeg: Harlequin, 1951

The Crime on Cote des Neiges
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1951

The Executioners
Brian Moore
Winnipeg: Harlequin, 1951

Flee the Night in Anger
Dan Keller [pseud. Louis Kaufman]
Toronto: Studio Publications, 1952

Murder Over Dorval
David Montrose
     [pseud. Charles Ross Graham]
Toronto: Collins White Circle, 1952

The Body on Mount Royal
David Montrose
     [pseud. Charles Ross Graham]
Winnipeg: Harlequin, 1953







Other contributors to CNQ #89 include: Meaghan Acosta, Asa Boxer, Kate Beaton, Michel Carbert, Bill Coyle, Jesse Eckerlin, Trevor Ferguson, Elizabeth Gill, Mary Harman, Kasper Hartman, David Homel, Cory Lavender, David Mason, Donald McGrath, Leopold Plotek, Eliza Romano, Robin Sarah, Mark Sampson, Norn Sibum, Marko Sijan, JC Sutcliffe, Zachariah Wells, Kathleen Winter, and Caroline Zapata.

The country's very best magazine vendors are selling CNQ #89 for $7.95, but what you really want to do is take out a one-year subscription – available here – at twenty dollars. In so doing you will not only ensure that the magazine is brought directly to your door or post office box, but will also receive a subscriber-only collectable. This issue it's "Mountain Leaf" by Peter Van Toorn. Friends will be envious.

* I'm following the OED here: "popular or sensational writing that is regarded as being of poor quality". Letters of complaint should be sent to oed.uk [at] oup.com.

Alberta Gothic

"Cattle"

Winnifred Eaton

New York: A.L. Burt, [1925?]

294 pages

This review now appears, revised and rewritten, in my new book:

The Dusty Bookcase:

A Journey Through Canada's

Forgotten, Neglected, and Suppressed Writing

Available at the very best bookstores and through

Biblioasis, Amazon, Chapters/Indigo, and McNally-Robinson.

The Homoerotic E.J. Pratt

Behind the Log
E.J. Pratt
Toronto: Macmillan, 1947

Related posts:

The Homoerotic A.E. van Vogt

Harlequin: The Love That Dare Not Speak Its Name

The Pornographic Edna Jaques

The Erotic Brian Moore

The Erotic Mordecai Richler

Suggestive Harlequins: A Romantic Threesome

Selling From a Sea She'll Only Drag You Down

Thomas O'Hagan's 'The Maple and Shamrock'

Related posts:

A St. Patrick's Day Fragment

'Sleep On, O Hearts of Erin'

D'Arcy McGee's Query (with a response)

Dr. Drummond's Curious St. Partick's Day Poem

Thomas D'Arcy McGee's 'Home-sick Stanzas'

The Erotic Mordecai Richler

Son of a Smaller Hero
Mordecai Richler
New York: Paperback Library, 1968

Related posts:

The Pornographic Edna Jaques

The Erotic Brian Moore

The Homoerotic A.E. van Vogt

Harlequin: The Love That Dare Not Speak Its Name

Suggestive Harlequins: A Romantic Threesome

Selling From a Sea She'll Only Drag You Down

Selling Intent to Kill… Tueurs à gages, really

A few final words about Jack Cardiff's Intent to Kill. Blame 20th Century Fox; its poster for the French release fairly demands comment.

Let's begin with the title, which is nearly identical to Tueur à gages, that given the French release of This Gun for Hire. I won't blame the powers at the time; Tueurs à gages is not only appropriate, but a more exciting title than Intention de tuer.

But what to make of "La lutte sans merci de 'SCOTLAND YARD' contra les TUEURES A GAGES"?

Scotland Yard doesn't figure in the film. Why would it? Not one scene takes place off the Island of Montreal. "La lutte sans merci" is limited to one man, Det Sgt O'Brien of the RCMP, played by Montrealer Paul Carpenter. He doesn't even appear until the second half of the film, when he's assigned to guard the intended target. O'Brien spends most of his time making smalltalk at the nurses' station.

"Do the Mounties always get their man, like they say?"
"Well, they got me."

This is not to say that O'Brien isn't effective. Screenwriter, Jimmy Sangster, may have been British, but he has the Mountie apprehend the hired killer in typically Canadian fashion.

"I'm Detective O'Brien, sir… RCMP."

O'Brien does indeed get his man, in the shoulder, just as the other assassins move in.

Not one of them carries a rifle, as they do in the French poster. They don't wear hats, either, which leads me to wonder if it was O'Brien's suit that had the French recast him as a member of Scotland Yard.

"You don't look like a Mountie."
"I left my horse outside."

That's it. You'll hear no more from me about Intent to Kill. Promise.

Tueurs à gages, on the other hand…

Related posts:

Brian Moore's Forgotten First Feature:
Montreal and Scattered Thoughts on a Film I've Now Seen
Brian Moore's Forgotten First Feature:
Speculation and Scattered Thoughts on a Film I've Never Seen
Murderers Move in on Montreal… Again